Home Blog Page 201

The Symbolic Explorations of Andrea Kowch

0
Figurative art - Andrea Kowch - FineArtConnoisseur.com
Detail of “Soiree” by Andrea Kowch

Enjoy this preview of the contemporary figurative art of Andrea Kowch, who is represented by RJD Gallery (Bridgehampton, NY). In this spotlight, Kowch takes us behind the scenes of three of her recent paintings.

Andrea Kowch: Artist’s Statement

Inspired by memories, inner emotions, history, and my fascination with nature and the human psyche, the stories behind my paintings stem from life’s emotions and experiences, resulting in narrative, allegorical imagery that illustrates the parallels between human experience and the mysteries of the natural world.

The lonely, desolate American landscape encompassing the paintings’ subjects serves as an exploration of nature’s sacredness and a reflection of the human soul, symbolizing all things powerful, fragile, and eternal. These real, yet dreamlike, scenarios serve as metaphors for the human condition, all retaining a sense of vagueness because I wish to involve and motivate the viewer in uncovering the various layers of mood and meaning to form conclusions from their own perspective, despite that my main idea will always be before them.

We all share a common thread, and as active participants in an ever-changing modern world, the purpose of my work is to remind viewers of these places that we sometimes perceive no longer exist, and to recognize and honor them as a part of our history that is worth preserving.

In juxtaposing the human form with animals and a bygone uninhibited American landscape, I provide glimpses into “rooms,” those oftentimes chaotic places we possess internally. The rural, Mid-western landscape of my home state serves as a backdrop for the stage of human emotions. The animals present are vehicles for expressing the feelings and underlying tensions suppressed behind the human mask. Symbolic explorations of the soul and events concerning our environment are expressed through the combination of these elements to transform personal ideas into universal metaphors.

Below > Take a virtual tour of the narrative figurative art of Andrea Kowch at RJD Gallery (2020):

Behind the Scenes of Andrea Kowch’s Contemporary Figurative Art

Figurative art - Andrea Kowch - FineArtConnoisseur.com
“Reunion,” Edition of 10, 36 x 36 in | 91.4 x 91.4 cm, Framed size: 49.5 x 49.5 inches

Reunion

“The figure traveling alone on a passenger train, is dressed in her finer, yet modest clothes, with her small, canine friend nestled close to her side on the seat,” Kowch tells us. “The figure’s placement allows the viewer to feel as if he/she is seated across from her. In her lap, her hands hold a small gift box, wrapped, and tied with ribbon.

“She is in thought—caught in the precise moment where she is about to lift her head and look out the window to gaze upon the landscape of rolling fields, a winding road, and glowing evening sky. Out the window, behind her, the rest of the train cars can be seen wrapping around the tracks far in the distance.

“Along the winding road that weaves through the hills towards the train, a truck can be seen approaching, headlights illuminating the twilit landscape, as it hastily races alongside the train. The sky reflects that time of day when the setting sun and rising moon greet one another in their daily exchange between daylight and nightfall. The presence of the moon brings a cosmic charge to the dreamy mystery that permeates the scene.

“Where, or who is she traveling to? Who is anticipating her arrival? Who or what is she awaiting to reunite with? Who or what is waiting to reunite with her? Who is in the automobile that races to meet the train’s arrival? Or is it simply passing by, like a thought in her mind, going on its own way?

“The painting carries a profound air of mystery and possibilities not unlike a cinematic moving picture. Like the twists and turns of a story weaving towards an eagerly awaited outcome, this painting is meant to evoke feelings that transcend the boundaries of time and space.”

Figurative art - Andrea Kowch - FineArtConnoisseur.com
“Steadfast,” Edition of 10, 16 x 12 in | 40.6 x 30.5 cm, Framed size: 28.25 x 24.25 inches

Steadfast

“Fixed boldly in place, feminine and immovable, resolute in belief, and vastly determined. This work speaks to the intricate, touching journey that 2019 has been for me as an expectant, first-time mother, and the complexities of what it means to remain resilient throughout the endless cycles of transition throughout our lives,” says Kowch.

“As steady as the land beneath her feet, the focused, imbedded spirit of the woman transcends all amongst her life, unyielding of any diversion from her primary mission and purpose.

“The wind moves in, rustling her hair, clothing, and the landscape around her, but she stands firm, proudly facing the new frontier that approaches, mysterious and infinite with possibilities, a hallmark of the ever-changing landscape of the human condition. Her essence is deeply rooted in her history, sense of self, and the past that has shaped her.

