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Lindenberg’s New Works

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Richard Lindenberg, “Rush Creek Hills,” 2016, oil on panel, 12 x 16 in.

The Holton Studio Gallery will soon showcase a new body of beautiful landscapes by accomplished painter Richard Lindenberg this spring. Along with the exhibition is an insightful artist presentation and reception.

Located in Berkeley, California, the Holton Studio Gallery has a national reputation for representing some of the finest contemporary painters alive today. One of them, Richard Lindenberg, will be presenting a new body of landscapes during a solo exhibition this spring.

Richard Lindenberg, “Distant Mountain Tam,” 2016, oil on panel, 16 x 12 in.
Richard Lindenberg, “Distant Mountain Tam,” 2016, oil on panel, 16 x 12 in.

The exhibition opens March 25 and continues through April 22, and the Holton Studio Gallery will host an artist presentation and reception on March 25 beginning at 3 p.m. The topic of discussion should be incredibly entertaining and insightful as Lindenberg discusses the influence of photography on his paintings.

Richard Lindenberg, “Ranch Cluster,” 2016, oil on panel, 6 x 8 in.
Richard Lindenberg, “Ranch Cluster,” 2016, oil on panel, 6 x 8 in.

To learn more, visit The Holton Studio Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

The Remarkable Unremarkable

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Lindsey Kustusch, “The Lady of the Lake,” oil on panel, 24 x 24 in.

Using her densely populated urban environment as a source of inspiration, this ascending West Coast painter continually takes unremarkable subjects and transforms them into breathtaking oils. You can come here to witness her latest display of creative genius.

STUDIO Gallery in downtown San Francisco, California, is the proud host of a dazzling solo exhibition of new paintings by ascending painter Lindsey Kustusch. Since 2009, Kustusch has been climbing the ranks as one of the nation’s premier representational painters, and her latest display is as beautiful as ever.

Lindsey Kustusch, “The General Store,” oil on panel, 24 x 24 in.
Lindsey Kustusch, “The General Store,” oil on panel, 24 x 24 in.

Based in the San Francisco Bay Area, Kustusch finds continual sources of inspiration in the densely populated streets and alleyways of her urban home, seeking to take relatively mundane and unremarkable views and transform them using her unique creative voice. “Every day I bring something unexpected back to the studio,” she says, “fueling the exploration of new ideas, tools and, techniques, while continuously questioning how, what, and why to paint.”

Kustusch’s works present a colorful and fragmented interpretation of reality, combining sharply rendered birds with expressive, abstract environments. A similar effect is found within her cityscapes, which have a blurred, dreamy atmosphere, but not without indications of acute observation.

Opened on March 16, “Lindsey Kustusch: New Paintings” will hang through April 3. To learn more, visit STUDIO Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

His Genius is Still at Work

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Auguste Rodin (1840-1917), “L’Eternal Printemps,” circa 1901, marble, 26-1/4 in.

Since November 2016, the Groninger Museum (Netherlands) has been showcasing the largest Rodin exhibition ever to take place in the country.  Time is running out to see for yourself!

Featuring more than 140 sculptures and 20 works on paper, “Rodin: Genius at Work” is a major exhibition on view through April 30 at the Groninger Museum, Netherlands.  In recognition of the modern sculptor’s death 100 years ago, museums across the globe have—or will be—opening significant exhibitions throughout 2017.

Via the Groninger Museum, “’Rodin: Genius at Work’ features plaster and bronze sculptures, including famous works like “The Thinker” and “Balzac”, as well as marble figures, ceramics, and never-before-exhibited photographs, illustrating the breadth of the artist’s creativity.  The show also reveals the unique working process behind several of his most famous works, such as ‘The Kiss’.”

To learn more, visit the Groninger Museum.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Artwork: Jennifer O’Cualain presented by the Celebration of Fine Art

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“Sonoran Skyrise” by Jennifer O’Cualain

“Sonoran Skyrise”

47 x 72 in.

oil

In the summer of 2005, Jennifer O’Cualain set out to reinvent herself. By combining years of experience as a professional portrait artist and her love of animals, Jennifer became a wildlife artist.  Today she is known as one of the preeminent wildlife artists in the country.

“I enjoy painting ‘portraits’ of animals. It’s amazing how truly unique each creature is… how each has its own personality, just as we do. I am also a bit of an anthropomorphist. I love to create scenes in which my animals are experiencing human emotions. In, ‘Sonoran Skyrise,’ the Saguaro symbolizes a city Skyrise and the birds represent the many unique residents, all of whom thrive in the abundant Sonoran environment.”

Jennifer has earned numerous distinctions including the 2010 Oil Painters of America ‘Animals’ Award of Excellence as well as a cash scholarship offered only once by critically acclaimed painter, James Reynolds, CAA. Jennifer’s works are in collections throughout the U.S. Sizes range from 6 x 6 animal portraits to large scale such as the 47 x 72 seen here.  O’Cualian frequently collaborates with fellow wildlife artist, sculptor Paul Rhymer. Jennifer currently lives in Phoenix, Arizona.

