Joel Daniel Phillips, “Charlie Lee/Chopper,” charcoal and graphite on paper, 75 x 58 inches

Renowned master draftsman Joel Daniel Phillips could be heading in a captivating direction with his newest body of work titled “Hazards May Be Present.” What’s the buzz?

Joel Daniel Phillips has emerged in recent years as one of the most skilled draftsman in the country, and he might be headed in a new direction with his recent body of work, titled “Hazards May Be Present.” Since 2011, Phillips has turned his creative attention toward his very own community, often highlighting social issues. From June 2015 through August, Phillips was honored as the Palo Alto Art Center’s artist in residence, a distinction that required him to create a body of work aimed at the city of Palo Alto, California.

Joel Daniel Phillips, “Bouquet,” charcoal and graphite on paper, 19 x 13 inches
Joel Daniel Phillips, “Bouquet,” charcoal and graphite on paper, 19 x 13 inches

Phillips decided to turn his artistic lens on the residents of the Buena Vista Mobile Home Park, which remains the last of its kind as poorer residents are increasingly displaced by the rapid growth of the middle class in the Bay Area. Embroiled in a legal battle, the park has fought to survive and has evolved into a symbol in the long-running debate over gentrification.

Joel Daniel Phillips, “Trash Bags,” charcoal and graphite on paper
Joel Daniel Phillips, “Trash Bags,” charcoal and graphite on paper

Phillips’ newest body of work features larger-than-life-sized renderings exploring San Francisco’s Bayview-Hunters Point Neighborhood through the lens of three deeply rooted residents. “Long neglected,” Phillips suggested, “these inhabitants’ particular piece of the Bayview is demarcated and defined by the Hunters Point Shipyard, a shuttered U.S. Navy Base closed due to extensive environmental contaminants. By examining three men’s relationship with their home through their vocation as recyclers, daily proximity to hazardous waste, and their friendship with each other in the midst of an environment fraught with abuse, the drawings explore the complex history of use and misuse of resources that have helped to shape a unique corner of San Francisco.”

Joel Daniel Phillips, “Shoe,” charcoal and graphite on paper, 12 3/4 x 19 inches
Joel Daniel Phillips, “Shoe,” charcoal and graphite on paper, 12 3/4 x 19 inches

To learn more, visit Joel Daniel Phillips.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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