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Linda Richichi Solo Show: 2020 Vision

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Linda Richichi, “Breakthrough,” oil on canvas, 30 x 30 in.
Linda Richichi, “Breakthrough,” oil on canvas, 30 x 30 in.

530 Burns Gallery recently announced “2020 Vision,” a solo exhibition by Linda Richichi opening January 24, 2020, featuring oil and pastel paintings.

From the Gallery:

Richichi’s newest body of work explores an openness to her muse, which she defines as an unseen inner force that moves her to paint in an evolutionary way. Until preparing for this exhibition, she thought her relationship with her muse was private and personal. She now reveals a look into the events that inspired this work.

Linda Richichi, “The Connection,” oil on canvas, 36 x 18 in.

Richichi often asks herself a question prior to painting: What would be good for me to see or know that I can’t see yet? An answer comes either in the painting itself or during the drawing of a preparatory sketch beforehand. In her painting, “The Connection,” the answer came in a moment of clarity when she painted a light-filled stripe that indicated a brighter space of existence.

Though her paintings appear to be physical, idyllic landscapes or skyscapes, Richichi has sought to capture the moment when an opening appears in the veil between the seen and unseen worlds, inspiring a fresh perspective. A moment like this, preserved in paint, reminds the viewer that revelation can come to anyone, although it’s fleeting and precious.

Linda Richichi, “Intersection,” oil on canvas, 36 x 24 in.

Richichi then wondered if she should add such a stripe to more of her paintings, including a few that she had already finished. Returning to her studio the next morning a bit earlier than usual, she was startled by what she saw. Several paintings had vertical, sunlit stripes, each in an appropriate place on the painting. Was her muse helping her to see the pieces anew by allowing strips of light from nearby windows to shine through the blinds, illuminating each painting with a perfect vertical line? Or was it just an amazing coincidence?

Regardless, Richichi’s talent has led her to national acclaim. Gallery owner Nikki Sedacca says, “Linda’s recent appointment to Signature Status in the Pastel Society of America makes representing her more exciting than ever. Her talent is limitless.”

Linda Richichi, “Radiant Light,” pastel on board, 9 x 12 in.

The ethereal, profound, and transformative power of painting and more are explored in this exhibition. The new paintings add another layer of complexity to Linda Richichi, who is known for capturing color and energy when painting en plein air.

Linda Richichi, “Opening,” oil on canvas, 46 x 30 in.

“2020 Vision” runs from January 24 through February 5, 2020, at 530 Burns Gallery in Sarasota, Florida. A meet the artist Opening Reception will be held on Friday, January 24, from 6 to 9 p.m. For more information about the pieces that will be featured in the show, or to learn more about the gallery and Linda Richichi, visit www.530burnsgallery.com.


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Featured Artwork: Mary Erickson presented by the American Tonalist Society

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Daybreak Harmonies
By Mary Erickson
24 x 36 in.
Oil on Linen
$9,500
Available at Helena Fox Fine Art, 106A Church St, Charleston SC
843-723-0073

DAYBREAK HARMONIES
“The warmth of the rising sun burns off the fog as three egrets start their day in marsh. This time of the morning is one of my favorites, watching nature awaken with its gentle beauty. The morning mist softens the edges and diffuses the color palette of the scene, creating visual harmony.” This painting was featured in Mary’s solo show at Helena Fox Fine Art in Charleston, SC in December.

A lifelong environmental activist and artist, Mary Erickson depicts her coastal environments with sensitivity to its inhabitants. Dedicated to the protection of birds and the natural landscape, Mary has devoted her life, through her art, to seeing that natural areas are preserved for future generations. Her own 39-acre property in North Carolina is slated to be left as a bird sanctuary and artists’ retreat. Visit www.HighRidgeGardens.org.

Mary is in Venice, Florida for the winter, and holds monthly studio openings. Submit your email to receive special studio invitations this season to: [email protected].

Gallery Representation:
Helena Fox Fine Art, Charleston, SC
Palm Avenue Fine Art, Sarasota, FL
The Englishman Fine Art & Antiques, Naples, FL
The Gallery at Somes Sound, Mount Desert, ME
Elder Gallery of Contemporary Art, Charlotte, NC
Sheldon Fine Art, Naples, FL and Newport, RI

View more of Mary Erickson’s work online at www.MaryEricksonART.com and on Instagram. Phone 704-219-0391 or email [email protected].

