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Featured Artwork: Kathryn Ashcroft

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Intrigue by Kathryn Ashcroft
16 x 20 in.
Oil on Belgian linen
Available from Horizon Fine Art, Jackson, Wyoming

A beautiful red fox hunting on a winter evening. It’s winter coat keeping it warm the fox travels many miles during the course of a day in search of food. It is a life and death trek.

This particular fox has seen something high in the branches of a tree, what is it? That is an intriguing question and it is up to the viewer of the painting to decide.

KATHRYN ASHCROFT – THE ART OF NATURE

Kathryn Ashcroft was born in a small, Northern Utah farming town in 1961. She was raised on the family dairy farm where animals were fed before people were and a strong work ethic was instilled in her at a young age. Many hours were spent on the back of a horse and riding was her favorite pass time. Her Mother, also an artist, created beautiful paintings in oil and this was a great source of inspiration. Kathryn began drawing animals early and was encouraged and taught by her Mother and by Nature.

Striving to convey the essence of the animal, as opposed to a detailed depiction, she uses a loose, painterly style. The result is a beautiful rendition of what the viewer would see if they were viewing the animal in the wild. Abstract backgrounds bring the focus of the painting to the animal itself.

As a child, Kathryn had ample opportunities to view wildlife in its natural environment. She continues observing and studying animals every day and her paintings are based on personal experiences that she has had. She will not paint an animal unless she has seen it and studied it in the wild. Countless hours are spent outdoors and in nature capturing reference material for her artwork.

The use of light, color, shape and value are important to Kathryn and she is constantly striving to bring all dimensions of her paintings to a higher level.

Her work can be found in collections across the country and internationally. It is her desire that all who view her work will have a greater appreciation for the natural world.

Kathryn is regularly invited to participate in the Southeastern Wildlife Exposition in Charleston, South Carolina and she has had her work accepted into the prestigious Birds In Art international competition in Wausau, Wisconsin.

Gallery Representation
Horizon Fine Art Gallery, Jackson, Wyoming
Summit Gallery, Park City, Utah
Sorrel Sky Gallery, Sante Fe, New Mexico

For more of Kathryn’s work you can follow her on Instagram and Facebook as Kathy Ashcroft.

She can be reached through email and by phone 435-890-0912.

View more of Kathryn’s work at KathyAshcroft.com.

Featured Artwork: Steven Walker

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Next to Kevin’s by Steven Walker
Oil

The oil painting titled Next to Kevin’s is just one of many nocturnal paintings that I have been experimenting with over the course of the past three years. This one in particular was selected to be a part of the Oil Painters of America National show. The show will be in Fredericksburg, Texas, at the RS Hanna Gallery.

Born in Myrtle Beach, South Carolina, and raised in Richmond, Virginia, Steven discovered his love for art at a very early age. After earning his bachelor’s degree in fine arts at Virginia Commonwealth University and a masters in fine arts from Marywood University, Steven turned his focus towards nature by way of painting landscapes.

Since delving into the gallery world, his work has been well received by collectors.  Steven’s paintings are part of several private collections such as Airstream Inc., Hilton Hotels, the Boy Scouts of America, Dominion Resources, Virginia State Department, the National Parks Service, the Columbus Convention Center and the United States Air Force.

Steven has been included in several local and national juried competitions including the Oil Painters of America Eastern Regional show (Award of Excellence), Richeson 75 Landscape Competition, Plein Air Salon, the International Salon Competition, the Oil Painters of America Salon (Award of Excellence), Oil Painters of America National (Honorable Mention) and the Art Renewal Center. Steven also had the privilege of being a part of a statewide traveling exhibition with the Virginia Museum of Fine Arts.

He has participated in several artist in residency programs in Michigan, Indiana, Iowa and Colorado. In 2014, he was selected to create the Ohio Governor’s Art Awards by the Ohio Arts Council and in 2015 he received honorable mention in the Southwest Art Magazine’s Artistic Excellence Competition.

Steven now lives in Hahira, Georgia, where he continues to work hard on the advancement of his career, with the assistance of his lovely wife Evelyn and studio assistant/daughter Poppy. Currently, his work is represented in Kentucky, Washington State, Ohio, Georgia, North Carolina, Virginia, Oklahoma and Washington, D.C.

“I should have quit years ago but that would have proven so many people right.” – SW

Odd Nerdrum Joins Realism Live Lineup

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Odd Nerdrum paintings - Dawn
Odd Nerdrum (b. 1944), "Dawn," 1990, oil on canvas, 80 x 113 1/4 in.

