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Waterways in Watercolor

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Daven Anderson, “Heading Home,” 2016, watercolor on board, 23 x 35 in. © Daven Anderson 2017

How do you define the genre of “Urban Realism”? Self-described as such, this accomplished watercolorist is making colorful waves in our nation’s Midwest. Who and where?

Daven Anderson describes himself as an “urban realist,” painting life as he sees and experiences it on city streets and alleyways. Now on view through March 27 at St. Louis, Missouri’s Mercantile Library are a number of lovely waterscapes by Anderson that draw attention to the importance of our nation’s waterways.

Predominantly a self-taught artist, Anderson has spent years using watercolor to explore his fascination with urban life. Via his webpage, Anderson suggests, “One of his artistic intentions is to complete a series of approximately 65 works of the people and work on the inland waterway system.” About 30 of these works are exhibited at the Mercantile Library, and Anderson plans on completing his series in 2017. Along with a 100-page catalogue, several other museums have planned showing the series, including the Crisp Museum of Art. Other will be announced soon on his website below.

To learn more, visit Daven Anderson.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Nice Work, Morocco

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Giovanni Francesco Barbieri, “Madonna with Saints John the Evangelist and Gregory the Miracle Worker,” 1639, oil on panel

Moroccan authorities recently recovered a stolen baroque masterpiece — worth an estimated $6 million — by the Italian artist known as “The Squinter.” What’s the buzz?

Moroccan authorities announced last Friday their recovery of a beautiful baroque painting that had been stolen from a church during a nighttime robbery in 2014. Police were tipped when a wealthy Moroccan businessman and art collector was offered the opportunity to purchase the painting. An adroit student of art, the collector immediately recognized the stolen work and alerted authorities, who promptly seized the painting and arrested the two who possessed it.

The painting is a brilliant image of “Madonna with Saints John the Evangelist and Gregory the Miracle Worker” by 17th-century painter Giovanni Francesco Barbieri, known as Guercino and “The Squinter.” Stolen from a church in Modena in 2014, the painting has been valued at $6 million.

To learn more, visit ArtDaily.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

A Life of Seduction

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Follower of Joseph Heintz the Younger, “Fantastic Vision of the Triumph of Venice,” oil on canvas, 150 x 140 cm. © Palazzo Roncale, Fondazione Cariparo 2017

The NOMA — or New Orleans Museum of Art — is overjoyed to be presenting an exhibition of 18th-century works through May that will undoubtedly seduce your visual senses.

Have you ever heard of the Italian festival known as Carnival? Celebrated in winter in Italy, Carnival was first recorded in 1268 as a countercultural festival in rejection of laws prohibiting the wearing of masks. Today, the event has become a cultural staple, especially for the city of Venice, which celebrates Carnival with gondola finials, costumes, puppet theaters, and, of course, masquerade balls.

The New Orleans Museum of Art is currently showcasing a number of 18th-century Venetian artworks that depict Carnival ceremonies, fashion, and more. Titled “A Life of Seduction: Venice in the 1700s,” the exhibition “examines this culture of display and sensuality through four primary themes: A City that Lives on Water, the Celebration of Power, Aristocratic Life in Town and Country, and the City as Theater” the museum writes. “The works in the exhibition are drawn primarily from Venetian and other Italian collections, with important additions from American institutions. Five extraordinary paintings, never before seen in the United States, introduce the themes of the exhibition. Recently attributed to Joseph Heintz the Younger (1600-1678), these detailed works illuminate the richness of Venetian culture and society, providing insight into the public life of Venetians, and intimate views of political and aristocratic life.”

“A Life of Seduction” will be on view through May 21. To learn more, visit the NOMA.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Diamonds in the Rough? You Decide.

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Andy Thomas, “The Battle of Beecher Island,” oil on canvas, 30 x 40 in. © March in Montana 2017

Featuring over 700 works of exquisite fine art and cowboy and Indian collectibles, Montana is one place to be in March for a fantastic collecting opportunity. Is your next diamond in the rough one click away?

March in Montana is a great opportunity for fine art and antique collectors! Taking place March 17 and 18 at the Great Falls Elks Lodge, “March in Montana” will feature some 700 available lots, including a number of tasteful paintings and sculpture.

Event organizers recently announced the publication of this year’s catalogue, which can be ordered here.

To learn more, visit March in Montana.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Nature’s Layers Through Abstraction

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Michael Kessler, “Aftermath(16),” acrylic on panel, 20 x 20 in. © Ann Korologos Gallery 2017

He’s been researching this topic using paint, brush, and canvas for many years, and his latest results are sure to intrigue at this fantastic Colorado gallery.

