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A Prodigious Prodigy

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Kyle Ma artist - FineArtConnoisseur.com
Kyle Ma, "Mineral Creek,” 2018, oil, 14 x 18 in.

From Wilcox Gallery:

At 18 years old, artist Kyle Ma is painting circles around many lifelong professionals, and the professionals are taking note. The young artist continues to rack up awards and sales at a furious pace, despite being years younger than his competition.

He earned second place in The Artist’s Magazine’s annual competition in 2017, got an award for “Best Animals and Birds” from the 2017 Plein Air Salon, and even nailed down an Honorable Mention from the Oil Painters of America National Show for his painting of farmyard chickens at the age of 17.

Kyle Ma artist - FineArtConnoisseur.com
Kyle Ma, “Lunchtime at the Farm,” oil, 20 x 24 in.

But more recently, his mother April Wu shared an honor that surprised her, while reminding her just how young Kyle Ma really is. In February, the College Board said Kyle’s performance was so “superior” on an AP Studio Art: 2-d Portfolio Exam that he was only 1 of 9 students to earn every point possible on the difficult assessment. “We applaud your hard work, diligence, and enthusiasm,” said Trevor Packer, Senior Vice President of AP and Instruction at the College Board. A mere 0.03 percent of young artists rose that high with their artwork, but Ma has also been commercially successful.

The original Prodigious Prodigy Show at Wilcox Gallery in 2016 nearly sold out, an impressive feat for an artist at any stage of their career. And many of his paintings sold to other artists appreciative of what Kyle could do at such a young age.

Kyle Ma artist - FineArtConnoisseur.com
Kyle Ma, “Into the Light,” oil, 40 x 30 in.

Wilcox Gallery founder and well-known landscape artist Jim Wilcox is one of those artists who has purchased Ma’s artwork. “Kyle really knows how to paint,” Wilcox said. “That’s saying something at his age. I have to remind myself how old he is whenever I see his work.”

Though it’s tough to believe Ma’s age, the quality of the work is what draws people to him, making for an unbeatable combination of style and story, said Mark Wilcox, Wilcox Gallery’s creative director. He said he has heard collectors compare Kyle’s art to Richard Schmid and other painting greats. “Most lifelong professionals would be happy to produce an average Kyle Ma painting,” Mark Wilcox said. “Professionals often comment that such talent shouldn’t come so early or easily. Kyle’s drive, focus, and hard work have made him an amazing artist at a young age.”

Ma is able to paint a diverse array of subject matter — everything from street scenes to florals to landscapes to battleships. He does it all with a unique flare, pulling off amazing paintings of subject matter in which many artists wouldn’t see a subject. Ma’s artistic journey started at age 4, when he began drawing scenes of nature surrounding him in his native Taiwan. “I enjoyed drawing because it served as a way of sharing my passion with others,” he said. “The majestic mountain ranges and lush green prairies around me served as inspiration.”

He traveled extensively as a young child, visiting several art museums that introduced him to masterworks that showed him what he could do someday with his passion. By the age of 10, Ma’s family moved to the U.S., living in Austin, Texas. At about that time, he swapped his pencils out for brushes and has never looked back. “Until this day, I continue to strive to share my vision of the world around us through art,” he said. “I paint as much as I can, hoping to communicate with the viewer what I saw and felt each time I picked up a brush.”

The magic is working. People are excited and seeing the world through the vision of a prodigious prodigy who sees the world differently than most. Ma keeps on painting, and has already earned what many would feel are career honors. With so many accolades at such a young age, it’s hard to imagine that Ma has time for anything else. But under all the paint, he’s still just a normal teenager.

“After I sold a painting for Kyle recently, I called him to let him know about the sale,” Mark Wilcox said. “His mom answered and let me know that she was about to go pick him up from band practice. You forget he’s in high school until you hear something like that.”

Artist Kyle Ma will be featured at Wilcox Gallery July 13 through July 31, 2018. For more information: wilcoxgallery.com


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Featured Artwork: Sue deLearie Adair presented by South Street Art Gallery

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Winter Pelican
Graphite and colored pencil
Available at South Street Art Gallery

Sue deLearie Adair’s artwork is inspired by her love of the natural world and all creatures great and small. She has been an avid birder for thirty years. Sue is fascinated by everything in nature and portrays many different animals, but birds are her favorite subject and comprise the majority of her work. She features detailed subjects with simple, sometimes even stylized, backgrounds. Sue works in graphite and colored pencils.

