You’ve spoken! In this occasional series, we highlight one of most popular articles among Fine Art Today readers. This week we revisit the amazing solo show of recent works by master Daniel Sprick, on view now in New York City.
 
Contemporary master Daniel Sprick will soon showcase a number of recent works in New York City. Ranging from extraordinarily realistic portraits to haunting still lifes and beyond, there’s something here for every fine art connoisseur.
 


Daniel Sprick, “Nefertiti,” 2015, oil on board, 20 x 16 in. (c) Gerald Peters Gallery 2016

 
The artworks of Daniel Sprick represent some of the best contemporary realism and imaginative realism have to offer. Blending modern psychological and human experiences with traditional techniques, Sprick is on the cutting edge of fine art in the 21st century.
 


Daniel Sprick, “Wake from a Dream,” oil on board, 60 x 54 in. (c) Gerald Peters Gallery 2016

 
Featuring 16 stunning new works at Gerald Peters Gallery in New York City, the show offers a range of interesting subjects, including hyper-realistic portraiture, still life, and urban landscape. Via the gallery, “There is a tension at play in his work as he explores the dichotomy between realism and abstraction, beauty and grit, tradition and experiment, planned and improvised. He exhibits extraordinary attention to detail, but then by leaving an unfinished edge or a sweeping gestural brushstroke, he reminds us that these are, after all, still paintings.”
 
“Daniel Sprick: Recent Works” opened on October 13 and will be on view through November 5. To learn more, visit Gerald Peters Gallery.
 
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.
 

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Andrew Webster
Andrew Webster is the Editor of Fine Art Today and works as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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