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A Chair is a Very Difficult Object

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New York art exhibitions - FineArtConnoisseur.com
Aaron Shikler (1922–2015), “Figure in Studio,” 1962, pastel on paper, 30 x 24.25 in. (76.2 x 61.6 cm)

“A Chair is a very difficult object. A skyscraper is almost easier. That is why Chippendale is famous.”

From Kraushaar Galleries (New York):

These words by the architect Ludwig Mies van der Rohe form a theme for Kraushaar Galleries’ first spring exhibition. We will present a selection of paintings and works on paper that include a chair as a primary or supporting element.

New York art exhibitions - FineArtConnoisseur.com
John Sloan (1871–1951), “Kathleen Resting,” 1916, oil on canvas, 20 x 24 in. (50.8 x 61 cm)

During the first decades of the 20th century, studio scenes frequently included a chair as a subject in a room, like Gifford Beal’s formal portrait “Harrison Cady’s Studio,” or as a support for a subject, as in John Sloan’s “Kathleen Resting” or William Glackens’s “The Breakfast Porch.”

As Modernist theories influenced American art, the chair took on architectural qualities, as apparent in the two portraits of Bea Ault, a painting by Marguerite Zorach, and a drawing by George Ault. Ruth Asawa and Elmer Bischoff straddle a line between

New York art exhibitions - FineArtConnoisseur.com
Elmer Bischoff (1916-1991), “Artist and Model with Pearls,” circa 1973, gouache and charcoal on paper, 17 x 23 in. (44.5 x 58.1 cm)

painterly representation and elements of abstraction, while Jack Tworkov pushes the chair to complete abstraction.

New York art exhibitions - FineArtConnoisseur.com
Ruth Asawa (1926-1991), “Chair with Six Bars #2,” 1959, marker on paper, 23.125 x 18.5 in. (58.7 x 47 cm)

The exhibition can be viewed from the antique copies of Chippendale chairs that have been a part of the Galleries’ exhibition space for about 100 years.

“A Chair is a Very Difficult Object” is on view through May 24, 2019, at Kraushaar Galleries (New York, New York).


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On View: Art of the International Parks

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Oil paintings - FineArtConnoisseur.com
Royden Card, “Shattered Rainbow Ridges,” oil on canvas, 30 x 30 in.

This spring, Eisele Gallery will give those in Cincinnati, Ohio, a fresh take on fine art in the form of its highly anticipated exhibition “Art of the International Parks.” This exhibition will serve as a comprehensive exploration of different interpretations centered on the common theme of protected parks and preserved regions on the planet.

Oil paintings - FineArtConnoisseur.com
Kathleen B. Hudson, “Light on the Land,” oil on canvas, 24 x 48 in.
Oil paintings - FineArtConnoisseur.com
Susie Hyer, “Morning Breaks,” oil on linen, 18 x 14 in.

The gallery will be featuring work by over 30 nationally and internationally recognized artists. Many of the artists in the exhibition have been published in the popular book Art of the National Parks: Historic Connections, Contemporary Interpretations, which will be available for purchase at the gallery.

Oil paintings - FineArtConnoisseur.com
Penny Otwell, “Towering Monolith,” oil on canvas, 36 x 36 in.
Oil paintings - FineArtConnoisseur.com
Robert Hagberg, “Aoraki (Mt. Cook) New Zealand,” oil on linen panel, 20 x 30 in.

All of the work in the exhibition will be available for purchase. A portion of sales will be donated to benefit the SPCA of Cincinnati on opening night and by request.

Oil paintings - FineArtConnoisseur.com
Jay Moore, “Thermal Pools of Yellowstone,” oil on canvas, 30 x 40 in.
Oil paintings - FineArtConnoisseur.com
P. H. Nisbet, “Ancient Passage,” oil on linen, 27 x 38 in.
Chuck Marshall, “Into the Woods,” oil on canvas, 30 x 40 in.