“The dog, loyal, cautious, and protective, both hesitates and supports her stability against the winds of change, a faithful heart sprouting from the roots of an unwavering love.”

Figurative art - Andrea Kowch - FineArtConnoisseur.com
“Soiree,” Edition of 10, 24 x 36 in | 61 x 91.4 cm, Framed size: 38.5 x 50.75 inches

Soiree

“In ‘Soiree,’ the subject matter and themes found in my early work reappear, resulting in a whimsical, interactive reunion between the human and animal worlds,” Kowch says. “A female character is seated upon a blanket, indulging in what appears to be intended as a solitary summer afternoon, immersed in sweet treats and written stories—until she is unexpectedly interrupted by a host of crows that arrive unannounced, inviting themselves to indulge in her picnic.

“The sense of irony and indifference in her reaction to the interruption carries an air of both apathy and amusement.

“Upon further observation, however, we begin to notice that her bountiful picnic appears to have maybe not been completely planned for only her enjoyment alone. Multiple plates in her basket hint at perhaps an unspoken hope and desire, and even preparedness for, and expectation of company. Nature is a language and one that also speaks many.

“In this lively composition, she does not protest the birds’ audacious arrival. Instead, she appears to secretly embrace it. In staying open to chance, and expecting the unexpected, we just may find what we seek—when we least expect it.”

For more information about the figurative art and contemporary realism of Andrea Kowch, please visit rjdgallery.com.


> Sign up to receive Fine Art Today, our free weekly e-newsletter

Featured Artwork: Susan DeVan

0

Small Critters Beware
Oil on canvas
16 x 20 in.
Available from the artist
$2175

Artist Susan DeVan paints, not one type of subject, but an amazing variety of landscapes, still life, birds, animals, flowers, people and buildings. Each subject is portrayed in oils with a strong passion for sharing their beauty with others.

“Owls are my favorite birds, and this one is especially beloved. He came one late afternoon, perched in an old oak tree just a few yards from our dining room window, and posed while watching my husband photograph him for an hour. Dick took 32 great shots of the bird, and I used one of them for my model. The Barred Owl studied Dick’s head, and seemed perplexed about the puff of hair and the huge camera lens, and seemed to be wondering how to take this trophy and would Dick be edible? His mate hooted impatiently, and he obeyed her immediately, flying to meet her at their nesting location. This painting was accepted into an American Artists Professional League annual exhibition.”

A native of Washington D.C., Susan graduated from Georgetown University, School of Foreign Service. Throughout her career Susan always made time to paint before turning to it and writing full-time. From a home and property, in what she describes as “wild and wonderful West Virginia,” Susan finds endless inspiration in the landscape and wildlife surrounding her.

A “Fellow” Member of American Artists Professional League at Salmagundi Club in NYC, Susan has had work exhibited in juried shows from Rhode Island to Maryland, from Pennsylvania to California, from Idaho to Arizona. She is also a juried member of Oil Painters of America and a member of many art associations and clubs. The John Collins Memorial Award for Oil Painting and Best Oil Painting is one of many accomplishments for Best in Show and Best Work on Canvas awards and honorable mentions. Susan is also delighted three of her grandchildren have displayed artistic talent and mentors each as they follow their own paths to excellence.

Susan’s writing provides a glimpse into her engaging, lively personality. The book, The Granny Chronicles, is a humorous account of a feisty woman who lives in Rock Bottom, the town with no place to go but up. Her adventures and shenanigans are recorded by friends and family members whose lives are forever altered by their association with Emma Frick. Susan suggests one curl up with a cup of yarbal tea and have some laughs with Granny and the denizens of Cornrow County. The book is available through Amazon and Kindle.

Susan is represented by Xanadu Gallery.
See more of her landscape, wild life and still life paintings on her website.
To learn of newer work and exhibits, sign up for Susan’s e-newsletter.

2020 NOAPS is On

0
Krystal Brown, "Forged," 16 x 12, Oil, $1,200; Best Use of Color and Light Award
Krystal Brown, "Forged," 16 x 12, Oil, $1,200; Best Use of Color and Light Award

The 2020 National Oil and Acrylic Painters Society (NOAPS) Annual National exhibition / Best of America Small Works Show will be hosted by McBride Gallery in Annapolis, Maryland. View all of the works online at McBrideGallery.com.

