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Abby Aldrich Rockefeller: A New York Collector’s Legacy Evolves in Virginia

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Robert Brackman (1898-1980), "Portrait of Mrs. John D. Rockefeller, Jr. (Abby Greene Aldrich)," 1941, oil on canvas, 38 1/8 x 32 in. (c) Private Collection

by: Peter Trippi, Editor-in-Chief, Fine Art Connoisseur Magazine

Surely all fans of American history have heard of – and probably visited – Colonial Williamsburg, which preserves, restores, and operates Virginia’s 18th-century capital.  Located roughly halfway between Richmond and Norfolk, this sprawling site of more than 600 restored or reconstructed buildings immerses families, students, teachers, and other visitors in the dramatic story of this country’s founding during the American Revolution, reminding them why that era still matters today.

Robert Brackman (1898-1980), "Portrait of Mrs. John D. Rockefeller, Jr. (Abby Greene Aldrich)," 1941, oil on canvas, 38 1/8 x 32 in. (c) Private Collection
Robert Brackman (1898-1980), “Portrait of Mrs. John D. Rockefeller, Jr. (Abby Greene Aldrich),” 1941, oil on canvas, 38 1/8 x 32 in. (c) Private Collection

Complementing visitors’ experiences of chatting with costumed interpreters about their 18th-century “lives” is the pleasure of exploring the Art Museums of Colonial Williamsburg.  In fact, this is one building that contains two major museums.  The younger one is the DeWitt Wallace Decorative Arts Museum, opened 31 years ago with a generous $200 million endowment from Lila and DeWitt Wallace, the founders of Reader’s Digest.  Today it stewards a trove of 70,000 British and American decorative artworks dating from 1670 to 1840.

Of keener interest this season is the Abby Aldrich Rockefeller Folk Art Museum (AARFAM), which will celebrate its 60th anniversary on March 15, 2017.  It is named for the remarkable woman who contributed to American society in many ways…

This is an excerpt from “Abby Aldrich Rockefeller – A New York Collector’s Legacy Evolves in Virginia”. Find the full article in the January / February 2017 Edition of Fine Art Connoisseur Magazine.

Read the Full Article Now

Issue: January – February 2017

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Featured Artwork: Olaf Schneider

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"Conversation Peace" by Olaf Schneider

“Conversation Peace”

Oil on canvas

40 x 66 in.

Available through the artist

 

‘This painting was made after we finished an early morning paddle. My wife and I spent the early part of the day together watching out for wildlife in the interior of Algonquin Park in northern Ontario. Tracey called out to me “you are just in time for coffee” as I was painting a small study of this painting. We love to watch the sunrise together.

This made for time for reconnecting and catching up with the things that are important with each other. Hence the name ‘Conversation Peace’.

A few weeks ago, I was informed that Ducks Unlimited chose my painting for the 2017 Portfolio. I am so blessed. Thank you Lord.’

 

Biography

Olaf Schneider (b.1964) is a husband, father of two, and grandfather of six. He studied at the Ontario College of Art as well as Sheridan College. In 1986, while painting large scale outdoor advertising billboards for Mediacom, he acquired a strong practical foundation that would become integral to his work today.

He is greatly inspired by mentor Ron Grieg and Norman Rockwell.

For Olaf each piece represents an intense exploration and refinement of his personal pictorial sensitivities, especially as they relate to beauty, form, light, and shade. Composition, color, and craftsmanship are all elements that become the building blocks of his work. Olaf is a prolific painter who is inspired by the power and diversity of the northern landscape, and anything that needs a “second look”. An explorer by nature, he travels across North America and Europe to gain inspiration.

 “Each dab I make is stimulated by the details that I observe. I hope to see what others miss and then make it compelling. I push and alter the colors to suit my ravenous needs and I love to improvise on the spot.” 
Olaf has a passion for a variety of subjects. Through his art, he expresses his love for life and his affinity with vibrant colour.

“I like to use expressive and thick impasto brushstrokes or soft blended strokes to render a sense of movement and texture giving the painting a life of its own. My interpretation of colour also sets the dynamic mood. The tones often range from the darkest to the lightest in an effort to achieve maximum drama. This creative combination is spontaneous and intuitive.”