In addition, Limestone Branch Distillery will have a Yellowstone Select Bourbon tasting during the opening, also including opportunities to donate directly to the National Parks. The exhibition will run through May 25.


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American Women Artists: Spring Results, Record Works Submitted

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American Women Artists - FineArtConnoisseur.com
Outstanding Still Life Award, “Morning Shadows” by Loren Dibenedetto, oil, 24 x 30 in.

American Women Artists has recently announced the winners of its annual Spring Online Juried Show. This generated the largest number of entries in AWA’s history, with 1,198 works submitted to the show by 434 artists. Three jurors, Kathleen Giles (NY), Lynn Rhoda Dates (NY), and Cheryl Newby (SC), chose 108 paintings and sculptures for the final show. Cheryl Newby, owner of the Cheryl Newby Gallery, Pawleys Island, South Carolina, was the awards juror who selected the 15 award winners.

“It is truly amazing,” Cheryl Newby commented, “to fathom how much talent exists among our women artists across America today. The level of skill and genius made choosing the award winners an arduous task. Any endeavor such as this necessarily requires subjective decisions, but I hope everyone agrees that the choices made reflect the extraordinary quality of the works submitted.”

American Women Artists - FineArtConnoisseur.com
Grand Prize, “Allure of Kimono” by Carla O’Connor, watercolor and gouache, 30 x 22 in.

Open to all 2019 AWA Associate and Associate with Distinction members working in either 2D or 3D, the Grand Prize ($2,000 cash award) went to Carla O’Connor (Olalla, WA) for her watercolor and gouache painting “Allure of Kimono,” Second Place went to Barbara Dahlstedt (Buckeye, AZ) for her colored pencil drawing “Wyld Man,” and Third Place went to Stephanie Revennaugh for her bronze “Mutual.”

American Women Artists - FineArtConnoisseur.com
Second Prize, “Wyld Man” by Barbara Dahlstedt, CPSA, CPX, colored pencil on toned paper, 24 x 18 in.

Grand Prize winner Carla O’Connor wrote, “I am thrilled and so honored to receive this award. It is hard to put into words how it makes me feel when I see the caliber of the other entries; amazing works!”

American Women Artists - FineArtConnoisseur.com
Third Prize, “Mutual” by Stephanie Revennaugh, bronze, 63 x 53 x 18 in.

AWA is dedicated to providing professional opportunities for women in the visual fine arts. The Spring Online Juried Show offers an exhibition opportunity for Associate members who can gain the experience of preparing work for a national juried competition. Some of the most exciting up-and-coming representational artists participate in this competition.

American Women Artists - FineArtConnoisseur.com
Outstanding Sculpture Award, “Breakaway” by Sandy Graves, bronze, 19 x 9 x 5 in.
American Women Artists - FineArtConnoisseur.com
Outstanding Landscape Award, “Between Shadows and Lights” by Hebe Brooks, oil, 12 x 16 in.
American Women Artists - FineArtConnoisseur.com
Outstanding Figurative Award, “Party of One” by Shana Levenson, oil, 60 x 40 in.

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Results from The Russell 2019 Live Auction

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Western Art Week - FineArtConnoisseur.com

The C. M. Russell Museum concluded Western Art Week’s signature event, The Russell Live Auction at a sold-out Mansfield Convention Center.

From the Russell Museum:
The premiere auction attracted people from all over the country in high-stakes bidding for both historical and contemporary Western art and marked 51 years of live auction events to benefit the C. M. Russell Museum’s nonprofit and educational programs.

Included in the sale of 147 lots were 13 significant pieces by Charles M. Russell and four by Olaf C. Seltzer. The three-day series of events was made possible by numerous sponsors, including presenting sponsor, Triple Creek Ranch. The gross sales total for the 2019 events, including buyer’s premiums, was $4.7 million.

