“And He Bearing His Cross”
Graphite on Paper
40 X 32 in.
LivvnArt Colorado and The Religious Academy are pleased to announce our monthly LivvnArt Biblical Gallery Show.  LivvnArt Biblical focuses on creating Classical Visual Art as it relates to Biblical stories.  This month we have pieces from Paul Grass, Vera Anderson, John Stadler, Patricia Johnson, Sarah Phippen and more.  Preview show on www.livvnart.org.
Join us Saturday February 27th for our demo at Christian Used Books, christianusedbooks.net, where our Biblical Artists will create your favorite Biblical Narrative.  Our show will be available to see in our Biblical Art Gallery Friday February 5th – Tuesday March 1st at the LivvnArt Gallery, 216 South Grant, Denver CO 80209, online at www.livvnart.org, and by apt, [email protected].  We will also have Artwork from artists that have donated to the Gideon Grass Trust including Shari Cannon available for purchase.  
As always 7% of our proceeds go towards the Brandy Cattoor Children’s Trust.  The Brandy Cattoor Children’s Trust was created in December of 2014 when LivvnArt’s CEO passed away from a two month battle with Breast Cancer at 27. We currently have been blessed to sell some of Brandy’s work on our site at this location: http://www.livvnart.org/#!trust-store/bamfw 
Artists from around the world including Paul Grass, Gregory Mortenson, Niki Covington, Mike Malm, Quang Ho, Joseph Brickey, Robert Barrett, and many more have generously donated work to helping Brandy’s three small children all under the age of 5 years old left behind.  100% of the donated work go towards helping this precious family.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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