Featured Artwork: William A. Schneider

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June 30, 2021

Leaving the P&C at Dusk
30 x 30 in.
Oil on Linen on Aluminum Panel
Available at Reinert Fine Art, Charleston, SC (843) 694-2445

Chicago’s famed Palette & Chisel club has been a home to Midwestern artists for 130 years. There are open studio sessions with live models seven days a week. When one walks out the front door and looks to the right, South on Dearborn this is the scene: Leaving the P&C at Dusk.

William A. Schneider’s work has evolved since he finished his studies at the American Academy of Art. He diligently pursued the Academy’s Saturday Program for eight years while still working full time. His life drawing instructor was the legendary Bill Parks and his painting teacher was Ted Smuskiewicz. Workshops with Carolyn Anderson, Dan Gerhartz, Harley Brown, and Richard Schmid among others solidified his understanding of the basics. But he credits the many hours he spent studying and copying masterworks by Nicolai Fechin with loosening up his brushwork and approach to edges.

He also describes four days of intense study and analysis of the works of J.W. Waterhouse at the Musee des beaux-arts in Montreal as an “epiphany” in his understanding of composition. William commented, “The wonderful thing about art is that you can always get better. I view myself as a perpetual student!”

William’s work has been featured in American Artist, American Art Collector, Art of The West, Fine Art Connoisseur, International Artist, PleinAir Magazine, Southwest Art, The Artists Magazine, and The Pastel Journal. His videos are distributed by Liliedahl Video Productions. He has been named “Master Signature Member” by Oil Painters of America (OPA), Pastel Society of America, The American Impressionist Society (AIS), and The Chicago Pastel Painters. He has also been named to the Masters Circle and designated an Eminent Pastelist by the International Association of Pastel Societies (IAPS).

Gallery Representation
Illume Gallery of Fine Art, St. George, UT
New Masters Gallery, Carmel, CA
Reinert Fine Art, Charleston, SC
River’s End Gallery, Waukesha, WI

You can follow William on Facebook and Instagram as William Schneider Fine Art. His website is www.schneiderart.com. You can e-mail him at [email protected]. Phone (312) 246-9676.

Streamline Publishing Welcomes New Director

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Fine Art Today

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June 30, 2021

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Katie Reeves, Director of Sales & Marketing

Streamline Publishing, the parent company of Fine Art Connoisseur and Plein Air magazine, is proud to welcome Katie Reeves to our team as the new Director of Sales and Marketing.

Reeves has been in the publishing industry for 30 years, starting with the weekly Spectator Magazine (the first weekly publication to cover the arts in the Southeast) and Triangle Business in Raleigh, North Carolina. Reeves co-founded Raleigh Metro Magazine in 1999, later became publisher of Carolina Parent Magazine, and has additional experience in niche and trade publications.

She also brings with her extensive event planning experience, including The North Carolina Film & Video Festival; signature events include the high profile Mannequin Ball (fashion industry), and the Raleigh Spy Conference.

Reeves has also served on arts and civic boards in the Raleigh area, including being a member of Raleigh Fine Arts Society since 2001.

“My love for art and my passion for publishing make this relationship with Streamline Publishing, Fine Art Connoisseur and Plein Air Magazine a natural fit and exciting next chapter in my career,” Reeves said. “The breadth and depth of editorial are an unmatched resource for artists, art enthusiasts and collectors, I look forward to being a part of this continuing endeavor.”

“Were excited about Katie joining our team,” said Eric Rhoads, CEO and Publisher. “We conducted an extensive nationwide search for someone who had the quality, ethics, and experience that could be deployed to make sure our advertising and marketing team could carry forward helping our advertisers with excellence. Katie is the perfect fit, and has deep rooted experience in the advertising, publishing and arts community.”

Katie’s move to Streamline Publishing is following the retirement of former Associate Publisher, Anne W. Brown:

New Beginnings at Streamline Publishing

About Streamline Publishing, Inc.

