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Featured Artwork: Patricia Hynes

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"Happiness Is. . ." by Patricia Hynes

“Happiness Is…”

oil on canvas

24 x 36 in.

 

ART IS A REFLECTION OF HUMAN EXISTENCE

In my early twenties for some unknown reason and with no significant financial resources, I purchased a canvas board, student brushes, and a few tubes of oil paint. The instant I started to copy a magazine image onto the canvas, I knew my calling was to be a painter with all of its challenges and demands. After I earned undergraduate and Master of Fine Arts degrees in studio art, life with its responsibilities took hold. Yet, I always found time to paint, though not with the focus that was required to develop my craft as I wished. I then structured my life so that eventually I would be able to paint full time time.

As a student of people I was able to interact with many individuals during a long non- painting career in museums and educational institutions working in teaching and administration. These experiences helped me develop a deeper understanding of human nature. This understanding, as well as my overall life experiences, have become profound influences in determining my mature painter’s voice.

I have come to understand that my work has always been directed by the paths I chose. The paintings I create are about how people choose to, or not to, live their lives. My intent is not to replicate past historical visual images, but rather to study the reaction of people in various life situations and then create contemporary visual stories depicting significant moments that reveal an inner presence. They study the fleeting instant when emotional reactions and the pathos of a situation is often unconsciously revealed. Through my paintings viewers are prompted to think and reflect upon the relation of these enigmatic references to their own lives.

I strive for accurate visual representation, however, I consciously do not paint for photographic accuracy. My work is about the fusion of concept and pigment to produce a painting. Yet, photography has always been a mainstay of my visual approach. In structuring a composition, I select images from a number of my photographs. These images are used to draw what I call a road map on the canvas. Then my focus shifts to pigment for its expressive application onto the canvas. I paint so the pigment can speak as an indication of a passage’s significance, as well as express the intrinsic concept of the scene. My paintings are large, yet they are painted in great detail with small brushes. The brushwork I employ emphasizes passages of the canvas, creating a visual tempo about the story that that is being told. Thus, the finished painting is a fusion of concept and the process of painting.

The direction I have been advancing towards is to paint backgrounds that are increasingly more indicative of the painting’s narrative rather than the placement of people into a traditional environment. This is to promote greater interest and reflection on the part of the viewer, for further grounding people within an evocative narrative creates a scene apart from the commonplace of daily existence. While questions are raised in viewing these scenes, there is no “right” interpretation of them. I leave all interpretations to the viewers who dialogue with my paintings.

I am a member of the Salmagundi Club, New York; Oil Painters of America; American Impressionist Society; and American Women Artists. I received a Master of Fine Arts degree from Rutgers University and a Bachelor of Arts degree from Douglas College. After a period of teaching Studio Art and Art History I pursued a career in nonprofit institutions holding positions in development and institutional advancement. Positions held include Deputy Director, Cincinnati Art Museum; Vice President, Pratt Institute; Vice President, American Craft Museum, now the Museum of Arts and Design; as well as Director of Alumni Relations, Associate Director University Development, and Director of Development, Tisch School of the Arts, all for New York University University; and development posts at the Whitney Museum and the Brooklyn Museum.

View more of Patricia’s work at www.patriciahynespainter.com.

Contact Patricia at [email protected] or 973.763.2384.

Featured Artwork: Dee Beard Dean

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"The Old Homestead" by Dee Beard Dean

“The Old Homestead”

Oil on linen

20 x 24 in.

$3680, available at Hagan Fine Art Gallery, Charleston, South Carolina

Dee Beard Dean is a nationally-recognized artist who has been painting since childhood. She was raised in the countryside of northern Indiana and began her formal studies at Grand Rapids College, Kendall College of Art and Design, and the New York Academy of Art.

In her early years, Dee was a well-known fashion designer manufacturing her own clothing line with a national label which sold to over 450 stores throughout the US. Dee later escaped the hectic lifestyle of the fashion world and went back to her first love, painting.
She is a passionate and prolific artist who has studied with many renowned artists and is recognized for her painterly landscapes and portraits. Her greatest inspirations have come from painting en plein air where her eye for color and composition, and her elevated senses, guide her in creating paintings filled with evocative light and dramatic shadows. Her highly collectible work hangs in corporate and private collections throughout the United States.

