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Featured Artwork: HR “Heather” Kaiser

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“Blackbull” by HR "Heather" Kaiser

“Blackbull”

24” h x 13.5″ w x 11.5″ d

Ltd. Ed. 35

BEST IN SHOW Sculpture Division, Traces of The West

GRAND PRIZE WINNER  American Women Artists Spring online Juried Show

SILVER MEDAL WINNER – Bosque Art Classic

This piece will be available for viewing and purchase at the American Women Artist “Under a Vast Sky”  Exhibit at the Tucson Desert Art Museum in Arizona from October 13 to December 3, 2017.

Also available through the artist at 405.613.1797 or [email protected]

For more information on this piece or to view more of Heather’s work visit her website at  http://hrkaiserstudios.com.

A word from the artist:

Sculpting is revitalizing and rebalancing for me and has made a vast change in how I experience life. When I see and sense strength in spirit and want to capture that in my work. It’s soul nourishing and energizing.”

“My fundamental inspiration springs from the people and places that surround me. My goal is to capture the layers of attitude, emotion and personality of the historic American Western lifestyle and translate that into a visual feast that captures the heart and soul of the West.”

American Plains Artists, Signature Member

American Women Artists, Associate with Distinction

Women Artists of the West

Oklahoma Sculpture Society

Heather’s sculptures are available through the following galleries:

Fama Fine Art

Houston, TX 77207

800-659-9449

www.famafineart.com

The Grand, Fine Art

(formerly Grand Teton Gallery)

Jackson Hole, WY

307-201-1172

www.grandtetongallery.com

Texas Treasures Fine Art Gallery

Boerne, TX

830-816-5335

View more of Heather’s work at:

http://www.hrkaiserstudios.com/index.html

http://hrkaiserstudios.com/native-american.html

Featured Artwork: Susan Nicholas Gephart

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“Evening Light Across the Field” by Susan Nicholas Gephart

“Evening Light Across the Field”

18 x 36 in.

Oil on canvas

$1400

Susan Nicholas Gephart developed a deep appreciation of the earth and its relationship to art when she was a young child. Influenced by her artist father, Tom Nicholas, and his lifetime of support and encouragement, Susan continues to explore art, nature, and travel. Her passion for painting is expressed through a unique use of color, texture, and atmosphere, capturing the landscape with spontaneity and directness in pastel and oil. She is often recognized as the painter of Earth, Water, and Sky.

A prolific artist, Susan Nicholas spreads her love of creating art in nature to all ages through her teachings and has been instructing since the mid 80’s. Susan organizes workshops and retreats for all levels and mediums and is a 2017/18 Plein Air Convention Faculty Member. Supported by top national art supply companies, Susan’s 2018 schedule includes teaching workshops and retreats in Brittany, France, and North San Diego, California. She will also be teaching at her 20th annual Hameau Farm Studio Artist Retreats in Central Pennsylvania.

Susan graduated with a Bachelor of Fine Arts from Pennsylvania State University in 1979, and an Associate in Arts from Montgomery County Community College in 1977. She has been exhibiting and painting award-winning landscapes for over forty years. Her colorful, impressionistic plein air pastels and oils are in private and permanent collections across the country. Susan is an Associate Member of the Pastel Society of America, a Signature Member of the Central Pennsylvania Pastel Society, and a co-founder of the Plein Air Painters of Central PA.

Susan’s pastel, “Hameau Farm Sunset and Clouds,” was published in PleinAir magazine’s July 2016 article, “The Many Moods of Clouds.” She advertises in Pastel Journal, PleinAir magazine, and Fine Art Connoisseur, and she was a featured artist to watch in Pennsylvania Crave Magazine.

