Realism paintings -
Thomas C. Farrer, “Three Eggs,” 1868, watercolor on paper, overall: 12.7 x 25.4 cm (5 x 10 in.), framed: 26.67 x 39.37 cm (10 1/2 x 15 1/2 in.) Lent by Elizabeth Feld-Herzberg and Peter A. Feld. Photography by Eric W. Baumgartner

In celebration of the 200th anniversary of the birth of John Ruskin (1819–1900), the most influential art critic of the Victorian era, the National Gallery of Art will present more than 90 paintings, watercolors, and drawings created by American artists who were profoundly influenced by Ruskin’s call for a revolutionary change in the practice of art.

Realism paintings -
Henry Farrer, “Two Birds: Canary and Robin,” 1867, watercolor on paper, overall: 18.73 x 14.76 cm (7 3/8 x 5 13/16 in.), framed: 44.45 x 39.37 cm (17 1/2 x 15 1/2 in.) Lent by Mr. and Mrs. Stuart P. Feld. Photography by Eric W. Baumgartner

“The American Pre-Raphaelites: Radical Realists” includes a number of recently discovered works never before exhibited publicly. Ruskin’s rejection of traditional academic art and his plea for works that reflected a deep reverence for both the spiritual and scientific qualities of the natural world found a sympathetic audience in America among a group of like-minded artists, architects, scientists, critics, and collectors.

Realism paintings -
Henry Farrer, “On Whitehead, Coast of Maine,” 1875, watercolor on paper, overall: 30.48 x 46.99 cm (12 x 18 1/2 in.), Leonard and Ellen Milberg

New research, included in the exhibition catalog, reveals that the members of the Association for the Advancement of Truth in Art sought reform not only in the practice of art, but also in the broader political arena—most were abolitionists deeply engaged in the fight against slavery. Coded references to the Civil War are present in a number of exquisitely detailed landscape paintings that do not appear—at first glance—to carry symbolic meaning. Members of the group followed Ruskin’s dictum to record the natural world with strict fidelity, but they also created works that often include a rich political subtext.

Realism paintings -
Fidelia Bridges, “Calla Lily,” 1875, watercolor on paper, overall: 35.56 x 25.4 cm (14 x 10 in.), framed: 60.96 x 45.72 x 3.81 cm (24 x 18 x 1 1/2 in.) Brooklyn Museum, New York, Museum Collection Fund
Realism paintings -
Fidelia Bridges, “Milkweeds,” 1876, watercolor on paper, image: 40.64 x 24.13 cm (16 x 9 1/2 in.), overall: 43.82 x 33.02 cm (17 1/4 x 13 in.), framed: 71.1 x 55.9 x 3.2 cm (28 x 22 x 1 1/4 in.) Proctor Collection, Munson-Williams-Proctor Arts Institute, Museum of Art, Utica Munson-Williams-Proctor Arts Institute / Art Resource, NY

The exhibition is curated by Linda S. Ferber, museum director emerita and senior art historian at the New-York Historical Society, with Nancy K. Anderson, curator and head of the department of American and British paintings at the National Gallery of Art.

Realism paintings -
Henry Farrer, “Pink Rose,” 1874, watercolor on paper, overall: 11.75 x 26.04 cm (4 5/8 x 10 1/4 in.), framed: 30.48 x 45.09 cm (12 x 17 3/4 in.) Elizabeth Feld-Herzberg. Photography by Eric W. Baumgartner

“The American Pre-Raphaelites: Radical Realists” is on view through July 21, 2019, at the National Gallery of Art.

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