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Artist Spotlight: Aleksander Betko

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artist posing with his work
“Natural(ly)”, Graphite on paper, 30 x 40 in., 2015 (photo with artist)

How did you develop your unique style?
Aleksander Betko: My style started to take shape after studying with Harvey Dinnerstein. I had to find my own voice, so I focused very heavily on narrative. I wanted to say something unique and reflective of life in New York. I developed a dialogue with Williamsburg’s Industrial Northside while going on long walks to work out things I was going through at the time. I always referred to the French academics but looked to photographers like Avedon, Arbus, Goldin, Frank for modern sensibilities. I created photorealistic graphite drawings that were approached similarly to how an oil painting develops in layers and glazes. I applied that same approach to my oil paintings. I want my work to have an uncanny representation of New York City life.

How do you find inspiration?
Aleksander Betko: I walk the streets of New York. I interact with her people. There are so many stories to tell. The people that have modelled for me have had life experiences that had to be told in visual format. All these stories have made a very colorful tapestry that has been my life here in Brooklyn, specifically the Northside, East Williamsburg and now Bushwick.

To see more of Aleksander’s work, visit:
Website

oil painting of a woman of color wearing jewels and braids
Aleksander Betko, “Mae Preta”, oil on linen, 20 x 16 in., 2021
oil painting of suburban landscape with railroad tracks in the foreground; mellow yellow background; tall sctructures
Aleksander Betko, “To Be Heard”, oil on linen, 56 x 42 in., 2023

Results: Shades of Gray II

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Best in Show: Kim Lordier, "Kinda Like Diamonds in the Sky," pastel on archival board, 20 x 24 in.
Best in Show: Kim Lordier, "Kinda Like Diamonds in the Sky," pastel on archival board, 20 x 24 in.

The biennial show of the American Tonalist Society opened in New York on April 28, featuring 67 paintings of 30 top North American artists in the ATS’s second biennial show, Shades of Grey II at the prestigious Salmagundi Club on Fifth Avenue in New York.

The historic parlor of the Salmagundi Club provides the perfect venue for the paintings. Hung salon style, the show harkens back to an era of quiet elegance, when the paintings of George Inness and J. Francis Murphy were among the most sought-after works in the county.

Gallery wall of the American Tonalist Society

At the awards ceremony during Friday’s opening gala, Kim Lordier won the Curt Hanson Best of Show Award. Other award winners were: Michael Albrechtsen, Ben Bauer, Ritchie Carter, Deborah Paris, Justin Worrell, Thomas Kegler, Dennis Sheehan, Kevin Courter, Jennifer Moses, Nancy Howe, and Brent Cotton.

Shades of Grey II will close Sunday, May 8, 2023. The Salmagundi Club is located at 47 Fifth Avenue, New York.  Some of the top winners are shown here; see all of the works at americantonalistsociety.com.

Best in Show: Kim Lordier, "Kinda Like Diamonds in the Sky," pastel on archival board, 20 x 24 in.
Best in Show: Kim Lordier, “Kinda Like Diamonds in the Sky,” pastel on archival board, 20 x 24 in.
Artists Choice Award: Michael Albrechtsen, "Renewal," oil on canvas, 18 x 24 in.
Artists Choice Award: Michael Albrechtsen, “Renewal,” oil on canvas, 18 x 24 in.
Curator Award: Ben Bauer, "Open Passageways," oil on aluminum, 14 x 18 in.
Curator Award: Ben Bauer, “Open Passageways,” oil on aluminum, 14 x 18 in.
Almenara Art Award: Richie Carter, "Under the Light of Dawn," oil on linen, 10 x 14 in.
Almenara Art Award: Richie Carter, “Under the Light of Dawn,” oil on linen, 10 x 14 in.
Patron Award: Deborah Paris, "Winter Woods," oil on panel, 18 x 24 in.
Patron Award: Deborah Paris, “Winter Woods,” oil on panel, 18 x 24 in.

The American Tonalist Society is an organization that promotes the art Movement called Tonalism and tonalist artworks by our member artists. Our mission is to recognize, promote and showcase the current tonalist movement, and to continue the tradition of the American Tonalists of the 1800s through workshops, exhibitions, and catalogs.

Traveling Again

The Embassy of the Free Mind
The Embassy of the Free Mind occupies the impressive House of the Heads, named for six sculpted heads that adorn its façade. Even in the 17th century, the building was welcoming alternative thinkers such as the Czech pansophist Comenius.