To keep his mind clear and focused he limits his exposure to all the media ‘noise’ we generally are pummelled with daily. He does not watch TV and restricts his time on the computer. He starts his day with God in prayer and meditation. Painting six to ten hours a day is common practice. Equally important to Olaf is continued growth and learning.

 
“I want to always have an open mind so that new ideas may come in. In the mind of an expert, there are few possibilities, but in the mind of an amateur they become endless. This is a God given gift and I value it greatly. If I am able to bring emotion, understanding, comfort, or joy into another’s life then I am using it wisely in His glory.”

Philosophy

Art is a celebration of life, and the making of art is an expression of the sacred spiritual discipline. If a painting could, for a moment, capture the attention and awareness of the viewer through visual harmony, carry on a dialogue, bring the viewer further than the call of the senses, beyond a momentary concern for the past or future, to a timeless state free from thought and self consciousness. Then the work has approached the realm of art, the realm of life. Art and money don’t mix.

View more of Olaf’s work at http://www.olaf.ca.

Solo Exhibitions

2016 – Tilting at Windmills Gallery, Vermont

2016 – Broadway Galleries, Virginia

2015 – Westmount Gallery, Ontario

2015 – Woodbine Raceway

2015 – International Artist Magazine June issue

2014 – Cannes France

2005–2013 – Westmount Gallery, Toronto

2011 – Royal Gallery, Rhode Island

2009 – Mercedes Benz, Ontario

2009 – Homer Watson Gallery

2008 – Gallery DeLisle

2005 – Hummingbird Centre

2004 – McMichael Gallery, Kleinburg

2003–2006 – International Artists Magazine

1998–2004 – Formula 1, Montreal & Indianapolis

Group Exhibitions

2014 – Chapel St. Bernardin, France

2014 – Le Cannet, France

2008–2013 – Westmount Gallery, Toronto

2013 – The Louvre, SNBA Salon, France

2009–2013 – Edgewood Orchard Gallery, Wisconsin

2013 – Galerie Demante, California

2012 – The Connecticut Society of Portrait Artists

2012 – Portrait Society of America

2011 – Thornwood Art Gallery, Texas

2011 – Canadian Heritage Art Gallery

2010–2013 – Toronto International Art Fair

2010 – Canadian Heritage Art Gallery, Toronto

2010 – Thornwood Art Gallery , Texas

2009 – Boston International Art Fair

2007–2011 – Miller Gallery, Ohio

2007 – Scottsdale Art Gallery, Arizona

2006 – Kipling Gallery Woodbridge, Ontario

2006 – Manitou Gallery, Santa Fe, NM

2006 – Latino America International

2004–2006 – Todmorden Mills Heritage Museum

2002–2005 – Hummingbird Centre, Toronto

2000 – Living Arts Centre, Mississauga

1998–2002 – Molson Indy, Toronto & Vancouver

Publications

American Art Collector Magazine

Arabella Magazine

Houston Lifestyles and Homes

Ducks Unlimited 2007, 2009, 2010, 2011

Etobicoke Guardian

Scarborough Mirror

Vaughan Weekly

George Chuvalo Fight Against Drugs

International Artist

Art Fix

WPBS Television

Algonquin Park news

The Huntsville Forrester

24 Hours

Toronto Life

2004–2006 Magazin’art Biennial Guide

Creative Source 1989, 2004

Corporate and Private Collections

Ripley’s Aquarium Canada, Toronto

PCO – Construction Ltd.

The Haven on the Queensway, Toronto

The Good Shepard, Toronto

Mackenzie Financial, Toronto

Toronto Dominion Bank, Toronto

Ducks Unlimited 2007, 2009, 2010, 2011, 2012

Make a Wish Foundation

George Chuvalo Fight Against Drugs Foundation, Canada

Paul Smith’s College, New York

Make a Wish Foundation, Toronto

Hospital for Sick Children, Toronto & Montreal

Jessie Centre for Teenagers, Toronto

Ontario Provincial Police, Canada

Labatt Breweries Ltd. Ontario, Canada

Evian Canada

Gilles Villeneuve Museum, Quebec

Chapters Indigo Canada

Mercedes-Benz, Toronto

Ford Ontario

Ferrari North America

Apple Canada

Governor General of Madrid, Spain

L.L.C.B.O.