Streamline Publishing was founded on principles based in the Streamline Moderne design movement of the 1930s, which were about superior aesthetics and design, as well as design-centric efficiency in operations. Founded in 1986, the company is rooted in traditional print publishing of trade and consumer magazines, and has become a true multi-media organization, with numerous digital products and events. The company and its products play a substantial role within two industries: radio/digital radio and the world of art and art collecting. Streamline prides itself on seeking innovative solutions that break traditional molds.

Titles include Fine Art Connoisseur, Plein Air Magazine, Realism Today, and American Watercolor Weekly, plus art competition, art retreats and tours, conventions, video workshops, and more.

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Featured Artwork: Amy Werntz presented by The Bennett Prize

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Sponsored Content

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June 28, 2021

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Oil painting of an elderly woman with a piece of pie on a paper plate

Temple II
By Amy Werntz
Oil, 2020
21.75 x 16 inches
$6,200

Amy Werntz is obsessed with time, of the fear of its passing to the feeling of not living in the correct moment. This passion plays out in her art, explored through translated vintage black and white photographs that bring forward the past to her current work, which seeks to capture the seemingly insignificant moments of everyday life. Her meticulously crafted and highly realistic figures are isolated from the environment, they are the only story and their features, gestures, and clothing and props offer the only cues to narrative. Wernzt leaves the viewer to fill in the details from their own life experience, to create a story from their history and perhaps to see the importance of every life in a society often too fascinated with the lure of youth.

In Temple II, the viewer is presented with an everyday image of life, of a woman they know, are, or may one day become. The figure stands quietly, with all of the years of her experiences apparent. We feel the age through Werntz’s masterful handling of the translucency of skin, of veins and wrinkles visible in the face and stunningly executed hands. While the years lay heavy, brilliant blues and purples are visible, cues to the spirit of their wearer. Celebratory and melancholy, Werntz’s portraits remind us of the fragility and strength of life.

Werntz is a practicing painter and interior designer, with a BFA in interior design from the Art Institute of Dallas, Texas. Her paintings have been exhibited widely in Texas and in group shows in Wausau, Wisconsin, and Oklahoma City, Oklahoma. She has received recognition and numerous awards for her portraits from the Portrait Society of America and took first place in the Richeson 75 International Art Competition Portrait/Figure category in 2020.

Three works by Werntz were featured in the traveling exhibition “Rising Voices 2: The Bennett Prize for Women Figurative Realist Painters,” which premiered at the Muskegon Museum of Art in 2021. Inquiries about the paintings can be directed to the Muskegon Museum of Art.

You can find more information about the artist and her work at www.amywerntz.com or on Instagram, @amywerntz_art.

New Beginnings at Streamline Publishing

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Fine Art Today

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June 28, 2021

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Associate Publisher Retires, Starting a New Chapter

Streamline Publishing ushers in a new chapter as Associate Publisher Anne W. Brown retires this summer. For more than ten years, Brown has been involved with Fine Art Connoisseur and Plein Air magazine.

In her final years at Streamline, Brown was developing the western United States marketing efforts. Brown has participated in the inception of the in-person Plein Air Convention and Expo (PACE) and Figurative Art Convention and Expo (FACE), the creation of Streamline’s digital products, and the successful growth of the magazines despite the pandemic.

“Anne Brown is a superstar,” said Eric Rhoads, CEO and Publisher. “Though we hate to lose her to retirement she will always be part of the Streamline family. She has helped us change so many lives over the years by leading our advertising and marketing team and helping artists, galleries, and organizations grow through our advertising. She will be deeply missed.”

Brown’s future plans include holding a position on the National Sculpture Society board, working on upcoming anniversaries with the Salmagundi Club, and consulting. She says her current aspiration is to keep her “enormous second year veggie garden” in Montana alive and to finish a screenplay on early rodeo riders with her partner, Rusty.

“Although the joy of working with the regional, national, and international art world will never stop,” said Brown, “my future holds more camping and fly-fishing trips with Rusty, our two dogs, four adult kids, their spouses, and grandkids.”

She added, “I’ll always enjoy going to art openings, chatting with artists, and creating a nurturing environment for visiting artists, but not being on deadlines and looking out at the Bitterroot Valley from my front porch with a cup of coffee in the morning sounds delightful!”

