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The Berlin Masterpieces in America

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Art books - FineArtConnoisseur.com

In April 1945, the U.S. Army discovered the collections of Berlin’s leading museums hidden in a German salt mine. The art was sent to the Wiesbaden Central Collecting Point run by the Monuments Men and led by Capt. Walter I. Farmer, a native of Cincinnati. In November, 202 key works were sent to Washington, D.C. for safekeeping and remained there in storage for two years. In 1948 they were exhibited at the National Gallery of Art, then took a whistle-stop tour of 13 U.S. cities before being returned to Germany.

The first publication to address this fascinating chapter in cultural history is The Berlin Masterpieces in America: Paintings, Politics, and the Monuments Men. Created by a multi-author team led by Peter Jonathan Bell and Kristi A. Nelson, the 224-page volume features 311 illustrations, interviews with people who knew Capt. Farmer later in his life, and an illustrated checklist of all 202 artworks.

Published by D Giles Limited (gilesltd.com), the book was meant to accompany an exhibition that would have opened at the Cincinnati Art Museum this June. The show has been delayed, but the book can be enjoyed now.


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What Good Can Come of This?

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B. Eric Rhoads

I have been counting my blessings, aware that being cooped up with a wooded backyard and a neighbor with 40 acres is a small price to pay to keep from infecting someone, or being infected.

My fear, my concern for others, and my sadness in watching Facebook friends post tragic news of family members who are ill, or worse, have made me want to default to depression. But I refuse to give in. None of us ever wanted this, but I’m embracing it for what it is.

I don’t think life will ever be the same. Yes, we will return to a new normal, but we have each grown from this experience and taken hold of something that has enriched our lives. We are discovering things about ourselves we did not know. Those with businesses, myself included, are finding new ways to do business, and that will continue after the all-clear.

This experience has strengthened my own marriage; it has given my wife, Laurie, and I more time together; and now we have our teenage triplets at home, playing and doing projects they had no time for before. They’ve been forced to be creative, to grow. Their last few months of high school would have found them spending no time at home, so now we’re getting the gift of time with them. Deep, rich time.

I’m so impressed with human ingenuity, watching friends whose imaginations are on fire to develop solutions to help others, to expose their enterprises, to survive. These innovations will make them stronger in the long run.

I’m also impressed with how we are coming together as a people. We share this fear, this problem, this quarantine, with the entire world. Because of some of the initiatives I’ve been forced to come up with, I’m meeting and chatting with people around the globe. They are helping me, and I am helping them. I realized after talking with a new acquaintance, an artist in Iran, that his issues and concerns are the same as mine. We’re connected by our passion for art.

Let’s change what we can change in the next 15 minutes. Don’t ruminate about six months or one year from now. Find something to look forward to, to get you excited, something you can learn at home, a project you can take on.

In a weird way, this is a golden hour. It will come to an end. Maybe soon, maybe not, but it will end. After that, you’ll be busier than ever. Take advantage of this time. And Godspeed.

P.S.: My team and I have been working around the clock to come up with new ideas that help artists and art lovers cope with this challenging moment. One example, here’s how my art stimulus package works: Artists and galleries post links to their paintings or websites on their social media and tag it with #buyartnow. People who want to buy art to help them survive put #buyartnow into the search on Facebook, Instagram, LinkedIn, or Twitter and browse what others have posted.

Another example is the recent Plein Air Live global virtual art conference, which has led us to announce the upcoming Realism Live – learn more at RealismLive.com and join us in October, from wherever you may be.


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Realism Live virtual art conference

John Koch Painting Achieves Top Lot

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Fine Art Auctions
John Koch (1909-1978), "Siesta," 1962, oil on canvas, Price realized: $596,075 (estimate: $40,000-60,000)

The July 29 Bonhams sale of American Art was led by strong prices for works across all genres and the top lot was John Koch’s “Siesta,” painted in 1962, which realized $596,075. The sale realized $2,271,765, exceeding its pre-sale high estimate, and was 84% sold by lot, 96% by value.

More from the organizers:

Jennifer Jacobsen, Bonhams’ Director of American Art, commented: “We are thrilled with the success of our most recent sale of American Art. We saw competitive bidding across all of the genres offered in the category, demonstrating collectors’ demand for quality works and the strength of the current market. We are honored to have achieved such a strong price for John Koch’s elegant, beautifully painted work ‘Siesta,’ which is now his second highest price at auction and a near miss of his world auction record.”

