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Not One, But 14 Extraordinary Gifts

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Art Collections - FineArtConnoisseur.com
John Singer Sargent (American, 1856–1925), “The Portal of S. Giorgio Maggiore, Venice,” ca. 1903, watercolor over pencil on paper, 9.5 x 13.75 in.

The Georgia Museum of Art recently announced a generous art collection that will be on display through August 5 in an exhibition titled “A Legacy of Giving: C. Herman and Mary Virginia Terry.”

From the museum:

At the University of Georgia, the Terry name is synonymous with UGA’s business school, but the influence of C. Herman and Mary Virginia Terry extends far beyond that, including to the Georgia Museum of Art. Also on the campus of the university, the museum is the recipient of 14 paintings and works on paper from the Terrys’ art collection.

Art Collections - FineArtConnoisseur.com
Maurice Brazil Prendergast (American, 1859–1924), “Autumn Scene,” ca. 1910–13, oil on canvas

Throughout her life, Mrs. Terry has focused her philanthropy on three areas: education, children’s charities, and the arts. She has been a trustee of Jacksonville University and served on the boards of the Wolfson Children’s Hospital, the Children’s Home Society, the Salvation Army, the Sulzbacher Center for the Homeless, and the Jacksonville Symphony. Mr. Terry graduated from what was then UGA’s school of commerce in 1939, then became president of Dependable Insurance Co., which he built into a major corporation in Jacksonville, Florida, where the couple made their home. He passed away in 1998, but Mrs. Terry has continued the legacy of giving that they began together. She received an honorary doctoral degree from the University of Georgia in 2009 and served recently as honorary chair of the Building Terry campaign at UGA’s Terry College of Business.

Art Collections - FineArtConnoisseur.com
Childe Hassam (American, 1859–1935), “The Mill Dam, Cos Cob,” 1903, pastel on paper

A native of Quitman, Georgia, and a graduate of Valdosta State University, Mrs. Terry understands the impact that art can make on children’s lives and the way that it can provide UGA students with a well-rounded experience. She and her husband built their collection of art together, and these 14 works greatly increase the museum’s holdings by the major artists who created them.

It would be rare and marvelous to receive a gift of a single work by Childe Hassam, John Henry Twachtman, Maurice Prendergast, Andrew Wyeth, Ernest Lawson, Winslow Homer, Gifford Beal, or John Singer Sargent. To receive works by all of these artists at once, in a single gift, is extraordinary. Until Mrs. Terry made her gift, the museum did not own a painting by Sargent, only a drawing. These works also fill some gaps in the museum’s collection, allowing UGA students and the wider Athens-area community to benefit from seeing them in person.

Winslow Homer (American, 1836–1910), “Two Girls on a Hillside,” 1879, watercolor over pencil on paper, 7 x 10 in.

William U. Eiland, director of the museum, said, “My reaction at hearing from Mrs. Terry that she was making this gift to the museum? Joy. Unaffected, pure joy. And gratefulness, on behalf of generations of students yet to enroll at the university.”

Mary Virginia Terry has said, “My husband and I just felt we wanted to give back because we had such good fortune.” They chose to focus on the arts, hospitals, education, and children’s concerns because, she said, “We felt those were important both for the future and for the needs we saw now.” Mrs. Terry is a modest person, who does not love the spotlight, but she accepts public recognition in the hope that her giving will serve as an example to others. For more than half a century, she has provided support to the University of Georgia that has helped it strengthen academic and research programs. The museum is proud and grateful to be among the beneficiaries of their kindness.

The exhibition is sponsored by the W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art. For more information, please visit georgiamuseum.org.


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Georgia O’Keeffe: Visions of Hawai’i

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Georgia O'Keeffe, artist
Harold Stein, “Georgia O'Keeffe on Leho'ula Beach, near Aleamai, Hana, Maui,” 1939, Gelatin silver print, 2 x 2 7/8 in., Alfred Stieglitz/Georgia O'Keeffe Archive, Yale Collection of American Literature. Beinecke Rare Book and Manuscript Library © Estate of Harold Stein.

New York Botanical Gardens (NYBG)
Through October 28, 2018
Bronx, New York

From NYBG:

“Georgia O’Keeffe: Visions of Hawai’i” focuses on the iconic artist’s immersion in the Hawaiian Islands in 1939. Exhibition visitors will experience a lush flower show in the Botanical Garden’s Enid A. Haupt Conservatory, evoking the gardens and landscapes that inspired O’Keeffe, as well as the complex story of the flora and unique ecology of Hawai’i.

