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Featured Lot: Reflections on the Pond

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Adrien Moreau (1843-1906), “The Lily Pond,” oil on canvas, 12 3/4 x 18 1/4 in. © Christie’s 2017

In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week’s painting sparkles with color and is priced to sell.

Although Impressionist Claude Monet is perhaps the best-known lily pond painter, collectors may scratch and claw — figuratively — to get their hands on a stunning picture by 19th-century Frenchman Adrien Moreau (1843-1906).

Rather small at roughly 13 x 18 inches, Moreau’s “Lily Pond” makes a big visual impact. Lush foliage, trees, and cattails dominate the background as a glistening pond winds its way toward the viewer. Brilliantly captured are the subtle blue and white hues of the sky, which are most obviously stated in the pond’s reflections. Close observation reveals myriad colors. Although his painting is not rendered as loosely as Monet’s famed pictures, Moreau has created a delightful representation that retains some impressionistic qualities. The feathery brushwork found in the blooming lily pads and especially within the mid-ground cattails enlivens the scene and imbues the surface of the painting with a sense of life and vitality.

The market for Moreau’s work is highly variable. The current painting is estimated to sell for between $3,700 and $6,000 during Christie’s March 16 “19th-Century Sale” — a far cry from the nearly $70,000 earned in 2010 by Moreau’s “Concert d’amateurs dans un atelier d’artiste.” In 1996, his painting “Gypsy Dancer” realized 260,000 Euros.

The appetite for 19th-century works appears to be sharply on the rise, so the time might be right to strike and make this stunning work part of your collection. To learn more, visit Christie’s.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Stamp of Approval

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Jeffrey Larson provides individual instruction during class. © Image courtesy Great Lakes Academy of Fine Art 2017

An artsy Midwestern city is where this outstanding new atelier received the ARC’s (Art Renewal Center) coveted stamp of approval. Who are they and where? Find out!

Located on the southern tip of Lake Superior in Minnesota, Duluth is a quaint — albeit cold —city that has a reputation for its lively arts culture, high-class cuisine, and popular ski trails, parks, and more. Duluth can now boast that it is home to an ARC Approved Atelier, an honor awarded to academic programs that center around traditional methods for teaching painting and drawing.

Headed and run by ARC Living Master Jeffrey Larson, the Great Lakes Academy of Fine Art is a full-time, four-year program specifically designed for students aspiring to become professional fine artists. No doubt the academy’s new designation will make it a coveted destination for some of the nation’s top talent. Students might also be drawn to the stunning venue: a newly renovated 8,000-square-foot turn-of-the-century stone church that overlooks Superior Bay.

The ARC provides more comprehensive detail about the atelier and its founder here. To learn more, you can also visit Great Lakes Academy of Fine Art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

If You Built It, They May Have Painted It

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Anton Glikin (for Peter Pennoyer Architects), “Drumlin Hall,” 2009, ink and watercolor, 36 x 20 in. © Eleventh Street Arts 2017

The art of architecture and architecture in art are being explored during a captivating group exhibition on the East Coast. With a diverse range of styles and superior talent, we’re positive you won’t be disappointed if you have a look here.

If you leave right now, there’s still time to attend the opening of “Art of Architecture” at Eleventh Street Arts in Long Island City, New York. Tonight (March 2) from 6-9 p.m. marks the opening of a tantalizing and creative exhibition with the man-made as its focus. Among the talent showcased are works by Atelier & Co., Steve Bass, Anthony Baus, Patrick Connors, Alexander Creswell, Andrew Dodson, Fairfax & Sammons Architects, Ferguson & Shamamian Architects, David Genther, Anton Glikin, Michael G. Imber Architects, Peter Pennoyer Architects, Irina Shumitskaya, Abigail Tulis, Charlotte Worthy Architects, and many others.

Can’t make the opening? Eleventh Street Arts has also coordinated a series of lectures, to be held on March 9 and March 30. Topics under consideration include hand drawing for house design and “type talk.”