From the Fine Art Connoisseur May/June 2023 Editor’s Note:

Traveling Again

One never knows what’s next with COVID-19 or public health generally, but it feels like things are really getting back to normal. We are delighted that Fine Art Connoisseur’s beloved travel program — paused in 2020 due to you-know-what — will restart this October when our merry art lovers explore Stockholm and then Madrid with us. (Yes, you read that right — two great art capitals linked by one speedy nonstop flight. For details, e-mail [email protected].) Fine Art Connoisseur magazine, May/June 2023

Now, as we turn our calendars to May, I realize that my first trip to Europe after COVID occurred last May, when I visited Italy and the Netherlands. I have lots of jolly memories from that trip, but one that sprang to mind yesterday was a walk through an extraordinary museum in Amsterdam, kindly led by Jozef Ritman, son of its founder and now its chairman and general director.

Located in an impressive historic house on one of the city’s loveliest canals, the Embassy of the Free Mind got its start in 1957 as the Bibliotheca Philosophica Hermetica (BPH). That collection of what is now 30,000 rare volumes covers a huge range of topics, from alchemy and theosophy to Sufism, Kabbalah, Freemasonry, and the Holy Grail. In 2017, founder Joost Ritman was joined by the author Dan Brown (The Da Vinci Code) and other benefactors to open EFM’s newly renovated home, which is well equipped not only with library shelving, but also with handsome exhibition spaces, seminar rooms, and a research institute.

The Embassy of the Free Mind
EFM’s handsome rooms are furnished to encourage close looking at artistic masterworks. Photos: Erik Verheggen

EFM is by no means all books and texts; there’s a lot for art lovers to enjoy, whether or not you know what a tarot card is. Frankly, I did not know much about this field when I arrived. But during the tour, I recalled that many of the artists I have studied — 19th-century British masters like J.W. Waterhouse and Edward Burne-Jones — were deeply engaged with alternative belief systems. Often they consulted magnificently illuminated volumes from the Middle Ages and Renaissance for inspiration, similar to those now available for study at EFM. A key priority for them was the search for wisdom, for reassurance in a confusing world where mainstream institutions don’t have all the answers. Of course, that’s still important for many artists and other creatives, so if you’re heading to Amsterdam this year (hurry, the Rijksmuseum’s Vermeer blockbuster closes June 4), do stop by the Embassy of the Free Mind.

“Discovering” it was one more reason I loved that European trip last spring, and why I’m eager to get back on a plane soon.  Art and travel have always been linked, and now it’s time to get moving again, if we have not already.

See you at the airport.

What are your thoughts? Share your letter to the Editor below in the comments.

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Featured Artwork: Susan Hediger Matteson

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oil painting of sun setting behind a mountain range with field of green in the foreground
Susan Hediger Matteson, “Ute Mountain Moonset,” oil on linen, 30 x 30 in., $5,400.00; Available at Mary Williams Fine Art, Boulder, CO

Susan Hediger Matteson: “Ute Mountain Moonset” is inspired by a view from my house. “Reverence” came from a plein air study sitting in an aspen grove with sunlight filtering through. “Moonlit Pass” was inspired by a plein air study during a moonlit night (16 degrees!)

To see more of Susan’s work, visit:
www.susanmatteson.com

oil painting of trees in a forest with light peeking through in between
Susan Hediger Matteson, “Reverence,” oil on linen panel, 36 x 27 in., $5,990.00; Available at Mary Williams Fine Art, Boulder, CO
oil painting of mountain range with snow during in the late evening hours
Susan Hediger Matteson, “Moonlit Pass,” oil on linen panel, 12 x 28 in., $2,800.00; Available at Mary Williams Fine Art, Boulder, CO

Featured Artwork: Carol Strock Wasson

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pastel painting of flurry; barely see the field and house in the distance because of white over canvas
Carol Strock Wasson, “Blizzard Warning,” Pastel, 24 x 26 in. This piece was accepted into the IAPS online show 2023. Available through the artist

Carol Strock Wasson: Carol’s work encompasses the genre of the rural area she lives in, focusing on color, shape, and design in the plein air tradition as well as in the studio. Though she is known mainly for her work in the pastel medium, she also works in oil, monotype prints and watercolor.

Carol Strock Wasson a signature member of American Women Artists, Pastel
Society of America, Master and a Master Pastelist member of Chicago Pastel Painters. In 2019 she achieved Master Circle Status with International Pastel Societies.