On view now through March 15 at Ann Korologos Gallery in Basalt, Colorado, “Michael Kessler: Nature in Layers” is a tantalizing exploration of spatial perception in nature through the use of abstraction.

Kessler says, “I began by painting landscapes, but through prolonged and careful observation, it was the inner dynamics of the natural world that grasped my attention … I began to sensitize myself to the processes that were responsible for the appearance of the natural world like sedimentation and erosion. Gradually, my painting took on these characteristics.”

Michael Kessler, “Whitegrove(1),” acrylic on panel, 60 x 60 in. © Ann Korologos Gallery 2017
Michael Kessler, “Whitegrove(1),” acrylic on panel, 60 x 60 in. © Ann Korologos Gallery 2017

The gallery adds,Kessler is known for creating large-scale panels that reference forest and stream, bringing the outdoors inside in a fresh way. His abstractions complement modern architecture especially well and can be found in many contemporary homes across the U.S. He will discuss his work, influences, and process at the opening reception in a brief artist talk with Q&A.”

To learn more, visit Ann Korologos Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Impressive Knife-work

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Lynn Boggess, “17 February 2017,” oil on canvas, 40 x 34 in. © EVOKE Contemporary 2017

Viewers will be left in awe during a solo exhibition of large-scale works by a painter who uses only a series of palette knifes. Once you step into his creative world, it’s hard to get out!

EVOKE Contemporary gallery in Santa Fe, New Mexico, is proud to host a major solo exhibition of new works by renowned painter Lynn Boggess. Apart from conveying an incredible eye for color and shadow, the works of Boggess have a stunning degree of texture — created through the use of his primary tool: the palette knife.

Via the gallery: “Lynn Boggess’ subjects reflect the diverse nature of West Virginia and its flora. Boggess draws the viewer into the deeply receding spaces of his images. The pictures, devoid of human or animal habitation, focus on Nature, free of the influence of human activity. Boggess compels the viewer to contemplate each scene in turn, and finally the cycle of scenes: the lapse of hours; the alternating character of the rocks, of the trees and of the land; the turn of season. The paintings themselves become the spaces they portray.

“In many large and small ways, Boggess’ paintings reflect the entire tradition of landscape painting. When asked what major influences or past movements might have left their imprint, Boggess says that whatever images he might be studying at the time provide the nexus for his own work. Indeed, the viewers will find suggestions of the Romantics, the Luminists, the Impressionists, and the Expressionists. Yet, the artist does not set out to make his works conform to a preconceived style; rather, he melds the tradition and his own experience into a way of seeing and a style in landscape painting which is uniquely his own.

“Stylistically reflective of European and American landscape painting, Boggess’ work transcends the pitfall of betraying his predecessors and forges, in its place, an art of resolution and contemplation. Nature has been acknowledged in his work and accepted for what it has to offer in the way of healing and beauty. That last concept — beauty — is a loaded word in an age of art which often gives us truth with all its flaws and warts, or with the sophistication of irony, which is all-too-often uncomfortable with the idea that beauty is definable, desirable, or even necessary.

“Boggess’ work cuts through such specious queries to a plainer truth: that beauty simply is — an unavoidable irrefutable fact of the natural world. In their unhedging presentation of this fact, Boggess’ paintings offer solace and respite, even to the most casual of viewers, just as do the original locations in Nature which were his impetus.”

Works by Lynn Boggess will be on view at EVOKE through March 25. To learn more, visit EVOKE Contemporary.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Collect an Ocean of Talent

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Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017

Through this spring in San Diego, lovers of fine realism will discover a number of great artworks during a huge group exhibition at this well-known gallery.

Featuring the works of nearly 40 accomplished artists, “Edge of the Ocean” is a large group exhibition at San Diego’s Sparks Gallery that’s a must-see. Along with some photography, the show largely features realist paintings of maritime subjects and seascapes. More specifically, show curators asked artists to create works inspired by the San Diego coastline.

Bruce Swart, “Blacks Beach at High Tide,” watercolor, 28 1/2 x 34 1/2 in. © Sparks Gallery 2017
Bruce Swart, “Blacks Beach at High Tide,” watercolor, 28 1/2 x 34 1/2 in. © Sparks Gallery 2017

Via the gallery, “The works on view include oil and acrylic paintings, watercolor, sculpture, photography, and more. On opening night, refreshments and appetizers will be served and the wine sale proceeds will benefit Sports for Exceptional Athletes.

Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017
Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017

“Artists on view include Li Huai, an educator at UCSD (whose work deals with issues related to East-West cultural interaction), Stefanie Bales, who teaches Art and Design classes at Platt College (whose mixed-media paintings celebrate feminine serenity in seascapes and landscapes), and Sherry Krulle-Beaton, who holds an Environmental Design degree along with her art studies (whose work is representative of expressionist and abstracted elements of nature). Iconic San Diego scenes (photographs on metal) by Jon Barnes, and Roy Kerckhoffs’ selectively hand-colored ocean scenes will also be on view.”

To view the full list of participating artists, visit Sparks Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Monet Before Impressionism

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Claude Monet, “Still Life with Flowers and Fruit,” 1869, oil on canvas, 39 1/2 x 32 in. © J. Paul Getty Museum 2017

San Francisco’s Legion of Honor will be the first U.S. institution to host a comprehensive exhibition delving into the formative years of Impressionist Claude Monet (1840-1926). Details here!

An exhibition slated to open on Saturday, February 25 in San Francisco is truly a once-in-a-lifetime opportunity. Known for his major contribution to the rise of plein air painting and Impressionism in the late 19th century, Claude Monet also produced a robust body of work that formed the initial phase of his career.

Claude Monet, “The Porte d’Amont, Étretat,” circa 1868-1869, oil on canvas, 31 1/8 x 38 3/4 in. © Harvard Art Museums 2017 PLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.
Claude Monet, “The Porte d’Amont, Étretat,” circa 1868-1869, oil on canvas, 31 1/8 x 38 3/4 in. © Harvard Art Museums 2017

“Monet: The Early Years” features some 60 paintings produced during a radical period of experimentation for Monet between 1858 and 1872. “In this period,” the museum reports, “the young painter developed his unique visual language and technique, creating striking works that manifested his interest in painting textures and the interplay of light upon surfaces.”

Particularly interesting about these selected works is the tightness with which they were painted — an intriguing contrast to Monet’s more recognizable and canonical Impressionistic works. Further, these works show Monet’s willingness to explore genres that are less common in his later works, including still life, portrait, and genre scenes.

Claude Monet, “The Pointe de La Hevé at Low Tide,” 1865, oil on canvas, 35 1/2 x 59 1/4 in. © Kimbell Art Museum 2017
Claude Monet, “The Pointe de La Hevé at Low Tide,” 1865, oil on canvas, 35 1/2 x 59 1/4 in. © Kimbell Art Museum 2017

“Monet: The Early Years” will be on view through May 29. To learn more, visit the Legion of Honor.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Are We in the .ART Age?

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.Art logo © .Art 2017

The 1990s were considered the (dot)COM age, but are we about to move into the (dot)ART age? Recent tech news emerging this week suggests we might be on the brink of a new artistic age in the domain world.

On February 14, 2017, the .art web domain announced its first successful attempts to make the domain available across the art world. “Firstly, .art is about identity” Ulvi Kasimov, chairman and founder of .Art, suggested. “A .art address says, ‘I firmly belong in the art world.’ Our ambition is for .art to be a signifier of community, of belonging to, and identifying with, the art universe.”

Things haven’t run smoothly at the outset — not because of technical issues, but rather due to an overwhelming volume of name requests. The overload temporarily shutdown the domain to increase its capacity. To say .Art has hit the ground running would be an understatement, as they have already sold hundreds of .art addresses in well over 38 countries worldwide. Among the newest additions are several museums, brands, artists, and galleries. “One major category is organizations that have the word ‘art’ in a current domain name with another major zone (e.g.: .com, .org, .fr) and they shorten their domain from galleryart.com to gallery.art as an example,” the company states.

Among the notable institutions moving to the .art domain include the Louvre Museum with Louvre.art, ArtMarket.art, the National Museum of Women in the Arts with NMWA.art, and Sotheby’s with Sothebys.art. Many more are on the way!

If you’re interested in exploring acquisition of an .art domain, visit art.art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

How to Trick Your Senses

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Sarah Lamb, “Pomegranates & Earthenware,” oil on linen, 17 x 26 in. © Sarah Lamb 2017

Cakes, fruits, flowers, cheeses, and more. Can you taste it? What about the aroma? Your mind just might play tricks with you during a breathtaking showcase of still life talent at Meredith Long & Company.

Using her keen eye for detail, color, and texture, painter Sarah Lamb is stimulating all of the body’s senses during her latest solo exhibition in Houston, Texas. On view at Meredith Long & Company this February are about eight beautiful works by Lamb.

Composed and set in a traditional way, Lamb’s paintings present treats for the eyes, nose, and mouth using pigment, brush, and support. Among her tantalizing subjects are juicy pomegranates, a lush bouquet of multi-colored flowers, Ladurée Macarons with a glass of milk, and a mouth-watering slice of raspberry cake.

You’ll barely be able to contain yourself! To learn more, visit Meredith Long & Company.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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