With Brown’s retirement, Streamline Publishing welcomes Katie Reeves, who has been in the publishing business for 30 years, in both regional and national magazines.

About Streamline Publishing, Inc.

Streamline Publishing was founded on principles based in the Streamline Moderne design movement of the 1930s, which were about superior aesthetics and design, as well as design-centric efficiency in operations. Founded in 1986, the company is rooted in traditional print publishing of trade and consumer magazines, and has become a true multi-media organization, with numerous digital products and events. The company and its products play a substantial role within two industries: radio/digital radio and the world of art and art collecting. Streamline prides itself on seeking innovative solutions that break traditional molds.

Titles include Fine Art Connoisseur, Plein Air Magazine, Realism Today, and American Watercolor Weekly, plus art competition, art retreats and tours, conventions, video workshops, and more.

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

True Lies

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Fine Art Today

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June 28, 2021

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Contemporary portraits — Xenia Hausner (b. 1951) "Before Life," 2015, oil on panel on hardboard, 51 x 63 in., The Bennett Collection of Women Realists © Studio Xenia Hausner / Bildrecht, Vienna, 2021 photo: Stefan Liewehr

The Albertina (Vienna) is honoring Austrian painter Xenia Hausner with a retrospective that has been titled “True Lies” due to the pivotal role that fictional visualizations and staging play in how she develops her large, intensely colored, and boldly brushed scenes.

Hausner begins by constructing elaborate cardboard installations that she then photographs after arranging her figure models within them.

It is primarily women who act out Hausner’s themes and stories, but these are not wilting nymphs or femmes fatales. They are strong and complex characters we must assess for ourselves.

At a Glance:
True Lies
The Albertina Museum, Vienna
Through August 8, 2021
https://www.albertina.at/en/

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

New This Year at London Art Week

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Fine Art Today

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June 26, 2021

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Aelbert Cuyp (1620 - 1691), "A Portrait of a Gentleman holding a Watch," Johnny Van Haeften Ltd

London Art Week 2021: Special Exhibitions, Discoveries and Talks

From the organizers:

This year’s London Art Week (LAW) will be held in a dual format, with exhibitions taking place in participating galleries as well as on the digital platform from July 2-16. It is a major showcase of some of the best the art market has to offer from leading international galleries and auction houses, in London and abroad. “Led by a flagship Summer event, with a second week of events and exhibitions in the Winter, LAW aims to offer the very best paintings, drawings, prints, sculpture and objects, dating from Antiquity to the Twenty-First Century.”

Corneille de La Haye, known as Corneille de Lyon (c. 1500 - 1575), Madeleine of France, later Queen Consort of Scotland (1520 - 1537), The Weiss Gallery — Corneille de La Haye, known as Corneille de Lyon (c. 1500 – 1575), “Madeleine of France, later Queen Consort of Scotland (1520 – 1537),” The Hague; Lyon; c. 1536 – c. 1537, Oil on French oak panel, 13.8 × 11.8 cm. (5 ⅜ × 4 ⅝ in.); 37 x 25 cm. (14 5/8 x 9 2/3 in.)

What is new this year?

London Art Week launches a satellite Showcase in association with Cromwell Place, the recently-opened exhibition space in South Kensington. A special group exhibition will be held from July 2-9 in a dedicated room, which will feature a selection of works from a variety of LAW dealers (in addition to their own gallery-based shows). Some LAW participants will also be using spaces at Cromwell Place for their exhibitions this Summer.

This means that you can now visit London Art Week galleries, exhibitions and dealers in locations spanning Richmond to Holland Park and Kensington, Bloomsbury to Soho, in addition to our central hub of St. James’s and Mayfair.

A Digital group selling exhibition, Revolution and Renewal, is launching LAW Summer 2021. As part of London Art Week’s collaboration with museums, the organizers are delighted to welcome as guest curator the eminent art historian, curator and scholar Dr. Arturo Galansino, Director General of the Fondazione Palazzo Strozzi in Florence. The curated exhibition will have its own online section at LAW Digital and all participants have submitted a work on the theme for consideration.