Siesta depicts the complexities of the male-female relationship in the guise of a domestic bedroom scene. Koch’s perspective on this subject was unique in that he explored both physical beauty and social issues, including race, sexual norms, and domestic relations. This work was chosen for the cover of Time Magazine in 1964 for a special issue entitled “SEX in the U.S.: Mores & Morality.”

Further highlights in the sale included:

  • Walt Kuhn, “Lady in Vest,” oil on canvas, painted in 1939, a fantastically bold and modern portrait of a performer, sold for $312,575
  • John Singer Sargent, “Mrs. John C. Tomlinson,” oil on canvas, painted circa 1904, from the Mary Duke Biddle Trent Semans Foundation, sold for $212,575
  • John Koch, “Summer Night,” oil on canvas, painted in 1965, another painting from the Mary Duke Biddle Trent Semans Foundation, sold for $162,575
  • Gary Erbe, “Those Amazin’ Mets,” oil on canvas, painted in 2005-06, sold for $30,075, a world auction record for the artist
Fine art auctions
John Singer Sargent (1856-1925), “Mrs John C Tomlinson,” c.1904, oil on canvas,
62 x 42in (157.5 x 106.5cm), Estimate: $200,000 – 300,000 (£150,000 – 230,000)
Fine art auctions
Walt Kuhn, “Lady in Vest,” 1939, oil on canvas, sold for $312,575

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August 2020: Santa Fe Indian Market

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Santa Fe Indian Market
Carlin Bear Don’t Walk (b. 1982), "Cold as Ice," 2019, oil on canvas, 30 x 24 in., photo courtesy SWAIA/ Santa Fe Indian Market

Since 1922, the Southwestern Association for Indian Arts (SWAIA) has produced Santa Fe Indian Market. Rather than cancelling it due to the COVID-19 pandemic, SWAIA has teamed up with Santa Fe’s Clark Hulings Fund for Visual Artists (CHF) to create a virtual platform through which art lovers can see and buy artworks they would have discovered on the streets of New Mexico’s historic capital. In fact, there will be even more to see because many talented artists who were juried into the show had not previously been assigned a booth due to lack of physical space.

SWAIA and CHF are dedicated to creating economic opportunities for Native American and First Nations artists, and CHF has expertise in developing sustainable business models for artists and arts communities.

The very first “Indian Fair” was held in 1922. It was a small event featuring a handful of artists, held indoors at the National Guard Armory in downtown Santa Fe as part of the annual Fiestas de Santa Fe celebration.

Santa Fe Indian Market

Weekly silent auctions of donated art and packages with proceeds benefiting SWAIA:

  • Aug 8: Virtual General Preview of Artwork Submitted for Judging
    Artists will have the opportunity to submit one piece per class they have juried into. These pieces will be available for virtual preview beginning on August 8.
  • Aug 13: Virtual Advanced Preview of Final Round Art
    A select amount of art will be chosen to be sent to Santa Fe for in-person judging. Preview those pieces before winners are announced.
  • August 15: Virtual Awards Announcement
    Find out “live” from Santa Fe who the winners are.
  • August 16: Virtual Fashion Show, featuring designer Orlando Dugi
  • August 22: Virtual Gala and Live Auction
    Bid on award-wining art and also work donated to support SWAIA.
  • August 29: Finale Concert with Snotty Nosed Rez Kids

To learn more about the Santa Fe Indian Market, please visit swaia.org.


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Featured Artwork: Darcie Peet

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Featured Artwork: Darcie Peet

Featured Artwork: Darcie Peet

Change in the Air
24 x 30 in.
Oil
Oil Painters of America National Exhibit, RS Hanna Gallery, Fredericksburg, Texas
Aug 17–Sept 19, 2020

Late afternoon, for one last hike of the day, we headed up to Hidden Lake Pass in Glacier National Park. Distinct Reynolds Mountain loomed above, set off by a foreboding, stormy sky as weather had been turbulent , grey and chilly all day. Finally, it looked like a welcome change was coming as the clouds broke, letting in scattered rays of warm sun and also revealed an early rising moon. More change was in the air as the seasons were shifting from summer to autumn. Grasses and wildflowers dried and began to turn gold, tan and sienna, as a lower September sun cast longer shadows.