Cat Corcilius It's a Snow Day 12 x 16 Oil $1,750
Cat Corcilius
It’s a Snow Day
12 x 16 Oil
$1,750
Matthew Cutter
Ocean Surge
11 x 12 Acrylic
$2,100
Award of Excellence
Blair Atherholt Yield 14 x 6.5 Oil $1,975
Blair Atherholt
Yield
14 x 6.5 Oil
$1,975
George Angelini Echoes 11 x 14 Oil $1,550
George Angelini
Echoes
11 x 14 Oil
$1,550
Priya Ahlawat After Hours at Cafe Sperl, Vienna 14 x 21 Oil $3,000 Best Painting by a Signature/Master Award
Priya Ahlawat
After Hours at Cafe Sperl, Vienna
14 x 21 Oil
$3,000
Best Painting by a Signature/Master Award
Donald Curran Street Life 10 x 8 Oil $800
Donald Curran
Street Life
10 x 8 Oil
$800

The juror of awards is Daniel Gerhartz. There are 150 participating artists in the exhibition, which is open through June 7, 2020.


> Sign up to receive Fine Art Today, our free weekly e-newsletter

> And click here to subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Achieve Sanity Through Art

3
“Burning Mist,” 30 x 36 in., oil on canvas, (c) Sergio Roffo 2020
“Burning Mist,” 30 x 36 in., oil on canvas, (c) Sergio Roffo 2020

Many view making art as a meditative practice that calms the nerves, provides clarity, and is fulfilling. For painter Sergio Roffo, that feeling of serene sanity is often achieved with brush in hand and beauty in mind.

1991 proved to be a pivotal year for artist Sergio Roffo, who uprooted himself from the heart of Boston, Massachusetts, and moved to a nautical village about 22 miles south. Immediately captivated by the marshes, brackish rivers, and coastal views, Roffo “went from painting cityscapes to coastal landscapes literally overnight,” he says. Flash forward to present day, and today we find Roffo established as one of the nation’s preeminent painters of coastal views and represented by several major galleries across the Eastern Seaboard.

“Dory In Morning,” 30 x 40 in., oil on canvas, (c) Sergio Roffo
“Dory In Morning,” 30 x 40 in., oil on canvas, (c) Sergio Roffo

For Roffo, a painting’s subject often “depends on which gallery I’m painting for at a particular time,” he says. “A gallery in Charleston, South Carolina, may be interested in a painting with shrimp boats as its subject, or perhaps a gallery on Nantucket Island may seek a sunset dune scene.” Focusing on each painting individually, Roffo also paints scenes that capture his attention during moments when nature reveals her profound beauty.

“Race to the Finish,” 30 x 40 in., oil on canvas, (c) Sergio Roffo 2019
“Race to the Finish,” 30 x 40 in., oil on canvas, (c) Sergio Roffo 2019

Recalling the painting of “Towards Big Sur Carmel, CA,” Roffo writes, “I was driving on US1 towards Big Sur and I saw this scene looking towards my right. I had to stop and paint this sublime beauty of a view. The contrast of light and shadow on the rocky cliffs and atmospheric perspective posed a great challenge for me. I immediately set up my easel and finished a small study that I later enlarged in my studio. I tried to incorporate as much detail as possible on location.”

“Towards Big Sur, Carmel” 18x30 oil on canvas
“Towards Big Sur, Carmel” 18×30 oil on canvas
“Rounding Cotue,” Nantucket, 14 x 18, oil on panel, (c) Sergio Roffo 2020
“Rounding Cotue,” Nantucket, 14 x 18, oil on panel, (c) Sergio Roffo 2020

Among Roffo’s chief artistic goals are to “convey to the viewer the illusion of reality from my use of light and color.” He suggests, “A good example of this is within the painting ‘Sunrise on the Marsh.’ I was able to capture that great golden light reflecting on the marsh.” In addition, painting affords Roffo an opportunity to achieve a sense of sanity in his life. “I have no idea what I would do if I couldn’t paint,” the artist says. “We artists aren’t happy when we aren’t painting. Ultimately, I hope to communicate to my audiences a feeling of calmness and serenity when they view my work. I hope they can relate to a sense of time and place in their lives. My message is trying to convey to the viewer the spirituality and sacredness of my work and to indicate the harmony of nature through color and light.”

