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The Eyes of Freedom: A Traveling Memorial

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Young person looking at the Silent Battle statue

Learn about a memorial that, by honoring a specific group of marines, is bringing healing to all those suffering from the “Silent Battle.”

A startling vision awoke artist Anita Miller, bolting her upright in the middle of the night. The fully formed idea materialized in her mind with an unsettling urgency. She hoped it would be forgotten in the morning light. Instead, it hovered so thickly around her she questioned her mental state.

Two months earlier Miller poured her coffee and settled in to read the local newspaper, her normal morning ritual. That paper’s headline would change the trajectory of countless lives, including hers. The date was August 5, 2005. Fourteen Marines in Lima Company had perished in a devastating roadside bomb attack in Iraq.

Picture of The Columbus Dispatch newspaper, August 5, 2005
The Columbus Dispatch, August 5, 2005

Young men, some married with children, some still in college and one less than a year from high school graduation would never return home. Their families and loved ones’ lives would turn upside down with their loss, unimaginable grief never to be assuaged. A pall hung over Columbus, Ohio that summer, as the deaths mounted of Lima Company. The first died in May; all told, 23 men would be lost. “Lucky Lima,” they had been called. Miller’s sons were the same age, and she could only imagine their family’s pain. She wept along side of thousands of Ohioans although she knew none of the families. She regretted having no way to help.

Two months later, the vision was clear, specific, and unwavering. Miller watched as people walked in and around 8 huge paintings arranged in an octagon, leaving flowers and notes. Life sized portraits of the 23 men of Lima Company created a sacred space, hallowed by their own boots and an ever living candle in front of each portrait. This played out in her mind’s eye in the rotunda of the Ohio Statehouse. In a flash, the image fast forwarded as she witnessed an orderly and efficient takedown, being readied for the next venue. She realized it was a traveling memorial and had the onerous feeling the task was hers to create it.

Miller worked for the next 2 and a half years. With the help of each family, she painted 23 life sized full length portraits. Many of the families would visit the studio, saying they could feel close to their sons there. Miller created a team and together started a not for profit organization that could facilitate exhibiting the work at the Statehouse and its subsequent travel. The powerful memorial at that time was entitled The Lima Company Memorial and was unveiled on Memorial Day of 2008 in the Ohio Statehouse Rotunda, just as the artist had envisioned.

Silent Battle statue
Silent Battle and Eyes of Freedom return to Ohio Statehouse regularly

The work stayed on exhibit in the Ohio Statehouse for 6 months and was then requested at the Cincinnati Museum Center at Union Terminal. After that came a request from the National Museum of the Marine Corps. To date, the exhibit has displayed in 32 states at 322 separate events.

“The power of this memorial is due to the gift that they gave,” shares Miller. “Their light shines through the canvas, their love emanates as they reach out in love and comfort. In the circle of the paintings, the veil is thin.”

Originally, Miller felt the memorial served to bring comfort and healing to the families of the fallen men, however, eventually it became apparent this was affecting veterans suffering from survivor guilt and post traumatic stress. Mike Strahle served with Lima Company and was nearly killed in the blast that took several Marines now depicted in the paintings. The young Marine corporal eventually recovered from his injuries and now serves as the full time executive director of the newly named, Eyes of Freedom Traveling Memorial. He credits the memorial with helping in his own healing process.

Veterans finding comfort and support
Veterans finding comfort and support

Addressing the Pain of Veterans, and Helping to Heal Them

Strahle and fellow staff member, Sean Flaharty began to see a shift in the demographic of those who were most profoundly affected by the paintings. Suicide issues continued to come up in discussions with the Veterans visiting the memorial. They convinced Miller to add to the exhibit with something that would address the Veteran’s pain. Miller took inspiration from a struggling Army Veteran’s personal account of the event that haunted him the most. Brian Zimmerman shared, “After a devastating mission I saw my friend sitting on the floor holding the dogtags of the men who were killed earlier that day. I still see him sitting there and I can’t erase that memory.”

