Home Blog Page 101

It’s Autumn Auction Season at Bellmans

1
Art Auction - Painting by Otto Leyde
Painting by Otto Leyde

Bidders can look forward to a wide selection of fine paintings starting with the Old Master, British, and European art auction at Bellmans on October 11, 2022.

More from the organizers:

Undoubtedly a highlight are two corresponding paintings by local painter James Clarke Hook (British, 1819-1907), who lived near Godalming for the final 50 years of his life. He is best known for his genre painting and in particular his fascination with the sea and coastal scenes, which led to his paintings often being dubbed ‘Hookscapes’.

This auction includes two of his early paintings: “The Ship Boys Letter” from 1863, which has been well documented and exhibited at the Royal Academy in 1857 and shows a young boy writing a letter to his mother while at sea (estimate £2,000 – £4,000), and “Reading the Ship Boys Letter,” which depicts his mother reading the letter out to the rest of the family at home in the countryside (est. £4,000 – £6,000). Interestingly the latter was actually painted before the one of the boy writing the letter.

art auction - "The Ship Boys Letter" by James Clarke Hook
“The Ship Boys Letter” by James Clarke Hook
"Reading the Ship Boys Letter" by James Clarke Hook
“Reading the Ship Boys Letter” by James Clarke Hook

Another well-known marine painter, John James Wilson (British, 1818-1875), is also included with an 1869 work, “Boats Entering Harbour in a Swell,” which is estimated at
£1,000 – £1,500.

"Boats Entering Harbour in a Swell" by John James Wilson
“Boats Entering Harbour in a Swell” by John James Wilson

Two watercolours by Albert Goodwin (British, 1845-1932) are also in the auction, another marine themed work, “Her Last Voyage,” from 1909 carries an estimate of £700 – £1,000, and one depicting Durham Cathedral is expected to fetch £500 – £700.

"Her Last Voyage" by Albert Goodwin
“Her Last Voyage” by Albert Goodwin

An oil on canvas winter scene by Belgian artists Hendrik Adolf Schaep (1826-1870) and Eugene Joseph Henri Smits (1826-1912) from 1889, was started by the former and finished by the latter. “Skaters on a Frozen River” carries an estimate of£1,000 – £1,500.

"Skaters on a Frozen River" by Hendrik Adolf Schaep and Eugene Joseph Henri Smits
“Skaters on a Frozen River” by Hendrik Adolf Schaep and Eugene Joseph Henri Smits

The auction also includes a Scottish painting by Otto Leyde (1835-1897), who was born in East Prussia in 1835, but moved and settled in Edinburgh in 1854 and devoted himself to painting, exhibiting in the Royal Scottish Academy for the first time in 1858. He is known for his portraits of Scottish society families, but also his subject pictures, often with a strong Scottish theme.

The charming portrait (shown at top) of four children and their red setter also has strong Scottish links, but the sitters are currently unknown – with the boys dressed in kilts (?) and the girls in blue and white dresses. To keep with the Scottish theme, one of the boys holding a golf club. The oil on canvas is signed and dated 1862 and estimated to sell for £1,000 – £1,500.

More details: www.bellmans.co.uk


> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Friday Virtual Gallery Walk for September 30, 2022

0
Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Nest with Blue Eggs, Loren DiBenedetto, oil, 12 x 12 in; Anderson Fine Art Gallery
The Grand Canal, Venice (One of a pair), Federico Del Campo (1837 – 1923), watercolor, 6.5 x 9.5 in, Signed; Rehs Galleries, Inc.
The Doge’s Palace and the Grand Canal, Venice (One of a pair), Federico Del Campo (1837 – 1923), watercolor, 6.5 x 9.5 in, Signed; Rehs Galleries, Inc.
Hazel’s Garden, Haidee-Jo Summers, oil, 8 x 12 in; LPAPA Art Gallery, The Catalog Art Show August 29-October 10, 2022
Black Bear Blue, David Frederick Riley, oil on canvas, 60 x 60 in; David Frederick Riley
Jefferson River Overlook, Bruce D. Pierce, oil on canvas board, 11 x 14 in; Bruce Pierce
Finding The Motherload, Ken Rowe, bronze #15/25, 19 in. x 13 in. x 9 ¼ in. deep; ArtzLine.com

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

KMSKA: “We’ve Missed You”

4
The facade of the KMSKA
The facade of the KMSKA; Photo credit: Karin Borghouts

A beloved art museum in Flanders, Belgium, reopens to the long-awaiting public. Was it worth the wait?