Western Art Week - FineArtConnoisseur.comViewed as an important event each year for both buyers and sellers, pieces are submitted to The Russell auctions by artists and third-party consignors. The museum’s temporary public exhibition of the complete auction catalogue offers visitors a rare opportunity to view each piece before many head to private collections.

Consistent with years past, significant Russell works in the auction are among the highest earners of the night. The 1897 oil “Approach of White Men” sold for $1,369,000; the 1900 oil “Indian with Bow” was sold at $753,000; the 1895 watercolor “Indian Scout” sold for $409,500; and the 1898 watercolor ink wash “Preparation for the Buffalo Hunt” sold for $128,700. Total sales for Saturday’s live auction, including buyer’s premiums, was $4.1 million.

Western Art Week - FineArtConnoisseur.comEarlier, the successful First Strike auction featured 79 lots by living artists and grossed $420,556 including buyer’s premiums — an after-auction sale brought the sale rate to 100 percent. The highest selling piece was the thrilling sale of Lot 36, “All Legs” by Adeline Halvorson for $40,000. Nearly 700 guests and artists attended the event sponsored by Black Jack Ranch Museum.

The 2019 Art in Action event, sponsored by D. A. Davidson, was once again a sellout at the Meadow Lark Country Club. With artists donating both their time and talent to the Quick Draw and live auction event, 100 percent of the proceeds benefit the C. M. Russell Museum. This year’s Art in Action saw just under $150,000 in art sales with buyer’s premiums. Michael Barlow’s work-of-the-day gaveled in at the highest, with $13,000.

Western Art Week - FineArtConnoisseur.com
In its third year, The Russell Runway Show at the Meadow Lark Country Club gathered over 200 guests for a wearable art show filled with heirloom-worthy fashion. Items ranged from hand-painted vests by The Russell artists, vintage leather jackets, intricately beaded accessories, couture creations by global designers, and more. Event proceeds directly benefit the C. M. Russell Museum’s Russell for Learning program that brings an art-focused literacy curriculum to area middle schools. Over $16,000 was raised through donations and a live auction of items donated by artists and designers; a generous anonymous donor matched donations to bring the total raised to $27,235.

For a complete list of results and auction pieces still available, visit cmrussell.org/russell-event-sales-results.


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Featured Artwork: Cynthia Rosen

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Blooms of Early Spring
Oil
48 x 30 in.
$7000
Available from the artist

Just try to keep up with artist Cynthia Rosen. There’s bit of gypsy in her soul. The safe bet is you’ll find her outside, plein air painting. And she generally likes to “go big or go home!”

“Working on location is the spring in my diving board! Painting in the field to limitless color, ever-changing light and the sound of a spinning world engages and challenges both perceptions and expression,” says Cynthia, who’s affirmation is “all who wander are not lost.” “I embark on a path and find, at each turn in the road new sights and inspirations, broadening my visual vocabulary. There is never an end in sight.”

While Cynthia has a background in making non-objective art in New York City, she developed a passion for painting outdoors when she moved to Vermont. After raising a family, she dived full-time into painting.

When asked about Blooms of Early Spring, she replies, “As I looked to my yet barren trees and stream bed in Vermont, I could not help but pine for the blossoms I saw from a distance while walking in NYC a few days ago. I spotted a Dogwood tree, which is a sure sign of Spring. While this painting is based on my view here in Vermont it includes the dancing white of blossoms which will soon tickle into my own woodlands up north.”

“I want this painting!” was the response of Baltimore collector Vernon Forward upon seeing the painting. “Everyone of Cynthia’s paintings are undeniably filled with energy and her generous personality.”

“When I first saw Cynthia’s work in national publications, like PleinAir Magazine, I was reminded of the expressive, palette-knife-rendered work of the late New Mexico artist Louisa McElwain. Louisa spoke of her work as expressing emotion derived from being on location, and I think that is what Cynthia seeks as well. Her work is very expressive and colorful, and the joy and exhilaration she feels is clearly conveyed to her canvas. She is a top plein artist,” says South Street Art Gallery owner and principal Alan Brock.