Most of Sue’s drawings are small works, but in 2018 she decided to take this scale one step further and began to draw traditional miniatures in graphite pencil. These delicate and finely detailed works demonstrate all the important aspects of fine art and can be held in the palm of the hand.

Sue’s work has been included in many prestigious national and international exhibits including Birds in Art (Leigh Yawkey Woodson Art Museum), Art and the Animal (Society of Animal Artists annual exhibition, various venues) and Art of the Animal Kingdom (Bennington Center for the Arts). She has received the Society of Animal Artists Award of Excellence, and her graphite and mixed media drawings have been selected for publication in five of North Light Books ‘best of drawing’ series Strokes of Genius. She is a signature member of the Society of Animal Artists and the Colored Pencil Society of America and a Master Pencil Artist with the Pencil Art Society.

View more of Sue’s work online.

Beast-Like Qualities

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Fine art charcoal drawings - Nicola Hicks - FineArtConnoisseur.com
Nicola Hicks, “Fox,” ed.21/30, 2006, etching, 30 x 22.25 in.

From the gallery:

Tayloe Piggott Gallery is pleased to present an exhibition of select sculptures, charcoal drawings, and prints by British artist Nicola Hicks. Due to her unique artistic style and her contribution to the visual arts, Hicks was appointed to the Most Excellent Order of the British Empire (MBE). Her passion is to illustrate the human-like emotions of animals as well as the beast-like qualities of man. Showcasing artworks from 2005 to 2018, this retrospective exhibition offers a comprehensive look into Nicola Hicks’s expansive body of work.

Fine art charcoal drawings - Nicola Hicks - FineArtConnoisseur.com
Nicola Hicks, Untitled (Stag), 2009, charcoal on paper, 77.5 x 60 in.

A remarkable artist, Nicola Hicks is fascinated by reinventing animal figures with bold intention as a means of cathartic play. She is driven by her pure, raw emotional connection to her artworks and instills her love for the craft in each piece. She “loves the magical feeling of having something evolve at [her] fingertips, that [she] is making something live that hasn’t lived before.”

Depicting both realistic and mythical animals with extraordinary vividness that transcends mere visual fact, Hicks captures the spiritual power of beings. Bears, deer, moose, dogs, or a mythic Minotaur, all of Hicks’s art is rooted in the study of anatomy and observations of life. She asserts her art has nothing to do with reality but rather with evoking a strong visceral response. She is uninterested in her work appearing as a particular animal; instead she wants the figure to be that animal.

Fine art charcoal drawings - Nicola Hicks - FineArtConnoisseur.com
Nicola Hicks, “Red Bullock,” 2018, charcoal on paper, 60 x 76 in.

Throwing herself into each creation, Hicks works quickly in an unselfconscious way that allows her to produce a vibrant animation. She uses unconventional materials that mirror the speed of her work. Quickly tearing off craft paper in large sheets, she uses charcoal, chalk, and pastel to draw the creature bursting through her imagination. “Red Bullock” (above) exemplifies the nature of Hicks’s work. As she gesturally draws the form of the bullock, she is acutely aware of when she feels the body of the animal is complete. It is at that moment that she moves on to bring out the spirit of the animal in its facial features. In Red Bullock, the animal’s feet are left unfinished, as they are not crucial to the essence of the animal.

Animal Sculptures - Nicola Hicks - FineArtConnoisseur.com
Nicola Hicks, “Grey,” plaster and straw (to be cast in bronze), 32 x 12 x 72 in.

In order to realize her creations, Hicks needs her materials to be adaptable. The moment a work feels “terribly finished and a bit dead” Hicks throws it away and starts again from the beginning. She designs her three-dimensional work in a similar nature through a unique sculpting process that involves plaster, mud, and straw. There is straw strewn about Hicks’s studio, which she continually gathers and mixes with plaster in order to quickly erect a figure.

Animal Sculptures - Nicola Hicks - FineArtConnoisseur.com
Nicola Hicks, “Balancing Honey Eater,” ed 1/12, 2018, bronze, 6.25 x 6.25 x 6.75 in.