Eleven years ago, the Royal Museum of Fine Arts Antwerp (KMSKA / Koninklijk Museum voor Schone Kunsten Antwerpen) closed to begin a renovation that was just recently completed. The museum welcomed longtime lovers of the KMSKA — and an entirely new generation — through its doors on September 24.

“Museums are places of imagination and reflection,” said Luc Delrue, Secretary General of Flanders’ Department of Culture, Youth, and Media. “The KMSKA will undoubtedly help many visitors, young and old, to discover their place in life. At last, our children and grandchildren can once again enjoy the extraordinary and brilliant art we have created in Flanders over the centuries.”

KMSKA art museum
Photo credit: Karin Borghouts

It was worth the wait. The museum houses the largest collection of art — 8,400 pieces in total — in Flanders, the northern region of Belgium. With the reconstruction and renovations, visitors can enjoy 40% more exhibition space compared to the original layout, showcasing seven centuries of fine art. Walking inside, you may find yourself stunned by the initial beauty of the immense paintings that greet you as you choose your path.

KMSKA art museum
Photo credit: Karin Borghouts

The new space is organized by two major periods, Old Masters and Modern Artists, which are bridged by a wing devoted to the largest collection of James Ensor art in the world. “The KMSKA [was] too often still only associated with Old Masters,” said Luk Lemmens, Chairman of the KMSKA Foundation. “Thanks to the space gained, our fantastic collection of modern art gets the place it deserves.”

Madonna Surrounded by Seraphim and Cherubim by Jean Fouquet
Madonna Surrounded by Seraphim and Cherubim by Jean Fouquet

It’s important to note that the museum’s efforts in the renovation include making visitors’ experience more interactive and immersive. For example, children in particular (as well as adults) will enjoy “The Ten,” an adventurous journey to find 10 surprising installations throughout the collection. Don’t just look at them, though — get a free booklet and participate in fun, creative “assignments” as you tour the museum.

art restoration
Restorations taking place while the museum was closed to the public: Photo credit: Karin Borghouts

Temporary exhibitions include “The Making Of: The KMSKA From Concept to Realization — with Photographs by Karin Borghouts,” “Cosmorama: Ives Maes,” and “The Poetry of the Abstract: Michel Seuphor.”

Cherie Dawn Haas with Adrianne Gonnissen
Fine Art Today Editor Cherie Dawn Haas with Adrianne Gonnissen, Historian and KMSKA Curator Modern Art in front of one of the sections he coordinated.
Speakers from the KMSKA press conference
Speakers from the KMSKA press conference included Luk Lemmons, Chairman KMSKA (far left), Carmen Willems, General Director (second from right), and representatives from the local tourism bureaus.

For more information:
Museum Website: kmska.be
Plan Your Trip: visitflanders.com (Pro tip: Get the Antwerp City Card for convenient access to local venues and transportation.)

#visitflanders #visitantwerp

Stay tuned for a full feature article on the KMSKA and surrounding area, including additional art museums and art destinations, in an upcoming issue of Fine Art Connoisseur magazine. Subscribe today so you don’t miss it!

Artist Spotlight: Mark White

0
artist Mark White painting en plain
Mark White, plein air painting, El Rancho de las Golondrinas, Plein Air Convention (PAC) Santa Fe, NM 2022

How do you find inspiration?
Mark White: Sometimes I refer to my drive to paint as a “fealty to the presence”. Recently, I moved to California and on the day I arrived, my son Ethan took me down to Broad Beach. I was awestruck by the sunset that greeted me. I have never had my consciousness so expanded as when I am sitting next to the ocean.

My “Ocean Atmosphere” collection is a result of being intrigued by and motivated to present on canvas how magical that morning moment is when the sun finally shines through a marine layer, and how the evening light reflects from the color-turning sky onto the receding tide.