Georgia O'Keeffe paintings
Georgia O’Keeffe, “Hibiscus with Plumeria,” 1939, oil on canvas, 40 x 30 in., Smithsonian American Art Museum, Gift of Sam Rose and Julie Walters, 2004.30.6 © 2018 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York

In 1939, at the age of 51, O’Keeffe accepted a commission from the Hawaiian Pineapple Company to produce two paintings for advertising campaigns. Her nine-week immersion in the Hawaiian landscape resulted in more than 20 paintings, including stunning views of the mountains and waterfalls, and her signature close-cropped views of flowers and plants she encountered during her time on the islands of Hawai’i, Kauai, Maui, and Oahu. At the time of her trip, O’Keeffe was among the most famous artists in the United States, best known for her depictions of the stark landscape and desert flora of her beloved New Mexico.

“Georgia O’Keeffe: Visions of Hawai’i,” will explore this lesser-known chapter in her career, the enduring cultural impact of mid-century perceptions of Hawai’i, and the ecological complexity of the Hawaiian Islands — one of the most biologically diverse places on Earth — hidden behind O’Keeffe’s depictions. Integrating art, horticulture, and historical interpretation, the exhibition will explore the Hawai’i that O’Keeffe encountered, and also reveal the complex history of the plants and the Islands that she was not familiar with at the time.

Curated by art historian Theresa Papanikolas, Ph.D., Deputy Director of Art and Programs at the Honolulu Museum of Art, the exhibition will feature 20 of O’Keeffe’s depictions of Hawai’i — including paintings not seen together in New York since their 1940 debut. Visitors of all ages will learn about Hawai’i through complementary events, programs, and demonstrations, including a film series, symposium, lecture, and an interactive mobile guide.

An Interview with Curator Theresa Papanikolas

For more information: www.nybg.org


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150 Years of Collecting Impressionist Art

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Edgar Degas - Woman Viewed from Behind
Explore the evolution of Impressionist art collecting, from the sole province of bold collectors in France to a highly popular international pursuit. Don’t wait — this opportunity ends soon.

150 Years of Collecting Impressionist Art: From the Avant-Garde to the Mainstream
Center for the History of Collecting Symposium
The Frick Collection, New York
May 11–12, 2018

From the Frick Collection:

This two-day symposium will explore the evolution of Impressionist art collecting, from the sole province of bold collectors in France to a highly popular international pursuit. Renowned art historian Richard Brettell will deliver the keynote address, followed by presentations by distinguished speakers from Europe and the United States, including Joachim and Lionel Pissarro, Anne Distel, and George Shackelford. Support for the symposium has been generously provided by the Edith O’Donnell Institute of Art History, Christie’s, and Northern Trust.

Discussions include the following:
Promoting Impressionists Abroad with Paul-Louis Durand-Ruel, Paris,
“This Kind of Painting Sells!” Collectors of Impressionist Painting 1874–1914 with Anne Distel, Curator Emerita, French National Museums, Paris,
The Inspiring Insider: Mary Cassatt and the Taste for Impressionism in America with Laura D. Corey, Research Associate, European Paintings, The Metropolitan Museum of Art, New York, and more.

For more information: www.frick.org


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Art Collectors, Have You Seen the New Artists on Art?

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William Schneider fine art portraits
William Schneider, “Muse,” oil, 24 x 30 in., as featured in the article “The Search for Excellence” in the newly relaunched Artists on Art magazine

Just this past week, the publishers and team for Artists on Art magazine have relaunched the brand, including a new app for subscribers, a new website, and the introduction of a free weekly newsletter — all of which feature some of today’s best working artists.

Cover art by James Earley, Artists on Art magazine, May/June 2018

In the recently published issue (Artists on Art, May/June 2018), for example, portrait and figure painter William Schneider shares his expertise, still life artist Zac Elletson takes us through a video tour of his studio and a start-to-finish painting, and equine artist Sharon Crute tells why her early work was considered “violent,” and why there’s some truth in that statement.

Zac Elletson, “Brilliance,” oil on linen, 8 x 16 in., featured in the article “Leveraging Your Accumulated Knowledge”
Sharon Crute equine art
Sharon Crute, “Assistant Starters,” oil on canvas, 24 x 36 in., featured in the article “Danger & Passion,” where she shares the driving forces behind paintings that are just as powerful as their regal subjects.

Browse the new website, subscribe to the magazine, or become an Ambassador, all at ArtistsOnArt.com.

Announcing a New Scholarship for Artists

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2018 Art Scholarships - Figurative Art Convention & Expo
Michael Harding, a manufacturer of handmade oil paints and a vendor at FACE 2017, modeled during one of the demonstrations.