Jennifer’s work can be seen at the Celebration of Fine Art in Scottsdale, AZ January 14–March 26, 2017. The Celebration of Fine Art is a unique art experience which gives visitors the opportunity to watch 100 artists in their working under one roof. Open daily from 10 am–6 pm. Visitors enjoy strolling through the 100 artist studios under the 40,000 square foot exhibit tent. Artists are on-site creating, allowing for the visitor to watch them at work, discover what inspires them and the techniques used to create the works of art. Come to Scottsdale to see more of Jennifer’s works in person and discover the stories behind each unique work of art.

www.celebrateart.com

http://celebrateart.com/artsy_gallery/jennifer-ocualain/

High Kitsch in New York

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Luke Hillestad, “The Fool,” oil on canvas, 42 x 42 in. © Luke Hillestad 2017

Take “A Fool’s Journey” next month in New York City through the creative, traditional, and self-proclaimed kitschy vision of ascending painter Luke Hillestad. When and where?

As he draws heavily upon some of history’s greatest painters, the classical Greco-Roman tradition of the Renaissance and Baroque prevails through the work of Luke Hillestad. Beginning April 1 at New York City’s Paul Booth Gallery, “A Fool’s Journey” will be the latest solo exhibition from a painter quickly ascending in the representational art world. A pupil of the famed European master kitsch painter Odd Nerdrum, Hillestad has amassed an impressive body of work with an eclectic range of themes, including kinship, ritual, wilderness and — during the upcoming exhibition — “the inner landscapes of human pathology and desire for meaning,” the gallery writes.

Luke Hillestad, “The Island,” oil on canvas, 68 x 78 in. © Luke Hillestad 2017
Luke Hillestad, “The Island,” oil on canvas, 68 x 78 in. © Luke Hillestad 2017
Luke Hillestad, “The Mark,” oil on canvas, 60 x 75 in. © Luke Hillestad 2017
Luke Hillestad, “The Mark,” oil on canvas, 60 x 75 in. © Luke Hillestad 2017
Luke Hillestad, “Whistleblower,” oil on canvas, 66 x 48 in. © Luke Hillestad 2017
Luke Hillestad, “Whistleblower,” oil on canvas, 66 x 48 in. © Luke Hillestad 2017

Hillestad employs the palette of renowned 4th-century BCE master Apelles of Kos (red, yellow, white, and black), which results in a balance and cohesion of color in his paintings. Some of the most famous artists in history adopted the same limitations of palette, including Rembrandt van Rijn, Titian, and — of course — Odd Nerdrum. “A Fool’s Journey” will present several captivating new oils that “invite the viewer to wander, with the fresh eyes of the Fool, down an arcane path,” the gallery continues. “Along the way, we encounter painted rituals, alchemical symbols, and a cast of archetypes bearing qualities of the old but not forgotten. An unpredictable wilderness is the backdrop for the paintings where the power of the natural elements, the animal kingdom, and forest talismans imbue the narrative. Initiation, desire, and a struggle of will are among the themes explored in Hillestad’s large-scale works, painted with a harmonious Apelles palette.”

To learn more, visit Paul Booth Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Lot: Can You Feel the Sublime?

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J.M.W. Turner (1775-1851), “Tunnel,” oil on board, 20 x 14 cm. © Art Master Collection 2017

In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week we consider a stunning available lot from this Romantic icon.

Arguably one of the most championed masters of Romanticism and the sublime, J.M.W. Turner is also one of England’s most celebrated painters. This week’s featured lot is a stunning landscape by Turner that will leave collectors thinking about picking up their checkbook. The painting, titled “Tunnel,” is a rather small but strongly vertical picture of a mountain view. Captured with feathery and expressive brushwork, a small dirt path curves into a darkened tunnel next to the steep slopes and edges of a canyon or ravine.

The painting headlines a tantalizing auction on March 22 in Miami, Florida, via Art Master Collection. Starting bids are $80,000, with estimates between $100,000 and $200,000. To learn more, visit Live Auctioneers.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Portrait of the Week: Portraits Aren’t Always of People

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George Stubbs (1724-1806), “Whistlejacket,” 1762, oil on canvas, 292 x 246.4 cm. © National Gallery, London

In this ongoing series, Fine Art Today delves into the world of portraiture, highlighting historical and contemporary examples of superb quality and skill. This week we consider a stunning portrait of one of artists’ favorite animals.

In the spirit of the March/April 2017 issue of Fine Art Connoisseur magazine, which centers around the very best of equine art, this week’s feature portrait is by a man whose name has become virtually synonymous with superb paintings of horses.