Susan will be invited faculty for the 7th Annual Plein Air Convention in Santa Fe, New Mexico. Visit: www.snicholasart.com

Memberships:

Associate Member of the Pastel Society of America

Signature Member of the Central Pennsylvania Pastel Society

Plein Air Painters of Central Pennsylvania

Education:

Bachelor of Fine Arts, Pennsylvania State University, Cum Laude (1979)

Associate in Arts, Montgomery County Community College, Magna Cum Laude (1977)

Publications:

Fine Arts Connoisseur magazine

Pastel Journal

PleinAir magazine

Pennsylvania Crave Magazine

Galleries:

Faustina’s Gallery, Lewisburg, Pennsylvania

Green Drake Gallery and Art Center, Millheim, Pennsylvania

Nicholas Studios, Bellefonte, Pennsylvania

State College Framing Co. & Gallery, State College, Pennsylvania

Visit Susan’s website to see more of her work and learn of upcoming exhibits and workshop schedule. www.snicholasart.com

 

Featured Artwork: Rachel Pettit presented by the Grand Canyon Celebration of Art

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"Play of Light" by Rachel Pettit

“Play of Light”

28 x 22 in.

Oil

Rachel Pettit is one of the 25 featured artists who participated in the 9th annual Grand Canyon Celebration of Art September 9-16, 2017, painting plein air on the South Rim of the Canyon. An exhibit and sale of their work opened at Kolb Studio on September 17. The exhibit and sale will be open daily through January 15, 2018.

This year the event is celebrating the women artists—both historic and contemporary—who have taken on the unique challenges of capturing the splendor and vastness of the Grand Canyon on canvas. Nine of this year’s artists are women. This is Rachel’s first year participating in the event.

Each of the participating artists also created a studio painting for the exhibit, which hangs in the exhibit along with the plein air work they paint during the event. This month’s featured artwork Play of Light is Rachel Pettit’s studio painting.

Rachel says of her plein air painting:

“ ‘It doesn’t get any better than this’ is my motto when I am painting outdoors, taking in the visual feast and discovering the subtleties of nature right before my eyes. I feel extremely fortunate to be able to freely pursue this passion. At a young age, I moved with my family to Scottsdale, Arizona and spent my childhood in the southwest, traveling, camping and exploring. This instilled a great love of the outdoors which later was continued as a love of landscape painting.”

For more information please visit:

https://www.grandcanyon.org/events/ or contact Kathy Duley [email protected] 480.277.0458

Featured Artwork: Chantel Barber

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“A Good Hat” by Chantel Barber

“A Good Hat”

Acrylic on panel

8 x 8 in.

Available through the artist’s website https://chantellynnbarber.com/works/2498070/a-good-hat

Chantel’s passion for art began flourishing at age 12 when she was mentored under local San Diego artists. She continued to study art, largely self-taught, while living in Newport, Rhode Island, and Keflavik, Iceland. While enrolled in a college art course, a fellow student introduced her to acrylic paints, and she soon found it to be a medium dominated by abstract art. But her first love was portraiture for which she found little advice. As she dreamed of perfecting her skills as an acrylic portrait artist, Chantel continued to learn from professional oil painters and translated their teachings into acrylic techniques. All the while, she remained active in local art communities.

In 2006, Chantel opened her own art business called Chantel’s Originals near Memphis, Tennessee. Chantel soon benefited from workshops and demonstrations with outstanding artists including Dawn Whitelaw and Michael Shane Neil. Chantel is currently the National Coordinator of the State Ambassador program for the Portrait Society of America, and is also a member of The Chestnut Group and the National Oil & Acrylic Painters’ Society. She is past President of Artists’ Link in Memphis, Tennessee.

Chantel has been featured in solo art shows and has participated in numerous group shows at premiere Memphis venues including the Dixon Gallery and Gardens. Her award winning paintings are in private and public collections throughout the United States and overseas. Her work is published in Acrylic Artists magazine, American Art Collector, and Fine Art Connoisseur. Chantel resides in Bartlett, Tennessee, where she teaches online and in workshops throughout the United States.

View more of Chantel’s work at www.chantellynnbarber.com.

Featured Artwork: Suze Woolf presented by Zion National Park Plein Air

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“Kinesava from the Jimmie Jones House” by Suze Woolf

“Kinesava from the Jimmie Jones House”

15 x 11 in.

watercolor

Suze Woolf is a Seattle-based watercolorist whose artwork is about sharing her love and concern of nature. “I’ve met my goal when I’ve transported the viewer into the world of the painting, but that viewer remains aware my hand was on the brush.” She says that a successful painting “walks a fine line between invoking reality and a collection of brush strokes.” Suze does much of her work in the field. “I feel great joy painting outdoor beauty, but I am always aware of threats to it. Whether it is my anxiety about climate change expressed in paintings of burned-over forests, or the eerily beautiful and faintly disturbing paintings of night-time industrial settings, I know that my best work contains both awe and ambivalence.”