Visit Cynthia’s website to view more paintings, sign up for her e-newsletter and see her workshop schedule.
Also follow her on Facebook and Instagram.

Recent Articles & Video:
Southwest Art Magazine July 2018, Feature Article “Life in Motion”
The Artist’s Road November 2018, Artist Profile “Cynthia Rosen”
PleinAir Magazine: Feb/Mar 2018, Feature Article “Cynthia Rosen: Asserting Your Own Voice As A Plein Air Painter”
American Art Collector: March 2018, Featured in “Women Artists”
Instructional video from Streamline Art Video: Cynthia Rosen: Expressive Landscape Painting- Palette Knife in Plein Air

Gallery Representation:
Gallery 46, Lake Placid, NY
South Street Art Gallery, Easton, MD
Helmholz Fine Art, Manchester, VT and NYC, NY
Lagerquist Gallery, Atlanta, GA
Robert Paul Galleries, Stowe, VT

Still ahead for 2019 (stay tuned for more upcoming events):
PACE19 faculty
Olmsted Invitational
Bath County Plein Air Festival
Adirondack Plein Air Festival
Annapolis Plein Air Festival
Select upcoming exhibits through Gallery 46 and Helmholz Fine Art

Illuminating Landscapes

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Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “Last Light,” oil on panel, 30 x 30 in.

In her latest collection of landscape paintings, Franklin-based artist Rachael McCampbell captures the essence and importance of Tennessee’s open space.

“Illuminating Landscapes” (opening April 14) is inspired by the work of The Land Trust for Tennessee, a land conservation organization working across the state to conserve farms, forests, parks, historic landscapes, scenic views, and open space for the benefit of Tennesseans and those who visit. A percentage of sales from the show will support the work of The Land Trust for Tennessee, a 501(c)(3) nonprofit organization.

Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “Summer Walks,” oil on panel, 36 x 36 in.
Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “The Road Often Taken 2,” oil on panel, 24 x 36 in.
Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “Valley Heaven,” oil on panel, 40 x 40 in.

Originally from East Tennessee, McCampbell has always been inspired by wildlife and the lessons nature teaches us. After years of urban living in New York, London, Los Angeles, and Florence, Italy, she returned to the countryside of Franklin, Tennessee, to observe and explore firsthand the landscapes that inform her work. Tuscany’s peeling walls inspired Rachael’s use of layering texture, which are added and removed until the story unfolds. Her action-based application of paint, splashes of color, and carefully rendered lines combine realism and abstraction to create an exciting visual path for the viewer.

Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “Contemplating the Day,” oil on board, 36 x 36 in.
Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “From Dusk to Dawn,” oil on panel, 36 x 24 in.
Fine art oil paintings - FineArtConnoisseur.com
Rachael McCampbell, “Sweeney Hollow,” oil on panel, 20 x 20 in.

As an environmentalist, she is deeply concerned about the loss of our open lands in this country and throughout the world. Her work often explores a balance of open spaces with the concept of thoughtful development.

“Illuminating Landscapes: New Paintings by Rachael McCampbell” is on view at Westhaven Realty (Franklin, TN), April 14–28, 2019.


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Through May 12: From Watercolors to Woodblock Prints

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Fine art shows - FineArtConnoisseur.com
“Blue Boat on the Ste Anne,” 1958, by Ogden M. Pleissner (American, 1905–1983), watercolor on paper, 17 1/4 x 27 1/2 in., Collection of Shelburne Museum, gift of Marion W. G. Pleissner. 1986-98.1.

The Gibbes Museum is celebrating two talented American artists of the 20th century with two exhibitions.

From the museum:

“Lying in Wait: Sporting Art by Ogden M. Pleissner” presents 48 watercolor scenes of hunting, fishing, and landscape that Pleissner painted from Wyoming to Maine to South Carolina’s Lowcountry between the late 1920s and 1983. This master is revered for his luminous evocations of fleeting time — the tug on a fishing line or the pregnant pause as a hunter sets his sights.