“Art of Architecture” will be on view through April 7. To learn more, visit Eleventh Street Arts.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Worth the Walk

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Carin Wagner, “Reflect III,” 2015, oil on canvas, 10 x 10 in. © Carin Wagner 2017

Delray Beach, Florida, will host the first Friday Art Walk of 2017 tomorrow from 6 to 9 p.m., with a range of incredible art to see and food to taste. A highlight of the event can be found at the Cornell Art Museum, which will feature the works of one accomplished painter through March. Who is she?

Award-winning South Florida artist Carin Wagner is the focus of a beautiful solo exhibition at the Cornell Art Museum this March. Opening tomorrow during Delray Beach’s first Friday Art Walk, the show will feature new works from Wagner’s “Reflect” series. As its title suggests, Wagner’s series draws attention to the phenomena of light and objects as they reflect off the variable surfaces of water. Viewers will no doubt find delight in both tightly rendered reflections and abstraction caused by ripples and waves.

Carin Wagner, “Reflect,” 2015, oil on canvas 72 x 37 in. © Carin Wagner 2017
Carin Wagner, “Reflect,” 2015, oil on canvas 72 x 37 in. © Carin Wagner 2017
Carin Wagner, “Reflect6,” 2016, oil on canvas, 12 x 20 in. © Carin Wagner 2017
Carin Wagner, “Reflect6,” 2016, oil on canvas, 12 x 20 in. © Carin Wagner 2017

To learn more, visit here.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Making Exhibition History

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Sandro Botticelli (1445-1510), “Venus (detail),” circa 1484-1490, tempera on wood, © Sabauda Gallery, Turin 2017

A stunning Renaissance masterpiece has made its way to the United States for the first time ever, marking a historic moment for American institutions, and in particular this Williamsburg, Virginia, museum.

Any painting that survives today by the hand of Renaissance master Sandro Botticelli (1445-1510) is one worth viewing — especially if you don’t necessarily have to travel to Europe. For the first time ever, one of Botticelli’s famed “Venus” paintings is being shown in the United States, in Williamsburg, Virginia.

On view at the Muscarelle Museum of Art now through April 5, “Botticelli and the Search for the Divine” is being called “the most important Botticelli exhibition ever seen in the United States,” the museum reports. “Every phase of the artist’s tumultuous career is represented in this selection, as well as nine works by his master Filippo Lippi, the only pupil of Masaccio. Botticelli was guided to success by the Medici dynasty, the patrons for sacred altarpieces and sensuous paintings of classical mythology, including several in this unprecedented exhibition. After the fall of the Medici, many of his paintings were lost in the bonfires of the vanities.”

As exciting is the fact that this exhibition will also be shown this spring at the Museum of Fine Arts, Boston from April 15 through July 9. To learn more, visit the Muscarelle Museum of Art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Real People, Real Stories, Real Places, and Real Things

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Olga Antonova, “Two Ladies on Polka Dots,” oil on canvas, 24 x 12 in. © Haynes Galleries 2017

A fantastic exhibition with — you guessed it — Realism as its focus just opened at an acclaimed Tennessee gallery. It features several nationally recognized painters, and they’ve truly outdone themselves with “The Real World.” Details here.

Thankfully “The Real World” — a stunning exhibition on view now at Haynes Galleries — has nothing to do with that silly MTV reality series that aired in the late 1990s and early 2000s. Rather, the gallery’s first exhibition back in its original Franklin, Tennessee, location is one for the ages, featuring a broad range of style and creative beauty from some of the best realists painting today.

Richard Britell, “Utica Club I,” 1980, oil on canvas, 21 x 17 in. © Haynes Galleries 2017
Richard Britell, “Utica Club I,” 1980, oil on canvas, 21 x 17 in. © Haynes Galleries 2017

Opened yesterday, March 1, and on view through May 27, “The Real World: Real People & Real Stories, Real Places & Real Things” is an exciting collection of gripping portraits, sublime landscapes, and tasteful still life. Among the artists represented are Zoey Frank, Richard Britell, Andrea J. Smith, Olga Antonova, Arturo Montoto, Marc Dalessio, Gregory Mortenson, Michael Theise, Holly Bedrosian, and Joseph McGurl.

