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“Until the Equinox”

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by Susan Klabak

The Oconomowoc Arts Center in Wisconsin is the lucky venue for a tantalizing display of pastel brilliance opening August 25.

The Wisconsin Pastel Artists will soon present “Until the Equinox” — a group exhibition of members’ recent work at the Oconomowoc Arts Center in Wisconsin. Opening on August 25, this fall exhibition features many of the state’s most accomplished artists, including Rosalie Beck, Roberta Condon, Cynthia Dirtzu, and Colette Odya Smith.

by Nancy Maronn
by Chris Behrs

To learn more, visit the Wisconsin Pastel Artists.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Do You Need New Realism?

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Allan Gorman, “Skull,” 2013, oil on linen, 36 x 48 inches

The Westwood Gallery in New Jersey will be mounting “New Realism” this month with great anticipation, as the exhibition showcases the captivating realist works of these four painters.

On August 13, the Westwood Gallery will open “New Realism,” featuring new paintings by Allan Gorman, Cesar Santander, Mark Oberendorff, and Ilo Oxa. The show will remain on view through September 16.

Learn more about Westwood Gallery by visiting its website here.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Gambling on Art

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Uri Vaknin, a partner in KRE Capital, is working to bring an art museum to downtown Las Vegas

Uri Vaknin — a major real estate developer and partner in KRE Capital — believes that Las Vegas, Nevada, is becoming a world-class city. However, its vivacious and brilliant downtown is missing something.

In 2014, Uri Vaknin made a major bet on the Las Vegas condo market, building several luxurious high-rises downtown. Having met amazing success with those endeavors, the mogul believes this burgeoning world-class city needs something new: an art museum downtown.

The Las Vegas Review-Journal recently spoke with Vaknin, who offered his thoughts on why an art museum is just what “Sin City” needs:

“While I have only lived here a few years, I am already a proud Las Vegan and Nevadan. I relocated here in 2014 after my firm, KRE Capital LLC, took a major bet on Las Vegas, investing in the city’s condo market. An endeavor, by the way, which many thought was crazy. But we were, and still are, bullish on Las Vegas.

“Our portfolio has performed very well, easily proving the naysayers wrong. The Ogden is now more than 65 percent sold, One Las Vegas is approaching 45 percent sold; Spanish Palms is sold out; and we just opened Juhl for sales.

“What we understood in 2013 is now becoming reality: Las Vegas is becoming a world-class city. Its economic indicators are improving; tourism is returning to pre-recession numbers and has now surpassed them.

“We were impressed with Tesla’s move to the state and Switch’s development of its significant presence in Las Vegas. We saw good governance on the local, county, and state levels. And we believed in Mayor Goodman’s vision for the city of Las Vegas, particularly downtown, where two of our largest properties are located.

“Already a world-renowned dining, entertainment and shopping capital, our city is now becoming a cultural hub. The openings of The Smith Center for the Performing Arts, The Mob Museum, and the Neon Museum signals a clear move in that direction. Yet, I remain dumbfounded that Las Vegas lacks a world-class art museum.

“Some of my earliest indelible memories are family trips to The Metropolitan Museum of Art in New York. I credit much of my business success to my exposure to the arts. It opened me to creativity. My properties have always outperformed similar developments — partly due to the creativity and arts infused into our communities.

“So, when I learned that there was a group rallying for The Art Museum at Symphony Park, I quickly became engaged and now proudly serve as a board member. I have not only given my own money and time to this effort, but my company is also championing this initiative.

“An art museum is important on so many levels. First and foremost, the Art Museum at Symphony Park will become a center of arts education for the valley’s children. Plus, an art museum is an economic driver. Every day, I speak with people who are moving to Las Vegas and are considering buying a condominium downtown. They want to live in a vibrant area with restaurants, boutiques, galleries and museums. Without the Arts District, The Smith Center and museums, I could not convince these folks to invest in downtown Las Vegas.

