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Two Shows to See In London This Fall

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If you’re in London this fall, check out these current exhibitions at the Kenwood House and Buckingham Palace.

Heiress: Sargent’s American Portraits

John Singer Sargent (1856–1925), Lady Anne Innes-Ker, 1910, charcoal on paper, 23 3/4 x 17 3/4 in., private collection, Britain
John Singer Sargent (1856–1925), “Lady Anne Innes-Ker,” 1910, charcoal on paper, 23 3/4 x 17 3/4 in., private collection, Britain

Owned by the nonprofit organization English Heritage, Kenwood House is a magnificent 18th-century mansion in north London that presents important exhibitions. On view now is “Heiress: Sargent’s American Portraits,” which marks the centenary of the death of John Singer Sargent (1856–1925).

It highlights 18 portraits he made — both oil paintings and charcoal drawings — of some of the more than 400 wealthy American women who, in the late 19th and early 20th centuries, married into the British aristocracy. Often dismissed as “Dollar Princesses,” many — in fact — married for love, or were no wealthier than their husbands. Quite a few made important contributions to British politics, arts, and society, too.

Curator Wendy Monkhouse and adviser Richard Ormond (the artist’s great-nephew) have borrowed significant works from museums in Washington, Boston, and Houston, as well as private collections. Several of their loans have never been on public display before.

“Heiress: Sargent’s American Portraits” is on view through October 5, 2025.

The Edwardians: Age of Elegance

François Flameng (1856–1923), "Portrait of Queen Alexandra (1844–1925)," 1908, oil on canvas, 100 x 52 in., Royal Collection Trust
François Flameng (1856–1923), “Portrait of Queen Alexandra (1844–1925),” 1908, oil on canvas, 100 x 52 in., Royal Collection Trust

On view at the King’s Gallery at Buckingham Palace is a show that only this exalted venue could pull off. Titled “The Edwardians: Age of Elegance,” it presents more than 300 objects from the Royal Collection, almost half of which have never been exhibited.

Attention is focused on King Edward VII and Queen Alexandra, then on King George V and Queen Mary — exploring their family lives, personal collecting, and social circles.

On display are works by leading artists of the era, including Rosa Bonheur, Edward Burne-Jones, Frederic Leighton, and John Singer Sargent.

“The Edwardians: Age of Elegance” is on view through November 23, 2025.

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Cenotes: Underwater Figure Paintings

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Anne Leone, "Corazon del Paraiso #18," 2024, acrylic on canvas, 48 x 110 in.
Anne Leone, "Corazon del Paraiso #18," 2024, acrylic on canvas, 48 x 110 in.

CK Contemporary Gallery is presenting “Cenotes,” an exhibition of a dozen underwater figure scenes painted by Anne Leone in acrylics on canvas or paper.

Anne Leone (b. 1960), Cenote Azul #46, 2025, acrylic on linen, 38 x 28 in.
Anne Leone (b. 1960), Cenote Azul #46, 2025, acrylic on linen, 38 x 28 in.

The artist has been spending time in the cenote pools of Mexico’s Yucatán Peninsula, exploring the interplay of light, water, and human motion.

“If I had to identify a central theme in my work,” Anne says, “I think it would be about human beings and their relationship to the environment.”

Anne Leone, "Corazon del Paraiso #17," 2024, acrylic on canvas, 58 x 60 in.
Anne Leone, “Corazon del Paraiso #17,” 2024, acrylic on canvas, 58 x 60 in.

In meticulous detail, she shows swimmers suspended in crystalline waters, noting that her “focus tends to be where the body and the surface connect,” spurring us to ponder the essential relationship between people and nature.

CK Contemporary Gallery is located in San Francisco, California. The exhibition runs August 9 through September 7, 2025. For more details, please visit ckcontemporary.com.

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Art Fundraiser for Fire-Damaged National Monument

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Dotty Hawthorne, "Shrublands on the Carrizo Plain," pastel, 11" x 16"
Dotty Hawthorne, "Shrublands on the Carrizo Plain," pastel, 11" x 16"

Art for Carrizo presents an online show and sale in support of the Carrizo Plain National Monument, a nature preserve in San Luis Obispo County, California. The Madre wildfire recently swept through a huge portion of the plain, causing serious damage to the ecosystem.

The Caliente Ridge includes the highest elevation in San Luis Obispo County at 5,106 feet, which was vegetated with a thick cover of oak and juniper trees. Damage to woodlands and to the surrounding areas is still being assessed, but it is clear that some large-scale restoration efforts including erosion control and possible seeding will be needed over much of the area.

To financially support the restoration efforts, some members of the well-known groups, SLOPE (San Luis Obispo Painters for the Environment), The Oak Group of Santa Barbara, and others are partnering with the Carrizo Plain Conservancy to host this online sale of beautiful landscape paintings of the CARRIZO PLAIN and will donate 50% of the sale prices to Carrizo Plain Conservancy.