Dee is a member and founder of Plein Air Painters of the Southeast (PAP-SE), a Signature Member of the American Impressionist Society, an Honorary Signature Member of International Plein Air Painters (IPAP), and members of Oil Painters of America, American Women Artists, and Eastern League of Professional Artists. Dee finds it both a joy and a privilege to share her knowledge and talent with students through plein air and studio workshops across the United States and abroad.

She has received many awards at juried art competitions, and has been published in many regional and national journals. Dee and her husband, Dr. Nicolai Chalfa, live in Charleston, SC and annually host an Art Trip to a different country.  Her life and her work are recorded in her book “Painter By Providence”  written by Michelle Morton.

View more of Dee’s work at www.DeeBeardDean.com.

Featured Artwork: Chantel Barber

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"Ready To Dance" by Chantel Barber

“Ready To Dance”

acrylic on panel

6 x 6 in.

Available through TwoTen Fine Art

http://twotenfineart.com/current-artwork/artwork-by-artist/barber-chantel/

Chantel’s passion for art began flourishing at age 12 when she was mentored under local San Diego artists. She continued to study art, largely self-taught, while living in Newport, Rhode Island and Keflavik, Iceland. While enrolled in a college art course, a fellow student introduced her to acrylic paints, and she soon found it to be a medium dominated by abstract art. But her first love was portraiture for which she found little advice. As she dreamed of perfecting her skills as an acrylic portrait artist, Chantel continued to learn from professional oil painters and translated their teachings into acrylic techniques. All the while, she remained active in local art communities.

In 2006, Chantel opened her own art business called Chantel’s Originals near Memphis, Tennessee. Chantel soon benefited from workshops and demonstrations with outstanding artists including Dawn Whitelaw and Michael Shane Neil. Chantel is currently the National Coordinator of the State Ambassador program for the Portrait Society of America, and is also a member of The Chestnut Group and the National Oil & Acrylic Painters’ Society. She is past President of Artists’ Link in Memphis, Tennessee.

Chantel has been featured in solo art shows and has participated in numerous group shows at premiere Memphis venues including the Dixon Gallery and Gardens. Her award winning paintings are in private and public collections throughout the United States and overseas. Her work is published in Acrylic Artists magazine, American Art Collector, and Fine Art Connoisseur. Chantel resides in Bartlett, Tennessee, where she teaches online and in workshops throughout the United States.

Featured Artwork: Heather Arenas

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"Life Behind the Bar" by Heather Arenas

“Life Behind the Bar”

oil on birch

14 x 18 in.

Available at Mary Williams Fine Art Gallery.

This piece was painted from a wonderful little pub that I stumbled onto for lunch while in New York City. The hand-carved bar and the staff of characters made for a very attractive scene. And lunch was good, too!

Heather Arenas’ grandmothers were both artists and her parents provided her with various art supplies growing up, teaching her to appreciate many forms of art. Today, Heather works in oils and prefers figurative work but she enjoys painting many different subjects. Her education includes a rigorous course of independent study reading many books on drawing and painting and taking workshops from respected artists such as Vadim Zanginian, Kim English and Clayton Beck III. While earning a degree in biology with emphasis on anatomy in the early 1990’s, she also studied art history and ceramics.

Heather is a Master Signature artist with Women Artists of the West, a Signature member of the Plein Air Artists of Colorado and Associate of Distinction with American Women Artists as well an associate with several other art organizations. She has received numerous awards for her work which helps others see the beauty in everyday objects, places and people.

 

Heather’s work can be found at the following galleries:

Reinert Fine Art, Charleston, SC and Blowing Rock, NC, http://www.reinertfineart.com/

Reflection Gallery, Santa Fe, NM, http://reflectiongallery.com/

Mary Williams Fine Art Gallery, Boulder, CO http://marywilliamsfinearts.com/

RS Hanna Gallery, Fredericksburg, TX, from March 1st through June 3rd, http://www.rshannagallery.com

Stoneheart Gallery, Evergreen, CO, http://www.stoneheartgallery.com

See Heather’s website for workshop and further information, www.heatherarenas.com

Featured Lot: Reflections on the Pond

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Adrien Moreau (1843-1906), “The Lily Pond,” oil on canvas, 12 3/4 x 18 1/4 in. © Christie’s 2017

In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week’s painting sparkles with color and is priced to sell.

Although Impressionist Claude Monet is perhaps the best-known lily pond painter, collectors may scratch and claw — figuratively — to get their hands on a stunning picture by 19th-century Frenchman Adrien Moreau (1843-1906).