Fine Art Connoisseur magazine recently announced a new opportunity for artists to attend a prestigious art conference. The scholarship for artists includes tickets to the Figurative Art Convention & Expo (FACE), a three-night stay at the host hotel, and spending money.

4 Tiers of FACE Scholarships for Artists
• Four art students
• Two teachers (instructing at a high school, college, university, or atelier)
• One senior (age 65 or older)

The event, which features four days of art mentorship from several top masters, will focus on figurative and portrait drawing and painting. It will include demonstrations with live models onstage, plus a studio that attendees can access for painting from models.

According to publisher Eric Rhoads, “This event is historic and something everyone involved in figurative art should consider attending. By making it available to some students as a scholarship, we’re giving them a chance to be part of this historic movement and a chance to meet top artists to encourage them toward their future as artists.”

Onstage mentors at the conference include artists Casey Baugh (for an optional pre-convention workshop), Michelle Dunaway, David Kassan, William A. Schneider, Burt Silverman, Sadie Valeri, and Rose Frantzen, with more to be announced soon! The hosts are Fine Art Connoisseur editor-in-chief Peter Trippi and publisher B. Eric Rhoads.

Details of the art scholarship are available here.

View a glimpse at the Figurative Art Convention & Expo from 2017:

If you’re looking for 2018 art scholarships apply to FACE 2018 now!

Figurative Art Convention & Expo


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Textured Portraits That One Could Call “Modern Pointillism”

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Mixed media fine art - Cayce Zavaglia
Cayce Zavaglia, “Matt” (front view), 2018, hand embroidery: crewel wool on Belgian linen with acrylic 19 1/4 x 30 1/2 in. (framed)

Discover the mixed media fine art of Cayce Zavaglia, who skillfully uses thread to create realistic portraits that reflect her definition of “family.”

“Southerly”
Through June 2, 2018
Lyons Wier Gallery, New York

From the gallery:

For the past 16 years, Cayce Zavaglia’s work has primarily focused on documenting the members of her immediate and extended family. “Southerly” marks a departure from this practice and focuses instead on the lifelong friendships that were formed when her parents immigrated to Australia in 1972.

Mixed media fine art - Cayce Zavaglia
“Matt” (back view)

In 2015, Zavaglia was the recipient of an artist fellowship with the Regional Arts Commission in St. Louis. This generous grant allowed her to return to Australia and photograph these childhood friends and their families. The resulting work touches on the universal immigrant experience of friends assuming the roles of absent family members. Portraying these individuals provided Cayce with an opportunity to reflect on the evolving definition of the word “family” and pay homage to her adopted country.

Mixed media fine art - Cayce Zavaglia
“Orlando” (front view), 2018, hand embroidery: crewel wool on Belgian linen with acrylic background, 23 3/4 x 20 3/4 in. / 24 3/4 x 21 3/4 in. (framed)
Mixed media fine art - Cayce Zavaglia
“Orlando” (back view)

Zavaglia has developed a technique that has been described as “modern pointillism,” which allows her to blend colors and establish tonalities that truly resemble the techniques used in classical oil painting. The direction in which the threads are sewn mimic the way brush marks are layered within a painting, which in turn gives the allusion of depth, volume, and form. Her stitching methodology borders on the obsessive. This system allows her to visually evoke painterly renditions of flesh, hair, and cloth. Each portrait is hand sewn in wool and continues her investigation into the notion of “embroidery as painting” and her ongoing interest in both hyper-realistic portraiture and process.

For more information: www.lyonswiergallery.com


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Featured Artwork: Tom Nielsen

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Sunrise
36 x 60 in., oil on canvas
Sunrise can be seen at the Grand Bohemian Gallery at 55 Wentworth Street, Charleston, South Carolina.

There are few things more stirring than to walk along the shoreline of the Atlantic as you witness the dawn of a new day. First a glow begins to light the eastern horizon. Suspense builds as the sky brightens and bathes the clouds in magnificent hues. The fragrance of the salt air, the rhythm of the surf accompanied by the calling of a seagull makes for a sacred moment. My hope is that Sunrise will evoke that amazing moment in the hearts of those who view it.

Tom Nielsen is a Signature Member of the American Society of Marine Artists. His work can be found in public and private collections worldwide.

Featured Artwork: William A. Schneider

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Courtney in Blue
6 x 6 in., oil on linen on panel
Available through Reinert Fine Art in Charleston, SC (843) 694-2445

William A. Schneider’s work has evolved since he finished his studies at the American Academy of Art. He credits the many hours he spent studying and copying masterworks by Nicolai Fechin with loosening up his brushwork and approach to edges.