My “New Mexico Gesso” collection began when I was experimenting with acrylic gesso that was heavily pigmented. Mixing the gesso with fibrous and sandy texture has resulted in a surface that has a feeling of pixelation, reminiscent of the chaotic weeds and grasses that you see in New Mexico.

I would often work on one painting from my home in Santa Fe on two different days. The light was very similar both days which resulted in a deep, receding, slightly atmospheric blending of the light conditions. This process gave the paintings a cinematic feel, allowing the overlapping areas of light to be in pristine focus.

To see more of Mark’s work, visit:

www.markwhitefineart.com

https://markwhitefineart.com/product-category/paintings/mark-white/ocean-atmosphere/

https://markwhitefineart.com/product-category/paintings/mark-white/new-mexico-gesso/

Facebook

Instagram

oil painting of sunset over ocean
Mark White, Malibu Broad Beach, oil on canvas, 24 x 36 in, Available through the artist
oil painting of texture filled desert with the different rolling hills landscape
Mark White, On the Road to Chama, acrylic gesso on canvas, 15 x 30 in, Available through the artist

When You See Them, You See Me

0
Figurative paintings of black people
Robert Peterson, "Love Is Love," 2022, 60 x 60 in., oil on canvas, courtesy of Claire Oliver Gallery

Claire Oliver Gallery (Harlem, NY) is presenting “When You See Them, You See Me,” the debut solo exhibition by artist Robert Peterson. Featuring 13 life-scale oil on canvas figurative paintings, Peterson aims to capture time through his art, highlighting Black family life as joyous, loving, and balanced. So often Black men and women are unfairly stereotyped, and fractured family dynamics are what the media and popular culture choose to highlight. Peterson looks at his work as an opportunity to flip the narrative and shed light on the strength, resilience, and gentleness of the Black community that is hardly ever showcased.

“When You See Them, You See Me”
Claire Oliver Gallery
claireoliver.com
Harlem, New York
Through November 5, 2022

figurative painting of a black man
Robert Peterson, “Crown of Righteousness,” 2022, 30 x 24 in., oil on canvas, courtesy of Claire Oliver Gallery

“This exhibition is extremely personal to me as it showcases the balance that I have within my own life as a husband and a father, as a Black man,” states Peterson. “I create my work with the idea of correcting the historical record. In 500 years, I want viewers to see the normalcy, peace, and harmony with my subjects – Black people, and Black families in particular, that contrast with the often negative popular narrative. I want my subjects to get the chance to live forever through my work.”

Peterson’s works explore the mundane as a radical act of visibility for Black Americans, honing his work to focus on the Black family and drawing from his own experiences. Peterson’s monumental oil on canvas paintings depict Black individuals as both ordinary and regal, replacing iconographic regalia with the quotidian, and reframing embellished “crowns” with du-rags and jeans.

His works are homages to the quiet heroism of daily life and challenge the politicized gaze upon Black people. His figures’ skin tones are rendered in rich polychrome: a joyous and exuberant expression of love of Black skin.

Figurative paintings of black people
Robert Peterson, “Sunday Kind of Love,” 2022, 54 x 114 in., oil on canvas, courtesy of Claire Oliver Gallery

In the past decade, Peterson has evolved from his self-taught origins to exhibiting his works in celebrated galleries and art fairs in New York City, Chicago, Los Angeles, and Miami. In 2016, he was the first Black artist selected “Artist of the Year for Southwestern Oklahoma” by the Oklahoma Arts Council. The following year, he became the Spectrum Spotlight Artist of the Year during Miami’s Art Basel.


> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Friday Virtual Gallery Walk for September 16, 2022

0
Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Sky Romance, Rani Garner, oil, 30 x 40 in; Anderson Fine Art Gallery
Paris Light, Mark Laguë (Born 1964), oil on panel, 39 x 29 in, framed: 44.5 x 34.5 in, Signed; Rehs Contemporary
Wild Roses, Frederick Morgan (1847 – 1927), oil on canvas, 51 1/2 x 33 in, Framed 59 1/2 x 41 in, Signed; Rehs Galleries, Inc.
Sunday Afternoon, David Marty, oil, 11 x 14 in; LPAPA Art Gallery, The Catalog Art Show August 29-October 10, 2022
The Great American Chasm, Amery Bohling, oil, 24 x 36 in; Grand Canyon Conservancy/Celebration of Art
Dunes on Point Dume, Mark White, acrylic gesso and oil on panel, 12 x 16in; Mark White Fine Art
Crossing Them Over (Fire Hole River Y.N.P.), Bruce D. Pierce, oil on linen, 36 x 48 in; Bruce Pierce
Faithful Standbys, Loren Entz (1949-2022), oil, 40 x 32 in; ArtzLine.com