Suze is one of 24 renowned artists invited to participate in the 2017 Zion National Park Plein Air Invitational. This annual event raises money for the Zion Forever Project, the official nonprofit partner of Zion National Park. Proceeds will benefit youth and educational programs at Zion for the coming year. Artists will paint in the park and provide free demonstrations throughout the week of November 6-12 in Zion Canyon, Utah. For more information about Suze Woolf and the Zion Plein Air Invitational, please visit zionpark.org.

Spring Is Rising This Fall

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Morton Kaish, "Hollyhock Cantata," 1983, acrylic on board, 36 x 36 inches

After a successful run at the Butler Institute of American Art, The National Arts Club is overjoyed to be hosting “Spring Rising,” a brilliant exhibition of recent works by this acclaimed painter.

You can find his works in major museums, including the Metropolitan, the Smithsonian, and the British Museum. They’re also in private collections all across the globe. This fall, you can also find Morton Kaish’s work at the National Arts Club in New York City via “Spring Rising,” a representation of more than 30 years of Kaish’s floral and landscape works.

Morton Kaish, “Summer Garden, New York,” 1981, acrylic and oil on linen, 60 x 48 inches, Butler Institute of Art
Morton Kaish, “Chilmark,” 2001, acrylic and oil on linen, 48 x 60 inches, collection of Dr. Craig Schuman

“Critics have noted Kaish’s powerful ability to combine traditional and experimental painting techniques with contemporary insights,” the club writes. “His relish for blazing color, vigorous brushwork, and intricate handling produces paintings that are romantic but never sentimental. Also feature are a series of accomplished etchings and monotypes.”

“Spring Rising” opens October 2 and continues through October 28. To learn more, visit The National Arts Club.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

A Rare Opportunity

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Michelangelo Buonarroti, “Study of a Mourning Woman,” circa 1500, pen and brown ink heightened with white, 26 x 16.5 cm., Getty Museum, Los Angeles

For a limited time — now through October 29 — the Getty Museum in Los Angeles is exhibiting a rare drawing titled “Study of a Mourning Woman” by this creative genius.

In July 2017, the Getty Museum in Los Angeles, California, made a landmark acquisition of a group of 16 drawings and one painting. One of the drawings is an exceptionally rare study of a woman by Michelangelo Buonarroti, circa 1500. The museum is now exhibiting the drawing to the public through October 29 — its first time on view since being rediscovered in the collection at Castle Howard in 1995. Before then, the drawing had been hidden among other treasures in the family collection, unknown to scholars for hundreds of years.

Timothy Potts, director of the museum, said, “Michelangelo’s drawing is the supernova among a collection of some 16 extraordinarily rare and important drawings recently acquired by the Getty. Michelangelo is rightly regarded as one of the very greatest painters, sculptors, architects, and draftsmen in history, and it was important to me that the people of Los Angeles and other visitors to the Getty have the opportunity to view this exquisite addition to our collection before it is shown elsewhere.”

The museum added, “The drawing represents the pinnacle of a group of pen and ink drawings made early in Michelangelo’s career, at a pivotal moment when his fame as a sculptor was also spreading to dramatic painted compositions. While there is no known Michelangelo project that includes this figurethe design was nevertheless known to a number of the artist’s contemporaries. Examples of figures directly inspired by ’Study of a Mourning Woman’ can be found in a manuscript page in the Farnese Hours by Giulio Clovio (1498-1578), and drawings by Lorenzo Sabatini (c. 1530-1576) and Francesco Salviati (1510-1563).”

To learn more, visit the Getty.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Native-Owned & Operated

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John Gawne, “Kicking Up a Storm,” oil, Takes Horse Gallery

“Art in Autumn” is a great way for Western fine art collectors to kick off the fall season by considering tasteful pictures by these acclaimed artists. Where?