Largest Survey of Granville Redmond on View

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Granville Redmond (American, 1871–1935), "Untitled (Lupines)," 1913. Oil on canvas, 25 x 30 in. Private collection.

The Crocker Art Museum (Sacramento, CA) has announced the premier of “Granville Redmond: The Eloquent Palette,” a traveling exhibition of some 85 early California landscapes that together comprise the largest survey of the Impressionist painter’s work ever assembled.

Widely considered the top early California artist, as well as one of the best landscape painters in the state’s history, Granville Redmond (1871–1935) produced a diverse body of work that captures California’s diverse topography, vegetation, and color. He is remembered today as a brilliant colorist and as the foremost painter of California poppies in their natural setting.

“The Eloquent Palette,” organized by the Crocker Art Museum, includes scenes representing coastal locations across the northern, central, and southern parts of the state. The paintings range in style from contemplative Tonalist works that evoke a quiet calm to bold and colorful Impressionist views. There is also a selection of Redmond’s dramatic nocturnes. This is the first time in 30 years that Redmond’s work has been featured in a major solo exhibition.

Granville Redmond, “Field of Poppies,” n.d. Oil on canvas, 30 x 40 inches. Collection of Ray Redfern.

“As home to the world’s foremost display of California art, the Crocker is proud to organize this career-spanning exhibition of work by one of the state’s most prominent and beloved artists,” says the Museum’s executive director and CEO, Lial A. Jones. “We are delighted to provide the public with this opportunity to appreciate his legacy.”

Granville Redmond, “Marsh under Golden Skies,” n.d. Oil on canvas, 40 x 50 inches. The Kinsella Library, La Jolla, California.

The exhibition and its accompanying scholarly publication make a landmark contribution to the study and understanding of Redmond’s life and art. The publication, written by the late Mildred Albronda and the Crocker Art Museum’s associate director and chief curator, Scott A. Shields, is a greatly expanded version of an unpublished manuscript by Albronda, whose scholarship focused on California artists who were deaf. Shields’s expanded text explores the duality of the painter’s approach, which suggests two very different sides of the man himself and provides an unprecedented view into Redmond’s career. The volume also contains the most comprehensive chronology of Redmond’s life and art ever published.

Granville Redmond in His Studio (with Carmel Coast), c. 1917. Collection of Paula and Terry Trotter.
Granville Redmond and Charlie Chaplin, c. 1918. Mildred Albronda Papers, BANC MSS 84/117 c, carton 5:6. Courtesy of The Bancroft Library, University of California, Berkeley. Photographer unknown.

“Most beloved in Redmond’s lifetime and today are his colorful and buoyant Impressionist views, which connote his charming personality and optimism,” says Shields. “The other side is revealed in his Tonalist scenes, which Redmond himself preferred. These were deeply meditative, and because they suggest his need for solitude and silence, they have often been interpreted as a reflection of the silent world in which he lived.”

Granville Redmond, “Matin d’Hiver (Winter Morning),” 1895. Oil on canvas, 381/2 x 511/2 in. California School for the Deaf, Fremont.

Some of the paintings in the exhibition are owned by museums, including the Crocker, but most are drawn from private collections throughout California and other states.

Learn more about Granville Redmond and the exhibition at crockerart.org.


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Maxine Johnston, Rest in Peace

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B. Maxine Johnston, 1925-2020

B. Maxine Johnston, age 94, of Paradise Valley, Arizona, a founder of the Scottsdale Artists’ School, passed away peacefully on Friday January 3, 2020 in Scottsdale. Maxine was born June 18, 1925 in Payette, Idaho.

In her obituary, it is noted that Maxine moved to Arizona in 1950 with her husband, Harry D. Johnston and was a prominent Valley artist who co-founded the Scottsdale Art School in 1983.

A quote in the obituary tells that “Maxine’s true passion in life was art. She was always a loving, caring wife, mother, grandmother, great-grandmother, and friend. She never failed to help in any way possible, family or friend. She was truly an incredibly kind-hearted, intelligent, and sharing individual. The world will seem emptier without Maxine in it.”