Miller questioned how that image would help fellow suffering Veterans. He responded, “I guarantee that everyone who sees that will understand and will need no explanation. If a veteran sees that, he will see that he’s not alone. The first step in healing is knowing you aren’t alone.”

Miller created “Silent Battle” just as the soldier described. The life sized bronze now sits prominently in the center of the paintings. Visitors are encouraged to write the names of loved ones who may be suffering or lost the silent battle on blank dogtags and leave them with the sculpture to travel across the country. Visitors are allowed to touch the bronze as they engage with their whole body to the piece.

Young people engaging with the Silent Battle statue
Executive director, Mike Strahle shares the story of service and sacrifice of Veterans
Recruits engaging with the Silent Battle statue
Young recruits learn about service and sacrifice

After one such encounter, an Army Veteran shared, “So much shame, guilt, sadness, anger, and regret were laid on those shoulders. From someone who understands the battle and has lost someone to the invisible wounds of war, I feel that every single veteran needs to experience this tribute. It was a safe place to engage in something that many are experiencing, but no one wants to talk about. Interacting with other Veterans fighting the [The Silent Battle] was every bit as impactful as experiencing the bronze sculpture itself. It helped me take a huge step toward healing.

“It was not only what I was able to release on those shoulders, but more importantly what I was able to receive from those shoulders. We are in this together and no one has to fight their battle alone.” ~ US Army Veteran Justin Gallagher, Lafayette Colorado

“There is something truly remarkable and disarming about Anita’s work. I’ve witnessed struggling Veterans engage with the bronze, Silent Battle, and completely shed the layers of DEFENSE being carried like a shell for years. Silent Battle has almost a gravitational pull on both Veterans and Veteran resources, while somehow along the way softening these Veterans enough for them to finally accept the help they need, and they ALL deserve.”
~ US Marine, retired, Mike Strahle, executive director of the Eyes of Freedom

As Covid has grounded the Eyes of Freedom for 2020, we are hoping that 2021 will bring more opportunities for this tribute to continue its healing work. You can read more about the memorial and see if your community would be a good fit for hosting an event at EyesofFreedom.org.

Note for Organizers: The Eyes of Freedom exhibits in a variety of venues, including town festivals, schools, colleges, Veteran’s events, and even prisons across the country. As part of the hosting agreement, the public is never charged to experience the memorial.


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Rembrandt and Printmaking in the Netherlands

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Rembrandt Harmensz van Rijn, “Christ Driving the Moneychangers from the Temple" etching
Rembrandt Harmensz van Rijn, “Christ Driving the Moneychangers from the Temple,” 1635. Etching and drypoint. Collection University of San Diego. Gift of Robert and Karen Hoehn. PC2004.01.03.

The San Diego Museum of Art (SDMA) is presenting the extraordinary artistic accomplishment of Rembrandt and 17th-century painters and printmakers from the Dutch Republic in “Rembrandt and Printmaking in the Netherlands,” an exhibition including approximately 20 etchings and engravings by Rembrandt from the museum’s permanent collection and on loan from the important Rembrandt collection of the University of San Diego (USD). Guests can virtually see the exhibition via the 360 Virtual Tour tool online.

Unlike contemporaries, Rembrandt’s etchings were not reproductive of his paintings and are considered individual masterpieces. Rembrandt was among the greatest innovators in the history of art, producing masterpieces of painting, draftsmanship, and printmaking. Some of the works have never been seen before publicly while others have been in dark storage for the last two decades, presenting a unique opportunity for visitors to view these special etchings. Notable works include “The Descent from the Cross” (ca. 1650–52) and “Rembrandt’s Mother with Her Hand on Her Chest: Small Bust” (1631).