To see more of Carol’s work, visit:
www.carolstrockwasson.com
Facebook
Instagram
www.browncountyartguild.org
www.paintgrandtraverse.com

pastel painting of a sky painting with some green field showing in the foreground; purple hues
Carol Strock Wasson, “Cloud Love,” Pastel, 24 x 36 in. A new painting about one artist’s love of clouds and land. Available through the artist
pastel painting of a sunset peaking through the trees-reflecting in the water with trees in the background, water in the foreground
Carol Strock Wasson, “Sunset Refection,” Pastel, 24 x 30 in. This piece won best of show at the Indiana Artists Club Available through the artist

Landscapes To Mindscapes

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narrative art oil painting
Linda Post, “Soliloquy,” oil on panel, 16 x 16 x 1.5 in.
"Soliloquy" is the 5th in a series of 16" square paintings using the coastal Pacific province of Guanacaste as its setting. “Mounded isles covered in hairy, gnarly trees dot the coastline,” Post said. “The sky is loosely based on a photograph I took sailing into the sunset. I often reference birds in my work, and in this piece, I painted flying flamingos. The flamboyance of the flamingos is echoed in the costume of the figure in the foreground. The patterns and history of harlequin costumes suit my tattooed model and this exotic landscape to a ‘T’.”

The National Association of Women Artists (NAWA) Presents
“From Landscapes To Mindscapes”
May 1 – May 31, 2023
theNAWA.org

Plunging through the imagination whether with fact or fantasy this exhibition by Signature Members of NAWA invites you on a bold excursion. Whether in the private world of fact or fantasy, or whether the focus is on beauty or menace in the world around us, you will be transported into the minds of artists as they interpret the rich worlds they contemplate and envision.

landscape painting of a tree
Fang Sullivan, “Storm tree,” Pastel on paper, 11 x 11 in.
“I love capturing the essence of life with my art,” Sullivan said. “Using a distinctive coloring technique and an imaginative approach, I depict the subtle lights, reflections, and hidden hues on the subjects. The subjects are either close to my heart, telling a story, or from a memorable moment. ‘Storm Tree’ is based on my travels to the Irish countryside. I saw this tree wrapped by another. The tree branches are completely intertwined and formed this dreamlike shape, almost like they are moving in a storm.”

NAWA, The National Association of Women Artists was established in 1889 by five women artists in New York City. At the time of its founding, it was the first women’s art organization in this country. Its mission was and continues to be, to raise public awareness and interest in the visual fine art created by women in the United States.

NAWA provides exhibition opportunities throughout the year and throughout the country for its members and promotes culture through events, education, scholarships & awards. The NAWA Catalog is archived in over 10 high-profile institutions, including the Metropolitan Museum of Art, the Museum of Modern Art, The Library of Congress, and more. In addition, The Jane Voorhees Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey holds a permanent collection of NAWA art.

Nancy Jacey, “New Beginnings,” colored pencil on illustration board, 33 x 24 in.
Nancy Jacey, “New Beginnings,” colored pencil on illustration board, 33 x 24 in.
Jacey said she used photo references and imagination, along with actual live Luna moths that she and her son raised and studied. The piece took 600 hours of layering pencils with no solvents and is all hand drawn.

Levels of NAWA Membership include Signature Members, who are juried-in, Associate Members, Graduating Students and Friends of NAWA.

Virtual Gallery Walk for April 28th, 2023

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Siesta, Gerald Balciar, Colorado yule marble, 15 x 14.5 L x 9 in; ArtzLine.com
Fish Creek Falls Evening, Chula Beauregard, oil on linen panel, 12 x 9 in; PACE Faculty – learn more here.

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Summer in Paris, Kyle Buckland, oil, 16 x 20 in; Kyle Buckland – www.kylebuckland.com.

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Perfect Radial Symmetry, Elizabeth Bartlett Culp, oil on canvas, 8 x 10 in; Elizabeth Bartlett Culp

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Beachview, Laurel Daniel, oil, 40×30 in; Laurel Daniel

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Artist Spotlight: Larry Cannon

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artist standing for a picture with his painting
Larry Cannon and Monastery Beach, Watercolor, 16 x 20 in, 2018. Presentation at the California Art Club’s Gold Medal Exhibit at the Hilbert Museum of California Art

How do you find inspiration?
Larry Cannon: I became attuned to the natural environment when I moved to San Francisco in my 20s, but only came to painting in my mid-50s. I lived in apartments with fantastic views of the bay where I watched the spectacle of the late afternoon fog rolling through the Golden Gate and across the bay. And I raced sailboats on San Francisco Bay where the wind and tides could literally be felt through the tiller of the boat.
Those close contacts with Nature and the forces of Nature coalesced into a passion after viewing an exhibition of watercolors by the early 19th century artist Percy Gray in Carmel-by-the-Sea. From that point on I sought my inspiration from plein air painting events in beautiful National Parks, Rocky Mountain valleys, and along the wonderful California coastal environment around me.

