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Time With Contemporary Masters: Top Moments From Realism Live

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Dan Thompson figure drawing demonstration

In the first-ever global virtual art conference for contemporary realism, hundreds gathered online to learn from today’s master artists. Realism Live took place over four days (as well as offering a Beginner’s Day) with live presentations and interviews, recorded demonstrations during which the artist interacted in an ongoing chat room with all the viewers, and nightly Cocktail Hours and Paint Along sessions. Read the full recap of Realism Live here, and keep scrolling down from some favorite highlights.

Joshua LaRock demonstration

Joshua LaRock, who is internationally recognized as a preeminent figurative artist, began Day 1 with sharing insights on drawing and painting the eye. Why so specific? “No matter the subject matter, if there’s an eye it’s probably the most important part of the composition,” he said.

The Florida-based watercolorist Dean Mitchell is admired worldwide for his compelling figurative works, landscapes, and still lifes. In his conversation with Peter Trippi, Mitchell revealed what he has been doing this extraordinary year and how he sees the future of realist art shaping up as we plan life post-pandemic. His comments on the importance of the arts and arts education to society were particularly eye-opening.

Three gifted realist artists — Patricia Watwood, Jennifer Balkan, and Alia El-Bermani — have given much thought to the challenges and opportunities that face women in this ever-changing field. In their conversation with Peter Trippi, they explored important topics ranging from gender bias to imposter syndrome and the balance to be struck between work and family life.

Each night, our Cocktail Hour included a live action model who sat for a portrait painting session while Eric Rhoads and Peter Trippi had entertaining conversations with many of the days world-wide attendees. (Look closely and you’ll even see that someone’s feathered friend joined us for the call one night!)

Stephen Bauman demonstration

Figurative artist Stephen Bauman took us through every stage of a portrait painting, from the graphite drawing to the refined finished painting. Bauman ended his presentation with these three important pointers:
1. A really good drawing is the key to making a proficient portrait painting.
2. Organization – in regards to your palette, materials, and general preparation – is an enormous part of learning.
3. The ideas and tools you learn about throughout your art studies are open to your interpretation.

Juliette Aristides demonstration

Juliette Aristides, founder and director of the Aristides Atelier at the Gage Academy of Art, led a charcoal figure drawing demonstration. She began by copying a master work to demonstrate how you can learn from existing drawings when you don’t have a model available. Later in the session, she drew from a live model, explaining her choices in mark-making along the way.

Dan Thompson figure drawing demonstration

Dan Thompson, Dean of Faculty and Students at Studio Incamminati, led an anatomical figure drawing demonstration that honored the “extraordinary nature of the human form.” He advised that “‘drawing as you feel doesn’t mean anything until you understand your visual language.”

Graydon Parrish portrait painting demonstration

For Graydon Parrish’s demo, the Streamline studio welcomed a museum-borrowed Bouguereau portrait to copy. Parrish explained each of his choices, including how he uses the Munsell color theory and how he relies on understanding the concept of form to create a classical portrait painting. “Take the time to think critically about everything you’re doing,” he said, “and remember that everything is fixable.”

Peter Trippi’s lecture “Where Does Contemporary Realism Go from Here?” laid out the full spectrum of obstacles and opportunities that face our booming field during this exceptional year. (If you’re catching the replay, you may be surprised to learn what worries him the most.) Particularly urgent, in his view, is the need for realist artists to tell the world what’s on their minds; you have the technical skills, so what do you want to say with them now?

We’d like to give a big thank-you to all of our Realism Live sponsors!

  • Platinum Sponsors: Artwork Archive, Laguna Plein Air Painters Association, Royal Talens, Savoir Faire
  • Gold Sponsor: Ancient Earth Pigments
  • Silver Sponsors: Bristle Magic, Golden Artist Colors
  • Organization Partners: American Women Artists, Art Renewal Center, California Art Club

We wrapped up Realism Live with a final Cocktail Hour (including a costume party!) and a special awards ceremony where we announced the finalists and top winners in The Artist & Selfie Painting Competition – watch the full presentation of the winners, who won a total of $44,000 in cash and prizes on our Fine Art Connoisseur magazine Facebook page.

Next up is Watercolor Live! We hope to see you there!