This fundraiser takes place through October 15, 2025.

Jan French, "KCL," watercolor, 10.5" x 13.5"
Jan French, “KCL,” watercolor, 10.5″ x 13.5″

“When the very recent Madre Fire swept through the Caliente Range and the surrounding heart of the Carrizo Plain National Monument, it left behind a stark and haunting landscape—over 80,000 acres of grasslands, wildflower fields, and wildlife habitat reduced to ash,” says local painter Laurel Sherrie. “The Carrizo, a rare remnant of California’s historic grasslands, is a place where pronghorn roam, tule elk graze, and each spring a spectacular sea of wildflowers paints the hills. Now, its recovery depends on swift, dedicated action. The Carrizo Plain Conservancy is working urgently to restore what was lost—repairing damaged roads and trails, stabilizing eroded slopes, reseeding burned areas with native plants, and nurturing the land back to life.

“I am answering this call by coordinating with the Carrizo Plain Conservancy and bringing together many of our best artists who have created original paintings and fine art prints celebrating the Carrizo’s beauty—its sweeping vistas, delicate wildflowers, and resilient wildlife. Half of every sale will go directly to the Conservancy to fuel restoration efforts. For me, this isn’t just a cause—it’s very personal. I have gone out and painted plein air these plains and ranges innumerable times: in golden light, watched the storms roll over their hills, and felt the quiet magic that makes this place unlike anywhere else. It is my hope to help the Carrizo heal—and to ensure its beauty endures for generations to come.”

Laurel Sherrie, "Carrizo, Riot of Color," oil, 16" x 20"
Laurel Sherrie, “Carrizo, Riot of Color,” oil, 16″ x 20″

How to Help Restore the Beauty of the Carrizo

Visit www.ArtForCarrizo.com to view and purchase artwork. Purchases are directly through the artists. Enjoy browsing through the artwork and when you make your purchases, know that you are also supporting environmental restoration efforts in the Carrizo Plain National Monument.

Artists include: Chris Chapman, Dennis Curry, Jan French, Dotty Hawthorne, Sandi Heller, John Iwerks, Anne Laddon, Laurel Sherrie, and Gisele D. Thompson.

Additional Paintings in the Sale:

Anne Laddon, "Slice of Light II," oil, 12" x 24"
Anne Laddon, “Slice of Light II,” oil, 12″ x 24″
Chris Chapman, "Faultline, Temblors," oil, 12" x 24"
Chris Chapman, “Faultline, Temblors,” oil, 12″ x 24″
John Iwerks, "Caliente Spring," oil, 8" x 10"
John Iwerks, “Caliente Spring,” oil, 8″ x 10″

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Portraits of Dublin

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Raclin Murphy Museum of Art - Walter Osborne (1859–1903), "In a Dublin Park, Light and Shade," c. 1895, oil on canvas, 27 7/8 x 35 3/4 in., National Gallery of Ireland, Dublin
Walter Osborne (1859–1903), "In a Dublin Park, Light and Shade," c. 1895, oil on canvas, 27 7/8 x 35 3/4 in., National Gallery of Ireland, Dublin

Raclin Murphy Museum of Art / Exhibition > Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900
Notre Dame, Indiana
raclinmurphymuseum.nd.edu, gilesltd.com
Through December 7, 2025

Long devoted to telling the story of Irish art, the Raclin Murphy Museum of Art at the University of Notre Dame is set to mount the first monographic exhibition in 40 years devoted to one of 19th-century Ireland’s foremost artists, Walter Osborne (1859–1903).

Titled “Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900,” this project draws from public and private collections in Ireland and the U.S. to highlight the capital’s status during Osborne’s life as a vibrant hub of commerce, social interaction, and artistic potential.

After studying art in Dublin and Antwerp, Osborne spent time in Brittany absorbing modern French aesthetics before launching his professional career in England. He returned to his native city to care for his niece and aging parents following the death of his beloved sister Violet in 1893.

Surrounded by a network of family, friends, and colleagues, Osborne painted Dublin’s people, architecture, streets, public spaces, interiors, and gardens, revealing a lively place that — though socially divided due to ongoing debates over Home Rule — was on the brink of physical modernization and political transformation.

The project is accompanied by a 192-page catalogue edited by Raclin Murphy curator Cheryl K. Snay and published by D Giles Limited (London).

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Virtual Gallery Walk for August 15th, 2025

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Inlet, Jean Schwartz, oil on linen, 40 x 30. Calloway Fine Art and Consulting.

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The Herons Soliloquy: Guardians of the Lagoon, Marian Fortunati, oil on canvas, 30 x 30. Marian Fortunati.