Due to the pandemic, this is the first physical event offering London Art Week dealers a chance to show their latest discoveries. This year, Benappi Fine Art is introducing a lost Tintoretto portrait, recently discovered in a regional auction house. The Weiss Gallery runs an exhibition on the ‘Summer Queen’ after the discovery of a portrait by Corneille de La Haye of the tragic Madeleine of France, who fell in love with and married James V of Scotland (1512-1542), but died shortly after she arrived in Scotland.

Ben Elwes Fine Art has recently been able to attribute a previously-unknown marble bust of Victorian writer and activist Jessie White Mario (1832-1906) to the American sculptor Margaret Foley. Johnny van Haeften will be showing a rediscovered and rare early Portrait of a Gentleman holding a Watch by Aelbert Cuyp (1620-1691). Galerie Canesso presents a new addition to the oeuvre of Bartolomeo Cavarozzi (1587-1625), considered to be one of the greatest still life painters of the Caravaggesque movement – Basket of Fruit.

LAW continues with its extensive online talks program with specialists in their field including talks on Dürer with the National Gallery, the latest exhibitions at the Musee de Luxembourg in Paris, the Frick Madison in New York and the National Museum of Bargello in Florence. Other panel discussions are on Old Master Drawings as well as one looking at the conservation of Modern Drawings and last but not least a conversation with a collector of the works by South African-based contemporary artist-potter Hylton Nel.

Charles Gore painting — Charles Gore (1729 – 1807), “Isola Bella on Lake Maggiore, Italy,” 1795, Pen and grey ink and watercolour over pencil on laid paper, watermarked with a fleur de lys, with a pen and black in border, 159 × 314 mm. (6 ¼ × 12 ⅜ in.), Signed lower right: “Lac Magiore Isola Bella vue du Cote du Sud en entrant dans la Bage venant de Seste. 1795 C Gor.”, inscribed upper centre: “Lago Maggiore” and further inscribed lower left; Guy Peppiatt Fine Art

Clément Serneels portrait painting — Clément Serneels (1912 – 1991), “Portrait Chief Rwampungu’s Wife,” Brussels, 1939, Oil on canvas
80 × 71 cm. (31 ½ × 27 ⅞ in.), FEMME DU CHEF / WRAMPUNGU / KIGALI / Clément Serneels / 1939; Elliott Fine Art

Lotte Laserstein, “Self-portrait en face,” c. 1933, Oil on unlined canvas, 33 × 31 mm. (1 ¼ × 1 ¼ in.), Signed on the upper right: “Lotte Laserstein,” Agnews

Pablo Picasso drawing of artist and model — Pablo Picasso, Málaga 1881-1973 Mougins, “Artist and Model (Le peintre et son modèle I),” Pen and black ink and white chalk on light brown card. Dated 30.6.70. in black ink and signed Picasso in pencil at the upper left. Dated and numbered 30.6.70. / I in brush and black ink and white chalk on the reverse. 224 x 309 mm. (8 3/4 x 12 1/8 in.); Stephen Ongpin Fine Art

Margaret Foley marble bust of a woman — Margaret Foley, attr. (1827 – 1877), “Jessie White Mario (1832 – 1906),” c. 1867-70, Carrara marble, 72 × 48 cm. (28 ⅜ × 18 ⅞ in.), Ben Elwes Fine Art

Jan Brueghel the Younger painting — Jan Brueghel the Younger (1601 – 1678), “Noli me tangere,” Antwerp, Late 1630s, Oil on copper, 23.5 × 37.5 cm. (9 ¼ × 14 ¾ in.), 41.5 x 56 cm. (16 3/8 x 22 1/8 in.), Johnny van Haeften Limited

For more details, please visit www.londonartweek.co.uk

Iconic Is …

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Fine Art Today

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June 25, 2021

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Classical portrait woman holding giant lizard — Ivan Pazlamatchev, "Cameo," 2021, oil on canvas, 30 x 24