During Realism Live, artists and enthusiasts have a rare chance to see Odd Nerdrum, the artist some call “the Rembrandt of our times.” Realism Live is the world’s first Online Realism Art Conference.

“Rarely are the ethereal pictures by Odd Nerdrum easy to look at, yet they always draw us in, forcing us to marvel at the artist’s deft draftsmanship and lush brushwork, even as we try to work out exactly what’s happening here,” said Peter Trippi, Editor-in-Chief of Fine Art Connoisseur magazine. “After he was expelled from Oslo’s National Academy of Art, his skillful drawings elicited an invitation from the Düsseldorf-based conceptualist Joseph Beuys to work in his studio, but that experience also ended with expulsion. Nerdrum has since made his own way, so successfully that his works can now be found in museums and major private collections worldwide.”

Nerdrum has titled his upcoming Realism Live talk “The Man Who Changed Our Heads.”

Odd Nerdrum paintings - Dustlickers
Odd Nerdrum, “Dustlickers,” 2000, oil on canvas, 80 x 106 in.
Odd Nerdrum teaching in his studio
Odd Nerdrum teaching in his studio
Odd Nerdrum - MEAM jury 2015
The jury of MEAM’s 2015 Figurativas Painting and Sculpture Competition included (left to right) Daniel Graves, Leandro Navarro, Lita Cabellut, Odd Nerdrum, José Manuel Infiesta, Antonio López García, Santiago Sánchez Echeberría, Tomás Paredes, and Richard Estes.
Odd Nerdrum - RealismLive.com
At Realism Live, save years of struggle and frustration by discovering techniques revealed by some of the worlds top artists, including Odd Nerdrum, in just four days in the world’s largest online art training event October 21-24, 2020 with a beginner’s day on October 20.

Register for Realism Live here > realismlive.com

37th Annual Roundup Art Exhibition and Sale

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John Pototschnik, "The Magic Hour," oil, 30 x 40 in.

The Museum of Western Art in Kerrville, Texas, is hosting the 37th Annual Roundup Art Exhibition & Sale. This invitational exhibition features over 100 works by leading artists, including John Pototschnik, in the western genre, celebrating them through seminars, a banquet, awards, and a reception.

This exhibition brings together a diverse range of artists and styles; from traditional cowboy scenes to stylistic depictions of Native American life, landscape and portraiture, painting and sculpture.

John Pototschnik, “Twin Owl Guardians,” oil, 18 x 24 in.
John Pototschnik, “County Road 384, Wylie, TX,” oil, 9.75 x 14.5 in.
John Pototschnik, “Country Spring,” oil, 18 x 24 in.

The 37th Annual Roundup Art Exhibition & Sale is on view through October 31, 2020.

Learn more about the exhibition at: https://www.museumofwesternart.com/
View the online catalog at: https://online.fliphtml5.com/heeqi/swul/#p=46

Related > On the PleinAir Podcast, Eric Rhoads interviews John Pototschnik. Hear what Pototschnik has to say about becoming an artist (including how important marketing has been in his path), his limited palette and color choices, and more:


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Register for Realism Live here > realismlive.com

9th Annual PleinAir Salon Grand Prize Winner Revealed

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In a normal year, we announce the annual PleinAir Salon winners under bright lights on a big stage in front of a cheering crowd at the Plein Air Convention and Expo (PACE). Of course, PACE was postponed and then cancelled due to things beyond our control, but we still had thousands of dollars to give away in prizes.

What could we do? Go online! On September 25, Eric Rhoads, Kelly Kane, and I hosted the 9th Annual PleinAir Salon awards live online (watch here), where we proudly announced the top winners this year. The bonus? The audience size was (and is) unlimited – you can still be a part when you watch from home!

Eric Rhoads, Publisher; Cherie Dawn Haas, Editor of Plein Air Today; and Kelly Kane, Editor-in-Chief of Plein Air Magazine

On behalf of our team and all of the judges, congratulations to the following winners of the 9th Annual PleinAir Salon!

Grand Prize: Dave Santillanes, “High Places”

Dave Santillanes, "High Places," oil, 30 x 40 in.
Dave Santillanes, “High Places,” oil, 30 x 40 in.
Dave Santillanes lovingly thanked his wife, Heather, when he found out his winning painting won the grand prize: “She does everything.”

Second Place: Nicolas Coleman, “Dog Valley Camp”

Nicholas Coleman, "Dog Valley Camp," oil, 18 x 24 in.
Nicholas Coleman, “Dog Valley Camp,” oil, 18 x 24 in.

Third Place: Jennifer McChristian, “Late Night Dim Sum”

Jennifer McChristian, "Late Night Dim Sum," oil, 16 x 20 in.
Jennifer McChristian, “Late Night Dim Sum,” oil, 16 x 20 in.