Rather small at roughly 13 x 18 inches, Moreau’s “Lily Pond” makes a big visual impact. Lush foliage, trees, and cattails dominate the background as a glistening pond winds its way toward the viewer. Brilliantly captured are the subtle blue and white hues of the sky, which are most obviously stated in the pond’s reflections. Close observation reveals myriad colors. Although his painting is not rendered as loosely as Monet’s famed pictures, Moreau has created a delightful representation that retains some impressionistic qualities. The feathery brushwork found in the blooming lily pads and especially within the mid-ground cattails enlivens the scene and imbues the surface of the painting with a sense of life and vitality.

The market for Moreau’s work is highly variable. The current painting is estimated to sell for between $3,700 and $6,000 during Christie’s March 16 “19th-Century Sale” — a far cry from the nearly $70,000 earned in 2010 by Moreau’s “Concert d’amateurs dans un atelier d’artiste.” In 1996, his painting “Gypsy Dancer” realized 260,000 Euros.

The appetite for 19th-century works appears to be sharply on the rise, so the time might be right to strike and make this stunning work part of your collection. To learn more, visit Christie’s.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Stamp of Approval

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Jeffrey Larson provides individual instruction during class. © Image courtesy Great Lakes Academy of Fine Art 2017

An artsy Midwestern city is where this outstanding new atelier received the ARC’s (Art Renewal Center) coveted stamp of approval. Who are they and where? Find out!

Located on the southern tip of Lake Superior in Minnesota, Duluth is a quaint — albeit cold —city that has a reputation for its lively arts culture, high-class cuisine, and popular ski trails, parks, and more. Duluth can now boast that it is home to an ARC Approved Atelier, an honor awarded to academic programs that center around traditional methods for teaching painting and drawing.

Headed and run by ARC Living Master Jeffrey Larson, the Great Lakes Academy of Fine Art is a full-time, four-year program specifically designed for students aspiring to become professional fine artists. No doubt the academy’s new designation will make it a coveted destination for some of the nation’s top talent. Students might also be drawn to the stunning venue: a newly renovated 8,000-square-foot turn-of-the-century stone church that overlooks Superior Bay.

The ARC provides more comprehensive detail about the atelier and its founder here. To learn more, you can also visit Great Lakes Academy of Fine Art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

If You Built It, They May Have Painted It

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Anton Glikin (for Peter Pennoyer Architects), “Drumlin Hall,” 2009, ink and watercolor, 36 x 20 in. © Eleventh Street Arts 2017

The art of architecture and architecture in art are being explored during a captivating group exhibition on the East Coast. With a diverse range of styles and superior talent, we’re positive you won’t be disappointed if you have a look here.

If you leave right now, there’s still time to attend the opening of “Art of Architecture” at Eleventh Street Arts in Long Island City, New York. Tonight (March 2) from 6-9 p.m. marks the opening of a tantalizing and creative exhibition with the man-made as its focus. Among the talent showcased are works by Atelier & Co., Steve Bass, Anthony Baus, Patrick Connors, Alexander Creswell, Andrew Dodson, Fairfax & Sammons Architects, Ferguson & Shamamian Architects, David Genther, Anton Glikin, Michael G. Imber Architects, Peter Pennoyer Architects, Irina Shumitskaya, Abigail Tulis, Charlotte Worthy Architects, and many others.

Can’t make the opening? Eleventh Street Arts has also coordinated a series of lectures, to be held on March 9 and March 30. Topics under consideration include hand drawing for house design and “type talk.”

“Art of Architecture” will be on view through April 7. To learn more, visit Eleventh Street Arts.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Worth the Walk

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Carin Wagner, “Reflect III,” 2015, oil on canvas, 10 x 10 in. © Carin Wagner 2017

Delray Beach, Florida, will host the first Friday Art Walk of 2017 tomorrow from 6 to 9 p.m., with a range of incredible art to see and food to taste. A highlight of the event can be found at the Cornell Art Museum, which will feature the works of one accomplished painter through March. Who is she?

Award-winning South Florida artist Carin Wagner is the focus of a beautiful solo exhibition at the Cornell Art Museum this March. Opening tomorrow during Delray Beach’s first Friday Art Walk, the show will feature new works from Wagner’s “Reflect” series. As its title suggests, Wagner’s series draws attention to the phenomena of light and objects as they reflect off the variable surfaces of water. Viewers will no doubt find delight in both tightly rendered reflections and abstraction caused by ripples and waves.