Rembrandt Harmensz van Rijn, “Descent from the Cross by Torchlight” etching
Rembrandt Harmensz van Rijn, “Descent from the Cross by Torchlight,” 1654. Etching. Collection University of San Diego. Gift of Robert and Karen Hoehn. PC2004.01.05.
Rembrandt Harmensz van Rijn, “Rembrandt's Mother with Her Hand on Her Chest: Small Bust" etching
Rembrandt Harmensz van Rijn, “Rembrandt’s Mother with Her Hand on Her Chest: Small Bust,” 1631. Etching. Gift of Mrs. Irving T. Snyder. 1952.39.

In his best-known etching, “Self-portrait, Etching at a Window” (1648), Rembrandt shows himself at work—holding a drypoint needle, which he is using to add details to an etched copper plate. His signature hanging in the window is done with this delicate tool.

While he continued to paint self-portraits through his career, this was the first in a decade in etching, and is currently on view in the exhibition.

Etching self-portrait by Rembrandt
Rembrandt Harmensz van Rijn. “Self-portrait, Etching at a Window,” 1648. Etching, drypoint, and burin on laid paper. Museum purchase with funds provided by the Helen M. Towle Bequest. 1947.64.d.

In addition to the unique etchings by Rembrandt featured inside the exhibition, the museum also has on view* a masterpiece loan from the Rijksmuseum, an extraordinary oil on canvas by Rembrandt painted around 1628 when the artist was only 21 or 22. Rembrandt was a dedicated self-portraitist and roughly 40 of his self-portraits exist today, allowing the changes in his appearance throughout the years to be read biographically.

Rembrandt Harmensz van Rijn, “Jan Cornelisz Sylvius, Preacher" etching
Rembrandt Harmensz van Rijn, “Jan Cornelisz Sylvius, Preacher,” 1633. Etching on laid paper. Museum purchase with funds provided by the Helen M. Towle Bequest. 1947.64.b.

For more information please visit sdmart.org. The San Diego Museum of Art is temporarily closed* for in-person visits following new indoor restrictions and guidelines put in place by San Diego County. Visit the 360 Virtual Tour tool online to see the exhibition.


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Friday Virtual Gallery Walk for December 11, 2020

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Friday Virtual Gallery Walk

Galleries, artists, and art organizations around the country are participating in an effort to encourage consumers to shop for the gift of art this holiday season. In our endeavor to help keep arts thriving during the pandemic, we’re proud to bring you this “Virtual Gallery Walk.”

Browse the paintings below and click any image to learn more about the painting, including how to contact the gallery.

Shiro by Mitsuru Watanabe (Born 1953), Oil and gold leaf on canvas, 45 3/4 x 35 3/4 in., signed; Rehs Contemporary

 

Feeding the Bird by Louis Marie de Schryver (1862 – 1942), Oil on canvas, 22.5 x 17 in., signed and dated 1899; Rehs Galleries, Inc.

 

Floral Bouquet by Ellen Buselli, oil, 14 x 11 in.; Anderson Fine Art Gallery

 

The Flatiron by Tony D’Amico, Oil, 16 x 12 in.; Ceres Gallery

 

Golden Wishes in the Poppy Fields by Karen Hewitt Hagan, Original oil on canvas, 24 x 24 in.; Hagan Fine Art

 

Winter Light by Eric Tobin, Oil on canvas, 40 x 48 in. (47 x 55 in. framed); Vermont Artisan Designs

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

How 2020 Inspired These 4 New Oil Paintings

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Landscape oil painting
Michele Byrne, “Santa Fe Holiday Lights,” 12 x 16 in., Oil on Linen, 2020, $1,800, Available at Michele Byrne Studio

Contemporary Oil Paintings > Whether painting energetic scenes of New York City or the quiet spirituality of the Southwest, Michele Byrne has found a way to express what so many of us are feeling in 2020.

Byrne is known for her impressionistic landscape oil paintings, which she expertly creates using a palette knife. Here, she shares four recent paintings and her inspiration for each.