Located in Polson, Montana, Native American-owned Takes Horse Gallery is presenting works by a number of esteemed artists during “Art in Autumn,” on view October 6 through November 11. Among the artists represented in the exhibition is John Gawne, who is widely known for his arresting images and portraits of Native Americans.

Also on view will be selections by David Dragonfly, DG House, Tabby Ivy, John Pepion, Rachel Warner, and Shannon Webster. To learn more, visit Takes Horse Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

From Leonardo to Matisse

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Jean August Dominique Ingres, “Study for Raphael and the Fornarina,” circa 1814, graphite on paper, 10 x 7 3/4 inches, Robert Lehman Collection

The Metropolitan Museum of Art in New York City is just about to open a significant exhibition of brilliant masterworks by the most famous artists in art history. You certainly can’t miss this.

Opening October 4 at the Met in New York is “Leonardo to Matisse,” 60 masterpieces of European drawing spanning the Renaissance to the Modern age. Drawn from the Robert Lehman Collection, it is the first presentation to highlight the full range of his distinguished collection, numbering over 700 sheets, and to explore his significant activity as a 20th-century collector. “The exhibition will trace the development of European drawing across five centuries through works by such celebrated masters as Leonardo da Vinci, Dürer, Rembrant, Tiepolo, Ingres, Seurat, and Matisse,” the Met reports.

Leonardo da Vinci, “A Bear Walking,” circa 1482-85, silverpoint on paper, 4 x 5 1/4 inches, Robert Lehman Collection

“Drawn from the Museum’s acclaimed Robert Lehman Collection, the exhibition will present a dynamic array of styles, techniques, and genres — from compositional studies for mythological and biblical narratives to panoramic landscapes and arresting studies of the human form. The selection will also illustrate the different facets of the artists’ creative processes — from Leonardo’s keen anatomical observation in his ‘Study of a Bear Walking,’ to Dürer’s awakening artistic self-consciousness in his ’Self-Portrait’ study, to Rembrandt’s re-interpretation of Leonardo’s painted masterpiece ‘The Last Supper.’

“The selection of drawings on view in ‘Leonardo to Matisse’ will reflect significant developments in the medium between the 15th and 20th centuries, as styles, techniques, and genres evolved, evoking illuminating comparisons across regions and eras. The portraits, figure studies, landscapes, mythological, and biblical narratives included in the exhibition will represent diverse sacred and secular subjects in media ranging from metalpoint, pen and ink, and chalk to graphite, pastel, and charcoal.

Antoine Watteau, “Seated Woman,” circa 1716-17, black, white, and red chalk, 9 7/16 x 5 7/16 inches, Robert Lehman Collection

“The role of drawing as the foundation of all the visual arts will be illustrated by numerous preparatory studies for painting, sculpture, textiles, engraving, and stained glass, including rare 15th century Netherlandish designs for a carved capital and tapestry. Elucidating the varying stages of the design process, the works on view will include rapid preliminary sketches, detailed studies of motifs, expansive compositional designs, and finished drawings intended for patrons.”

“Leonardo to Matisse” continues through January 7. To learn more, visit the Met.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

50 Years of Hyperrealism

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Robert Gniewek, “Rosie’s Diner #10,” 2011, oil on canvas, Collection of Robert Mann

The Tampa Museum of Art is currently presenting an incredible range of hyperrealist paintings made over the last half-century during a must-see exhibition. However, it’s only up for a few more weeks!

On view through October 22 at the Tampa Museum of Art, “50 Years of Hyperrealistic Painting” presents the work of some 30 artists known for their hyperrealistic depictions of ordinary objects and scenes of everyday life. “Art dealer and author Louis K. Meisel coined the term photorealism in the late 1960s to describe large-scale paintings created to look photographic,” the museum writes. “This exhibition features three generations of photorealist painters, including John Baeder, Robert Bechtle, Chuck Close, Richard Estes, Audry Flack, Ralph Goings, Yigal Ozeri, Raphaella Spence, and others.”

Audrey Flack, “Queen,” 1976, acrylic on canvas, Collection of Susan P. and Louis K. Meisel
Ralph Goings, “Collins Diner,” 1985-86, oil on canvas, Tampa Museum of Art

To learn more, visit the Tampa Museum of Art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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