Fine art shows - FineArtConnoisseur.com
“On the Wind River,” date unknown, by Ogden M. Pleissner, watercolor and gouache on paper, 15 3/8 x 21 5/16 in., Collection of Shelburne Museum, bequest of Ogden M. Pleissner; 1985-31.53. Photography by Andy Duback

Pleissner was a master of the watercolor medium. His paintings are expressive, yet also capture his subjects in wonderful detail. These reflective moments immerse viewers in the beauty of the land and convey the importance of protecting our natural environment.

“Lying in Wait” celebrates Pleissner’s life and work as a noted sporting arts painter. His hunting, fishing, and landscape paintings reflect his deep reverence for wildlife and the natural world.

Fine art shows - FineArtConnoisseur.com
“Jungle Lanterns,” 1924, by Anna Heyward Taylor (American), woodblock print on paper, 15 x 11 1/2 in., Gift of the artist; 1953.007.0032

Also on view is a show devoted to Anna Heyward Taylor (1879–1956), a South Carolina native best known for her participation in the Charleston Renaissance of the 1920s. Never exhibited before are the watercolors, batiks, and woodblock prints inspired by her expeditions in British Guiana. Drawn from the Gibbes’s collection, these works are complemented by several loans from the Charleston Museum that provide insights into Taylor’s scientific interests.

Fine art shows - FineArtConnoisseur.com
“Grias Cauliflora,” 1924, by Anna Heyward Taylor, color woodblock print on paper, 10 7/8 x 7 1/2 in., Gift of the artist; 1953.007.0031

Prior to settling in Charleston in 1929, Taylor traveled and studied widely, including trips to Holland in 1903 and England in 1904 as a student of William Merritt Chase. During 1908-1909 Taylor toured Europe with her sister Nell and in 1914 she visited Japan, Korea, and China. Taylor’s travels also took her to the exotic locations of British Guiana in 1916 and 1920, the Virgin Islands in 1926, and Mexico in 1935 and 1936.

This exhibition focuses on Taylor’s visits to British Guiana, as she created a substantial body of work during these trips. Taylor traveled to British Guiana as a staff artist for the scientific expedition led by naturalist William Beebe. There she created sketches and watercolor paintings of jungle foliage and animals. Once back in the United States she created batiks and woodblock prints based on her observations.

Both exhibitions are on view at the Gibbes Museum of Art (Charleston, South Carolina) through May 12, 2019.


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Art From the Other Half: 14th Annual Cowgirl Up!

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Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Proceeds from the weekend’s art sales and live auctions benefit the endeavors of the participating Cowgirl Up! artists and of the Desert Caballeros Western Museum.

The opening weekend of the 14th annual “Cowgirl Up! Art from the Other Half of the West” exhibition and sale (March 29–31) was the most successful opening weekend in the show’s history in terms of attendance and funds raised — 49 of the 56 participating artists and more than 1,500 patrons converged in Wickenburg, Arizona, for three days of conversation and celebration. A live auction at Saturday evening’s Bash ’n’ Bid raised $33,700 for the Museum, and an audience of more than 700 who attended Sunday morning’s Quick Draw enthusiastically supported the morning’s culminating live auction. The 23 pieces created by Cowgirl Up! artists at the event commanded over $51,000.

Cowgirl Up Western Art Show - FineArtConnsoisseur.comCowgirl Up Western Art Show - FineArtConnsoisseur.comCowgirl Up Western Art Show - FineArtConnsoisseur.comMore from the Desert Caballeros Western Museum:

What makes Cowgirl Up! truly outstanding is the all-women nature of the show. Since 2006, Cowgirl Up! has established itself as a premier opportunity for Western women artists to exhibit their art in a nationally-recognized museum, gather and learn from their peers, and mingle with the patrons who support their endeavors. Since the show’s inception, the Desert Caballeros Western Museum has been privileged to provide a platform for 193 Cowgirl Up! artists to exhibit and sell their art.