Behind the Scenes of 4 New Oil Paintings

BY MICHELE BYRNE

Oil painting of New York
Michele Byrne, “Manhattan Blues,” 24 x 18 in., Oil on Linen, 2020, $2,800, Available at Michele Byrne Studio

“Manhattan Blues” (above) was painted in April of 2020 when the Covid Pandemic was at its worst in Manhattan. My beloved city, which I treasure for its typical flurry of activity and inspiration to my artwork, was in a total transformation.

The streets looked like a ghost town and I wanted to paint my memories of happier times with half painted figures in the streets in hopes and prayers that things would get back to normal.

Landscape oil painting of San Jose
Michele Byrne, “San Jose De Gracia Las Trampas,” 12 x 16 in., Cobra Oils on Linen, 2020, $1,800, Available at Wilder Nightingale Gallery, Taos, NM

Totally uprooting my life in Pennsylvania and moving across the country to my new home in Santa Fe has been a monumental task. Of course I had no idea the Covid pandemic would arise, but I chose to go ahead with my plans – moving my possessions across the country in early July. Thank goodness for the wonderful artist community in Santa Fe. The local plein air group continued to paint outside and I met many new friends, all masked of course. I also painted outside with a few close friends that I had met or known previously.

“San Jose De Gracia Las Trampas” (above) was painted en plein air at Las Trampas, a very magical and historical church on the high road to Taos.

When nearing the end of my painting process a few tourists walked up the steps to see if they could go in the church. Of course, it was closed, but I took a mental snapshot and indicated where I would add the figures in my painting. The rest was from memory as I have learned to establish somewhat of a photographic memory of the figures that I see.

I find it much better to paint from my memory and my knowledge then try to painstakingly add figures from photographs. I believe this gives the figures in my oil paintings more of a loose, fluid, and spiritual presence.

Landscape oil painting
Michele Byrne, “Santa Fe Holiday Lights,” 12 x 16 in., Oil on Linen, 2020, $1,800, Available at Michele Byrne Studio

Moving to a new city during a pandemic has been challenging. However, the magic and beauty of Santa Fe keeps my spirits high. After multiple walks through downtown and many paintings of the cathedral, I decided to challenge myself with a cheerful holiday view.

“Santa Fe Holiday Lights” (above) was done from some sketches and witnessing an early snowfall in October, and was painted mostly from memory and my imagination. This is more representative of how I would like the view from the Plaza to look during the holidays. Fantasy and imagination work well in my studio practice. I am a bit of a colorist and enjoy creating my own vision of light and color.

Oil painting of New York
Michele Byrne, “Unity II,” 16 x 12 in., Oil on Linen, 2020, $1,800, Available at Michele Byrne Studio

Having painted many rainy New York City street scenes with flags, I created “Unity II” (above) after my move to Santa Fe.

As my inspiration I used multiple photographs taken in the rain on 42nd street and Fifth Avenue. I had also previously painted the same view with one lonely flag off to the left. For this newest painting I decided to take the liberty of adding many flags to focus on my intention.

Reminiscent of a Childe Hassam painting, I produced this piece with thoughts of creating unity for our country. I do not intend for this piece to be a political statement – but aspire to create a feeling of hopefulness in those who encounter it.

Art is very powerful, and I humbly believe that I can make a small difference in this world by presenting my view.

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Connect with Michele Byrne at michelebyrne.com, and learn about her art video workshop “Palette Knife Cityscapes” here.

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If you’ve been looking for a way to enhance your painting style, you’re in for a very pleasant surprise. This may contain just what you’ve been looking for: a refreshing new approach that will bring in the zing and zest your paintings are missing.

Award-winning artist Michele Byrne is going to show you how to blend the best of both worlds — beautiful brushwork and amazing palette knife techniques, all in one painting.