“Las Vegas is on the cusp of becoming a world-class city. We have great transportation and infrastructure; affordable housing; access to first-rate recreation like Red Rock Canyon National Conservation Area, Lake Mead, Mount Charleston and nearby national parks; outstanding higher education including a new medical school and a nationally ranked law school; improving public education and remarkable private schools; exceptional governance and a business-friendly environment.

“And, now, we have not one but two professional sports teams — the Vegas Golden Knights and the Raiders — along with a second NASCAR race.

“Yet, the one area where we are lacking is in the arts, particularly the visual arts.

“My company is looking at some major new developments in the downtown Las Vegas market.

I can honestly say that the development of a world-class art museum in Symphony Park would be a key determining factor. It is the final ingredient for Las Vegas to claim its destiny as a world-class city.”

To learn more, visit the Las Vegas Review-Journal.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Billionaire Art Collector Invests in L.A.

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Proposed design, via Johnson Fain

A billionaire art collector has decided to invest in the Los Angeles’ booming Arts District by building a project aptly called 641 and located at 641 South Imperial Street in L.A.

Adam Lindemann, a billionaire who also has a passion for collecting art, is investing millions in L.A.’s booming Arts District by building a 12-story mixed-use project that includes 140 live-work lofts, 7,000 square feet of street-level retail and art space, and another 7,000 square feet of creative office space.

Proposed design, via Johnson Fain

Architectural firm Johnson Fain recently revealed a striking design for the building, which features a wavy, fragmented façade and slender balconies. According to the firm, the building’s units will range in size from 600 to 1,300 square feet, with high ceilings and open interior space. The breezy design allows for floor-to-ceiling windows, as well as balconies for views around the neighborhood.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Amazing Getty Acquisitions

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Michelangelo, “Study of a Mourning Woman,” circa 1500-1505, pen and brown ink, heightened with white, 26 x 16.5 cm

A robust stack of master drawings and an iconic painting recently became part of the J. Paul Getty Museum in Los Angeles. Who are the masters added to the growing world-class collection?

On July 20, the J. Paul Getty Museum announced its acquisition of a number of incredible master drawings and an iconic painting by French artist Jean Antoine Watteau. Acquired as a group from a British private collection, the 16 drawings are by many of the greatest artists in western art history, including Michelangelo, Lorenzo di Credi, Andrea del Sarto, Parmigianino, Peter Paul Rubens, Barocci, Goya, Degas, and others.

Jean Antoine Watteau, “La Surprise,” circa 1718, oil on panel, 36.3 x 28.2 cm.

Getty Director Timothy Potts said, “This acquisition is truly a transformative event in the history of the Getty Museum. It brings into our collection many of the finest drawings of the Renaissance through the 19th century that have come to market over the past 30 years, including a number of masterpieces that are among the most famous works on paper by these artists. It is very unlikely that there will ever be another opportunity to elevate so significantly our representation of these artists, and, more importantly, the status of the Getty collection overall.

Parmigianino, “Head of a Young Man,” pen and brown ink

“No less exciting for the Department of Paintings is the addition of one of Watteau’s most famous and canonical works, ‘La Surprise.’ It was indeed a very welcome surprise when this lost masterpiece reappeared ten years ago in Britain. And one can see why: the act of seduction portrayed in the painting is matched only by the artist’s delicately flickering brushwork — the combination of titillating subject and charming rendition that made him the most esteemed painter of his day. It will be very much at home at the Getty, where it crowns our other exceptional 18th-century French paintings by Lancret, Chardin, Greuze, Fragonard, and Boucher.”

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

BOX SHOW

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Wendy Schwartz, BOX 2017

Gallery Route One is poised to present once again its most successful fundraiser, an incredible idea they call THE BOX SHOW, which involves 150 artists, 150 boxes, and seven weeks of fantastical, wild, imaginative artworks.

Gallery Route One in Point Reyes Station, California, will open on August 11 its amazing BOX SHOW, in which the gallery distributes 150 identically sized wooden boxes to 150 artists. Each person creates a unique, extraordinary work of art that is on display at the gallery for seven weeks, through September 24. Silent bidding for the boxes occurs throughout the exhibition, culminating in the dynamic live auction on Sunday, September 24.