Honorable Mention: Kyle Ma, “Sunlit Pastures”

PleinAir Salon art competition - OutdoorPainter.com
Kyle Ma, “Sunlit Pastures,” oil, 36 x 48 in.

Honorable Mention: Ben Bauer, “Buffalo County Nordic Star”

Ben Bauer, "Buffalo County Nordic Star," oil, 32 x 36 in.
Ben Bauer, “Buffalo County Nordic Star,” oil, 32 x 36 in.

Honorable Mention: Christine Lashley, “Twilight, Libby Hill”

PleinAir Salon - Christine Lashley - OutdoorPainter.om
Christine Lashley, “Twilight, Libby Hill,” oil, 24 x 18 in.

If you missed the live version, watch the PleinAir Salon awards here, where you can comment and personally congratulate the winning artists >>>

How does the PleinAir Salon work?

The PleinAir Salon is a monthly art competition with 19 categories you can enter, including: Acrylic – Oil – Pastel – Watercolor & Gouache – Floral – Landscape – Animals & Birds – Nocturne/Sunrise/Sunset – Figure & Portrait – Outdoor Still Life – Water – Western – Drawing & Sketches – Plein Air Work Only – Buildings – Vehicles – Student – Artist Under 30 – Artist Over 65

You can enter as many paintings as you want in as many categories as you want. We award $1000 in cash prizes to the first, second and third place winners of every monthly competition. All 22 winners from every month are entered into the running for the Grand Prize in the Annual Competition held every spring.

We have gallery professionals, top artists, and museum directors as judges of the PleinAir Salon. People like Jean Stern, Director Emeritus of the Irvine Museum; Helena Fox, owner of Helena Fox Gallery; Seth Hopkins, Executive Director of the Booth Western Art Museum, and John Manzari, the Director of the Meyer Gallery.

We award $1000 in cash prizes to the first, second and third place winners of every monthly competition. All 22 winners from every month are entered into the running for the Grand Prize in the Annual Competition held every spring, where we award $21,000. The Grand Prize Winner receives a big check for $15,000 and will be featured on the cover of PleinAir magazine.

The Lingering Revolution

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Watercolor paintings of Cuba
Rance Jones, "Anthem," 2018, watercolor on paper, 21 x 18 in.

Forum Gallery recently announced the first New York exhibition for American watercolorist Rance Jones (b. 1965). Jones first visited Cuba in 2018, and was immediately inspired to begin his paintings of the current reality of life there. Making more visits from his native Texas, Jones fixed his eye on the people of Cuba and the music, commerce, dance, thought and history that informs their daily lives.

Watercolor paintings of Cuba
Rance Jones, “Meditation,” 2019, watercolor on paper, 21 x 25 in.

In the twenty-six watercolors that comprise the exhibition, “A Lingering Revolution,” Jones explores children, farmers, workers, shoppers and tradespeople against the remarkable past/present landscape that is Cuba today.

Watercolor paintings of Cuba
Rance Jones, “Iglesia de Castro,” 2019, watercolor on paper, 38 x 30 in.

Venturing out from the city of Havana, the Artist explores the homes, workplaces and vistas that describe the unique environment that plays such a large part in defining Cuba. But his subject is human life, and the persistent hope, ambition and devotion that inspire the lives of the Cuban people. A child walking through the vegetable market has the bright gleam of anticipation in her eye; a laborer hauls his shouldered burden with strength and resolve; a woman reads the newspaper and is clearly absorbed. All are painted with the meticulous technical ability and knowing sense of color that enable Jones’ talent for revealing human emotion to emerge and prosper.

Watercolor paintings of Cuba
Rance Jones, “Gecko,” 2019, watercolor on paper, 38 x 30 in.
Watercolor paintings of Cuba
Rance Jones, “Watchful Eye,” 2018, watercolor on paper, 21 x 25 in.

Explore the Online Viewing Room with a new video featuring Rance Jones speaking about his observations of Cuba and the making of these exceptional watercolors, and with footage shot by Jones during his visits to the island nation.

For more details, please visit forumgallery.com.


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Watercolor Live - Learn More

Scrambling for Grace

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Contemporary figurative art
Alex Kanevsky, "M.H.," 2020, Oil on panel, 18 x 18 inches

Dolby Chadwick Gallery (San Francisco, CA) has recently announced “Scrambling for Grace,” an exhibition of new work by Alex Kanevsky.