“Maxine Johnston was not just one of our founders, she was our friend, mentor, an amazingly talented artist, teacher, and so much more. We are going to miss her very much. We are here because of her love of art and community. She wanted anyone who had a love for art to have a place to come and collaborate in a creative and nurturing environment. We love you, Maxine. You will forever be in our hearts.” ~shared by the Scottsdale Artists’ School on social media

“Maxine was an amazing artist and instructor,” Trudy Hayes tells us. “As a founding member of Scottsdale Artists’ School, she dedicated her time and her talents to ensure the success of this great institution. I was inspired by Maxine as she was a wonderful mentor and friend. It is an honor and a privilege to be entrusted with Maxine’s legacy, Scottsdale Artists’ School.”

In 1983, Ms. Johnston, Mr. Wade Fairchild, and Mr. Jim Reynolds spearheaded an idea to form an arts school in Scottsdale, Arizona where working professional artists could teach the fundamentals of art to students who were seeking opportunities to become more expertly trained in the fields of drawing, painting, sculpting, and other mediums.

The school opened in September 1983 and, almost immediately, outstanding artists whose works hung in some of the finest museums, and were the “who’s who” in American art, came to teach at the school. These professionals previously had only taught privately to a select few.

“I’m a goal setter,” Ms. Johnston said in a 2018 toast. “We set a goal of being the finest art school in the West. At that time it was a dream and we fell way short of that, however today we do have the right to claim that status. It has taken so many people working together towards a common goal. I was not the only one… I just happen to be the only one left who is still living!” Ms. Johnston continued, “I would not be a gallery artist today if it were not for the instruction that I received here. The quality instructors we hire are the best of the best. They taught me how to draw and paint and so much more.”

Geoffrey Gersten: Forever Yours

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Geoffrey Gersten, “Honeymoon,” oil on canvas, 32 x 42 in., $8,800

“Forever Yours” is an ongoing series of oil paintings by Geoffrey Gersten, on view at Bonner David Galleries (Scottsdale).

From the gallery:

In this show Geoffrey Gersten decided to embark on a nostalgic journey toward a past that, in the American culture, has been idealized through motion pictures and literature, as well as iconic photographs. He explains: “I had become so wrapped up in these moments that it was crushing to think that those particles of time, so meaningful when they happened, were now gone, and had become lost scraps in this bin of photos. I picked up a little 2 x 4 inch photograph. It was the picture of a girl, standing on her porch, smiling. She was wearing pants, and a 1950s bikini top, though these and all things were only peripheral to her expression. There she was, standing upright, but her smile made her seem as if she were poised rather forward, right into your mind, right into your psyche, so much so that I had to join in smiling myself. I flipped the picture over and saw across the back, scrawled in fading bluish ink, “Forever Yours, Charlotte.”

Geoffrey Gersten, “Charlotte,” oil on birch panel, 60 x 60 in., $20,000

This was the moment when Gersten conceived the Forever Yours collection. “With this new idea, with Charlotte and all my collected vintage photos and old moments ready to be reborn in oil on canvas, I set forth on this endeavor of re-creation and self-regeneration.” Geoffrey Gersten found both contentment and meaning for this new purpose.

“Forever Yours” is an ongoing series of oil paintings inspired by and based on unique, interesting, and meaningful photographs including Kodachromes, Ektachromes, and Polaroids from 1900 to 1969.

The show will be on display until February 17, 2020. More details at https://bonnerdavid.com/.


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Stories: Paintings by David Peikon

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David Peikon (b. 1958), “Empire,” 2018, oil on linen, 24 x 20 in.

New York City
cavaliergalleries.com
January 16–February 6

Cavalier Gallery will soon present an exhibition of recent paintings by David Peikon, ranging from cityscapes to landscapes and botanicals. He has titled it “Stories” because each work is coupled with a brief narrative about how it came to exist.

Peikon notes, “Since I can’t always be at the gallery to offer first-person accounts, and since the gallery staff can’t possibly know all the details, I hope this will make the experience more rewarding for visitors, helping them engage more completely, and connect emotionally, with the paintings.”