Eric Jackson, “Number 6”

The exhibition benefits Gallery Route One’s programs in the community: the Artists in the Schools Program, the Latino Photography Project, With the Earth: Arts and the Environment, and Social Justice Exhibits.

To learn more, visit Gallery Route One.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Reader’s Choice: Pictures for Pleasure

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John Singer Sargent, “Blind Musicians,” 1912, watercolor on paper, 39.4 x 53 cm. Aberdeen Art Gallery & Museums

It’s always a joy to be presented with the opportunity to view works by acclaimed Anglo-American painter John Singer Sargent (1856-1925). This remarkable exhibition has brought together a special selection of these…

Renowned for his astute and sensitive oil portraits of the European elite in the 19th century, John Singer Sargent (1856-1925) was also — surprise, surprise — incredibly talented with watercolors, many of which feature during a captivating exhibition at Dulwich Picture Gallery in Southwark, United Kingdom.

John Singer Sargent, “Loggia, View at the Generalife,” circa 1912, watercolor on paper, 39.4 x 53.2 cm. Aberdeen Art Gallery & Museums
John Singer Sargent, “Bed of a Torrent,” circa 1904, watercolor on paper, 36 x 51 cm. Royal Watercolour Society, London
John Singer Sargent, “A Turkish Woman by a Stream,” circa 1907, watercolor on paper, 35.9 x 50.8 cm. Victoria and Albert Museum
John Singer Sargent, “Italian Sailing Vessels at Anchor,” circa 1904-1907, watercolor on paper, 35.2 x 50.3 cm. The Ashmolean Museum
John Singer Sargent, “A Street in Spain,” circa 1880, watercolor on paper, 23.8 x 32.1 cm. The Ashmolean Museum
John Singer Sargent, “Villa Borghese, Temple of Diana,” circa 1906-1907, watercolor on paper, 35.2 x 50.3 cm. The Ashmolean Museum
John Singer Sargent, “Rome: An Architectural Study,” circa 1906-1907, watercolor on paper, 34.9 x 50.2 cm. Museums & Galleries, City of Bradford MDC
John Singer Sargent, “Spanish Fountain,” 1912, watercolor on paper, 53.3 x 34.6 cm. Fitzwilliam Museum
John Singer Sargent, “Palma, Majorca,” 1908, watercolor on paper, 36.2 x 52.6 cm. Fitzwilliam Museum

More than 80 paintings from both private and public collections compose the exhibition, “revealing Sargent’s idiosyncratic view of the world and the scale of his achievement,” the gallery writes. “Free from the constraints of his studio he was able to take inspiration from the places he visited — from the streams and glacial moraines in The Alps to the renaissance and baroque architecture he explored in Venice. Working en plein air, Sargent developed a distinctive way of seeing and composing, his subjects often appearing fragmented and disorienting — an expression of his personal, modern aesthetic.”

Titled “Sargent: The Watercolours,” the show opened on June 21 and will continue through October 8. To learn more, visit Dulwich Picture Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Artwork: Lori Putnam, OPA

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"Drinks and Conversation" by Lori Putnam, OPA

“Drinks and Conversation”

30 x 40 in., oil on linen

$10,100

Studio, 2017

Available through the Jack Meier Gallery  (www.jackmeiergallery.com)

A Tennessee native, Lori spends a large amount of time traveling and painting across the country and abroad. Lori’s work is about gathering colors and the light quality which happens when she is on location “soaking” in the place. Back in her studio, she uses her oil painting sketches to recall the sense of time and place and create a painting that evokes that memory. Lori is a Signature Member of Oil Painters of America, American Impressionist Society, and a member of the Salmagundi Art Club as well as many other organizations. Her work can be found in exhibitions and galleries in the US.

Website: www.loriputnam.com

Featured Artwork: Theodore Waddell presented by the National Museum of Wildlife Art

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"Zebra #10" by Theodore Waddell

“Zebra #10”

Oil on canvas

20 x 24 in.