“Sunrise On The Marsh,” 24 x 36 in., oil on canvas, (c) Sergio Roffo 2019
“Sunrise On The Marsh,” 24 x 36 in., oil on canvas, (c) Sergio Roffo 2019

Viewing works such as Roffo’s magnetic “Wauwinet Sunset” the inner luminance and masterful use of light warm the soul in ways that recall early American painters from the Hudson River School. Among Roffo’s major influences are Albert Bierstadt, Frederic Church, and Fitz Henry Lane. Recalling his artistic journey, Roffo writes that it’s been “very fulfilling and self-satisfying. It takes an extreme amount of discipline and hard work to become a successful artist. Making pictures is a wonderful thing but the business of art is, of course, entirely different. Did I mention trying to balance your domestic life and spending quality time with your family? It’s very challenging indeed, but once you achieve that balance, there’s nothing in the world you’d rather be doing. I intend to be doing more of the same as long as I live and stay healthy: painting with passion and maintaining that life balance. Stay healthy, eat well, drink well, and be happy.”

“Wauwinet Sunset,” 30 x 40 in., oil on canvas, (c) Sergio Roffo 2019; awarded 3rd place in the Plein Air category in the 14th International Arc Salon Competition

To learn more, visit Sergio Roffo or http://www.facebook.com/SergioRoffoArtist

Roffo is also an Elected Living Master (ARCLM) by the Art Renewal Center.

This article was originally featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Oil Painting Spotlight: The Peninsula Hotel

0
PleinAir Salon - oil paintings - FineArtConnoisseur.com
Above: "The Peninsula" (oil, 16 x 20 in.) by Tony D'Amico won in the "Best Building" category of the April 2020 Plein Air Salon.

Learn about the artist behind the oil painting that won in the “Best Building” category of a monthly PleinAir® Salon.

PleinAir Salon Spotlight: The Peninsula by Tony D’Amico

“This painting captures a busy workday in midtown Manhattan with a backdrop of the glorious Peninsula Hotel and the iconic steam vents that are a common sight in New York City.”

About the Artist
(from tonydamicofineart.com)

Beginning employment as a commercial artist/illustrator, Tony D’Amico enjoyed a successful career in the corporate world working for such companies as PepsiCo, Playtex and American Home Products. He later founded his own promotional marketing agency, Creative Alliance based in Southport CT. The client roster included The Pepsi-Cola Company, AT&T, Tiffany & Company, eBay and the Guinness Importing Company. Evolving into one of the top promotion and event marketing agencies in the US, he later sold the company to the Publicis Group, an international advertising and media services conglomerate.

Channeling his creativity into a full-time career as a fine artist, Tony has studied with a number of nationally recognized artists such as Donald Demers, Matt Smith, Joseph McGurl, Ray Roberts, and Phil Starke. The diverse subject matter of his work is most often fueled by his plein air experiences. He has won many awards for his work including an Award of Excellence in the Oil Painters of America Eastern Regional Exhibition, 2nd Prize at the National Oil & Acrylic Painters Society International Online Competition and the FASO Bold Brush Award. He is a signature member of the American Impressionist Society and the National Oil Painters & Acrylics Society, as well as a member of the Salmagundi Club NY, Oil Painters of America, and The Plein Air Painters of the Southeast.


> Sign up to receive Fine Art Today, our free weekly e-newsletter

The Briscoe Opens with Special Tours, Perks, and Discounts

0
Briscoe Western Art Museum

Saddle up and head West from the heart of San Antonio when the Briscoe Western Art Museum reopens May 23. The museum that features the saddles of Western icons such as Roy Rogers, Buffalo Bill and Pancho Villa is opening its doors again, welcoming everyone with special admission rates, early member access, exclusive tours and enhanced safety protocols.

Briscoe Western Art Museum
The saddle of Roy Rogers

Tipping Our Hat to Healthcare Heroes

Sharing the spirit and beauty of the West through art and artifacts, the Briscoe Western Art Museum brings the vibrant history and stories of the American West to life. The Briscoe is welcoming all healthcare workers to saddle up and enjoy the museum for free throughout the summer. Just show your valid identification so the museum can say thank you. The museum’s reopening weekend also includes half-price general admission for everyone. May 23-25, everyone over the age of 12 can enjoy the museum for just $5 per person. Children 12 and younger receive free admission.

Briscoe Western Art Museum2020 Night of Artists Open to the Public

The museum’s reopening means everyone can finally enjoy the 2020 Night of Artists Exhibition and Art Sale. Night of Artists draws artists, collectors and art enthusiasts from around the country each year to celebrate Western art. Originally set to open in March, the museum’s largest annual exhibition features more than 300 new works of painting, sculpture and mixed media by 80 of the country’s leading contemporary Western artists. Everyone will be transported West through scenic landscapes, inspired Native Americans and classic cowboys, stunning wildlife and detailed portraiture.