On View in St. Louis: American Artist Lon Brauer

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Lon Brauer, “September of 64,” 2019, oil on panel, 24 x 20 in. Available through the artist

Fontbonne University Gallery of Fine Art in St. Louis will be exhibiting a potpourri of recent oil paintings by alum Lon Brauer (lonbrauer.com). All figurative in nature, each work explores a specific narrative and carries a dubious story within.

Lon Brauer, “Reflection,” 2019, oil on panel, 20 x 16 in. Available through the artist

Lon Brauer is an American artist known for his work in figure and plein air landscape. Born in 1955 and coming of age in the seventies, he has roots in the abstract expressionist movement. His work is a mix of the abstract and representational, bringing an impressionistic use of paint and materials to create images that challenge the viewer with new perspectives.

Lon Brauer, “Man in Plaid,” 2019, oil on panel, 30 x 24 in. Available through the artist

Brauer’s work will be coupled with the organic sculpture of Ryan Bradley. The exhibition will be on view January 17–February 14, 2020.

Lon Brauer, “Tribulation,” 2019, oil on canvas, 30 x 30 in.

Lon Bauer on Self-Portraits:

A self-portrait . . . or more. The everyman.

We see a painting on the wall and perceive it as a picture. Indeed, it is a picture no matter what the subject, but what can set one painting apart from the other is the way in which the materials are manipulated to make that picture. A painted image is an abstraction. It is a series of shapes and patterns that relate to what we think we know about the world around us.

All paintings have a narrative. That narrative can be the image or it can be the materials. Or it can be both. Representational art requires a firm structural foundation in drawing. There is no way around that. There needs to be believability in the image, and that comes from some sort of grounding. Once that is established, the artist can hang paint all day long — in a myriad of ways and a plethora of materials — to describe the vision with innovation.

My goal is to see how far I can stretch within the confines of realism.

So is this a self-portrait? Perhaps, but not merely in imagery. The means and method to making this speaks to an aggressive rawness of hand and mind.

The common man in all of us.

Lon Brauer, “Longshoreman,” 2019, oil on panel, 24 x 18 in. Available through the artist

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Contemporary California Sculpture: Modern Works from NSS

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Contemporary California Sculpture: Modern Works from NSS

Sparks Gallery has announced that it is hosting another collaboration with the National Sculpture Society (NSS). This year they will be featuring Contemporary California Sculpture in a smaller scale than previous years. Sculptor members of NSS residing in California (Southern CA and Greater San Francisco area) were selected by Sparks Gallery owner and chief curator Sonya Sparks.

More from the San Diego gallery:

Although differing in subject matter and material, all of the exhibited artists are creating three-dimensional representational works with a contemporary twist.

Contemporary California Sculpture: Modern Works from NSS
Images courtesy Sparks Gallery
Images courtesy Sparks Gallery

Exhibiting Artists:

Judy Salinsky
Jacquelyn Giuffre
Catherine L. Bohrman
Deanna Rae Cummins-Montero
Kristine Taylor
Linda Serrao
Tony Gangitano
Susan Erikson Hawkins
Rosie Irwin Price
Mark Edward Adams
Cynthia Siegel
Ann Geiler
Ruth Green
Maidy Morhous
Mary Buckman
Oceana Rain Stuart
Peter Dingli
Richard MacDonald
Manuelita Brown
Adam Matano

Exhibition Dates: January 11, 2020, through March 29, 2020

Opening Reception: January 11, 2020, 6 p.m. to 9 p.m.

RSVP required for opening night via this webpage:
https://sparksgallery.com/rsvp?eid=18311

About Sparks Gallery:
Located in the Gaslamp Quarter of downtown San Diego, the Sparks Gallery (Est 2013) is housed in the historic Sterling Hardware Building between Island and Market on Sixth Avenue. Sparks Gallery represents contemporary artwork by artists living in San Diego and Southern California. The Gallery serves as a premier San Diego event venue offering art exhibitions, art workshops, seminars, and private events. Read more at sparksgallery.com.


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Portraiture 2020

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Ben Ashton, “Hang,” oil on linen, 35 x 27
Ben Ashton, “Hang,” oil on linen, 35 x 27

Arcadia Contemporary (Pasadena, CA) recently announced its next exhibition, “Portraiture 2020,” on view January 11–26, 2020.