From the gallery:

Kanevsky’s paintings resound with a fluid, sensual energy. Bodies often appear suspended in space, fractured and glimmering, as they converge and intersect with their surroundings. Forms move through each other, as if all matter were malleable, even immaterial. Interiors pulsate as walls and floors bend and shift, while lush landscapes ripple and expand.

Even the quieter, more tonal settings that are typically inhabited by nudes teem with the energy of his exuberant marks and experiments with light. The works hold multitudes, capturing innumerable moments that overlap and spill over as they fill the canvas.

Contemporary figurative art
Alex Kanevsky, “Undine,” 2020, Oil on panel, 36 x 36 inches

The language of the paintings is wholly visual, Kanevsky observes; by resisting the verbal, they resist systems of order and meaning that rely on naming and schematic structures. The works can instead be understood as offering views of the world that are unfiltered and unhampered by our preconceptions. What we grasp is rather visual data in a state of flux, mirroring the vibrations of our eye, which must constantly move, albeit imperceptibly, in order to reconstruct a scene.

Contemporary oil paintings
Alex Kanevsky, “Dinner with Dear Friend,” 2020, Oil on panel, 51 x 51 inches

The works reveal how things appear to us at the most basic level—they foreground sensory experiences and their visceral impact—rather than our ideas of those things. “Breakfast on the Grass” (2020) may initially fit our concept of the famed outdoor petit déjeuner, but it quickly pushes beyond these confines as we scan the painting, taking in unexpected, even enigmatic, shadows, forms, omissions, additions, and interactions.

As this and Kanevsky’s other works demonstrate, a translation between the visual and verbal can be effected, but much will be lost along the way. Close looking and attending to relationships between color, light, form, and motion, on the other hand, allow for fuller communion with the paintings.

Contemporary figurative art
Alex Kanevsky, “Breakfast on the Grass,” 2020, Oil on linen, 60 x 60 inches

If the subjects thwart our preconceptions—even the artist’s own—how, then, does Kanevsky choose what to paint? Why these images and not others? Just as the images confuse the brain’s attempts to make meaning, their selection, too, resists rationalization.

“I just try to respond sensitively and honestly to the images that my life throws at me. They all have something directly to do with my life,” Kanevsky explains. “What actually goes on in these pictures, their literal content, as it were, is beside the point. They mean something else, and that something can only be expressed in visual terms.”

Contemporary figurative art
Alex Kanevsky, “Lulu with Friend,” 2019, Oil on panel, 18 x 18 inches

Alex Kanevsky was born in 1963, in Rostov-na-Donu, Russia, and studied at the Pennsylvania Academy of Fine Arts in Philadelphia, where he has also taught. He cites a range of influences, from Velásquez to Joseph Beuys, James Joyce to Cormac McCarthy, and Tarkovsky to Kaurismäki. His work has been included in exhibitions across North America and Europe, and can be found in the Achenbach Collection at the Fine Arts Museums of San Francisco, among other collections. Kanevsky is the recipient of numerous fellowships and awards, including the Pew Fellowship for painting. Art in America, Harper’s Magazine, the San Francisco Chronicle, the Philadelphia Inquirer, and Squarecylinder, among others, have featured his work. This will be his tenth solo exhibition at the Dolby Chadwick Gallery.

Contemporary figurative art
Alex Kanevsky, “J.H.,” 2020, Oil on panel, 36 x 36 inches
Contemporary oil paintings
Alex Kanevsky, “Desk With Painting,” 2020, Oil on panel, 18 x 18 inches

For more information about “Alex Kanevsky: Scrambling for Grace,” please visit dolbychadwickgallery.com.


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Friday Virtual Gallery Walk for September 25, 2020

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this new “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

Into the Cool by Jeanne Rosier Smith, Pastel, 8 x 16 in.; Anderson Fine Art Gallery

 

Golden Morning by William Hannum, Oil on Canvas, 30 x 36 in.; Rieser Fine Art

 

Maids in a Row by John Eiseman; Harford Plein Air Gallery Sale

 

Studying the Light v2 by Cheryl Elmo, Watercolor on Contemporary Mount, 18 x 24 in.; Bluestone Fine Art Gallery

 

Our Lives We Share by Dorian Vallejo (born 1968), Oil on panel, 32 x 27 in., Signed; Rehs Contemporary

 

The Milkmaid by Julien Dupré (1851-1910), Oil on canvas, 25.75 x 21.5 in., Signed; Rehs Galleries, Inc.