To celebrate the opening of the exhibition, Michael Duchemin, Ph.D., President and CEO of the Briscoe Western Art Museum, will lead tours of Night of Artists, sharing his insights on this year’s works. Duchemin has worked since 1984 as an executive director, chief curator, exhibition and program developer, historian, and author specializing in the cultural and intellectual history of the United States with an emphasis on the American West.

“Now more than ever, we need the opportunity to experience art. This year’s Night of Artists works are truly among the best I’ve seen. Our reopening means we can finally share this extraordinary exhibition in person,” said Duchemin. “Art has the power to lift spirits and provide relief from the weights of daily living and celebrating the beauty and impact of the rich stories shared through Western art is the heart of the Briscoe. We look forward to safely sharing the spirit and beauty of Night of Artists with everyone.”

Briscoe Western Art Museum
The museum’s reopening protocols include staff wearing masks, additional sanitizers and cleaning protocols, as well as the installation of plexiglass in both visitor services and the museum store.

Giving Everyone Wide Open Spaces: Reopening Protocols

To safely welcome guests, the Briscoe will only welcome 25 percent of its admission capacity, monitoring attendance through ticket counts and limiting admissions as necessary. The museum’s reopening protocols include staff wearing masks, additional sanitizers and cleaning protocols, as well as the installation of plexiglass in both visitor services and the museum store. Tickets and memberships may be purchased in advance online to limit in person interaction. Interactive displays will remain closed. The McNutt Sculpture Garden, the museum’s beautiful outdoor courtyard featuring bronze sculptures depicting iconic figures of the American West, will be open for guests to enjoy. Details on the reopening protocols are available on the museum’s website.

Briscoe Western Art Museum


> Sign up to receive Fine Art Today, our free weekly e-newsletter

> And click here to subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Friday Virtual Gallery Walk for May 15, 2020

0
Friday Virtual Gallery Walk

As part of our effort to help keep artists and art galleries thriving, we’re proud to bring you this new “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

Paix by Debra Ferrari, Amor Vincit Omnia Series, Oil on Canvas, 84 x 84 in.; Ferrari Gallery

 

A Quiet Seclusion by Brent Cotton, Oil on Linen, 20 x 26 in.; Trailside Galleries

 

Watchful Mother by Trevor Swanson, Oil, 24 x 30 in.,; Pitzer’s Fine Arts

 

The Sacred Place by William Kalwick, Oil, 36 x 30 in.; Pitzer’s Fine Arts

 

Madonna and Child with Angels in the Clouds by Jacopo Amigoni (Italian, ca. 1680–1752), Oil on Canvas, 23 1⁄4 x 12 1⁄2 in.; Robert Simon Fine Art

 

Summer Along the River by Louis Aston Knight (1873-1948), Oil on Canvas, 26 x 32 in.; Rehs Galleries, Inc.

 

Smoky Wolf by Julie Bell, Graphite on Clayboard, 10 x 8 in.; Rehs Contemporary Galleries, Inc.

 

In the Shadow by Gelena Pavlenko, Oil on Linen, 20 x 16 in.; Lotton Gallery

 

A Place to Rest by Robert Bolster, Oil on Canvas, 11 x 17 in.; Tree’s Place Gallery

 

Soupe a l’Oignon by Blair Atherholt, Oil on Panel, 12 x 19.5.; Gallery 330

 

Pink Peonies by Ekaterina Ermilkina, Oil, 24 x 24 in.; Bluestone Fine Art Gallery

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

Narrative Art > A Life of Their Own

0
Contemporary Realism - David Bowers - FineArtConnoisseur.com
David Bowers, “Ship of Fools,” oil on linen, 24 x 34 in. (c) David Bowers 2017

Narrative Art > Learning more about the creative process of David Bowers, one could get the sense he’s simply a conduit of pure inspiration. Focusing on technique, his pictures take on a life of their own, which frequently results in outstandingly beautiful works with unconventional narratives.

Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Thinking of Adam,” 8 x 10, oil on Belgian linen mounted to panel

As one might expect from the tantalizing hints above, prolific artist David Bowers begins his creative process with a scene, subject, or idea that captures his attention. Using pencil or brown ink — and sometimes completing a watercolor study — Bowers records the source of inspiration. Once born, the paintings follow their own individual journeys, and it seems the end product is quite unpredictable.

