Dialog: Landscape and Abstraction
View Freya Grand’s immersive landscapes of Ecuador, Peru, Argentina, Chile, Costa Rica, and the Galapagos Islands.
A Century of Connecticut Creativity
“A Century of Creativity: Connecticut Art from the New Haven Paint & Clay Club” celebrates the history and continuing legacy of the New Haven Paint & Clay Club, one of the oldest active art clubs in New England, established in 1900.
On View: Works by the Washington Society of Landscape Painters
For 106 years, WSLP artists have been united by a love of the landscape, but the current members also find inspiration and joy in florals, still life, and other subjects…
New Book for Art Lovers: The Fleischer Collection
An essay by art historian Jean Stern on the Fleischer Collection, the earliest and one of the most extensive collections dedicated to California Impressionism.
Painting How I Want, What I Want, and How I See It
Dean Mitchell: “I’m looking for freedom, regardless of painting styles and labels imposed on artists in regards to race and ethnic origins — total freedom to explore my full potential as an artist.”
30th Annual Celebration of Fine Art
This juried invitational show and art sale features 40,000 square feet of working studios and works of art by 100 renowned and emerging artists from across the country.
Jacob Lawrence: The American Struggle
Created during the modern civil rights era, Lawrence’s thirty intimate panels interpret pivotal moments in American history and, as he wrote, “depict the struggles of a people to create a nation and their attempt to build a democracy.”
Discussion: Sermon on the Mount
An evening on the development, making, and use of inspirational stained glass over the centuries.
Through the Unusual Door
Learn about a museum exhibition that examines the 38-year relationship between Beauford Delaney and the writer and civil rights activist James Baldwin.
Solo Exhibition: Quang Ho
Learn about “Process,” Quang Ho’s first solo exhibition in over ten years. “I’m bringing past themes to life,” he says, “digging deeper into the visual language, and exploring new boundaries.”