Arturo Montoto, “FragileIllusion,” oil on linen, 38 4/5 x 31 1/4 in. © Haynes Galleries 2017
Arturo Montoto, “FragileIllusion,” oil on linen, 38 4/5 x 31 1/4 in. © Haynes Galleries 2017

Via the gallery, “This real world of art is diverse, thriving, and based on everyday reality. From unadorned portraits in earthy tones that reflect a person’s soul to emotion-rich still lifes assembled with souvenirs from a lifetime of travel, ‘The Real World’ covers a wide range, but each artwork strives to connect viewers with personal experiences. That’s the thread that they all have in common. All seek to tell a story or evoke emotion based on real experiences while also pushing the technical skills to new levels.”

Andrea J. Smith, “Stelianie,” oil on panel, 15 x 15 in. © Haynes Galleries 2017
Andrea J. Smith, “Stelianie,” oil on panel, 15 x 15 in. © Haynes Galleries 2017

To learn more, visit Haynes Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

All Roads Lead to. . .

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Giovanni Paolo Panini, “Capriccio View of Ancient Roman Monuments,” circa 1755, oil on canvas, 31 x 43 in.

San Francisco? Two San Francisco institutions have coordinated to offer a delightful event on March 11 for those interested in the art of the “Eternal City.”

The San Francisco Airport Commission Aviation Library and Louis A. Turpen Aviation Museum have joined to offer a great opportunity to view works from the Collection of Piraneseum. Opening March 11 with a reception from 2 to 3 p.m., the exhibition features a number of carefully selected Grand Tour objects, including paintings, drawings, etchings, sculptures, and more.

Viviano Codazzi, “Colosseum and Arch of Constantine,” circa 1650, oil on canvas, 56 x 77 in.
Viviano Codazzi, “Colosseum and Arch of Constantine,” circa 1650, oil on canvas, 56 x 77 in.

Via the press release: “Please join the ICAA to explore the fascinating world of Piraneseum, as member Lucia Howard guides us through her extensive collection of Grand Tour objects that convey the essence of Rome’s splendid architecture, and the timeless grandeur of its ruins. Among the more than seventy antique souvenirs are 17th and 18th century paintings, drawings, and etchings of ruins, both realistic and fully imaginary, as well as lavish, gold-finished bronze models of the Eternal City’s signal landmarks — the Columns of Trajan and Marcus Aurelius, the Arch of Constantine, Lateran Obelisk, and others.”

The exhibition, titled “All Roads Lead to Rome” will continue through August 13 and is located in the International Terminal at the San Francisco Airport. To learn more, visit here.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Don’t Miss This

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Bidding is always spirited during The Russell Live Auction, seen here in 2016. © Image courtesy C.M. Russell Museum

Mid-March is always an exciting time of year, especially when the C.M. Russell Museum hosts its annual exhibition and sale — one of the world’s premier events and destinations for collectors and enthusiasts of Western art. How’s 2017 shaping up?

Mark your calendars! From March 16 through March 18, Great Falls, Montana, will once again host the C.M. Russell Museum’s annual exhibition and sale — surely one of the most anticipated fine art events of 2017. Exhibition of available works opened on February 17 at the C.M. Russell Museum.

Members of the Russell Skull Society of Artists exhibit their works in 2016. © Image courtesy C.M. Russell Museum
Members of the Russell Skull Society of Artists exhibit their works in 2016. © Image courtesy C.M. Russell Museum

The week kicks off with an Art Preview Party on March 16 from 5-7 p.m. at the museum. This will be a fantastic opportunity for the public to mingle with the artists and have one last look at the available lots. On Friday, March 17, Art in Action begins at 10 a.m. This event is “an exciting variation of a traditional ‘quick draw’” organizers write. The event culminates in a live auction of the completed works of art with 100 percent of the proceeds donated to the museum.