Art Gallery of Ontario

Centennial College

Van Moorehem Barristers, Ontario

Block Parents Foundation,  Canada

Current Gallery Representation

Chloe Gallery, San Francisco CA  415.531.5748

Eclipse Gallery, Huntsville ON  705.783.2579

Emma Butler, St. John’s NFLD  709.739.7111

Lovetts Gallery, Tulsa OK  918.664.4732

MountainMist Gallery, Cashiers NC  407.620.2685

Palm Avenue Fine Art, Sarasota FL  941.388.7526

Rendezvous Gallery, Vancouver BC  604.687.7466

Spa Fine Art Gallery, Saratoga NY  203.226.6934

Tilting Windmills Gallery, Manchester VT  802.362.3022

Westmount Gallery, Toronto ONT  416.239.5427

Westport Gallery, Westport CT  203.226.6934

Featured Artwork: Linda Richichi

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"Shoreline Walk" by Linda Richichi

“Shoreline Walk”

Oil

11 x 14 in

 

About the Artist:

“Her evocative plein air paintings express an intense response to observed nature, while her dynamic abstractions reflect a passionate energy and masterful sense of form.”

– From Dennis Wepman, Art Curator of Karpeles Museum.

Linda Richichi was born in Montgomery, New York. Richichi’s extensive plein air work since 1998 has given her a basis for creating studio pieces that are filled with nature’s energy.

Educational background:

– Bachelor’s Degree in Fine Art from SUNY New Paltz

– Art Students League in 1999 on Scholarship from the Pastel Society of America

– Years of study with modern masters including John P. Osborne at the Ridgewood Art

Institute.

Publications:

    –   The New York Times wrote about one of Linda’s workshops at the

Wainwright House in Rye, NY in 2015.

–   International Artist Magazine, Master Painters of the World, Pastel

    –   The American Artist Magazine

    –   Art Times Journal– solo exhibit critiqued favorably

by art critic and editor, Raymond J. Steiner.

Top Awards:

    Ft. Myers, Paint the Beach, 2015 HMs, 2016 Third Place

  • Voted national Best Intuitive Artist from About.com (then a NY Times company) Readers Choice award in 2012
  • Best of Show Ontario Purchase Award, at the International Plein

Air Painters (I.P.A.P.) Fourth Worldwide Paint Out at Niagara Falls, Ontario, Canada, Sept. 2006.

Major commissions:

  • Rowley Family Birthing Center at Orange Regional Medical Center in Middletown, NY for an entire healing art collection and continues to collect her work.
  • Mini Cooper in Ramsey, NJ.
  • Mercedes Benz in NJ.
  • Harness Racing Museum, Goshen, NY,  annual portrait 1996–present

Her landscape paintings traveled with the World Tour Exhibition titled “Far and Near Horizons” which included work of 20 Contemporary Landscape Artists selected from the International Plein Air Painters and the Landscape Artists InternationaI organizations.

Richichi was the first artist-in-residence at the SUNY Orange at the Newburgh Extension in 2008.

Richichi conducts workshops in the US, Italy, and on cruise ships.

Her work has been found in galleries around the North America including NYC, NY, PA, FL, WI, NJ, CO, and both coasts of Canada. She regularly showed in various galleries in the Hudson Valley Region and in NYC.  Richichi now lives permanently in Sarasota, FL. She is represented by 530 Burns Gallery in Sarasota, FL and Nikki Sedacca Gallery, Edgartown, MA.