On View: Iconic at WMOCA
July 1 – August 28, 2021
Presented by 33 Contemporary on Artsy
Curated by Steven Alan Bennett and Dr. Elaine Melotti Schmidt

Painting of a tall man in a city — Gayle Madeira, “Apollo of New York,” 2021, oil, 36 x 24

From the organizers:

In common speech, we normally use the adjective “iconic” to describe something that is extraordinary, superlative and desirable. “The Mona Lisa is iconic.” We might also use it to describe something that is famous, popular or representative of the best of one’s work, style or subject matter. “Picasso’s Guernica is iconic.” We might use the word to refer to something that has become so closely identified with an era or historic period that the mention of it conjures up a whole generation. Consider the photo of the sailor kissing the nurse in Times Square at the end of World War II or The Beatles crossing Abbey Road.

Abstracted portrait painting — Vakseen, “Seen,” 2021, acrylic on wood

Whichever way you understand it, “iconic” is meant to convey something that is bigger than a single theme, subject or idea and that goes beyond the ordinary in terms of the author’s execution and capability. It is closely related to the idea of “classic” and “extraordinary” but, in itself, it is not bounded by a particular idea or set of principles or one way of seeing.

Painting of a woman in lingerie — Suzy Smith, “The Fall of Man,” 2020, oil, 36 x 24

Iconic is bigger than that and calls upon the practitioner to reach beyond the ordinary and to stretch to the very limits of their capability. Thus, this show seeks new and previously unseen work that demonstrates what each artist thinks would be iconic for them or their work, using any of the definitions above. The show does not seek “icons” in the religious sense, although an artist is certainly free to submit a religious icon if that is their idea of “iconic” for them.

Figurative art — Lisa Keay, “The Dreamer’s Guardian,” 2021, oil on aluminum, 28 x 33

Contemporary portrait painting of a woman — Grant Gilsdorf, “Middle Fingers Up,” 2021, oil on linen, 14 x 18

Figurative art painting of a man — Alessandro Tomassetti, “Policy of Truth,” 2021, oil on aluminum, 14 x 18

Find more details at: https://www.artsy.net/show/33-contemporary-iconic-at-wmoca?sort=partner_show_position

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

Friday Virtual Gallery Walk for June 25, 2021

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Sponsored Content

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June 25, 2021

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As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Oil painting of rosemary plant wrapped in NY Times newspaper — Rosemary in NY Times by Loren DiBenedetto, Oil, 24 x 30 in. (gallery wrap); Anderson Fine Art Gallery

Oil painting of the back of a woman in space with a planet at her back — Heliosphere by Rob Rey, Oil on panel, 18 x 24 in., Signed; Rehs Contemporary

Oil painting of a man fishing in the woods — Mare dans la Clairière, Forêt de Fontainebleau by Leon Richet (1847 – 1907), Oil on canvas, 25.75 x 32 in., Signed; Rehs Galleries, Inc.

Oil painting of a farmhouse with a garden — Farmhouse and Garden by Susan Abbott, Oil on panel, 14 x 18 in.; Vermont Artisan Designs

Oil painting of a pelican in the water — Pelican Reflect by Geoffrey C. Smith, Oil on sustainable wood panel, 24 x 36 in.; Geoffrey C. Smith Galleries

Oil painting of a mission building in the trees — Mission Afternoon by Cyrus Afsary, Oil, 11 x 14 in., ArtzLine.com

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Featured Artwork: Su Su presented by The Bennett Prize

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June 21, 2021

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Oil painting of a girl — Featured Artwork: Su Su presented by The Bennett Prize

Bed Straw
By Su Su
Oil on canvas, 2020
42 x 36 in.
$5,200
Available through the Muskegon Museum of Art

Su Su merges figurative realism with surrealism in an exploration of cultural and self-identity in the ever-shifting landscape of popular culture and consumerism. Working primarily from self-portraits, the artist creates a persona that is “naïve and soft but fully in control of her sexual power.” In her vibrantly colored paintings, context is stripped away (mirroring her first experiences with American popular culture in her native China) leaving the viewer with a charming, “nymph-like” figure in a playful, sexualized atmosphere. Beneath these performative scenes simmers a disquieting reminder of the dangers to self and cultural identity in conforming to the on-trend and overtly commercialized identities unrelentingly offered by mainstream culture.