Featured in Southwest Art, Art of the West and Western Art Collector, Arizona and Colorado landscape painter, Darcie Peet, is a Signature Member, Oil Painters of America and honorary Artist Member of Tucson’s historic Mountain Oyster Club. Painting and living an outdoor life since childhood… hiking, cycling, skiing, kayaking and riding the back country of the Rockies, Alaska and Southwest are part of the exploration and discovery of “wild places” Peet loves in seeking singular painting material. For me, these backcountry spaces are powerful, humbling, have such a sense of awe and deserve great respect. Along with light, mood and a strong sense of place, it is these feelings and experiences that I strive to capture in my work.

With a B.A. in Art and M.A. in Interior Design, Peet has taught art and pursued a multi-faceted career in graphic design, advertising, and commercial interior design. Major shows include: Settlers West-Great American West Show; The Russell; Hockaday Museum’s A Timeless Legacy: Women Artists of Glacier National Park; Cowgirl Up; Museum of Western Art Annual Western Art Roundup; Salon International; Trailside’s Masters in Miniature; Oil Painters of America National Show; and Arts for the Parks.

Key awards: Best Miniature-Hockaday Museum’s Women Artists of Glacier National Park; Oil Painters of America-Landscape Award; Salon International-Western Genre Award; 1st Place, 2-Dimensional-Cowgirl Up Show. American Art Collector Award of Excellence-American Women Artists National Show; Rocky Mountain Plein Air Painters-Best of Show, Collector’s Choice and Artists’ Choice awards. In June 2017, Peet was honored with the cover of Southwest Art Magazine along with another feature article.

Peet’s work is commissioned; in private, museum and corporate collections including the Pearce Museum, Corsicana, TX, Vail Valley Medical Center, Steadman Clinic and Arrabelle Hotel, Vail, CO, and Mountain Oyster Club, Tucson, AZ. Peet was honored to serve as the 2020 judge for the 50th Anniversary Show, Women Artists of the West, Settlers West Gallery, Tucson, AZ.

Represented by:
Settlers West Gallery, Tucson, AZ
The Broadmoor Gallery, Colorado Springs, CO
A.Banks Gallery, Bozeman, MT
K Newby Gallery, Tubac, AZ
Artzline, America’s Online Gallery

Recent and Upcoming Shows:
The Broadmoor Art Experience, Broadmoor Gallery, Colorado Springs, CO
A Timeless Legacy: Women Artists of Glacier National Park, Hockaday Museum, Kalispell, MT
Oil Painters of America, National Exhibit, R.S. Hanna Gallery, Fredericksburg, TX
Museum of Western Art, 37th Annual Western Round-Up, Kerrville, TX
Mountain Oyster Club 51st Annual Contemporary Western Art Show
Settlers West Great American West Show, Tucson, AZ

www.darciepeet.com
www.Facebook.com/DarciePeet
www.instagram.com/darciepeetartiststudio

Featured Artwork: Barbara Coleman

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Featured Artwork: Barbara Coleman

Featured Artwork: Barbara Coleman

A Thousand Faces
16 x 20 in.
Oil on Linen Panel
Available through Illume Gallery of Fine Art, St. George, Utah

A Thousand Faces is the result of a study painted in the company of great friends, wonderful artists, and much laughter. It was October, and the group of plein air painters had pulled over to the side of the road and snuck between fence lines to paint the glowing cliffs.

The backcountry of Ghost Ranch, New Mexico, is luminous and ancient. It is a landscape of paradoxes for the human soul: simultaneously fleeting and eternal. While now an expanse of desert canyons and cliffs, it used to be part of an ocean, the shorelines are preserved to this day. Ghost Ranch’s duality of being both rich in color and architectural elements, yet honed down to its essence, has captivated artist Barbara Coleman for much of her life. To begin coming to terms with this place, much less paint it, the artist must become unflinchingly present to the shining cliffs, radiant shadows and vast, cobalt sky; and then give herself completely away to them. The poet David Whyte writes: “Sometimes it takes a great sky to find that first, bright and indescribable wedge of freedom in your own heart.” This place, and this great sky, has that kind of power to create freedom of expression.

On that sunny afternoon, laughter slowly gave way to intense focus and solitude as Barbara painted several studies, gathering her color notes and ideas to guide her future work. Afternoon flowed swiftly into evening and Venus hung brightly in the sky as she finished capturing the study that would later become A Thousand Faces.

