The Easton Gallery in Santa Barbara, California, opens a terrific solo exhibition tomorrow, December 9, featuring new works by adroit painter Arturo Tello. Grab a sneak peek here!

Mexico native and landscape painter Arturo Tello has established a lasting and renowned career for his colorful plein air paintings that feature beautiful California vistas and remote locations. Particularly noteworthy in Tello’s works is the lack of sharp lines. Instead, most of his subjects are represented with rounded, soft, and blended features that give viewers both an atmospheric and a dreamy impression.

Arturo Tello, “Bless the Cypress, Carpinteria State Beach,” 2016, acrylic, 24 x 36 in. (c) The Easton Gallery 2016
Arturo Tello, “Bless the Cypress, Carpinteria State Beach,” 2016, acrylic, 24 x 36 in. (c) The Easton Gallery 2016
Arturo Tello, “Lifting Spirits, Carpinteria Bluffs,” 2016, acrylic, 24 x 36 in. (c) The Easton Gallery 2016
Arturo Tello, “Wind and Moonrise, Carpinteria Bluffs,” 2016, acrylic, 36 x 48 in. (c) The Easton Gallery 2016
Arturo Tello, “Wind and Moonrise, Carpinteria Bluffs,” 2016, acrylic, 36 x 48 in. (c) The Easton Gallery 2016
Arturo Tello, “Lifting Spirits, Carpinteria Bluffs,” 2016, acrylic, 24 x 36 in. (c) The Easton Gallery 2016

Several new works by Tello will be on view at the Easton Gallery beginning tomorrow, December 9, and continuing through February 12. Also on the schedule is a reception on the 9th from 6-8 P.M. and an artist talk on Sunday, December 11.

To learn more, visit The Easton Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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