From the gallery:

The exhibition features paintings by five artists from around the world who all create portraiture, but each approach is radically different. From the timeless and elegant works by Will St. John to the dynamic and electric images by Loribelle Spirovski, these five painters show that while the subject matter may be similar, it is the artists’ unique and individual styles that have set them apart and have established each of them in the contemporary fine art world.

Will St. John, “Laura Sims in Landscape”
Will St. John, “Laura Sims in Landscape”

The artists participating in this exhibition are:

MARY JANE ANSELL (WALES)
BEN ASHTON (ENGLAND)
LO CHAN PENG (TAIWAN)
LORIBELLE SPIROVSKI (AUSTRALIA)
WILL ST. JOHN (U.S.)

Mary Jane Ansell, “Lamina,” 12 x 12
Mary Jane Ansell, “Lamina,” 12 x 12
Lo Chan Peng, “The Fog,” oil on linen, 35 x 27
Lo Chan Peng, “The Fog,” oil on linen, 35 x 27
Loribelle Spirovski, “Donna Cattiva,” 48 x 36
Loribelle Spirovski, “Donna Cattiva,” 48 x 36

Find more details at www.arcadiacontemporary.com.


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A Father and Son’s Journey in Paint

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Oil paintings - TM Nicholas
T. M. Nicholas, “Old Harbor, Gloucester,” oil on canvas, 30 x 40 in. Private Collection

Exploring 40 years of the artistic collaboration between Rockport father and son Tom and T. M. Nicholas will be the focus of the Cape Ann Museum’s upcoming exhibition, “Tom and T. M. Nicholas: A Father and Son’s Journey in Paint.” The Nicholas works, created in the well-known style of the Cape Ann School of Painting and curated from numerous private collections, will be on view January 11, 2020, through April 12, 2020.

Oil paintings - Tom Nicholas
Tom Nicholas, “Late Autumn, Rockport Harbor,” oil on canvas, 16 x 16 in. Private Collection

More from the museum:

Born and raised in Connecticut, Tom Nicholas studied with Ernst Lohrmann, H. Fisk, and the School of Visual Arts in New York. He has lived and worked in Rockport since the early 1960s, running a gallery on Main Street with his wife, Gloria. His work in oil, watercolor, and gouache has received numerous awards and recognitions from the Allied Artists of America, the Salmagundi Club, the American Watercolor Society, and the National Academy of Design. He was elected an Academician of the National Academy of Design and a Dolphin Fellow of the American Watercolor Society.

T. M. Nicholas, a student of the Montserrat College of Art, studied with his father as well as with the respected Rockport painter John Terelak. Working out of a studio in Essex, Massachusetts, T. M., like his father, exhibits widely, has paintings in museum collections, and has won many awards.

As part of the exhibition’s related programming, T. M. Nicholas and art historian Judith Curtis will give separate gallery talks. Curtis is a freelance writer specializing in art-related themes and is a past curator of the Rockport Art Association and Museum’s Permanent Collection. She lives on Cape Ann and is a regular contributor to the American Art Review. She has also written several books, including Anthony Thieme; The Life and Art of Paul Strisik, N.A.; W. Lester Stevens, N.A. (1888–1969); Harry A. Vincent and His Contemporaries; Rocky Neck Art Colony (1850–1950); A. T. Hibbard, American Master, and two Charles Movalli exhibition catalogues. More recently, she curated — and wrote the catalogue for — “Polly Thayer Starr and the Alchemy of Painting.” She was also co-curator of “Strokes of Genius: Women Artists of New England,” for which she wrote the catalogue.

As part of the Nicholas exhibition, related programming events include:

Opening Reception
Saturday, January 11, 3:00 to 5:00 p.m.

Lecture by T. M. Nicholas & Stapleton Kearns about The Cape Ann School of Painting
Saturday, February 15, 3:00 p.m.

Gallery Talk by Judith Curtis
Saturday, March 14, 9:30 a.m.

Gallery Talk by T. M. Nicholas
Saturday, April 4, 9:30 a.m.

“Tom and T. M. Nicholas: A Father and Son’s Journey in Paint” is on view at Cape Ann Museum (Gloucester, MA) January 11 through April 12, 2020.


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