A Thousand Faces is part of the Oil Painters of America Virtual Western Regional Show hosted by Illume Gallery of Fine Art in St. George, Utah. It is available for purchase through Illume Gallery.

Connect with Barbara online!
Website www.barbaracoleman.com
Facebook Barbara (McReynolds) Coleman
Instagram @barbaracolemanartist

Barbara is a member of these art organizations:
Oil Painters of America
Pastel Society of America, Signature Member
Plein Air Painters of New Mexico, Signature Member, Membership Director
Women Artists of the West, Associate Member

UPCOMING SHOWS:
Oil Painters of America 29th National Juried Exhibition, RS Hanna Gallery, Fredericksburg, Texas

Oil Painters of America Virtual Western Regional Exhibition, Illume Gallery of Fine Art, St. George, Utah

ArtsThrive Art Exhibition, Albuquerque Art Museum, Albuquerque, New Mexico

Juried Members Online Exhibition, Plein Air Painters of New Mexico, Blumenschein Museum, Taos, New Mexico

Featured Artwork: Rick Dickinson

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Featured Artwork: Rick Dickinson

Featured Artwork: Rick Dickinson

In the Wind
24 x 36 in.
Oil on Linen
$7,570.00
Available through the artist

In the Wind began as a plein air painting completed on a Fine Art Connoisseur Magazine annual art trip this particular year a cruise up the Rhine River and visit to Amsterdam. Also included was a pre-trip for painters who enjoyed several days painting in Bruges, Belgium and Zaandam, Netherlands. Zaandam is the site of a windmill museum, Molenmuseum, depicted restored antique windmills, one of which actual ground pigments for Rembrandt and grinds pigments offered for sale today. You can learn more about the annual art trips through the magazine.

At the 2019 Lincoln Arts Festival on Southport, Maine, Rick volunteered to demonstrate for the three days of the show and chose to start this studio painting using his plein air study and a photograph as references. He was at the show in front of his easel, engrossed in the work when he felt the presence of someone behind him. There was a couple paying close attention and clearly interested. The gentleman’s face light up with delight. The painting brought back fond memories of his being stationed near Zaandam after the war. Rick and the couple were even more delighted that Rick was able to gift them the plein air study.

Rick grew up in upstate New York, enjoyed a career as an executive in the construction industry, and now paints full time. He maintains studios in Lawrence, MA, and Southport, ME, and has many years of workshop and atelier training at The Ingbretson Studio of Painting and Drawing. His artistic goal at this time is to simply refine his craft to be the very best he can possible be when he tips over. The quest to capture the beauty of nature is a lifelong journey. The appeal is that the results never fully meet the objective, and his truth is that he hopes the two never meet because then the learning may stop and the game may be over.

To see more of Rick’s work visit DickinsonArt.com.
Or call him at 207-350-5772 to arrange a studio visit.

Featured Artwork: Kari Ganoung Ruiz presented by the Grand Canyon Celebration of Art

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Featured Artwork: Kari Ganoung Ruiz

Featured Artwork: Kari Ganoung Ruiz

Question of Time
30 x 40 in.
Oil on Panel

The 12th annual Grand Canyon Celebration of Art is pleased to welcome New York artist Kari Ganoung Ruiz to this year’s event. Ruiz is joining 22 plein air artists participating this year.

During Plein Air at Grand Canyon from September 12th through September 17th, visitors can watch the artists at work, painting along the South Rim of Grand Canyon National Park. These artists know the canyon intimately and are successful in capturing its beauty, its mystery, and its wonder on canvas. They face and overcome the challenges the canyon presents—its over-whelming vastness, ever changing light and color, and always unpredictable weather.

All of the participating Celebration of Art artists submit a Grand Canyon themed studio painting prior to the event. Of her studio painting Question of Time, Ruiz reflects:

How many nights turned to day,
How small we are compared.
When did the stone give way to wind and rain?
Why does this place move us so.
Why direct us to describe, represent, wander amidst
capture, hold on to, be awed by
but then let go?
All of these questions down to one.
The question of time.

Beginning September 20th, 2020, and open daily through January 18th, 2021, Ruiz’s work and the work of the other CoA artists will be exhibited and available for purchase at the historic Kolb Studio at the South Rim of Grand Canyon. Admission is free and open to the public. The work can also be viewed at the website below.