Cowgirl Up Western Art Show - FineArtConnsoisseur.comCowgirl Up Western Art Show - FineArtConnsoisseur.comArt that went unpurchased during opening weekend is still available through May 12; patrons may purchase online at westernmuseum.org or in person in the Cowgirl Up! gallery. Patrons can take home their miniatures upon purchase; Main Gallery pieces remain on view until the end of the show, when they are shipped to their purchasers.

Eight awards were presented at the Bash ’n’ Bid Gala:
Best of Show: Erin Hanson (San Diego, CA) for “Desert in Color” (oil on canvas)
First Place 2D on Canvas: Sonja Caywood (Dayton, WY) for “Lean on Me” (oil on canvas)
First Place 2D on Paper: Stephanie Campos (Tucson, AZ), for “Chief Joseph” (charcoal on paper)
First Place 3D: Stephanie Revennaugh (Livingston, MT), “Eons” (bronze)
Museum Purchase Award: Rebecca Tobey (Santa Fe, NM), “A Friendly Game of Tag” (ceramic) Director’s Choice New Artist: Sherry Cobb (Delta, CO)
Patrons’ Choice: Sherry Cobb (Delta, CO)
Artists’ Choice: Linda Glover Gooch (Mesa, AZ)

Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Stephanie Campos, “Chief Joseph”
Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Stephanie Revennaugh, “Eons”
Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Sonja Caywood, “Lean on Me”
Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Erin Hanson, “Desert in Color”
Cowgirl Up Western Art Show - FineArtConnsoisseur.com
Rebecca Tobey, “A Friendly Game of Tag”

Arizona Governor Doug Ducey will select the prestigious “Governor’s Choice Award” at a future date. This award will be presented to one of the 19 Arizona-based Cowgirl Up! artists.

For a second year, the Desert Caballeros Western Museum is offering visitors the opportunity to vote for a People’s Choice throughout the run of the show. The winner will be announced on the last day of the Cowgirl Up! exhibition and sale, May 12, and will receive a complimentary advertising award from Art of the West magazine.


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Night of Artists Recap and Winners

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Night of Artists - FineArtConnoisseur.com
(L-R) Rob McClane, Chairman of the 2019 Night of Artists, Mark Maggiori, artist, Steven Perlin, Dane Mazzei, Ryan Mazzei, Nicole McClane, Chairman of the 2019 Night of Artists

The Briscoe Western Art Museum (San Antonio, TX) raised more than $1.85 million in total art sales during the opening weekend of the 2019 Night of Artists Art Sale & Exhibition. This year’s show is the largest to date, with 277 works of painting, sculpture, and mixed media by some of the country’s leading Western artists. Proceeds from the sale benefit the educational programs, exhibitions, and collections of the Briscoe Western Art Museum.

“It was such a special weekend for all attendees,” stated Nicole McClane, 2019 Night of Artists Committee Chair. “Something we focused on this year was catering to every audience during the Night of Artists opening weekend. Whether an attendee was a seasoned collector, an artist, or a patron, we wanted to supply them with a memorable experience.”

Night of Artists - FineArtConnoisseur.com
Rob and Nicole McClane, Chairmen 2019 Night of Artists

Night of Artists - FineArtConnoisseur.comThe 2019 Artists Award Dinner and Live Auction held Friday, March 29, drew art sales of more than $600,000. The following evening, Saturday, March 30, the Luck of the Draw Sale and Reception took place and commanded nearly $1.3 million in art sales. Notable sales included artist Martin Grelle’s “Shoshone Searchers,” which sold for $118,750 and artist Z. S. Liang’s “Horse Medicine Man,” which sold for $62,500.