The figure in Bed Straw appears amidst a swirl of floral and cartoon elements, as objects break down and reform within the picture plane. Her face is calm amidst the chaos, the only action the tugging of her hair, which itself has become a part of the tangle of light and pattern. A cartoon cat and dog merge and explode at her breast, stand-ins for the ubiquitous nature of animated characters in popular culture around the world. Characters such as these adorn clothing and other personal items, identities that can be taken on and off at our whim. High key color in the floral elements, brilliant oranges and yellows, and a small but radiant sun convey heat and intense growth, a renewal or perhaps transformation for the woman within. Within the intensity and glamour of popular culture, what emerges in the search for self?

Su Su was born in Beijing, China and today lives and works in Pittsburgh, Pennsylvania. She began studying art at the age of 12, at the Central Academy of Arts & Design in Beijing. A scholarship took her to Carnegie Mellon University where she received her MFA in 2015 and now serves as a guest professor. Su Su exhibits her works nationally and internationally, including recent solo and group shows in Pittsburgh, Denver, Chautauqua, and in the “State of the Art 2020” exhibition at the Crystal Bridges Museum of American Art. Susu was nominated for Pittsburgh’s Emerging Artist of the Year (2017), the Eben Demarest Trust Award (2018), and the Joan Mitchell Foundation Award (2019) and her works have appeared in the publications Juxtapoz, Artpulse, and Galerie.

Three works by Su Su, including Bed Straw, will be featured in the upcoming traveling exhibition “Rising Voices 2: The Bennett Prize for Women Figurative Realist Painters” premiering at the Muskegon Museum of Art from May 28 to September 5, 2021. Inquiries about the paintings can be directed to the Muskegon Museum of Art.

You can learn more about the artist at her website at www.artbysusu.com and follow her on Instagram at paintingsbysusu.

Coming Soon: Prix de West Art Sale Weekend

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Fine Art Today

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June 21, 2021

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Oil still life painting — David A. Leffel, "Mexican Ceramic with Red Lanterns," Oil on canvas, 17” x 20”

Featuring nearly 300 paintings and sculpture by some of the finest contemporary Western artists working today, the 49th annual Prix de West Invitational Art Exhibition & Sale at the National Cowboy & Western Heritage Museum is open, with the Art Sale Weekend scheduled for June 25 – 26, 2021.

bronze sculpture of a bird — Ross Matteson, “Black Merlin,” Cast bronze, 15” H x 10” W x 9” D

Oil painting of a Native American - Western art — Thomas Blackshear II, “Thunderbird,” Oil on canvas, 28” x 45 1/4“

Prix de West showcases original works ranging from historical depictions of the American West to more contemporary and impressionistic pieces. Artwork will be on exhibit at The Cowboy through August 8, 2021.

This year’s Prix de West will host nearly 100 invited artists and welcome renowned artist Ed Mell as well as guest artists Thomas Blackshear II, Huihan Liu, and Roseta Santiago.

Oil painting of lily pads in a pond — Len Chmiel, “Eye See Spots,” Oil, 35” x 40”

Watercolor painting of a woman — Terri Kelly Moyers, “The Golden Hour,” Watercolor, 20” x 24”

Sale weekend events include seminars, a live auction, receptions, awards, the art sale and trunk shows at The Museum Store.

Landscape oil painting — Cyrus Afsary, “Homestead & Goats,” Oil, 16” x 20”

The Prix de West will be a combination in-person and virtual experience, with several smaller-scale, preview events. To make reservations, see a full schedule, or arrange to bid by proxy, visit nationalcowboymuseum.org/prixdewest.

> Visit EricRhoads.com to learn about more opportunities for artists and art collectors, including retreats, international art trips, art conventions, and more.

> Sign up to receive Fine Art Today, our free weekly e-newsletter

> Subscribe to Fine Art Connoisseur magazine, so you never miss an issue

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