Contemporary Realism - David Bowers - FineArtConnoisseur.com
David Bowers, “Made in America,” 2011, oil on linen, 44 x 24 in.
Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Preserving America,” 25 x 21, oil on linen

“People always want to know what I was thinking when I create one of my more unusual paintings,” Bowers says. “My answer to them is simple: I just really wanted to paint that girl wrapped in plastic, holding a dead rat. The story sometimes just happens during the painting process. Sometimes the hidden narrative or true meaning is in the title itself. I am often inspired by an image that I see and my painting materializes from that image. It will often morph into so much more.”

Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Lisa, The Shield Maiden,” 24 x 18, oil on wood panel

This process can be challenging and frustrating to follow, and Mrs. Bowers deserves some credit. “Halfway through a painting, I’m always in flux as to where I want to go with it and often complain to my wife that I don’t like the painting, it’s not working out, and I want to destroy it,” the artist writes. “I wouldn’t be nearly as prolific if it weren’t for her. She tells me, ‘You always say that at this stage of the painting and it will work out in the end. It’s a beautiful painting and you are not going to destroy it!’”

Thank goodness, because she’s absolutely right; Bowers’ paintings are outstanding examples of contemporary realism, and his narratives are fresh, original, and captivating.

Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Dreaded Silence,” 15 x 40, oil on Belgian linen over panel
Contemporary Realism - David Bowers - FineArtConnoisseur.com
David Bowers, “Tears from Heaven,” oil on linen, 15 x 40 in.

“Tears from Heaven” is a pertinent example. Bowers says, “This work was inspired by a wall in the Seattle Art Museum. The wall had a variety of busts and heads from antiquity in different degrees of decay attached to the wall. I loved the texture of the heads and how the shadows cascaded down against the wall. I love music and am a beginner guitar player, so I thought how interesting it would be to do something similar with rock and pop stars that died tragically and before their time.”

Contemporary realism - David Bowers - FineArtConnoisseur.com
David Bowers, “Finding the Gold,” oil on Belgian linen, 34 x 24 in.
Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Family Tree,” 48 x 36, oil on linen, 2011

Ultimately, Bowers seeks to perfect his technique, endeavoring to make each painting better than the last. With this in mind, it shouldn’t surprise that Bowers was inspired early in his career by the Dutch masters — their luxurious surfaces, captivating narratives, and subtle sense of humor. Today, only the desire to have a near-perfect finish on the surfaces of his work remains.

“Now I try to paint without thinking of any past influences and create my own unique vision,” he says. “I spend a lot of time digging minute dust particles from my surfaces. I also sand the paintings carefully between layers with pumice stone powder to help with the removal of dust particles. My wife often says that I look like a mad scientist when I am creating a panel.”

Contemporary realism - David Bowers - FineArtConnoisseur.com
David Bowers, “Bust My Bubble,” 2013, oil on linen, 26 x 32 in.
Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Bad Day in Toyland III (My Last Train),” 22 x 18, oil on Belgian linen

Modern-day Victor Frankenstein or not, Bowers indeed uses paint to bring his unique visions to the world, and the life they take on continues to draw collectors and connoisseurs. “My favorite quote was from Billy Joel. He said, ‘In a world filled with mediocrity, just being competent makes you seem extraordinary.’ I will never settle for mediocrity. My drive is to make the next painting better than the last!”

Additional Narrative Art Works by David Bower:

Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Venus Against the Wind,” 20 x 18, oil on Belgian linen
Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Alice and the Poison Mushrooms,” 22.5 x 16.5, oil on wood
Narrative art - David Bowers - FineArtConnoisseur.com
David Bowers, “Listen,” 24 x 18, oil on panel

To learn more, visit David Bowers.


> Sign up to receive Fine Art Today, our free weekly e-newsletter

May 21 Auction: Old Master Through Modern Prints

0
Fine art auctions - Cassatt drawings
Above: Detail of "Hélène of Septeuil" by Mary Cassatt (full image shown below)

Swann Galleries will offer a live online sale of Old Master Through Modern Prints on Thursday, May 21. With the largest selection of old master prints to be found at auction in America as well as important modern works, this sale offers an impressive array of fine material, including a special section dedicated to fine old master prints and drawings from the collection of the late art dealer Matthew Rutenberg.

More from Swann Galleries:

Matthew Rutenberg was a respected figure within the art world with an extraordinary knowledge of Western art history, particularly Old Master works. Notable drawings include a late-sixteenth-century sheet of studies of flying putti from the Sienese School ($3,000-5,000); Standing Female Nude, a 1916 black and white chalk study by Julio González ($7,000-10,000); and Ruins of the Temple of Diana, Nimes, a watercolor, pen and ink drawing by Jacob Philipp Hackert ($4,000-6,000).