Past/ Present Memberships Include:

* Oil Painters of America

* Pastel Society of America (PSA)- Juried Associate member

* International Plein Air Painters (IPAP)- Signature Status

* New York Plein Air Painters (NYPAP)- Signature Status

* Portrait Society of America- Founding member (past)

* Landscape Artists International – Charter member

* Plein Air Florida

* Light Chasers

Featured Artwork: Barbara Jaenicke

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"Winter Whites" by Barbara Jaenicke

“Winter Whites”

Oil on linen

16 x 20 in

www.barbarajaenicke.com

About the Artist:

Barbara Jaenicke has had a fascination with snow since childhood. She’s always loved the look, sound and feel of snow, and even the smell in the air when it snowed. She grew up in New Jersey where she experienced occasional snow, but lived in Atlanta, Georgia when her painting career began. In the late ‘90s she began traveling with her husband to visit his family in Minnesota each winter, and the snowy landscape called to her. In May 2015, Barbara and her family relocated to Bend, Oregon, where snow is also plentiful, if not right in town, a short drive away in the mountains. “Winter Whites” is from a spot located near her home in Bend.

Barbara’s work is represented at Mockingbird Gallery in Bend, Oregon; The Artful Deposit in Bordentown, New Jersey; Stoneheart Gallery in Evergreen, Colorado and Weilerhouse Fine Art Gallery in Fort Worth, Texas.

Barbara’s instructional video series, which includes snow scenes, is available at www.paintingthepoeticlandscape.com.

Featured Artwork: Paul Grass

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Art from The Religious Academy’s “Southern Tour.” will be on display at the Blair Caldwell Library in Downtown Denver through the middle of January. Don’t miss your chance to see this historic show’s final location.

Artwork from Artists around the nation are featured in “Done it Unto The Least of These.” – A Tour taken through Virginia, North and South Carolina, Georgia, Alabama, Mississippi, and Louisiana as it relates to the Civil Rights. Stop’s included The Emmett Till Museum, South Carolina State Capital, Alabama State Capital, the front Lawn of the White House, Lexington KY Library, and many other places.

Artists from around the nation showed with us including Paul Grass, Marge Zylla, John Stadler, Eugene Hamilton, Dahne Anne, Dana Wood, Christine Fontenot, David Weaver, and many more. Visit www.livvnart.org to preview show and www.thereligiousacademy.com to see future shows today!

Featured Artwork: Katherine Brown Galbraith

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"Fall Treasures" by Katherine Brown Galbraith

“Fall Treasures”

2016

Oil on linen

20 x 16 in.

Available through the artist

770.366.1448

 

About the Artist:

At the age of 12, Katherine Galbraith began her career as an artist with the sale of a

portrait painting. Now in addition to figurative work and commissioned portraiture, she also paints in studio and plein air landscapes and still lifes.

Katherine has had numerous one-woman shows in Atlanta, GA, Boston, MA, St. Simons Island and Sea Island, GA, Bronxsville, NY and Pittsburgh, PA.  In May 2013 Katherine opened The Station Art Gallery & Studio of Katherine Galbraith to showcase her work and offer classes. It is located in the restored NY Central Passenger Depot in Westfield, NY.

Portraiture clients have included corporation executives, leaders of religious and academic institutions and athletes. Many clients have later commissioned Katherine to paint members of their families

Her work can be found in private collections all over the world.  First favorably compared to John Singer Sargent’s in a review of her one-woman show in Raleigh, NC, Katherine’s work has appeared in national magazines, including International Artists Magazine, Art of the Portrait,

Fine Art Connoisseur, Veranda, Southern Living, Better Homes and Gardens, Where: Boston, Coastal Living and Coastal Illustrated.

 

Recent Awards & Notable Juried Shows:

2016    American Women Artists Annual Juried Exhibition, Bennington, VT: Finalist

2016    Portrait Society of Atlanta, Atlanta, GA: Finalist and Honorable Mention,

2016    Oil Painters of America 25th National Juried Exhibition, Dallas, TX

2016    Castine Plein Air Festival, Castine, ME

2015    Portrait Society of America Annual Members Only Competition: 3rd Place,

Outside the Box

2015    Oil Painters of America Salon Show, Birmingham, AL: Finalist

2014    Portrait Society of America Annual Members Only Competition:  1st Place,

Commissioned Portrait

2014    Bath County Plein Air Festival, Bath County, VA: Honorable Mention, Quick Paint

2014    Wayne Plein Air Festival, Wayne, PA:  Honorable Mention

2014    Oil Painters of America Eastern Regional Juried Exhibition, Cincinnati, OH

2013    Oil Painters of America Eastern Regional Juried Exhibition, Annapolis, MD

2012    Oil Painters of America National Juried Exhibition, Fredericksburg, TX

2012    Gettysburg Plein Air Festival, Gettysburg, PA:  1st Place, Quick Paint

2009    Oil Painters of America National Juried Exhibition, Santa Fe, NM

 

Organizations:

Portrait Society of America

Oil Painters of America

American Women Artists

 

Galleries:

The Station Art Gallery & Studio of Katherine Galbraith, LLC – Westfield, NY

A Stroke of Genius / PortraitArtist.com

JDanielPortraits.com

The Art Loft – Mayville, NY

To view more of Katherine’s work, visit http://katherinegalbraithfineart.com/collections/75021

Featured Artwork: Mary Chomenko Hinckley

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“Pasadena Coyote” Meets “Portland Pink” by Mary Chomenko Hinckley

“Pasadena Coyote” Meets “Portland Pink”

Cast Bronze 1992 – Recast 2015 | 30 in. x 35 in. x 10 in.

Cast Resin 2015 | 30 in. x 36 in. x 10 in.

© Mary Chomenko Hinckley

Mary Chomenko Hinckley

MATERIAL EVOLUTION: IMAGES & OBJECTS
URBAN COYOTES PAST + PRESENT

ARTIST STATEMENT

My work draws connections between nature, the environment, culture, time and place. Nature and civilization have met.  Will they coexist?

I was commissioned to do a site-specific sculpture in Old Town Pasadena. I chose to make a bronze coyote and bronze box that I cast from an IBM printer. They were placed to stand side-by-side to ask if wildlife and humans can coexist. My goal was for a passerby to be surprised, not expecting this beautiful pest and predator on the walkway.

Often, I use repetition to explore an idea. Because a mold can be used many times, the sense of repetition and possibility play into the idea of the infinite capability of nature to reproduce. Each object is a reproduction while also being unique.

Meaning and materials are closely linked in my work. A coyote bust cast in clear pink resin offers a different meaning than the same bust in a mirror-finish, nickel-plated bronze. The pink resin summons fragility, memory, spirit and the temporary state of nature and wildlife in our increasing urban density and compression. The nickel bust portrays a determined, fierce survivor, a challenger; yet it is precious because of the gleaming reflective surface. Both sculptures are beautiful representations of nature in a cultural context. The life-sized bronze coyote cast in the 90’s, gives way to fanciful colored resin coyotes that may indicate the future of wildlife as decorative icons.

The coyote is a fascinating survivor. It is one of the largest wild animals to thrive in our urban environments.  As you view these works, you may ask yourself, “How much of the wild animal spirit inhabits humans?  Do we look for traces of the beast in ourselves?  Is that desire? Ambition? Passion?” Coyotes, like humans, adapt and survive.

ARTIST BIO / EDUCATION
1982 Master of Fine Arts, California College of the Arts, Oakland, CA
1978-79 School of the Museum of Fine Arts, Tufts University, Boston, MA
1977 Ukrainian Studies (Summer Program), Harvard University, Cambridge, MA
1973 Bachelor of Arts, Montclair State University, Montclair, NJ
1972 Brighton College of Education, Brighton, England, Exchange Program (Fall Term)

FELLOWSHIPS
1987 & 1984 Virginia Center for the Creative Arts, Sweet Briar, VA

RECENT SOLO EXHIBITIONS

2015 Material Evolution:  Images and Objects – Urban Coyotes, Past and Present, Augen Gallery, Portland , OR
2013 Gates of Venice and Beyond:  Studies in Color and Pattern, Augen Gallery, Portland, OR
2012 Birds in Morocco & Geometry: New Work in Glass, Augen Gallery, Portland, OR

http://marychomenkohinckley.com/

Gallery inquiries are welcome.