Due to the delicate nature of her organic materials, Hicks ensures the permanency of her artworks through the meticulous process of casting them into bronze. Her sculptures are deeply influenced by Auguste Rodin, who described sculpture as “drawing with light.” Hicks strives to bring out this light within her figures. Her creatures reveal the mortality in each animal. “Grey” (above), a center sculpture in this exhibition, is an ideal illustration of this vivacity. The wolf feels alive. You can see the fire in his eyes and feel his soul. This sensation is emblematic of all of Nicola Hicks’s artworks.

This exhibition will be on view through August 18, 2018, at Tayloe Piggott Gallery (Jackson, Wyoming).


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Passion and Desire

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Oil paintings by David Graeme Baker - FineArtConnoisseur.com
David Graeme Baker, “February,” 2015, oil on linen mounted on panel, 25.25 x 38 in.

Stanek Gallery and curator Lorraine Riesenbach, founding director of the famed Artists’ House Gallery, celebrate the genuine passion and desire of the artist in its second annual Summer Invitational, featuring oil paintings and more.

“Passion and Desire” features more than 50 provocative images that explore a rich variety of subjects, celebrating the genuine passion and desire of the artist. The works of Brett Eberhardt, Carolyn Pyfrom, David Graeme Baker, Elena Peteva, Frances Donnelly Wolf, Julie Bell, Kate Brockman, Lorraine Riesenbach, Michael Bartmann, Noah Buchanan, Peter Van Dyke, Rita Klinger, and Stefanie Lieberman present a vivid visual display of the subjects that inspire them.

Oil paintings by Brett Eberhardt - FineArtConnoisseur.com
Brett Eberhardt, “Two Daffodils,” 2017, oil on panel, 23 x 17.5 in.
Kate Brockman, “Temple,” 2013, bronze, 30 x 13 x 10 in.
Figure paintings by Noah Buchanan - FineArtConnoisseur.com
Noah Buchanan, “Mid Winters Dream,” 2011, oil on linen, 32 x 48 in.
Cityscapes by Peter Van Dyck - FineArtConnoisseur.com
Peter Van Dyck, “Cresson Street II,” 2018, oil on canvas, 24 x 30 in.
Seascapes by Stefanie Lieberman - FineArtConnoisseur.com
Stefanie Lieberman, “Wave,” 2018, oil on canvas, 30 x 24 in.

The oil paintings and more of “Passion and Desire” will be on view through August 11, 2018, at Stanek Gallery in Philadelphia, Pennsylvania. For more information, please visit www.stanekgallery.com.


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Featured Artwork: Bregelle Whitworth Davis presented by the National Museum of Wildlife Art

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The Brothers Three
14 x 8 in. sketch
Acrylic on canvas with genuine silver leafing
$975

Bregelle Whitworth Davis was born in 1985. Raised in a small town in Idaho and growing up near Jackson, WY and Yellowstone National Park, she gained a great appreciation of fine art inside galleries and outside in the wonders of nature. She grew up surrounded by a family passionate for art, adventures, and animals, especially wildlife. She still ventures out as often as she can to study and photograph wildlife to use for her paintings. Over the last 10 years, Bregelle has been featured in many solo and group art shows across the country including; dozens of galleries, the Springville Museum “Annual Spring Salon”, the National Museum of Wildlife Art “Western Visions” show, and the Hogle Zoo’s “World of the Wild”. Hogle Zoo also selected her to be their Featured Artist in 2014. She has been blessed with wonderful collectors from all over the World, some as far away as Australia, Norway, and even China. Her artwork has also been featured in multiple magazine articles.

View more of Bregelle’s work here: www.wildlifeart.org/artists/bregelle-whitworth-davis

About Western Visions:
More than 200 paintings, sculptures, and sketches by living Artists will be on display and available for purchase during the 31st Annual Western Visions®. The Museum has carefully curated the work of some of the top living artists depicting animals today, both traditional and contemporary. Proceeds from the Western Visions Show & Sale benefit the National Museum of Wildlife Art’s educational mission to enrich and inspire appreciation and knowledge of humanity’s relationship with nature.
View the Western Visions calendar of events here: www.wildlifeart.org/western-visions/western-visions-calendar

Featured Artwork: Robert Dalegowski presented by the Grand Canyon Celebration of Art

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River of Stars
24 x 18 in., watercolor

Robert Dalegowski (1948-2018), a Flagstaff, AZ native, grew up roaming the forests and canyons of northern Arizona, developing a deep respect for the solitude of the wilderness. During his lifelong love of the Grand Canyon, he explored and painted some its most remote places, often using whatever water was available to create his magical watercolors.