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Artist Spotlight: Paula Holtzclaw

0
Artist posing with her artwork, holding a paint brush
Paula Holtzclaw in studio with "Luminescence"

How do you find inspiration?
Paula Holtzclaw: When sometimes challenged with finding inspiration, I remind myself of this favorite quote by Chuck Close, “The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you, and something else will occur to you, and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I fine that’s almost never the case.”

What is the best thing about being an artist?
Paula Holtzclaw: I know that lucky, and not always common, is the person who is able to fill their time doing what they love. The best part of being an artist is being able to recognize and appreciate the beauty around us, the quiet moments that so easily slip by, unrecognized. Then to share that moment in time with others is a true blessing.

To see more of Paula’s work, visit:
www.Paulabholtzclawfineart.com

oil painting of misty day over marshlands
Paula Holtzclaw, Looks like Rain, oil, 16 x 20 in, 2022. A grey misty day is the perfect time to use a limited palette. Available through NOAPS and/or Wilcox Gallery in Jackson Hole, WY. (currently in the NOAPS Best of America exhibition) www.noaps.org
oil painting of strong, bold color sunset filled in the marshlands
Paula Holtzclaw, Firelight, oil, 16 x 20 in, 2022. The brilliance of this sunset appeared almost as a fire in the sky. Available through the American Impressionist Society and/or Mary Williams Fine Arts, Boulder, Co. (currently in the AIS National Exhibition) www.marywilliamsfinearts.com

Quest for the West Hits Over $1M

0
Quest for the West results
At the 17th annual Quest for the West® Art Show and Sale at the Eiteljorg Museum in Indianapolis, artist Nathan Solano, center, was recognized with the Harrison Eiteljorg Purchase Award on Sept. 10. With him are Quest for the West Chair Cathy Turner, left, and Eiteljorg President and CEO John Vanausdall, right. Image courtesy of Brittany Erwin Photography

More than $1 million in high-end Western art was sold September 9-10 during the Quest for the West® Art Show and Sale, held at the Eiteljorg Museum of American Indians and Western Art in downtown Indianapolis. At the 17th annual Quest for the West, 304 collectors and guests were able to purchase art created by 50 of the nation’s leading Western American artists.

More from the organizers:

This year’s luck-of-the-draw sale and awards dinner was memorable for two reasons: It was the first museum event held in the Eiteljorg Museum’s newly expanded multipurpose space, the Allen Whitehill Clowes Sculpture Court, since its summer renovation. And, this was the final year that Eiteljorg President and CEO John Vanausdall presided over the popular event as emcee before his retirement next year.

“For 17 years, the Quest for the West Art Show and Sale has been a major initiative for the Eiteljorg Museum. It has built support for Western American art and artists and raised the museum’s profile nationally in the art world,” Vanausdall said. “Quest also provides the general public an opportunity to experience some breathtaking art during the month-long exhibit, and we are grateful to the curators, museum staff, volunteers and sponsors who make it possible.”

Harrison Eiteljorg Purchase Award
Harrison Eiteljorg Purchase Award
Nathan Solano of Pueblo, Colorado
Portrait of a Cowboy, 2022
Acrylic on canvas on board
30 x 40 inches
Sponsored by the Western Art Society

Including artworks sold during the Quest main sale Saturday, smaller artworks by the same artists purchased at the Quest miniature art sale on Friday and additional pieces purchased since then, a total of $1,087,415 in Quest art has been sold so far this year. Collectors could purchase in person or as absentee buyers. Most sales proceeds go directly to the artists, with the museum receiving a percentage. Any artworks not sold during Quest weekend (paintings as well as additional casts of bronze sculptures) can be purchased through Oct. 9; visit quest.eiteljorg.org for a list of artworks available.