The Gift You Keep Giving

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Norman Rockwell, “The Golden Rule,” 1961, oil on canvas, 44 1/2 x 39 1/2 in. (c) Norman Rockwell Museum Collections 2016

That time has come when all of us here at Fine Art Connoisseur reflect upon the many artful fortunes of 2016 and step away for a two-week intermission to enjoy the season’s blessings. First, however, a note from the Editor to you and yours.

Let me begin first by offering my sincere gratitude to you, our readers. Your passion for traditional, representational art is the bedrock upon which Fine Art Connoisseur stands, and it is our hope that you will continue to offer your support and constructive feedback on our magazine and newsletter, Fine Art Today, in 2017.

Nearly every day I have to pinch myself to ensure all of this is real. It is a great privilege bringing you the current happenings in the traditional art world, and I look forward to discovering the artful treasures that 2017 will bring with you.

2016 was an incredible year, and Fine Art Today reported on a broad scope of topics and events from all across the globe. From London to Los Angeles and Tokyo to France, we’ve seen many solo and group exhibitions, successful and record-breaking auctions, and unbelievable discoveries. This year also saw the addition of a new feature to Fine Art Today, the “Portrait of the Week.” Since August, these stories have allowed me to delve into one of history’s most important genres, investigating its myriad conceptual and aesthetic possibilities. We’ve looked at some of the most important visages in art history, from Rembrandt to Klimt and Ingres to today’s masters. The “Artist Profile” feature has continued to allow our readers exclusive access to the minds of the creative geniuses of our day, revealing their inspirations, processes, and goals. This rewarding section is one of the most enriching of my life, and I hope it continues to brighten yours.

I would also like to send my thanks to all of the artists, galleries, and art institutions who have graciously provided the time, effort, and materials that have made Fine Art Today possible. It is our goal and hope that the newsletter has provided you a platform upon which the traditional arts can continue to be celebrated and promoted.

Finally, our team here at Streamline Publishing cannot go without mention. I work with an incredible group of hardworking individuals who have patience and flexibility. Thanks to all of you! In particular, I’d like to thank the marketing team, who work tirelessly to keep our publications financially supported. It’s an incredibly tough world in sales, and we’re lucky to have each of you. To our web developer and IT specialist Dale Dubilowski: You “da man”! Without your dedication and expertise, I’m not entirely sure where our digital platforms would be, and we’d all hate to find out. Finally, to our founder and publisher, B. Eric Rhoads: You always lead with grace, passion, and professionalism. Thank you for the opportunity to learn about and explore this beautiful expression we call art.

I know I speak for all of us at Streamline Publishing and Fine Art Connoisseur in wishing you and your family a most joyous and safe holiday season. We all certainly look forward to bringing you more outstanding content in 2017. Cheers!

With warmest regards,

Andrew M. Webster

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Lot: “Boy With Red Lantern” by This Eastern Icon

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Lee Man Fong, “Boy with Red Lantern,” 34 1/2 x 22 3/4 in. (c) Michaan’s Auctions 2016

In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week: “Boy With Red Lantern.”  Can you guess its distinguished creator?

A stunning painting by Chinese master Lee Man Fong (1913-1988) highlights an auction next week at Michaan’s Auctions in Alameda, California. Born in Guangzhou, China, Fong would eventually have many artistic and political ties, including with President Sukarno of Indonesia and Van Mook, the Netherlands lieutenant-governor general.

The beautiful, expressive, and colorful work “Boy with Red Lantern” vibrates with life and energy. Pensively looking out of the picture and toward the viewer’s right, a young boy is shown in three-quarter length, holding a red lamp. Surrounded by a golden background, another figure can loosely be deciphered just above the boy’s right shoulder. The painting is a lovely representation of Fong’s mastery of hue and the expressive brushwork that collectors have come to admire.

“Boy with Red Lantern” highlights Michaan’s Auctions December 18 “Fine Asian Works of Art” sale and has an estimate between $20,000 and $30,000. To learn more, visit Live Auctioneers.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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