The 2019 Night of the Artists opening weekend was attended by more than 900 artists, sponsors, and guests. Internationally recognized artists participating in the show include Billy Schenck, Mark Maggiori, Martin Grelle, Z. S. Liang, Bonnie Marris, John Coleman, Mary Ross Buchholz, George Hallmark, Kent Ullberg, and Kim Wiggins.

Night of Artists - FineArtConnoisseur.com
2019 Night of Artists auction

Night of Artists 2019 award winners include the following:

  • Briscoe Museum Purchase Award: Ralph Oberg, “Prairie Sundown,” oil on linen, 40 x 55 in.
  • David Crockett Award for Artists’ Choice: Mick Doellinger, “Incoming,” bronze, 30 x 18 x 14 in.
  • Sam Houston Award for Painting: Jeremy Conrad Winborg, “Beauty of the Desert,” oil, 40 x 25 in.
  • James Bowie Award for Sculpture: John Coleman, “He Who Jumps Over Everything,” bronze, 64 x 24 x 17 in.
  • William B. Travis Award for Patrons’ Choice: Greg Beecham, “August Rumblings,” oil, 36 x 24 in.

The public exhibition and sale continue through May 5, 2019, at the Briscoe Museum’s Jack Guenther Pavilion, located at 210 W. Market Street on the San Antonio River Walk, with all unsold artwork available for purchase. The exhibition is free to the public with museum admission. Now in its 18th year, the Briscoe’s annual fundraising event includes the representation of 80 artists, the Bison Society Collectors Summit, and a live art auction.

Preview the exhibition catalog and extensive collection of art on the Briscoe Museum’s website gallery.


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Beaches, Birds, and Botanicals

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Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Flowering Shadows,” oil on canvas, 30 x 24 in.

Announcing new works: “Laurel Daniel: Beaches, Birds, and Botanicals” will comprise 15 new studio paintings and 8 plein air works. Laurel was recently featured in Southwest Art magazine and is a well-known plein air and studio painter living in Austin, Texas, and St. Simons Island, Georgia.

We invited Laurel to share more with us about her new works:

“Beaches, Birds and Botanicals”
New Work by Laurel Daniel

There is something incredibly compelling about the ocean’s coastline. From the rhythm of the tides to the patterns of birds and flowers, its sights and sounds offer comfortable familiarity and excited wonder at the same time. This new body of work is all about that intimacy and grandeur; inspired by the Golden Isles of Georgia.

If the paintings feel personal, that is because they are. My first visit to St. Simons Island was for my honeymoon in 1979. I had heard a lot about this ancestral home of my husband’s family, and felt an instant affinity with it upon arrival. We stayed in the old beach cottage that was built by his great-grandfather in the early 1900s, and his grandmother lived next door. It was a love affair all around. We pledged to make annual visits and to carry on the family tradition with our own family.

When I started painting seriously in the early 2000s, a new dimension was added to my island experience. I began to study the coastal landscape through plein air adventures, with brush in hand and fresh new eyes. Taking walks on the beach at dawn, observing the ebb and flow of the marsh, watching birds hunt for breakfast . . . inspiration is everywhere. And it all finds a way onto my canvases.

This show celebrates a true place of my heart — a place that energizes, renews, and brings me great joy.

Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel “Morning Flight,” oil on canvas, 40 x 30 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Beach Reflections,” oil on canvas, 15 x 30 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Distant Shore,” oil on canvas, 30 x 40 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Golden Beach Path,” oil on canvas, 30 x 40 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel “Southern Beauties,” oil on canvas, 18 x 18 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Life in the Layers,” oil on canvas, 36 x 18 in.
Fine art oil paintings - Laurel Daniel - FineArtConnoisseur.com
Laurel Daniel, “Marsh Hunter,” oil on canvas, 20 x 20 in.

“Laurel Daniel: Beaches, Birds, and Botanicals” is on view at Anderson Fine Art Gallery (St. Simons Island, Georgia) through May 11.


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