Friday night will witness the First Strike Auction at the Mansfield Convention Center. Focused solely on contemporary artists, this auction is the perfect opportunity to get one’s feet wet in anticipation of The Russell Live Auction on Saturday. The First Strike Auction commences at 6 p.m.

Attendees watch and interact with working artists during Art in Action 2016. © Image courtesy C.M. Russell Museum
Attendees watch and interact with working artists during Art in Action 2016. © Image courtesy C.M. Russell Museum

Finally, the main event — The Russell Live Auction — begins at 4:30 p.m. on Saturday, March 18, at the Mansfield Convention Center. The evening includes a gourmet dinner and beverage service.

Not to be forgotten are the Russell Skull Society of Artists Suites, which will be on view the entire week at the Mansfield Convention Center. The C.M. Russell Museum writes, “In addition to artworks for sale by this distinguished group of Western artists, enjoy live music, delectable food, and premium beverages.”

To learn more and purchase your tickets, visit the C.M. Russell Museum.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Little Red Riding Hood Was a Liar

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Ester Curini, “My Eyes, My Soul,” 2016, acrylic on linen, 72 x 48 in. © Bernarducci Meisel Gallery 2017

At least that’s what incredible painter Ester Curini suggests during her stunning solo exhibition of wolves in New York City.

There are certainly no big bad wolves found within “Endangered,” a brilliant solo exhibition of works by Ester Curini at Bernarducci Meisel Gallery in New York City. Rather, the show is about celebrating wolves, their majestic beauty, and their importance in our ecosystem.

Ester Curini, “I Am the Lobo,” 2016, acrylic on linen, 72 x 48 in. © Bernarducci Meisel Gallery 2017
Ester Curini, “I Am the Lobo,” 2016, acrylic on linen, 72 x 48 in. © Bernarducci Meisel Gallery 2017

Wolves are amazingly complex and social creatures of the wild, and Curini captures each animal’s individuality and character with amazing intimacy and vision. The portraits are set against stark white backgrounds, and the viewer is forced to confront the animals directly, considering their physiognomy, unique colors, and elegant gestures.

“My aim is to raise awareness about their importance in our ecosystem,” Curini says. “They have been hunted, trapped, and poisoned. Specifically, the Mexican Gray and the Red wolves. They are the most endangered species in North America.

Ester Curini, “Zephyr,” 2014, acrylic on linen, 72 x 48 in. © Bernarducci Meisel Gallery 2017
Ester Curini, “Zephyr,” 2014, acrylic on linen, 72 x 48 in. © Bernarducci Meisel Gallery 2017

“The subject of my portraits featured in my exhibition are living at the Wolf Conservation Center in South Salem, New York. It is just a few miles away from Manhattan.”

“Endangered” opens today, March 2, and will continue through April 1. To learn more, visit Bernarducci Meisel Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Spring Is in Cleveland’s Air

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George Mauersberger, “Flowerama 1,” 2014, watercolor, 24 x 58 in. © George Mauersberger 2017

A colorful bouquet of floral watercolors awaits lucky visitors to a Cleveland, Ohio, gallery. Who’s the masterful artist, and where can you catch a view?

Cleveland native and accomplished artist George Mauersberger will present a number of lively watercolors during an exhibition at the city’s Bonfoey Gallery. Titled “Modern Botanicals,” the exhibition opens on March 3 and will be on view through April 1. Concurrently, Mauersberger will have a retrospective of his pastel work in the Guffuni Gallery at the Butler Institute for American Art in Youngstown, Ohio. The retrospective, “George Mauersberger — Pastel Drawings — 1991-2016,” will be shown from March 5 through May 14. The Butler opening with the artist is Sunday, March 5, from 1 to 3 p.m.

To learn more, visit the Butler or the Bonfoey.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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