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

American Impressionist Society: 2025 Award Winners

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American Impressionist Society - Best of Show: Eric Jacobsen, "Sunflowers 1," oil, 16 x 22 in.
Best of Show: Eric Jacobsen AIS, "Sunflowers 1," oil, 16 x 22 in.

The American Impressionist Society’s 26th Annual National Juried Exhibition opened on August 1 at Cassens Fine Art in Hamilton, Montana, in the majestic Bitterroot Valley. Over $100,000 in cash and merchandise awards were presented for a total of 45 awards.

The 2025 exhibition features 165 juried paintings, with an additional 16 paintings by American Impressionist Society (AIS) Masters and board members. It is on view through September 2.

2nd Place: Anton Pavlenko AIS, "Late Summer Moment," oil, 24 x 30 in.
2nd Place: Anton Pavlenko AIS, “Late Summer Moment,” oil, 24 x 30 in.

The AIS 26th Annual National Exhibition Awards Judge was AIS Master Member Ned Mueller. Ned spent the week with AIS members leading a workshop, painting demo and painting sessions. His opening remarks at the Awards Ceremony stressed the importance of the intent of the artist when creating artwork and stressed the importance of choosing the paintings with true mastery of the style of Impressionism. Six AIS Signature Members juried the exhibition entries in a blind process.

American Impressionist Society - Barbara Coleman AIS, "Morning Shadows on the Sandias," oil, 16 x 20 in.
3rd Place: Barbara Coleman AIS, “Morning Shadows on the Sandias,” oil, 16 x 20 in.

“Cassens Fine Art is a remarkable gallery with a dedicated group of collectors,” said Liz Ahrens, AIS Executive Director. “Over 40 pieces were sold before we opened the exhibition, which is a record. AIS members painted together in the wilds of Montana, at the historic Daly Mansion with models in Victorian garb, on a private ranch and along the banks of the Bitterroot River.” Over 60 artists from across the US attended the opening week events including critiques, four receptions, and learning about the Business of Art from expert Scott Jones.

Artist Choice Award: Barbara Jaenicke AIS, "Last Light at Dillon Falls," oil, 24 x 30 in.
Artist Choice Award: Barbara Jaenicke AIS, “Last Light at Dillon Falls,” oil, 24 x 30 in.

All of the images can be viewed online in the AIS National Catalog here.

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Arline Mann: The Forever House

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Arline Mann, "Shelter," 2020, watercolor over graphite on Arches paper, 24 x 18 in., available through River Gallery (Chattanooga)
Arline Mann, "Shelter," 2020, watercolor over graphite on Arches paper, 24 x 18 in., available through River Gallery (Chattanooga)

WATERCOLOR PAINTINGS ON VIEW:

“Arline Mann: The Forever House”
Customs House Museum & Cultural Center
Clarksville, Tennessee
customshousemuseum.org
August 7–October 26, 2025

Inspired by such 19th-century forerunners as Anders Zorn and Christen Købke, Arline Mann (b. 1948) is a watercolorist who creates serene scenes that capture the play of light and shadow in interiors, on cherished objects, and across landscapes. Having previously worked in theater and then corporate law, Mann now splits her time between New York City and a remarkable house in Chattanooga, Tennessee.

That home was constructed in the early 1920s by George Elder, a Chattanooga native who bought more than 3,000 acres on what became known as Elder Mountain. Acting as his own architect, he found on his land most of the necessary stone and wood, ultimately conjuring a structure spread along the mountain’s brow, mostly one room deep, and easily spotted from afar thanks to its stone water tower.

Sadly, Elder enjoyed his creation for just a few years before dying in 1926, but his family remained there another 40. Arline Mann and her husband, Bob Katz, are its fourth owners, and fortunately it has never been modernized. Mann notes, “The Elder House isn’t just a home; it’s a storybook of craftsmanship and the spirit of those who lived there. The reasons we chose the house — the wonder of it — are the same feelings I want to project in my paintings.”

"The Forever House" exhibition
“The Forever House” exhibition brings into a loving light a magical place—Elder Mountain (near Chattanooga), and the stone house built on the mountain around 1923 by George Elder with materials from that mountain—the first home erected there after the Cherokee were marched out in the 1840s on the Trail of Tears.

Thirteen of those watercolors are on view at Clarksville’s Customs House Museum & Cultural Center in the exhibition “Arline Mann: The Forever House,” her first museum show. She begins each scene with a graphite underdrawing, then builds up with washes and softens the image with translucent layers to heighten the sense of atmosphere and reverie, even of nostalgia for a place most of us will never actually visit. In the exhibition, Mann’s views are complemented by historic photographs of the house and of Elder Mountain.

Speaking of the mountain, in the mid-1960s George Elder’s children began selling land, and now one road winds up 2 1/2 miles through raw wilderness to a neighborhood at the top encompassing more than 100 houses. Elder House is the landmark within this friendly community, where Mann intends to remain “forever.”