"Learn More" button


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Featured Artwork: Santiago Michalek presented by the Celebration of Fine Art

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Ugly Beauty
By Santiago Michalek
48 x 96 in.
Oil
$29,000

Santiago Michalek strives to convey the most elusive emotions through his art, seeking qualities that drive human interest and compel the spirit. Born near Buenos Aires, Argentina, he resides in Provo, Utah.

“In concept, my paintings are simple. I paint vintage forms of transportation, capturing subtleties in the interplay of light on metal and paint. The interest in my work lies in the allure and iconic charge associated with machines we create. Everyone knows a classic automobile or train when they see one: the curved lines, unmistakable paint, and delicately rounded bumpers etc. I strive to evoke the near-mythical elements that surround these vehicles & machines — elements that are palpable, vivid, and utterly indelible — sparking memories which, as a culture, unite us.”

Come watch Santiago and 100 other artists create at the Celebration of Fine Art, where art lovers and artists connect, in Scottsdale, Arizona, January 16 – March 28, 2021. Contact us at 480-443-7695 or [email protected].

See more of Santiago’s works at: www.celebrateart.com/meet-the-artists/santiago-michalek

Fragile World, Vivid Dreams: 5 Narrative Oil Paintings

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Narrative paintings

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams to life.

Like a rush of blood to the head, inspiration for his next painting overwhelms Moscow realist Stanislav Plutenko with authority — and the artist must act quickly to record his visions before they fade. “At times when I look at the snow-white canvas in front of me, I see obscure images and my mind tries to freeze the moment and not lose any of those feelings or visions,” he writes. “I try to complete and develop these visions in order to transmit the fragile world that I see onto the canvas.” For Plutenko, this fragile world, experienced during his travels abroad to Asia, the Middle East, and India, are focused and reinterpreted artistically.

Narrative oil paintings
Stanislav Plutenko, “Cock Fight,” oil and tempera on canvas, 47 x 58 inches

He continues, “Inspiration comes like a hallucination or a vivid dream that only children have. With time, these dreams become bleaker, fainter, and disappear. First, I feel nostalgic, then the artistic drive takes over, I dissolve into the canvas, losing all track of time.”

“Cock Fight” is a representative example, recording Plutenko’s observations from India, Pakistan, and the Middle East. As he draws upon his love of Orientalism, we find an energetic group of men who crowd around a pair of cocks, their feathers raised in powerful, aggressive fashion. Despite the painting’s subject, the painting is — in fact — an intense study of emotion, individuality, culture, and expression. Plutenko writes, “This painting is an illustration of human passions and the human character. There are mixed emotions in this work — the excitement of the approaching victory, greed, cruelty, and disappointment. So many emotions at the same time — a treasure trove for genre painting.” Indeed, each onlooker is treated with astonishing sensitivity, their expressions, gestures, individuality, and emotions captured with clarity. The captivating composition and attention to each character recall the traditional works of Baroque masters and has a timeless quality.

Contemporary realism figurative art
Stanislav Plutenko, “Metamorphoses,” oil and tempera on canvas, 51 x 47 inches

“Christ in the Desert” (shown at top) is a fantastic modern reinterpretation of a traditional artistic theme. Sitting at center among piles of rubbish and debris, a weary Christ appears in worn white and green robes. Christ does not engage the viewer, but gazes downward with a saddened expression. “This painting is how I see the second coming of Christ,” writes the artist. “War and urbanizations have ravaged the land, physically and spiritually. Who should be saved? Who will listen to the truth?”

Contemporary realism figurative art
Stanislav Plutenko, “Girl with the Mirror,” oil and tempera on canvas, 47 x 36 inches

Especially fascinating is how open Plutenko is to his artistic communication, describing himself like a chef who has several key ingredients or spices at his disposal. He writes, “I am like a chef who has several spices (themes) in my arsenal — Romanticism and sugar, Surrealism and salt, Orientalism and spice, the grotesque and hot peppers. I mix everything and hope to nourish the world with the ‘soup.’”