More so than any of his other images of horses, before or after, George Stubbs’ (1724-1806) “Whistlejacket,” circa 1762, reads like a portrait of a human being. Set against an earthy, warm-toned background, Whistlejacket rears on his hind legs, leaping from the air as his form leaps from the canvas. With the painting void of any narrative or other subjects, the viewer is encouraged to muse on the animal’s individual physiognomy and character, which have been captured with an accuracy, knowledge, and sensitivity unparalleled in the history of art.

George Stubbs (1724-1806), “Whistlejacket,” 1762, oil on canvas, 292 x 246.4 cm. © National Gallery, London
George Stubbs (1724-1806), “Whistlejacket,” 1762, oil on canvas, 292 x 246.4 cm. © National Gallery, London

Foaled in 1749, Whistlejacket rose to notoriety in August of 1759 when he won a four-mile race for 2,000 guineas at York. According to the National Gallery, London, which owns the painting, “Stubbs’ huge picture was painted in about 1762 for the 2nd Marquess of Rockingham, Whistlejacket’s owner and a great patron of Stubbs. According to some writers of the period the original intention was to commission an equestrian portrait of George III, but it is more likely that Stubbs always intended to show the horse alone rearing up against a neutral background.”

To learn more, visit the National Gallery, London.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

New Place for New Showcase

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Image via Westward Gallery

It’s a great joy learning about new galleries around the country opening their doors for the first time, especially this new space in Denver, Colorado, owned by a nationally acclaimed artist.

The hip Berkeley neighborhood in Denver, Colorado, recently welcomed the addition of Westward Gallery and its renowned owner, Michelle Courier, and her business partner, Patti Klapish. The gallery’s name stems from the business partner’s move “Westward” from Michigan to Colorado. “Making the move to Denver and opening the gallery made sense,” explains Courier. “Denver is vibrant and emerging, and it’s getting the reputation as a fine-art hotbed.”

Located at 44th and Tennyson, the gallery currently features Courier’s magnetic landscape paintings, with more artist representations coming soon. Gallery director Jordan Villacruzes suggests, “We have a number of artists that are excited to display their work in Denver, alongside Michelle’s incredible paintings. By early spring, we hope to have a great variety of new works.”

Via the gallery’s press release: “In addition to the gallery, the new storefront location has a studio where Courier will continue to paint and build on her reputation as one of the country’s leading landscape artists. The ownership duo will also provide commercial and residential art consulting services.”

To learn more, visit Westward Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

His Passion for Painting

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Roger Dale Brown, "Barn," oil, 50 x 50 in. (c) Roger Dale Brown 2017

Master painter Roger Dale Brown has been hard at work his anticipated 3 x 3 exhibition, which is due to arrive in just a few weeks. When and where?

Leiper’s Creek Gallery in Franklin, Tennessee, will offer the public an exciting chance to view recent works by acclaimed painter Roger Dale Brown on April 22.  “Originally from Nasville, Roger now resides in Franklin, Tennessee.  Avid about traveling he is compelled to explore regions and subjects that capture his interest,” the gallery writes.  “Roger has made it his life’s study to gather and understand information from these special places.  This expands his knowledge of nature, history, architecture and culture which inspires his to create his poignant oil paintings.”

“Crediting historical artists, such as John Carlson, Arthur Streeton, Isaac Levitan, and John Singer Sargent for their example, Roger has developed his own unique voice in his art and believes that a painting on location, or from life, is an essential element to being an artist.  Roger captures the emotion of the scene he is painting by drawing on his knowledge and his dedication to art.”

To learn more, visit Leiper’s Creek Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

The Wind in Your Sails

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by Russ Kramer

Just a few weeks remain to view a diverse selection of contemporary American marine art. With over 120 works and countless subjects, there’s surely something for everyone during this national exhibition.

Hurry up! April 2 is when the 17th National Exhibition of the American Society of Marine Artists (ASMA) dismounts at the Chesapeake Bay Maritime Museum. Each year the ASMA hosts a vibrant national exhibition that highlights the best in contemporary marine art. This year’s showcase features more than 120 works of painting, sculpture, and scrimshaw.

Among others, some of the artists included are Susie Anderson, Sheri Farabaugh, and Russ Kramer.

by Sheri Farabaugh
by Sheri Farabaugh

Competition for 2017 was steep as more than 500 artworks were submitted for consideration. ASMA President Kim Shaklee remarked, “With every National Exhibition comes a dedicated, collaborative effort from the society’s fellows, who judiciously select the ‘best of the best’ for our prestigious traveling collection of works. It is with great pride and enthusiasm that we welcome the public to delve into the mystique of the various mediums in hopes of igniting a spark for the intricacies and nuances lying within the art included in the 17th ASMA National.”

CBMM Chief Curator Pete Lesher said, “We are honored to bring the nation’s best contemporary marine art to CBMM for our members and guests to view and enjoy. We identify closely with the mission of ASMA as we both have the goal to preserve, encourage, and highlight maritime practices.”

To learn more, visit the Chesapeake Bay Maritime Museum.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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