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Museum Launches the Remington Legacy Festival

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Frederic Remington Art Museum
The Frederic Remington Art Museum

The Frederic Remington Art Museum has announced the launch of the Remington Legacy Festival, a bold new cultural event set to take place August 21–24, 2025, in Ogdensburg, New York. This multi-day festival marks a vibrant new chapter for the museum, celebrating the life, legacy, and evolving relevance of iconic American artist Frederic Remington.

More from the organizers:

The Remington Legacy Festival brings together beloved annual traditions—like the Museum’s longstanding Gala and Golf Tournament—while introducing exciting new experiences including a community-wide Family Day and a Western-style Horse Show, presented in partnership with the St. Lawrence Valley Horse Association. It’s a dynamic blend of art, history, and celebration designed to engage audiences of all ages and backgrounds.

“The Remington Legacy Festival is more than an event—it’s a statement,” said Maggie McKenna, Executive Director of the Museum. “It’s about reintroducing Remington’s legacy to a wider audience, celebrating Northern New York’s cultural richness, and creating meaningful access to the arts.”

The Broncho Buster by Frederic Remington
The Broncho Buster by Frederic Remington

Festival Highlights:

  • Thursday, August 21: The Remington Legacy Celebration Dinner & Live Auction – Held at the Eben Holden Conference Center, St. Lawrence University
  • Friday, August 22: The Frederic Remington Art Museum’s 20th Annual Golf Tournament held at the St. Lawrence University Golf Course at the Best Western University Inn
  • Saturday, August 23: Family Day at the Museum – Activities, petting zoo, tours, and more!
  • Sunday, August 24: Horse Show in partnership with the St. Lawrence Valley Horse Association – Held at the St. Lawrence Valley Horse Association arena in Ogdensburg, NY

Proceeds from the festival directly support the educational mission of the Frederic Remington Art Museum, helping expand access to exhibitions and programs for learners of all ages. The event also serves as a platform to relaunch the museum’s role as a nationally significant cultural institution—one that preserves and interprets Remington’s work while inviting new voices and dialogue around the art of the American West.

For more information, please visit www.fredericremington.org.

View fine art auctions, exhibitions, and more events by the month on our calendar page at FineArtConnoisseur.com – updated daily!

Artist to Watch: Lisa Golightly

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Lisa Golightly, "Red Sail," 2022, acrylic on aluminum Dibond panel, 50 x 50 in., private collection
Lisa Golightly, "Red Sail," 2022, acrylic on aluminum Dibond panel, 50 x 50 in., private collection

There is a lot of superb contemporary realism being made these days; this article by Allison Malafronte shines light on a gifted individual.

Thick, expressive brushstrokes of colorful, juicy paint can be found in all of Lisa Golightly’s (b. 1974) work, whether in her abstract paintings, realist paintings, or the ones that hit that perfect chord right in the middle. Her flexibility as an artist comes from her innate eye for design and composition, her penchant for and understanding of color harmonies, and the freedom she gives herself as a curious observer and explorer of images and ideas.

Golightly earned her B.F.A. from the University of Arizona and initially focused on photography. That influence shaped the direction she decided to pursue as a painter, as all her work today revolves around memory and how snapshots shape, influence, change, and even create memory. Working in acrylic and high-gloss enamel, Golightly uses found photos taken by others to create her own interpretation of a moment from the past. Although she might not know the people in the picture personally, the artist still chooses images that somehow resonate with her or elicit a memory or connection from her own experience.

Her painting “Red Sail” is one such example where someone else’s captured moment helped her recall one of her own. Golightly saw this vintage photograph and immediately remembered her own childhood and summers spent sailing on a nearby lake. That’s all the catalyst she needed to use the photo to inspire a painting that combines a stranger’s moment in time and her own. She made the looming maroon-and-pink sail the focal point for this very large piece, creating a perfectly tranquil environment of figures and nature around it.

Golightly has had a variety of influences in her life, from photographers to printmakers, but there are a few specific painters whose work comes to mind when viewing hers: Richard Diebenkorn on the landscape side, for the geometric lyricism, passion for both realism and abstraction, and tonalist palette. And on the figurative side, perhaps Edward Hopper, for that life-through-a-lens, street-level view of people and their private moments. Regardless of influences, Golightly excels in a place she has created herself: using her unique vision to take anonymous moments of the past and bring them to the present with joy, life, and color.

Virtual Gallery Walk for August 8th, 2025

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Waiting to Dance, Carole Belliveau, oil, 12 x 12. Carole Belliveau

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Merced’s Spring Torrent, Laurie Hendricks, oil on canvas board, 12 x 9. Laurie Hendricks Gallery.

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

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