Watercolor Live - Learn More

Approaching Contemporary Realism as a Storyteller

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Contemporary realism art
Taha Clayton, "Divine Connection," oil on panel, 28 x 36 in.

There is a lot of superb contemporary realism being made these days; this article by Allison Malafronte shines light on a gifted individual.

TAHA CLAYTON (b. 1981) is a multi-talented artist with a multi-faceted background. Born in Houston, raised in Toronto, and currently living in Brooklyn, he is a portraitist who previously worked as a carpenter, scenic painter, and set designer for films, photo shoots, and high-end events. Today all of these influences and areas of expertise flow through Clayton’s fine art, helping him approach each new work as a storyteller, as a designer, and as a director.

Contemporary realism art
Taha Clayton, “Spirituality,” oil on panel, 36 x 48 in.

Clayton is now focused on painting pictures that celebrate his heritage and address mistruths of black antiquity. Culture and legacy, as well as social injustice, spirituality, and family, are among the themes of his portraits and narrative scenes; in them, he uses historical references as both reminders of the past and predictions of the future. Often they reveal that, as much as we move forward, history and human nature tend to repeat themselves.

Contemporary realism art
Taha Clayton, “Road Warrior,” oil on panel, 44 x 58 in.

Clayton’s painting “Mettāmorphosis,” illustrated below, underscores that perpetuation for a particular young woman, the artist’s 14-year-old niece. “After a few recent family visits, I was reminded of the many pressures and insecurities of adolescence, especially for a young woman,” he explains. “Her desire for straighter hair, thinner lips, and a slimmer frame reaffirms the same beauty ideals that have existed throughout Western history. Additionally, technology consumes us with false perceptions, putting us under constant judgment. It is rare to unplug and dedicate time to reflection and contemplation, making it challenging to shed social constructs and realize clarity.”

Contemporary realism portrait paintings
Taha Clayton, “Mettāmorphosis, 2018, oil on panel, 72 x 48 in., available from the artist

Clarity, for this artist, seems to be about helping others see truth and beauty. Clayton’s spirituality and passion for culture, history, and community make his paintings as much about connecting with — and inspiring — others as they are about creating a visually compelling image.

Contemporary realism art
Taha Clayton, “Reign,” oil on panel, 36 x 48 in.

As a self-taught artist, Clayton enjoys constant experimentation and investigation into many aspects of the arts; they allow him to continue growing, learning, and becoming the artist he endeavors to be.

Connect with Taha Clayton on Instagram.


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Friday Virtual Gallery Walk for October 23, 2020

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

New York Minute by Jesus Navarro, Oil on canvas, 29 x 20 in.; Lotton Gallery

 

Southern Shadows by Sue Foell, Oil, 16 x 20 in.; Anderson Fine Art Gallery

 

Sophia by Josh Tiessen, Oil on panel, 24 in. diameter, signed; Rehs Contemporary

 

Chick-A-Dee-Dee by Jon Burns, Oil on panel, 8 x 8 in., signed; Rehs Contemporary

 

Teapot, Tulips, & Tangerines by Stephanie Neely, Oil pastel on canvas, 30 x 30 in.; Anne Neilson Fine Art

 

Street Song by Ralph DeAnna, oil on canvas, 28 x 32 in., 29 x 33 in. framed; Vermont Artisan Designs

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

Monet and Chicago

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Claude Monet paintings
Claude Monet, "Pheasants, Woodcocks, and Partridges," 1879. Private collection.

The Art Institute of Chicago is presenting the exhibition “Monet and Chicago,” on view through January 18, 2021. This exhibition explores the city’s unique relationship with this Impressionist artist, showcasing the Art Institute’s exemplary holdings alongside works from esteemed Chicago-based collections.

Claude Monet paintings
Claude Monet, “Apple Trees, Vétheuil,” 1878. Private collection. Photo by Jamie Stukenberg, Professional Graphics Inc.

From the museum:

Chicago has long admired Monet. In 1891, Bertha and Potter Palmer acquired some 20 paintings by Monet— including several from the Stacks of Wheat series—a fraction of the 90 canvases the Potters would come to own. That year, Martin A. Ryerson, who served as a trustee and eventual vice-president of the Art Institute, bought his first of many paintings by the artist. As president of the Board of Lady Managers for the 1893 World’s Columbian Exposition, Bertha Potter oversaw the creation of the Woman’s Building, which housed an exhibition of 129 works from American private collections, including four paintings by Monet. The international fair showcased a city still reimagining itself after the Great Fire of 1871 and one eager to embrace not only the technology but the aesthetics of modernity.