Indeed, Surrealism comes to the fore in works like “Tree-Cloud,” which recalls the famous poetic tale The Little Prince by French poet Antonie de Saint-Exupéry. The painting here shows an otherworldly escape in the clouds. Plutenko describes, “‘Tree-Cloud’ is my escape from the big world into a tiny, quiet and cozy world.”

Surrealism oil paintings
Stanislav Plutenko, “Tree-Cloud,” oil and tempera on canvas, 47 x 35 inches

In the future, Plutenko wants to continue pushing his artistic boundaries and working in a variety of mediums. “There are times that I wish to get away from the usual subject matter and paint a series of works that are uncharacteristic of my usual style,” he asserts. “Maybe someday I will do something under a pseudonym!”

Plutenko is currently represented through a number of galleries and private collections in the United Kingdom, Germany, Canada, Monaco, Finland, France, Switzerland, and the United States at Gallery on Fifth in Naples, Florida.

To learn more, visit Stanislav Plutenko online.

This article was originally written by Andrew Webster and featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Oil Painters of America 2020 Exhibition and Awards

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Representational oil paintings
Christopher Zhang, "Smile Boy," oil, 12 x 9 in.

The Oil Painters of America (OPA) is holding the Eastern Regional Juried Exhibition of Traditional Oils at Reinert Fine Art in Charleston, South Carolina through December 19, 2020.

Learn more details at www.oilpaintersofamerica.com, and preview the representational oil paintings here:

Representational oil paintings
Neil Patterson, “Golden Sunset,” oil on canvas, 24 x 48 in.
Representational oil paintings
Howard Friedland, “Welcome In,” oil, 12 x 16 in.
Representational oil paintings
Sherrie McGraw, “Western Heritage,” oil, 28 x 30 in.
Representational oil paintings
Nancy Crookston, “Tadpoles,” oil, 18 x 14 in.
Representational oil paintings
John Michael Carter, “Sarah Putting on Earrings,” oil, 48 x 20 in.
Representational oil paintings
Daud Akhriev, “Peaceful Afternoon,” 19.25 x 24 in.

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10 Miniature Paintings of Birds on View Now

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Paintings of birds
Dina Brodsky, "Racket-tailed Drongo," 2020, gouache on paper, 3 x 3 in. unframed, $1,250

Paintings of Birds > Jubilant and wild, Dina Brodsky’s latest flock of feathered friends has migrated to the Garvey | Simon Upper West Side showroom in New York for the winter. These miniature curiosities are charismatic and “perfectly giftable,” the gallery says.

Birds in art
Dina Brodsky, “Spotted Bird in Posé,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Birds in art
Dina Brodsky, “Yellow Chick,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250

More from the gallery:

Dina introduces a sense of movement to her “Bird by Bird” series with these new works. Wings spread, beaks open wide, and legs hover in the air. This dynamism and posturing enlivens her already precocious subjects, and adds an element of joyful capriciousness.

Birds in art
Dina Brodsky, “Tiny Coronet,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Birds in art
Dina Brodsky, “Tiny Green Bird,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Birds in art
Dina Brodsky, “Red-Winged Blackbirds,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Paintings of birds
Dina Brodsky, “Yellow Crested Bird,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Paintings of birds
Dina Brodsky, “Pheasant in Flight,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Paintings of birds
Dina Brodsky, “Grey Chick,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250
Paintings of birds
Dina Brodsky, “Fan-tailed Bird,” 2020, gouache on paper, 3 x 3 in. unframed, $1,250

For more details, please visit garveysimon.com.


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Winter Reading List: 9 Books for Art Lovers

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Between the shorter days of winter and the stay-at-home period, now is a wonderful time to get cozy with one (or 100) books about art. This list is a good place to start.