Lot 67: Julio González, “Standing Female Nude,” black and white chalk, 1916. Estimate $7,000 to $10,000. From the Collection of Old Master Prints & Drawings of Matthew Rutenberg.

Included among the Old Masters are exceptional examples by Albrecht Dürer and Francisco José de Goya. Highlights from the selection include woodcuts by Dürer Hercules Conquering the Molionide Twins, 1946-98, and The Vision of the Seven Candlesticks, 1498, estimated at $15,000 to $20,000 apiece; and a first edition of Goya’s circa 1834 aquatint and etching Modo de Volar carrying an estimate of $7,000 to $10,000.

There are many fine works by Rembrandt van Rijn, including lifetime impressions of the etchings Self Portrait with Raised Sabre, 1634 ($30,000-50,000); Landscape with an Obelisk, circa 1650 ($25,000-35,000); and The Good Samaritan, 1633 ($10,000-15,000). Prints by Pieter Bruegel, Hendrick Golzius and Giovanni B. Piranesi round out the superb offering.

Nineteenth-century works include Mary Cassatt’s two drypoints Hélène of Septeuil, circa 1890, and Baby’s Back, 1890, both expected to bring $7,000 to $10,000. Also featured is a remarkable run of etchings by James A.M. Whistler, most notably works from the artist’s first and second Venice etchings: The Two Doorways, 1879-80 ($12,000-18,000), and San Biagio, 1879-80 ($10,000-15,000).

Lot 322: Mary Cassatt, “Hélène of Septeuil,” drypoint, circa 1890. Estimate $7,000 to $10,000.

Modernists are represented by Die Brück artists Erich Heckel, with Männerbildnis, color woodcut, 1919 ($40,000-60,000), and Edvard Munch, with Den Tykke Horen, color woodcut, 1899 ($25,000-35,000).

Lot 449: Erich Heckel, “Männerbildnis,” color woodblock, 1919. Estimate $40,000 to $60,000.

Further Modernist stalwarts include Pablo Picasso with Faune Dévoilant une Femme, a 1934 etching from the Vollard Suite ($50,000-80,000); and Jacques Villon with Monsieur D. Lisant, 1913, is among the last of the major Cubist prints Villon created between 1911 and 1914 ($25,000-25,000). Henri Matisse, Joan Miró and Salvador Dalí also feature.

Lot 415: Pablo Picasso, “Buste Modern Style,” lithograph, 1949. Estimate $40,000 to $60,000.

Rufino Tamayo leads a run of Latin American art with Galaxia, a 1977 color mixografía set to come across the block at $10,000 to $15,000. Also of note is Roberto Matta with Etoile des Jardins, color etching, 1995 ($8,000-12,000); a group of five color lithographs dating to 1968 and 1969 by David A. Siqueiros ($2,000-3,000); and Miguel Covarrubias’s Rice Granary, Bali, lithograph, circa 1943 ($1,500-2,500).

Lot 402: Rufino Tamayo, “Galaxia,” color mixografía, 1977. Estimate $10,000 to $15,000.

While current restrictions will not allow for in-person examination of the material, Swann Galleries staff will prepare condition reports and provide additional photographs of material on request. Advance order bids can be placed directly with the specialist for the sale or on Swann’s website, and limited, pre-arranged phone bidding will be available. Live online bidding platforms available will be the Swann Galleries App, Invaluable, and Live Auctioneers. The complete catalogue and bidding information is available at www.swanngalleries.com and on the Swann Galleries App.

Books for Art Lovers: The Life and Art of Wilson Hurley

0
Books for Art Lovers: The Life and Art of Wilson Hurley
"Summer Afternoon Light on the Mummy Cave," 2006, oil, 32 x 40 in.

Written by Wilson’s artist/wife Rosalyn Roembke Hurley, The Life and Art of Wilson Hurley: Celebrating the Richness of Reality focuses on her husband’s four-decade commitment to sharing what he described as “a very real love that I have for the world. I experience physical pleasure when I look at it.”

Books for Art Lovers: The Life and Art of Wilson Hurley
“The Quiet Waters of Zion,” 1980, oil, 32 x 40 in.

Renowned for depicting landscapes, weather phenomena, and space exploration into our solar system, Hurley had a remarkable ability to convey both the richness of reality, while simultaneously compelling viewers to revel in the magnificence of a moment. His philosophy of combining science and art—head and heart— is apparent in everything from a dramatic sunrise at the Grand Canyon to a still life of a night-blooming cereus blossom.