Claude Monet paintings
Claude Monet, “The Beach at Saint-Addresse,” 1867. The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection.

Inspired by these influential tastemakers, private groups and collectors eagerly followed their lead. In 1895, the Union League Club of Chicago purchased Apple Trees in Blossom (1872), which was also shown at the Art Institute that year in the exhibition “20 Works by Claude Monet,” the artist’s first solo show at a museum in the United States. In 1903, the Art Institute became the first American museum to purchase one of Monet’s painting—and in the decades that followed, the museum’s collection grew thanks to generous gifts from several donors, including Annie Coburn, former two-time Chicago Mayor Carter Harrison Jr., the Searle family, and others.

Claude Monet paintings
Claude Monet, “On the Bank of the Seine, Bennecourt,” 1868. The Art Institute of Chicago, Potter Palmer Collection.

Over the past century, the Art Institute has presented numerous exhibitions of Monet’s work, most recently in 1995, when the widely acclaimed “Claude Monet: 1840–1926” drew crowds from around the world, breaking the Art Institute’s previous attendance and sales records. The extensive research for each of those projects culminated in the digital scholarly catalogue Monet Paintings and Drawings at the Art Institute of Chicago. Published in 2014, this initiative examined Monet’s works in light of both art-historical scholarship and extensive scientific study of his techniques and materials. “Monet and Chicago” will offer wide audiences the revelatory results of that research, allowing them to gain new insights into Monet’s oeuvre and advance their understanding of his creative process.

Claude Monet drawings - Caricature of Jules Didier Butterfly Man
Claude Monet, “Caricature of Jules Didier (“Butterfly Man”),” c. 1858. The Art Institute of Chicago, Mr. and Mrs. Carter H. Harrison Collection.

Monet’s work remains a vital part of the Art Institute’s identity. Today, the museum’s 33 paintings and 13 drawings constitute the largest collection of works by the artist outside of Paris. Among the more than 70 paintings in the exhibition—from the Art Institute’s holdings and Chicago-based collections—are beloved major works as well as rarely seen still lifes, figural scenes, seascapes, and landscapes, spanning his long career from early caricatures made at Le Havre to the last splendid canvases inspired by his garden and water lily pond at Giverny. “Monet and Chicago” also benefits from new art-historical research and in-depth scientific study of his materials and techniques and offers an opportunity to look more closely at the artist’s oeuvre through our ever-advancing understanding of his creative process.

Claude Monet paintings
Claude Monet, “Venice, Palazzo Dario,” 1908. The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection.

“Monet and Chicago” is organized by Gloria Groom, Chair and David and Mary Winton Green Curator of Painting and Sculpture of Europe at the Art Institute of Chicago. The exhibition will be accompanied by a catalogue.

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For more information, please visit artic.edu.


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Happening Now: Realism Live

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Realism Live - drawing for beginners - Erin Meads figure sketch A
Above: A moment from Erin Mead's drawing session on Beginner's Day

Just us now for Realism Live – a rare opportunity to see the world’s top artists teaching realistic painting and drawing in one place.

Here’s how it works. First, sign up here for a special link to the event. We start out by building some energy each morning. You can watch or participate if you have a camera on your device. Then we jump right into lessons. You can paint along, draw, or take notes. If you’ve missed any of the days so far, you can still access the recordings.

Realism Live Faculty Line-Up:

Realism Live 2020

You can take breaks from the sessions as you need them because you can watch your replay later. (Every registration comes with replays). And a couple times each day, we hold breakout sessions where you can meet other artists. You’ll have a chance to get to know people all over the world. You can talk about what you’ve learned, about your artwork, or just make friends. It’s one of the best parts. Then back to more lessons.

At the end of each day we have a virtual online cocktail hour, where our host, Eric Rhoads, carries on a conversation with the entire group worldwide. And, if you want, you can paint along. We provide a live model, or a scene, or a project to paint each day. (No model nudity.)