 

Jackson Horses by Jocelyn Sandor Urban, Oil on canvas, 90 in. x 102 in.; Vermont Artisan Designs

 

Wine Horse by David Crawford, Bronze, 19h x 29w x 6d in.; Bronze Coast Gallery

 

Inferno Series #9, print by Salvador Dalí, Color woodblock print on paper, 26 × 24 × 1 in.; Objets Trouvé

 

The Old Hunting Camp by Bernard Proulx, Acrylic on Canvas, 30 x 40 in.; Pasasha Art

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

International Guild of Realism 15th Annual Exhibition

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Linda Besse, "Ice Bear," oil on panel, 22 x 36 in.
Linda Besse, "Ice Bear," oil on panel, 22 x 36 in.

Founded by a group of renowned realist artists in 2002, the International Guild of Realism (IGOR) now represents the work of over 475 juried professional members from over 35 countries.

IGOR prides itself in selecting today’s finest realist artists through a jury committee. In addition to recognizing these artists, the organization seeks out exhibition opportunities, provides their members with professional assistance, and connects these artists with collectors through sanctioned gallery exhibitions.

Jette van der Lende, "Who Is the Real Dragon," oil on panel, 16 x 16 in.
Jette van der Lende, “Who Is the Real Dragon,” oil on panel, 16 x 16 in.
Matthew Bird, "Blood Orange and Blue," watercolor on paper, 30 x 17.5 in.
Matthew Bird, “Blood Orange and Blue,” watercolor on paper, 30 x 17.5 in.
Jeff George, "The Last Day of May," colored pencil, 18 x 24 in.
Jeff George, “The Last Day of May,” colored pencil, 18 x 24 in.

Principle Gallery Charleston (South Carolina) is thrilled to host IGOR’s 15th annual exhibition, which will feature a blend of contemporary and classical realism and styles such as trompe l’oeil, magic realism, contemporary realism and photorealism. The exhibition will feature 111 artworks from 107 IGOR artists from around the world.

Anna Wypych, "Double Freedom," oil on canvas, 27 x 39 in.
Anna Wypych, “Double Freedom,” oil on canvas, 27 x 39 in.

Please visit the Principle Gallery in Charleston anytime from October 2-31, 2020 to see the amazing work of this year’s winners. For more details, please visit www.principlegallery.com.

Related Article by Anna Wypych, featured at our sister site, RealismToday.com:

Freedom in Seven Tones: Contemporary Figure Paintings


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Realism Live virtual art conference

Featured Artwork: Jill Banks

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A New Day by Jill Banks
24 x 12 in.
Oil on linen-lined panel
$2300
Available from the artist

Capturing Life in Oils

After so many months of life on hold and canceled events, September brought fresh air, plein air opportunities and a good bit of the thrill of creating that makes Banks’ impressionistic art sparkle.

A New Day came to life over two days at a friend’s farm during Paint Great Falls (in Virginia), a friendly regional plein air competition sponsored by the Arts of Great Falls, through which Banks teaches regular classes. The organization devised innovative ways to ensure the competition could go forward with artists’ safety in mind.

Paint Great Falls was immediately followed by a more challenging excursion to Telluride Plein Air for the artist’s seventh time participating in this top-notch Colorado competition as a juried artist. She repeated her #1 Top Seller status from 2018 in this year’s event that had been postponed from its usual July 4th dates. See her work from Telluride Plein Air by clicking here.

There’s joy in A New Day and the paintings created in Telluride. Actually, there’s joy to be found in the rest of Banks’ paintings – she just had to dig deeper to find it during these more isolated times.

The artist says, “I’ve always had an appreciation for the magic in life but now that’s grown tenfold. Painting at the farm, I ducked into my car during a thunderstorm, marveling at the raindrops on the windshield, then the fog, then sun bursting through glistening on puddles … and finally this. I painted all those layers over many hours so it would be there, hidden evidence of time passing and hope arriving.”

Southwest Art chose Banks as one of the “Artists to Watch…The Editor’s Choice for Up-And-Coming Talent”. She is a recently elected Signature Member of American Women Artists (AWA), Women Artists of the West (WAOW) and the Washington Society of Landscape Painters (WSLP).

She also teaches hands-on online classes via Zoom through the Arts of Great Falls with the next sessions starting the first week in October.  She was selected as one of the Top 8 Painting and Drawing Teachers in the Metro DC area by Expertise.com. Get more info on class offerings here.

To view more of Jill’s artwork and events schedule, visit www.JillBanks.com. The painting A New Day may be found here and seen at Jill’s studio/gallery at the Artists’ Atelier, 756 Walker Road, Great Falls, Virginia, by appointment via email: [email protected] or phone: 703.403.7435.

Join the adventure with her. See her website to sign up for her newsletter for her latest paintings, news, tales and fun.

You can also follow Jill on Facebook and Instagram.

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