Books for Art Lovers: The Life and Art of Wilson Hurley
“Columbia at 30 Seconds,” 1981, oil, 40 x 36 in.

Often working in large formats, his monumental “Windows to the West” project at the National Cowboy and Western Heritage Museum in Oklahoma City is covered from conception through his innovations in painting, shipping, mounting, and installing five 16-by-36-foot triptychs.

Books for Art Lovers: The Life and Art of Wilson Hurley
Wilson Hurley with New Mexico Suite central panel, 16 x 16 ft

Highlights of Hurley’s youth include growing up in Leesburg, VA, pursuit of degrees at West Point and The George Washington University Law School, and a lifelong love of flying. Paintings from his service as a pilot during the Vietnam War illustrate how viewing the world from a cockpit impacted Hurley’s predilection for glorious cloud formations.

Books for Art Lovers: The Life and Art of Wilson Hurley
“Sunset at Angostura,” 2005, oil, 45 x 72 in.
Books for Art Lovers: The Life and Art of Wilson Hurley
“The Sun Sets on Werner Voss,” 1990, oil, 48 x 48 in.

His studies of the Old Masters and artists such as George Inness, John Constable, and the Impressionists reinforced his decision at age 40 to become more than a Sunday painter and to follow the advice of Peter Hurd not to attend art school but to commit himself to learning from the giants of the past and then “paint, and paint some more.”

Books for Art Lovers: The Life and Art of Wilson Hurley
“Summer on the Mesa,” 1984, oil, 36 x 48 in.

Rosalyn, whose painting career was mentored by her husband, also shares Wilson’s methods, techniques, and philosophy of art whether painting in the studio or outdoors. His commitment to plein air fieldwork at the behest of his mentor Bob Lougheed reveals why Hurley also paid forward his knowledge. In letters published here for the first time, Hurley elucidates his personal goals as examples that might help young and mid-career painters find their unique paths. In judging art, as he was often asked to do, he offers insights in evaluating the elements of art. Also of interest are preliminary sketches and thumbnails that illuminate how he took a vast vista and transformed it into a work of art.

Books for Art Lovers: The Life and Art of Wilson Hurley
Wilson and Roz Hurley, 1984

A wordsmith himself, Hurley’s commentary accompanies two portfolios comprising 78 paintings. From his Prix de West winner “Los Alamos Country” to World War I Bristol F-2 fighter aircraft, the clipper ship Sea Witch, and a Mariner 4 Mars flyby, he shares historical details, insights, and his affection for places nearby and faraway.

Books for Art Lovers: The Life and Art of Wilson Hurley
“The Golden Hind 1579,” 1990, oil, 36 x 71 in.

At the core of Hurley’s passion was his belief that he lived in a new age of discovery: “Where I’m luckier [than my predecessors] is that I live during a time when our view of the world has a much greater perspective. We’ve seen it from outside the world. We’ve had views that are so vast and breathtaking that they couldn’t even imagine them. I feel as if I have lived through an age of discovery much like the people did in the Renaissance when they discovered the New World.”

Books for Art Lovers: The Life and Art of Wilson Hurley
“At the Head of Echo Canyon,” 1984, oil, 48 x 48 in.
Books for Art Lovers: The Life and Art of Wilson Hurley
“Buddha Temple From the Hopi Wall,” 1978, 60 x 120 in.

From beginning to end, this book celebrates nature and the human craving to learn more about our place in the universe. As noted in the foreword by Peter Hassrick, director emeritus of the Buffalo Bill Center for the West, “Wilson Hurley lived and looked and loved larger than life…. His heart tugged the whole of his ample being into a world of inextricable union between man and nature – one that demanded the full embrace of his physical, spiritual, and creative self and defined him as a man and an artist. His were not solemn meditations on a Thoreau-sized forest pond but rather boisterous proclamations of vast scale considering the dynamics of Earth’s most spectacular marvels.”

Fine Art Today covers artists and products we think you’ll love. Linked products are independently selected and linked to for your convenience. If you buy something using a link on this page, Streamline Publishing may receive a small share of that sale.


> Sign up to receive Fine Art Today, our free weekly e-newsletter

WEEKLY NEWS FROM THE ART WORLD

Fill your mind with useful art stories, the latest trends, upcoming art shows, top artists, and more. Subscribe to Fine Art Today, from the publishers of Fine Art Connoisseur magazine.

  • This field is for validation purposes and should be left unchanged.