1. My Still Life Art by Richard Schmid

“My Still Life Art,” published by Stove Prairie Press, is a large-format book about the American master painter Richard Schmid (b. 1934). As the title suggests, this handsome 280-page volume chronicles the artist’s six decades of still life painting. Its 385 color images show readers these artworks in various stages of completion, along with details and Schmid’s insightful reflections on his methods. The book has been published in softcover and hardcover editions. (Learn more about “My Still Life Art” by Richard Schmid)

2. I Come from a Place: Appalachian Watercolors of the Serpentine Chain

Two accomplished residents of Appalachia have collaborated to publish the 152-page, limited-edition book “I Come from a Place: Appalachian Watercolors of the Serpentine Chain.” Housed in its own slipcover, the handsome volume contains more than 80 watercolors of this scenic region painted by Alan Shuptrine, accompanied by the prose of Jennifer Pharr Davis, who holds the female world record for fastest supported hike on the Appalachian Trail (47 miles per day).

The authors note that the 18th-century Celtic settlers who moved westward from the Eastern Seaboard gravitated toward this region’s rugged landscape because it looked like home. The new publication celebrates the mountain region’s land, people, and culture, asking readers to consider “where do we experience our most profound sense of belonging, of home?” (Learn more about “I Come from a Place: Appalachian Watercolors of the Serpentine Chain”)

3. Mort Künstler: The Godfather of Pulp Fiction Illustrators

The artist Mort Künstler (b. 1927) is best known for convincing scenes of the Civil War and other historical eras, but in the 1950s, ’60s, and ’70s he pursued a successful career creating covers and illustrations for such men’s pulp magazines as True Adventure, Male, Stag, and For Men Only.

Edited by Robert Deis and Wyatt Doyle, “Mort Künstler: The Godfather of Pulp Fiction Illustrators” is the first book to explore this overlooked period, when the artist worked “15-hour days, sometimes seven days a week.” This 134-page volume contains 150 illustrations and has been published by New Texture. (Learn more about Mort Künstler: The Godfather of Pulp Fiction Illustrators)

4. Simple Pleasures: The Art of Doris Lee

The catalogue accompanying the touring exhibition “Simple Pleasures: The Art of Doris Lee” is published by Pennsylvania’s Westmoreland Museum of American Art in partnership with D. Giles Ltd (London). This is the first major project devoted to Doris Lee (1904–1983), whose folk-art-tinged scenes of everyday life were widely admired from the mid-1930s through the 1950s, along with her graphic designs and illustrations.

Based in the artists’ colony of Woodstock, New York, she exploded onto the American art scene in 1935 but has been more or less forgotten since her death. (Learn more about “Simple Pleasures: The Art of Doris Lee”)

5. Knowing and Seeing: Reflections on Fifty Years of Drawing Cities

In his 228-page book “Knowing and Seeing: Reflections on Fifty Years of Drawing Cities,” Douglas Cooper reflects on his half-century-long career as a muralist specializing in cityscapes. In a book that is part memoir and part analysis of his own art, Cooper offers personal anecdotes on his site sketches and finished works, then explores their intellectual roots.

Though his core artistic ideas began in Pittsburgh (where he teaches at Carnegie Mellon University), Cooper has exhibited and made murals worldwide. All of this work has been driven by a desire to combine his conception of place with his perception of it — thus the title “Knowing and Seeing.” The book has been published by the University of Pittsburgh Press (upittpress.org).

6. The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865

“The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865” is as much a book about people as about art. Departing from the conventional narrative of art dealers as purveyors of antiquarianism, independent scholar Diana Davis has repositioned them as influencers who invented a visually splendid decorative style that combined the contrasting tastes of their own nation (Britain) and of France. They did this by transforming old objects from pre-revolutionary France into cherished “antiques” while also creating new (and modified) French-inspired furniture, bronzework, and porcelain. This surprising 320-page book is available from Getty Publications (getty.edu/publications).