Please note this goes on for four days from 12pm to 9pm (Eastern time). We suggest you block out the time as if you were out of town.

The reality is that art is a process (but it’s a lot of fun – even in the struggle). You’ll find yourself recalling lessons for the coming months as you paint and practice. The more you watch the replays and read the notes, the more you’ll recall. And you’ll see a dramatic increase in your ability following the conference.

Look at this power-packed agenda:

Realism Live 2020

Join us now – yes, now – for Realism Live!

Register for Realism Live here > realismlive.com

Featured Artwork: Lisa Cunningham

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Ravello in Bloom
11 x 14 in.
Pastel
Available through the artist

The town of Ravello, Italy, high atop the Mediterranean, is considered to be a hidden treasure of the Amalfi Coast. It’s truly an artists dream to be there, walking along the alleyways and stone paths among so much beauty, history, and culture… awe inspiring to say the least.

During one of my walks, I was stopped in my tracks by the warmth and stillness of this architectural wonder…The Villa Cimbrone, and its sprawling gardens so high above the coastline. I’m drawn to these ancient places that have so much to say, yet stand the test of time so majestically. A perfect spring morning in mid May, with sun-kissed flowers in full bloom, was the inspiration for Ravello in Bloom.

Lisa is a signature member of the Pastel Society of America, and her work is held in private and corporate collections.

See more of Lisa’s work on her website.
Stay connected with Lisa and subscribe to her newsletter.

Galleries:

Cooper & Smith
10 Main Street
Essex, CT 06426

Patricia Hutton Galleries
47 West State Street
Doylestown, PA 18901

Why Figure Paintings Still Matter

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Contemporary realism figurative art - FineArtConnoisseur.com
Marc Duqette, "Soup at the Bar," 2020, oil on canvas, 20 x 30 in.

The Wausau Museum of Contemporary Art is ready to present the latest edition of its annual “Painting the Figure Now” exhibition. On view will be images of people in every possible mode — in action or repose, at play or work — all reminding us that the human form is a subject with inexhaustible potential for artists. Curators David Hummer and Didi Menendez have developed the project with guest curator F. Scott Hess, a distinguished figure painter in his own right.

PAINTING THE FIGURE NOW III
Wausau Museum of Contemporary Art, Wausau, Wisconsin
Through December 12, 2020

Contemporary realism figurative art - FineArtConnoisseur.com
Cesar Santos, “Catharsis,” oil on gessoed paper
Contemporary realism figurative art - FineArtConnoisseur.com
O’Neil Scott, “Born to be Different,” 2019, oil on canvas, 36 x 60 in.

Exclusive interview featuring O’Neil Scott > How My Oil Painting Provided Healthcare for 250 Children

Contemporary realism figurative art - FineArtConnoisseur.com
Sam Woodfin, “Leaving the Island,” 2020, oil on canvas, 35 x 67 in.
Contemporary realism figurative art - FineArtConnoisseur.com
Madelyn Sneed Grays, “Nadine Robbins Salvador Dali Impression,” 2020, oil, 24 x 30 in.
Contemporary realism figurative art - FineArtConnoisseur.com
Shawn Michael Warren, “The Portrait of Darius Carter”

Hess notes, “There was a time when finding well painted figurative works was difficult. There just wasn’t that much of it around. But that has changed. It seems there is an overabundance of well painted works at this time, as one sees them too often on Instagram and other social media platforms.

Contemporary realism figurative art - FineArtConnoisseur.com
Junyi Liu, “Salome,” 2020, oil on linen, 16 x 12 in.

“In curating this show I looked for works that were not only technically excellent, but also captured my attention in a different way, and made me think beyond the represented figure. This might be political/social commentary, or it might be visually poetic, or intrigue with narrative or humor, or relate to painting’s grand history, or deliver a strong sense of what it is to be human. I wanted paintings that delivered a view of existence in today’s world. We are living in very difficult times, and I expect artists to be saying more about our experience during this period than just reproducing a pretty face or a nice body.”

 

Contemporary realism figurative art - FineArtConnoisseur.com
Alicia Brown, “Princess in Seattle,” 2020, oil on canvas, 48 x 36 in.

 

Contemporary realism figurative art - FineArtConnoisseur.com
Anna Wypych, “Steel Eyes,” 2015, oil on panel, 16 x 20 in.