Artists at Quest for the West were recognized with awards in multiple categories. A painting by Nathan Solano of Pueblo, Colorado, Portrait of a Cowboy, received the Harrison Eiteljorg Purchase Award, meaning it was acquired for the museum by sponsor The Western Art Society and is added to the museum’s collections. A painting by Dave Santillanes of Fort Collins, Colorado, Silence of Winter, won two awards: the Henry Farny Award for Best Painting, sponsored by Stephen and Jane Marmon; and the Artists’ Choice Award, sponsored by Phyllis Cockerill.

Henry Farny Award for Best Painting
Henry Farny Award for Best Painting, Sponsored by Stephen and Jane Marmon; and The Artists’ Choice Award, given in recognition of the work most popular with Quest artists, Sponsored by Phyllis Cockerill
Dave Santillanes of Fort Collins, Colorado
Silence of Winter, 2022
Oil
24 x 38 inches

In other Quest awards, artist Dean Mitchell of Tampa, Florida, was honored with the Victor Higgins Award of Distinction, sponsored by Catherine Turner, for the best body of work presented at the show. A bronze sculpture by Tim Cherry of Branson, Missouri, Migration, received the Cyrus Dallin Award for Best Sculpture, sponsored by Mike and Carla Leppert. A painting by Gladys Roldan-de-Moras of San Antonio, Texas, Anticipation, received the Patrons’ Choice Award, sponsored by Stan and Sandy Hurt.

Victor Higgins Award of Distinction
Victor Higgins Award of Distinction, for best body of work presented in the show
Dean Mitchell of Tampa, Florida, for work including:
Vast Land of Dreams, 2022
Acrylic
18 x 20 inches
Sponsored by Catherine Turner
The Cyrus Dallin Award for Best Sculpture
The Cyrus Dallin Award for Best Sculpture
Tim Cherry of Branson, Missouri
Migration, 2022
Bronze
16 x 36 x 5 inches
Sponsored by Mike and Carla Leppert
Patrons’ Choice Award
Patrons’ Choice Award, given in recognition of the work voted most popular by Quest patrons
Gladys Roldan-de-Moras of San Antonio, Texas
Anticipation, 2022
Oil on linen
40 x 30 inches
Sponsored by Stan and Sandy Hurt

Meanwhile, the Quest paintings and sculptures, whether sold or not, remain on view at the Eiteljorg for one month for the general public to enjoy before purchased works are shipped to their buyers. The Quest for the West art exhibition is included with regular admission and continues through Oct. 9. A beautifully illustrated 2022 Quest for the West art catalog is available in the Frank and Katrina Basile Museum Store.


> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Impressionism to Modernism: The Keithley Collection

0
Vilhelm Hammershøi (Danish, 1864–1916). "Strandgade, Sunshine" painting
Vilhelm Hammershøi (Danish, 1864–1916). "Strandgade, Sunshine," c. 1906. Oil on canvas; 50.5 x 56 cm. Promised Gift of Nancy F. and Joseph P. Keithley, 12.2020

In March 2020, Clevelanders Joseph P. and Nancy F. Keithley gave and promised their private art collection of more than 100 works to the Cleveland Museum of Art, the largest gift of art to the museum since the bequest of Leonard C. Hanna Jr. in 1958. For the first time, the collection will be on view in its entirety in the CMA’s newest exhibition, “Impressionism to Modernism: The Keithley Collection” through January 8, 2023 in the Kelvin and Eleanor Smith Foundation Exhibition Hall.

fine art collection - Édouard Vuillard painting
Édouard Vuillard (French, 1868–1940). “Woman Sweeping at 346 rue Saint-Honoré,” 1895. Oil on board; 33 x 50.8 cm. Promised Gift of Nancy F. and Joseph P. Keithley, 13.2020. © 2022 Artists Rights Society (ARS), New York

More About the Art Collection

Throughout two decades of collecting, the Keithleys selected works to complement and enrich the CMA’s art collection. At times, the Keithleys built upon a strength in the museum’s collection; on other occasions, they acquired a work of art that would bring something entirely new to the collection. Certain works of art in the Keithleys’ gift and promised gift are shown alongside other paintings, drawings, or objects from the CMA’s collection, inviting visitors to discover connections, contrasts, and poetic conversations between familiar, favorite works of art and new objects from the Keithleys.