Dalegowski has been a participating artist in the Grand Canyon Celebration of Art starting in 2011, often spending time at Indian Garden, where he shared his vision and knowledge with hikers who happened upon him painting on the trail. His watercolors with their expressive brushwork and vibrant colors capture the essence and light of the moment and place.

Robert Dalegowski passed away on June 17th after a long and valiant battle with cancer. He will be missed by all that knew him and knew his artwork. His spirit lives on in his art.

River of Stars was inspired by a raft trip through the Canyon that Dalegowski took with a few other artists in the spring of 2017, capturing the brilliance of the Milky Way over the Colorado River. He explained:
“Deep below the rim in the bottom of Grand Canyon the horizon skyglow is obscured by soaring walls, silence broken by the muffled roar of Deer Creek Falls at Colorado River Mile 136.5, as magical starlight reflects from the dark river surface.”

The 10th Annual Grand Canyon Celebration of Art will feature the work of 24 painters (including that of Dalegowski) and 2 sculptors. The plein air event will take place at the Grand Canyon September 8-16, 2018 with artists painting at various locations around and in the Canyon. An exhibit and sale of their work will open on September 16 at Kolb Studio on the South Rim, continuing through January 21, 2019.

For more information and a schedule of events please visit:
www.grandcanyon.org/events/celebration-of-art-2018 or contact Kathy Duley [email protected] 480.277.0458

Featured Artwork: Chantel Lynn Barber

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The Sister I Never Had
10 x 8 in.
Acrylic on linen panel
Available through Richland Fine Art, Nashville

Chantel’s passion for art began flourishing at age 12 when she was mentored under local San Diego artists. She continued to study art, largely self-taught, while living in Newport, Rhode Island, and Keflavik, Iceland. While enrolled in a college art course, a fellow student introduced her to acrylic paints, and she soon found it to be a medium dominated by abstract art. But her first love was portraiture for which she found little advice. As she dreamed of perfecting her skills as an acrylic portrait artist, Chantel continued to learn from professional oil painters and translated their teachings into acrylic techniques. All the while, she remained active in local art communities, including serving as President of Artists’ Link in Memphis, Tennessee.

In 2006, Chantel opened her own art business called Chantel’s Originals near Memphis Tennessee. Chantel soon benefited from workshops and demonstrations with outstanding artists including Dawn Whitelaw, Michael Shane Neil, Suzie Baker, and Marc Hanson. Chantel is currently the National Coordinator of the State Ambassador program for the Portrait Society of America, and is also a member of The Chestnut Group, and the National Oil & Acrylic Painters’ Society.

Chantel has been featured in solo art shows and juried exhibitions. Her award winning paintings are in private and public collections throughout the United States and overseas. Her work is published in Acrylic Artist magazine, American Art Collector, Southwest Art, The Artist’s Magazine, Fine Art Connoisseur Magazine, International Artist and several books. She regularly blogs at chantellynnbarber.com. Chantel resides in Bartlett, Tennessee, where she teaches online and in workshops throughout the United States and Canada.

Daisy on the Queensboro — A Nocturne

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Nocturnes - Rob Zeller - FineArtConnoisseur.com
Rob Zeller, “Daisy on the Queensboro,” 2018, oil on linen, 48 x 60 in.

Rob Zeller is part of a current exhibition of nocturne paintings at Booth Gallery (New York), showing work alongside Sergio Barrale, Casey Baugh, Rick Berry, Evan Kitson, Alex Merritt, Adam Miller, Alexandra Pacula, Edmond Rochat, and Hannah Vandermolen. In this preview, he tells us more about “Daisy on the Queensboro” (above).

“I set out to make a painting that was an apocryphal addition to The Great Gatsby,” Zeller says. “I wanted to show Daisy Buchanan in the aftermath of Gatsby’s death. She is supposed to be a materialistic, shallow woman, who threw him away in the most callous manner. It’s interesting. For some reason, I wanted (needed?) her to show some remorse. Some sense of loss. Her arm extended, her wedding ring in full view.