2017

About the artist:

For over five decades, Theodore Waddell has pursued his passion for art. With careers as a professor of art and rancher, his current work is a reflection of the influences of these two professions. His abstract impressionistic rendering of real subject matter reflect the American experience of living in the West and his love of the land which draw the viewer into that world. Waddell divides his time between his ranches and studios in Hailey, Idaho and Sheridan, Montana where he lives with Lynn Campion, writer and photographer. In these settings he explores the profound effect light has on the western setting. He spends much time observing before he paints the places that he is interested in and then captures the spirit and intensity of the modern West by stacking elements and permeating the space with seasonal light which affects nature’s colors, forms and animal life. Waddell’s career took off in 1983 when he was invited to exhibit his work in the prestigious Corcoran Biennial 38th Survey of American Art. In 2004 he was honored at the White House for his collection of paintings in various U.S. Embassies. His works are found in private and corporate collections throughout the world.

Western Visions® is the National Museum of Wildlife Art’s largest and longest running fundraiser, with a variety of exciting events. The show features a wide selection of art for sale. Western Visions® painters and sculptors participate in the art portion of the show and sale and as many as 2,000 people attend the events.

Read more about Theodore at https://www.wildlifeart.org/artists/theodore-waddell/

Read more about Western Visions® at https://www.wildlifeart.org/western-visions/about-western-visions

Featured Artwork: Krystii Melaine

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"Amaranthine" by Krystii Melaine

“Amaranthine”

Oil on linen

48 x 28 in.

$19,900

Available through the artist

Krystii Melaine paints because it makes her happy, and she hopes that her paintings will bring happiness into the homes of her collectors. Primarily a figurative and portrait artist, Krystii is on a journey of artistic exploration of the people who shaped the American West.

Amaranthine is a tribute to the special bond between mothers and daughters. It shows a mother holding her small daughter close, wrapped in a blanket, encircled by love. Amaranthine is an old poetic word meaning unfading, everlasting. “I created this painting as a tribute to my mother and the eternal love that always keeps her close to my heart, no matter how far apart we may be.” The circle behind, in iridescent paint, might be the moon or a symbolic halo. I focused on the two faces and hand in a realistic style, enjoyed the bold patterns of the blanket folds, and allowed everything else to dissolve into abstraction. Muted colors enhance the gentle mood.”

Born in Australia, Krystii announced at age four that she was going to be an artist, won her first art competition at seven, and was selling paintings and accepting commissions by the age of fourteen. Following university studies in painting, drawing and graphic design, Krystii established her own fashion design company. By her early twenties she had developed it into one of the largest bridal and evening-wear companies in Australia, showing her designs in Paris and London.

But a burning desire to return to painting led Krystii to five years of study in traditional tonal realism focused on figurative and still life painting. A trip to the USA in 1998 rekindled her fascination with the American West and was the catalyst for her ongoing quest to develop a unique artistic interpretation within the Western Art genre. Krystii’s paintings explore the lives of Native American people, families migrating westward along the trails, and the many other characters who shaped the history of the American West. Horses are an integral part of this rich tapestry of Western life, and the distinctive wildlife of this region is another facet of Krystii’s repertoire. In 2010, Krystii moved with her husband from Australia to Spokane, Washington, to be closer to her favorite region and its people. In-depth research and hands-on experience informs her paintings, including making and beading the clothing and equipment for her Native American paintings.

Krystii’s fine art is regularly featured in museum exhibitions and has won many awards including the Patron’s Choice Award at Quest for the West twice, and the Visitor’s Choice Award at the American Women Artists exhibition in 2016. Krystii is a Master Signature Member of the American Women Artists, and a member of the Portrait Society of America.

Krystii Melaine’s powerful and compelling oil paintings document her personal journey of discovery in the American West, capturing the varied personalities and telling their stories with all the skills of a master artist.

View more of Krystii’s work at www.krystiimelaine.com

Contact Krystii at [email protected] or 509-465-4006

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