“The private collection of Joe and Nancy Keithley reflects their personal taste, aesthetic preferences, and their experiences traveling,” said William Griswold, CMA Director and President. “This exhibition will give visitors the opportunity to experience the Keithleys’ passion for collecting art, and to learn more about a collection that was initially private but now belongs to everyone.”

The Keithleys’ collection focuses on Impressionist, Post-Impressionist, and modern European and American paintings. Among the highlights in Impressionism to Modernism: The Keithley Collection are five paintings by Pierre Bonnard; four each by Maurice Denis and Édouard Vuillard; two each by Milton Avery, Georges Braque, Gustave Caillebotte, Joan Mitchell and Félix Vallotton; and individual pictures of outstanding quality by Henri-Edmond Cross, Vilhelm Hammershøi, Henri Matisse, Pablo Picasso, Camille Pissarro, and Andrew Wyeth.

Camille Pissarro Fishmarket painting
Camille Pissarro (French, 1830–1903). “Fishmarket,” 1902. Oil on canvas; 66 x 81.3 cm. Nancy F. and Joseph P. Keithley Collection Gift, 2020.113

Among the works on paper are six watercolors by John Marin, five drawings by Bonnard and a spectacular pastel by Eugène Boudin. Also included in the exhibition is a selection of European and American decorative arts.

The Keithleys also collected Chinese and contemporary Japanese ceramics. In the exhibition, Asian ceramics are shown alongside Western paintings and drawings to echo the harmonies created by the Keithleys, who enjoyed thoughtfully juxtaposing the works in their home.

“The Keithleys loved collecting, took great pleasure in living with their collection, and are now delighted to share their collection with others,” said Griswold. “Cleveland has such a rich history of philanthropy and the extraordinary generosity of the Keithleys epitomizes the promise made by our founders, for the benefit of all the people forever.”

Henri-Edmond Cross (French, 1856–1910). "The Pink Cloud"
Henri-Edmond Cross (French, 1856–1910). “The Pink Cloud,” c. 1896. Oil on canvas; 54.6 x 61 cm. Nancy F. and Joseph P. Keithley Collection Gift, 2020.106

Exhibition Catalogue

A lavishly illustrated 280-page catalogue accompanies The Keithley Collection exhibition and features more than 200 color illustrations and CMA Director William Griswold’s interview with the Keithleys. Entries by eminent curators and art historians from the United States and Europe shed new light on masterpieces in the Keithleys’ transformative gift and promised gift to the museum.

The Keithley Collection is published by the CMA and distributed by Yale University Press. It will be available for purchase online or at the Cleveland Museum of Art store for $65.

fine art collection - Gustave Caillebotte painting
Gustave Caillebotte (French, 1848–1894). “Chickens, Game Birds, and Hares,” c. 1882. Oil on canvas; 75.8 x 105 cm. Promised Gift of Nancy F. and Joseph P. Keithley, 10.2020

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Friday Virtual Gallery Walk for September 9, 2022

0
Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Filling Up, Rani Garner, oil, 36 x 36 in; Anderson Fine Art Gallery
Girl with Hair Ribbon da Roy Lichtenstein, Stefano Bolcato, oil on canvas-panel, 15.5 x 15.5 in, Framed 18.75 x 18.75 in Signed and titled on reverse;
Rehs Contemporary
The Singing Lesson, Arthur J. Elsley (1860 – 1952), oil on canvas, 34 x 28 in,
Framed 41.75 x 35.75 in, Signed and dated 1909; Rehs Galleries, Inc.
Lucky Red Tail, Ryan Jensen, oil, 16 x 20 in; LPAPA Art Gallery, The Catalog Art Show August 29-October 10, 2022
Grassland Texture, Mark White, acrylic gesso on canvas, 18 x 36 in.; Mark White Fine Art
ArtzLine.com can help you sell art from your collection

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

WEEKLY NEWS FROM THE ART WORLD

Fill your mind with useful art stories, the latest trends, upcoming art shows, top artists, and more. Subscribe to Fine Art Today, from the publishers of Fine Art Connoisseur magazine.

  • This field is for validation purposes and should be left unchanged.