View the contemporary art exhibition “Painting the Figure Now” online here.


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> Join us for Realism Live, October 2020

 

Friday Virtual Gallery Walk for October 16, 2020

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

Water’s Reflection by Miguel Peidro, Oil on canvas, 18 x 26 in.; Lotton Gallery

 

Hanging Magnolia Leaves by Loren DiBenedetto, Oil, 36 x 30 in.; Anderson Fine Art Gallery

 

What the Trees Saw by Chris Cox, Oil on Canvas, 36 x 48 in.; Bluestone Fine Art Gallery

 

Roller Chick by Lucia Heffernan, Oil on panel, 12 in. diameter (image above modified), signed; Rehs Contemporary

 

Bosbury, Hereford by Frank Moss Bennett (1874 – 1952), Oil on panel, 10 x 14 in., Signed with initials, dated ’26, and inscribed Bosbury; Rehs Contemporary

 

Hot Majolika by Margret Short, Oil on linen, 11 x 10 in.; Bronze Coast Gallery

 

Dancer with Red by Jacob Dhein, Oil on panel, 24 x 24 in.; Anne Neilson Fine Art

 

The Cardinal by George Angelini, oil on canvas, 16 x 20 in., 19 x 23 in. framed; Vermont Artisan Designs

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

HerStory: Stories of Ancient Heroines and Everyday Women

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Torso of Aphrodite/Venus
Torso of Aphrodite/Venus, Roman, 1st century AD, marble, 46 in. high

The Tampa Museum of Art houses one of the largest Greek and Roman antiquities collections in the southeastern U.S., so it makes sense for it to celebrate the centenary of American women’s right to vote — and of its own founding — with the exhibition “HerStory: Stories of Ancient Heroines and Everyday Women.”

On view through January 9, 2022 are works from the collection that highlight goddesses and mythological characters including Aphrodite, Athena, and the Amazons, as well as women whose names have been forgotten.


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Evidence of the Search

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Contemporary landscape paintings - FineArtConnoisseur.com
Laurel Daniel, "Around the Bend," 36x60, oil on canvas

Laurel Daniel’s new body of work focuses on well-known surroundings … big skies, colorful Hill Country landscapes, and bountiful florals. Her latest exhibition, “Evidence of the Search – New Work by Laurel Daniel,” is on view through November 26, 2020 at Davis Gallery in Austin, Texas.

From the gallery: With practiced hand and a loaded brush, Daniel approaches each subject matter with great reverence. Her energetic, painterly mark-making reveals evidence of an ongoing search to capture the essence of our physical world.

Contemporary landscape paintings - FineArtConnoisseur.com
Laurel Daniel, “Heaven’s Kiss,” 30×30, oil on canvas

Throughout her twenty years as an oil painter, Daniel has often returned to nature’s familiar rhythms and forms for inspiration. She notes that they are steady constants in our ever-changing human experience. Vast heavens speak of a higher power. The return of spring awakens new life. The intricacy of design dispels chaos. Nature’s offerings give cause for hope, delivery from the unknown, and much needed respite in uncertain times. Daniel’s work reminds us to recognize these gifts and encourages us to keep searching.

Contemporary landscape paintings - FineArtConnoisseur.com
Laurel Daniel, “Wild Blue,” 30×40, oil on canvas
Contemporary landscape paintings - FineArtConnoisseur.com
Laurel Daniel, “Out Beyond the Shore,” 30×30, oil on canvas
Contemporary landscape paintings - FineArtConnoisseur.com
Laurel Daniel, “Ruby Sky,” 24×36, oil on canvas

This collection in “Evidence of the Search” includes both smaller plein air paintings finished on location, and larger pieces completed in the studio. For more details, please visit www.davisgalleryaustin.com.

Related > Laurel Daniel has helped people of all ages learn the secrets to getting “up and running” as a painter in record time. In her five-star, two-hour “Outdoor Painting Basics” video workshop, she explains how to choose the perfect outdoor subject for your painting that will capture your unique creative vision; how to set up your materials and mix your paints to get the perfect colors for your work; how to paint shadows, trees, the effects of light, rolling hills, clouds, and much more.

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Laurel Daniel - oil painting for beginners plein air


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