On View > Sun Brothers: Dean, Elliott, Hagege in the Land of Enchantment
Glenn Dean, Josh Elliott, and Logan Maxwell Hagege “represent a new generation of artists who are drinking from the same well of inspiration as the painters of the Taos Society of Artists well over a hundred years ago."
American Impressionist Society 26th Annual National Juried Exhibition
A five-member jury reviewed 1,750 entries, and a printed catalogue illustrating all of the works they selected will be available for purchase, as will the artworks themselves.
The Art Collections of Artists
Wondering what to collect next? Here’s a tip: ask an artist. They are, in fact, some of the most knowledgeable, insightful, and avid (bordering on obsessive) collectors you’ll ever meet.
2025 International Biennial Portrait Competition
Don't Miss > Juried in by the institution’s executive director, David A. Hummer, the works on view reflect the unique relationships between artists and sitters, and have been ...
Capturing Wildlife – In Bronze
The Loveland Museum has organized "Rosetta: Animal Artistry, A 40-Year Journey," a retrospective devoted to a leading sculptor who ...
Virtual Gallery Walk for July 11th, 2025
As part of our effort to continue to help artists and art galleries thrive, we're proud to bring you this week's "Virtual Gallery Walk."...
Blueprint of a Collection
There’s something different on view this year at a Vermont museum renowned for its superb holdings of American material culture, especially works by folk and self-taught artists.
40th Annual Coeur d’Alene Art Auction
Over the years, this event has generated more than $400 million in sales of paintings and sculpture reflecting the American West, both historical and contemporary. This year's auction is ...
From the Garden: Contemporary Paintings
Curated with an eye for both beauty and surprise, "From the Garden" brings together a diverse roster of painters—traditionalists and experimenters alike—who were each tasked with creating garden-themed work.
Marilla Palmer: Ecstatic Earth
“Working so directly with nature makes it feel like I’m collaborating, but with an unpredictable partner. Who knows what will appear in my studio garden? How will the petals change when pressed or if the wet watercolor, interference paint or sequins will capture the ecstasy of what I see?”