“I wanted to evoke a very New York nocturne. The Queensboro Bridge is a very important motif in the book, thus the perfect setting for the scene.”

“The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.” ― F. Scott Fitzgerald, The Great Gatsby

“Nocturnes” is on view through July 28, 2018. For more information, please visit www.paulboothgallery.com. Preview more of the nocturnes below:

Nocturne paintings - FineArtConnoisseur.com
Edmond Rochat, Untitled, oil on panel, 20 x 16 in.
Nocturne paintings - FineArtConnoisseur.com
Casey Baugh, “See, the Last Village of Words,” oil on linen, 40 x 60 in.

 

Nocturne paintings - FineArtConnoisseur.com
Adam Miller, “Cannibals,” oil on linen, 76 x 96 in.
Nocturne paintings - FineArtConnoisseur.com
“Nocturne,” a Group Exhibition at Booth Gallery

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The Paintings of Sir Winston Churchill

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Sir Winston Churchill paintings - FineArtConnoisseur.com
Sir Winston Churchill, “Still Life, Fruit,” c. 1930s, oil on canvas, 25 x 30 in.

“The Paintings of Sir Winston Churchill”
Heather James Gallery
San Francisco, California

Sir Winston Churchill paintings - FineArtConnoisseur.com
Sir Winston Churchill, “A North African Town,” c. 1935, oil on canvas, 25 x 30 in.

From the gallery:

Widely known as the greatest statesman of the 20th century and the savior of Western civilization, a Nobel Prize winner, and the subject of a recent Academy Award–nominated film, more people than ever are taking an interest in Sir Winston Churchill (1874–1965), yet few are aware that he was an avid painter.

Eleven oil paintings by Churchill from the 1920s to 1940s, from the collection of the family of the late Julian Sandys, the eldest of Churchill’s grandchildren, will join the spotlight in “The Paintings of Sir Winston Churchill.”

Sir Winston Churchill, “The Sunken Garden at La Dragonniere, Cap Martin,” c. 1930s, oil on canvas, 20 x 30 in.

The nine landscapes along with a coastal scene and a still life depict friends’ estates and gardens, as well as family vacation spots, including some of Churchill’s favorite travel destinations in France and Morocco.

Sir Winston Churchill paintings - FineArtConnoisseur.com
Sir Winston Churchill, “An Avenue at Frinton-on-Sea Essex with Miss Diana Churchill,” c. 1922, oil on canvas, 20 x 24 in.

These paintings formed part of a touring exhibition organized by the Millennium Gate Museum, Atlanta, Georgia (2014–15), commemorating the 50th anniversary of Churchill’s death.

Sir Winston Churchill paintings - FineArtConnoisseur.com
Sir Winston Churchill, “The Mill at St. Georges Motel,” c. 1930, oil on board, 23.5 x 35.75 in.

“The Paintings of Sir Winston Churchill” exhibition is on view at Heather James Gallery (San Francisco, California) through July 27, 2018. For more information, please visit www.heatherjames.com.

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Western Art Exhibition — Extended Dates

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Western art - FineArtConnoisseur.com
Stephen Morath, “Sunset at the Arizona Line,” acrylic on canvas; Courtesy of Wilde Meyer Gallery.

Western Art Exhibition News: Presented in partnership with the Scottsdale Gallery Association, the juried exhibition features a selection of artworks by emerging artists of the Greater Western region who are pushing the boundaries of contemporary art. Seventeen artworks in diverse mediums carry on the tradition of art history, but also break or bend the rules in compelling ways to open the viewer’s mind to new possibilities and methods of seeing.

Western art - FineArtConnoisseur.com
Jeffrey Berryman, “Maniwest Destiny,” 2015, oil on metal; Courtesy of the J Klein Gallery
Western art - FineArtConnoisseur.com
Andrea Peterson, “Whisper,” oil on canvas; Courtesy of Wilde Meyer Gallery.

“Western Edge: Humor and Playfulness in Contemporary Western Art” is on view at Western Spirit, Scottsdale’s Museum of the West (Arizona) through September 9, 2018. For more information, please visit scottsdalemuseumwest.org.


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