For more information visit:
https://www.grandcanyon.org/get-involved/events/celebration-of-art/
or contact Kathy Duley at [email protected] or 480-277-0458 for more information.

Featured Artwork: Kathryn Ashcroft

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Featured Artwork: Kathryn Ashcroft

Featured Artwork: Kathryn Ashcroft

A Great Day for Fishing
24 x 18 in.
Oil on Linen
Available from the Artist

THE ART OF NATURE
A Great Day for Fishing features a beautiful Great Egret. I love shorebirds and the Great Egret is one of my all time favorites. I painted this one in a morning setting, as the sun is rising and filling the day with glorious colors.

This beautiful bird, a master at fishing, stands at the ready. Its life depends on what it can find for breakfast and it truly is a great day for fishing.

Kathryn Ashcroft was born in a small, Northern Utah farming town in 1961. She was raised on the family dairy farm where animals were fed before people were and a strong work ethic was instilled in her at a young age. Many hours were spent on the back of a horse and riding was her favorite pass time. Her Mother, also an artist, created beautiful paintings in oil and this was a great source of inspiration. Kathryn began drawing animals early and was encouraged and taught by her Mother and by Nature.

Striving to convey the essence of the animal, as opposed to a detailed depiction, she uses a loose, painterly style. The result is a beautiful rendition of what the viewer would see if they were viewing the animal in the wild. Abstract backgrounds bring the focus of the painting to the animal itself.

As a child, Kathryn had ample opportunities to view wildlife in its natural environment. She continues observing and studying animals every day and her paintings are based on personal experiences that she has had. She will not paint an animal unless she has seen it and studied it in the wild. Countless hours are spent outdoors and in nature capturing reference material for her artwork.

The use of light, color, shape and value are important to Kathryn and she is constantly striving to bring all dimensions of her paintings to a higher level.

Her work can be found in collections across the country and internationally. It is her desire that all who view her work will have a greater appreciation for the natural world.

Kathryn is regularly invited to participate in the Southeastern Wildlife Exposition in Charleston, South Carolina, and she has had her work accepted into the prestigious Birds In Art international competition in Wausau, Wisconsin.

Gallery Representation:
Horizon Fine Art Gallery, Jackson, Wyoming
Summit Gallery, Park City, Utah
Sorrel Sky Gallery, Santa Fe, New Mexico

For more of Kathryn’s work you can follow her on Instagram and Facebook as Kathy Ashcroft.
She can be reached through email and phone at [email protected] and 435.890.0912.
View more of Kathryn’s work at www.kathyashcroft.com.

Featured Artwork: Mary Bentz Gilkerson

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Featured Artwork: Mary Bentz Gilkerson

Featured Artwork: Mary Bentz Gilkerson

Dawn Light, Edisto
8 x 10 in.
Oil on Panel
$750.00
Available through the artist

Using the changing color and light of an impression, the artistry of Mary Bentz Gilkerson’s paintings connects people to the experience of place.

“Almost daily for the last ten years I’ve made a small painting inspired by the landscapes I travel through, mainly near the roads and highways around Columbia, South Carolina, especially Lower Richland, and Savannah, Georgia,” says Gilkerson.

Mary is drawn to the ordinary spaces we move through, especially ones that are within view from the road.

“In a roadside view I find a strange intersection of nature and culture. We move so fast that we don’t take time to observe the world around us in the way that people did before modern transportation and technology came along. In my work, I seek to focus on the shifting patterns of light and color that tell us what time of day and season it is, to note the small and subtle, as well as the large and grand.”

Gilkerson holds an MFA in drawing and painting from the University of South Carolina. A native South Carolinian, she lives and works in her Columbia studio after retiring as a professor of art at Columbia College. She has received grants from the South Carolina Arts Commission and the Cultural Council of Richland and Lexington Counties in addition to having been selected as a Southern Arts Federation Fellowship Finalist. Her work is in the permanent collections of McKissick Museum, Palmetto Health, Morris Communications Company, and Seibels Bruce Group, among others.

See more of Gilkerson’s work and join her email list at https://marygilkerson.com.
Also view Gilkerson’s work at if ART Gallery in Columbia, South Carolina, and online at http://ifartgallery.blogspot.com/.

Join Gilkerson’s free community for artists at https://www.facebook.com/groups/ArtWorkLiving/.

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