7. Making Waves: Crosscurrents in the Study of Nineteenth-Century Art

Brepols Publishers (brepols.net) has released “Making Waves: Crosscurrents in the Study of Nineteenth-Century Art.” It honors the life work of the New Jersey-based scholar Petra ten-Doesschate Chu, who remains a leader in the field of 19th-century art historical studies.

Inside are 28 essays authored by her friends, students, and colleagues, all edited deftly by professors Laurinda S. Dixon and Gabriel P. Weisberg. Most of the articles are based on the study of objects and their documented historical contexts. Though their methodologies are diverse, the authors’ purposes are clear and their language straightforward.

The contributing authors are Laura Coyle, Laurie Dahlberg, Therese Dolan, Rachel Esner, Gail Feigenbaum, Roberto C. Ferrari, Madeleine Fidell-Beaufort, Sharon Flescher, Francesco Freddolini, Anne Helmreich, Ruth E. Iskin, Liu Jing, Patricia Mainardi, Elizabeth Mansfield, Jennifer Milam, Kasia Murawska-Muthesius, Charlotte Nichols, Alia Nour, Emily Pugh, Jenny Reynaerts, Agnieszka Rosales-Rodriguez, Marjan Sterckx, Isabel L. Taube, Sally Webster, and Leanne Zalewski.

8. The Joy of Art: How to Look at, Appreciate, and Talk about Art

The title almost says it all. “The Joy of Art: How to Look at, Appreciate, and Talk about Art” is California artist Carolyn Schlam’s tool kit for making your next visit to the museum even more rewarding. Within its 344 pages, she lays out a working vocabulary to identify what you see; the basic criteria to consider while looking at art; highlights of the primary genres and an introduction to the artists who pursued them; visual examples and intriguing facts galore; and even a few games to test your new skills. The book is available from Allworth Press (skyhorsepublishing.com/allworth-press).

9. A Painter’s Journey

Karl Dempwolf has been a working artist, a painter in oils, producing fine art for more than half a century. He is now offering his insights in his new book, “A Painter’s Journey,” describing the struggles every artist encounters, with beautifully reproduced color images of his work. Designed not only for his collectors and fellow artists, those that have studied under him or followed his career, but all non-artists as well. The book is fully indexed with descriptions and comments, making it a resource for artists and a journey all can enjoy.

A colorful book of oil paintings designed to stimulate and inspire artists and art enthusiasts, there are 78 pages with color images, including 5″ x 7″ plein air sketches printed to-scale in order to appreciate the brushwork of the artist. Quotes from great masters accompany many of the images. The thumbnail index in the back of the book provides background information for each painting. (Learn more about “A Painter’s Journey”)

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Friday Virtual Gallery Walk for December 4, 2020

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Friday Virtual Gallery Walk

Galleries, artists, and art organizations around the country are participating in an effort to encourage consumers to shop for the gift of art this holiday season. In our endeavor to help keep arts thriving during the pandemic, we’re proud to bring you this “Virtual Gallery Walk.”

Browse the paintings below and click any image to learn more about the painting, including how to contact the gallery.

In Orbit by Beth Sistrunk (Born 1978), Oil on panel, 12 x 24 in., signed; Rehs Contemporary

 

Beloved by Nigel Cox, Oil on canvas, 36 x 36 in., signed; Rehs Contemporary
Beloved by Nigel Cox, Oil on canvas, 36 x 36 in., signed; Rehs Contemporary

 

Ready for Tea by Hope Reis, oil, 16 x 12 in.; Anderson Fine Art Gallery

 

Amour by E.K. Miller, Oil, 16 x 20 in.; Ceres Gallery

 

Lourmarin at Its Best by Alice Williams, Original oil on canvas, 31.5 x 47.25 in.; Hagan Fine Art

 

Melon and Clementines by Julie Y Baker Albright, Oil on panel, 9 x 12 in.; Vermont Artisan Designs

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

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