William has won awards up to and including “Best of Show” in most of the national juried representational exhibitions. Bill’s work has also been featured in publications including Art of the West, Fine Art Connoisseur, Southwest Art, International Artist, The Artists’ Magazine, and The Pastel Journal. His instructional DVDs are distributed by Liliedahl Video Productions.

He was awarded signature status in Oil Painters of America (OPA). In addition the Pastel Society of America has recognized him as a “Master Pastelist,” IAPS (The International Association of Pastel Societies) has named him to the Masters’ Circle and AIS made him a Master Signature Member (AISM).

Drawings from an Artist Who is Both Fashionable and Sensual

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Gustav Klimt drawings | FineArtConnoisseur.com
Gustav Klimt, “Portrait Of A Young Woman In A Tall Hat,” around 1916, Pencil on paper, 22 x 14.7 in., Provenance: Wally Wieselthier collection. Dr. Paul Goldscheider collection, London. Private collection, London

Gustav Klimt – Drawings
Shepherd W&K Galleries
New York, New York
Through July 18, 2018

From the gallery:
A leading exponent of the Jugendstil and founding member of the Vienna Secession, Gustav Klimt is ranked among Austria’s greatest painters. In his lifetime, Klimt was widely regarded as one of the most fashionable artists of the fin de siècle. On the occasion of the centenary of the artist’s death in 1918, W&K has mounted a special exhibition of Gustav Klimt drawings.

The sensuality that Gustav Klimt’s works convey remains powerfully vivid today. Unfazed by social convention, he reveals essential aspects of life, shedding light on the wide range of sexual desire, the experience of pregnancy, and the ineluctable realities of birth and death. Media and society harshly criticized and derided his depictions of body and soul. He exposed the hypocrisy of the Viennese public and encouraged his contemporaries to do the same. His work paved the way for the autonomous evolution of the Vienna art scene; decades later, its influence can still be felt in the Viennese Actionism of the 1960s.

Gustav Klimt drawings | FineArtConnoisseur.com
Gustav Klimt, Kneeling Semi-Nude, Study For “The Bride,” 1917-18, Pencil on paper, 19.7 x 12.8 in., Estate stamp at lower right, Provenance: Helene Popper Collection, Montreux. Dr. W. G. Fischer Collection, London

Many of the ca. 4,000 known authentic drawings by Gustav Klimt are in museums and private or public collections. The current exhibition presents ca. 40 works, including portraits, studies, and a sizable ensemble of nudes.

For more information: www.w-k.art


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Featured Artwork: Susan Nicholas Gephart

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Changing Seasons and Sky
54 x 36 in., oil on linen
$3500
Available at SNicholas Studios

Focusing on the landscape and striving for a personal approach, Susan Nicholas Gephart’s goal is to see beyond the obvious and capture a mood or essence of what is felt. She responds to the sound, smell, and light of her surroundings to create beautiful interpretations of the landscapes she sees. In the studio, she often uses music to reconnect with the memory of a place.

“All my life, I have been inspired by the color and beauty of our fragile earth environment. I strive to capture and convey a spiritual message of nature’s important connection to humankind. Working on location outdoors, ‘en plein air,’ whether in pastels or oils, allows for spontaneity and directness.”

Influenced by her artist father, Susan developed a deep appreciation of the earth and its relationship to art when she was a young child. Her passion to explore the landscape is expressed through a unique use of color, texture, and atmosphere.

Susan has been exhibiting and painting award-winning landscapes for over forty years, and balanced raising three children while pursuing an art career. Her colorful, impressionistic plein air pastels and oils are in private and permanent collections across the country. Susan is a 1979 Bachelor of Fine Arts graduate of the Pennsylvania State University, and a 1977 Associate in Arts graduate from Montgomery County Community College. In 2007, Susan was inducted into the MCCC Alumni Hall of Fame, and then selected as one of 50 Outstanding Alumni in 2014.

Susan teaches and demonstrates frequently. Her most recent engagements were at Green Art House in San Diego, CA. She was also returning faculty at the annual PACE, the Plein Air Convention and Expo, presented by PleinAir Magazine in Santa Fe, where she taught the pastel section of the Plein Air Basics Class and gave several demos throughout the week.

Workshops, classes, and artist retreats ahead this year include a Skies & Seas workshop at Pierre Guidetti’s Art School in Brittany, France, and the 20th Annual Hameau Farm Studio Artist Retreat in Central PA. View Susan’s full teaching schedule.

To view more of Susan’s available art and learn more about her, visit her website and follow her on Facebook.

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