Carin Wagner, “Reflect,” 2015, oil on canvas 72 x 37 in. © Carin Wagner 2017
Carin Wagner, “Reflect,” 2015, oil on canvas 72 x 37 in. © Carin Wagner 2017
Carin Wagner, “Reflect6,” 2016, oil on canvas, 12 x 20 in. © Carin Wagner 2017
Carin Wagner, “Reflect6,” 2016, oil on canvas, 12 x 20 in. © Carin Wagner 2017

To learn more, visit here.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Making Exhibition History

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Sandro Botticelli (1445-1510), “Venus (detail),” circa 1484-1490, tempera on wood, © Sabauda Gallery, Turin 2017

A stunning Renaissance masterpiece has made its way to the United States for the first time ever, marking a historic moment for American institutions, and in particular this Williamsburg, Virginia, museum.

Any painting that survives today by the hand of Renaissance master Sandro Botticelli (1445-1510) is one worth viewing — especially if you don’t necessarily have to travel to Europe. For the first time ever, one of Botticelli’s famed “Venus” paintings is being shown in the United States, in Williamsburg, Virginia.

On view at the Muscarelle Museum of Art now through April 5, “Botticelli and the Search for the Divine” is being called “the most important Botticelli exhibition ever seen in the United States,” the museum reports. “Every phase of the artist’s tumultuous career is represented in this selection, as well as nine works by his master Filippo Lippi, the only pupil of Masaccio. Botticelli was guided to success by the Medici dynasty, the patrons for sacred altarpieces and sensuous paintings of classical mythology, including several in this unprecedented exhibition. After the fall of the Medici, many of his paintings were lost in the bonfires of the vanities.”

As exciting is the fact that this exhibition will also be shown this spring at the Museum of Fine Arts, Boston from April 15 through July 9. To learn more, visit the Muscarelle Museum of Art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Real People, Real Stories, Real Places, and Real Things

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Olga Antonova, “Two Ladies on Polka Dots,” oil on canvas, 24 x 12 in. © Haynes Galleries 2017

A fantastic exhibition with — you guessed it — Realism as its focus just opened at an acclaimed Tennessee gallery. It features several nationally recognized painters, and they’ve truly outdone themselves with “The Real World.” Details here.

Thankfully “The Real World” — a stunning exhibition on view now at Haynes Galleries — has nothing to do with that silly MTV reality series that aired in the late 1990s and early 2000s. Rather, the gallery’s first exhibition back in its original Franklin, Tennessee, location is one for the ages, featuring a broad range of style and creative beauty from some of the best realists painting today.

Richard Britell, “Utica Club I,” 1980, oil on canvas, 21 x 17 in. © Haynes Galleries 2017
Richard Britell, “Utica Club I,” 1980, oil on canvas, 21 x 17 in. © Haynes Galleries 2017

Opened yesterday, March 1, and on view through May 27, “The Real World: Real People & Real Stories, Real Places & Real Things” is an exciting collection of gripping portraits, sublime landscapes, and tasteful still life. Among the artists represented are Zoey Frank, Richard Britell, Andrea J. Smith, Olga Antonova, Arturo Montoto, Marc Dalessio, Gregory Mortenson, Michael Theise, Holly Bedrosian, and Joseph McGurl.

Arturo Montoto, “FragileIllusion,” oil on linen, 38 4/5 x 31 1/4 in. © Haynes Galleries 2017
Arturo Montoto, “FragileIllusion,” oil on linen, 38 4/5 x 31 1/4 in. © Haynes Galleries 2017

Via the gallery, “This real world of art is diverse, thriving, and based on everyday reality. From unadorned portraits in earthy tones that reflect a person’s soul to emotion-rich still lifes assembled with souvenirs from a lifetime of travel, ‘The Real World’ covers a wide range, but each artwork strives to connect viewers with personal experiences. That’s the thread that they all have in common. All seek to tell a story or evoke emotion based on real experiences while also pushing the technical skills to new levels.”

Andrea J. Smith, “Stelianie,” oil on panel, 15 x 15 in. © Haynes Galleries 2017
Andrea J. Smith, “Stelianie,” oil on panel, 15 x 15 in. © Haynes Galleries 2017

To learn more, visit Haynes Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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