I continue to find my inspiration in the California vineyards, western mountains and especially on the Pacific Coastline where the ever-changing clash between the surf and land makes me acutely aware of the forces and power of nature that I yearn to feel first and then seek to express through the rich flow of watercolors which I see as related to the flow of Nature.

To see more of Larry’s work, visit:
Website

watercolor painting of closeup of tide coming into shore with cranes in the water
Larry Cannon, “Malibu Lagoon,” Watercolor, 16 x 20 in, 2017. Snowy egrets hunting in the lagoon. This painting was exhibited in eight Museums of Art across the U.S
watercolor painting of close up of mountain range with trees in the foreground and distance; natural colors of the stone
Larry Cannon, “Yosemite High Sierra Sky,” Watercolor, 9 x 12 in, 2021. Hard rock meets soft sky in the High Sierra Mountain range

Small Works, Big Results: AIS 2023 Showcase

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Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

The American Impressionist Society’s 7th Annual Impressions Small Works Showcase opened with the Awards Reception on April 14, 2023 at The District Gallery in Knoxville, Tennessee. Awards Judge AIS Master Anne Blair Brown selected 14 award winners.

Best of Show $5,000 Cash Award
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

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Second Place American Art Collector Full page Ad
Brian Astle, Spectre, Oil on linen, 13.75 x 13.75

Brian Astle, Spectre, Oil on linen, 13.75 x 13.75
Brian Astle, Spectre, Oil on linen, 13.75 x 13.75

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Third Place Southwest Art Full Page Ad
Joseph Gyurcsak AIS, Five O’Clock Shadows, Acrylic, 6 x 12

Joseph Gyurcsak AIS, Five O'Clock Shadows, Acrylic, 6 x 12
Joseph Gyurcsak AIS, Five O’Clock Shadows, Acrylic, 6 x 12

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Fourth Place Art of the West Half Page Ad
Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12

Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12
Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12

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Master Award of Excellence Fine Art Collector Half Page Ad and $600 Cash
Howard Friedland AISM, Sunset Clouds, Oil on linen panel, 10 x 12

Award of Excellence Artwork Archive Lifetime Subscription
Fengshi Jin, Portrait Series-8, Oil, 12 x 12

Fengshi Jin, Portrait Series-8, Oil, 12 x 12
Fengshi Jin, Portrait Series-8, Oil, 12 x 12

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Award of Excellence Gamblin $500 Gift Certificate and $250 Cash
Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16

Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16
Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16

Honorable Mentions $100 for each:
Jacob Aguair, Nonesuch River Freeze, Pastel, 6 x 6
Jason Bailey, Loading Dock, Oil on linen panel, 12 x 12
James Coe AIS, Waning Light Snowy Thicket, Oil on canvas panel, 9 x 14
Debra Huse AIS, Spring Evening, Oil on linen, 8 x 10
Anton Nowels AIS, Brinton Stable, Oil on linen, 10 x 14
Brenda Pinnick, Island Dunes, Oil on linen panel, 12 x 16
Jerry Smith AIS, Sand Beach Road, Oil on panel, 8 x 10

All award-winning images can be found at https://online.flippingbook.com/view/457735922/.

The exhibition features 150 works of art selected through a five-member jury. The featured works were chosen out of 1,615 artworks submitted. Painting mediums include oil, watercolor, pastel, gouache, and acrylic.

An additional 20 paintings from AIS Masters, Board, Officers, and Founder are on display. All work is available for purchase and can be viewed on the AIS website. The exhibition will close on May 20, 2023.

Auction: Women Artists in the World of Old Masters

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art auctions - Artemisia Gentileschi (1593-after 1654) and Onofrio Palumbo (1606 - circa 1656), "Abraham and the Three Angels," oil on canvas, 144.5 x 200.8 cm. estimate €150,000–200,000
Artemisia Gentileschi (1593-after 1654) and Onofrio Palumbo (1606 - circa 1656), "Abraham and the Three Angels," oil on canvas, 144.5 x 200.8 cm. estimate €150,000–200,000

Fine Art Auctions > Fede Galizia, Artemisia Gentileschi, Orsola Maddalena Caccia: Works by important 17th-century female painters for sale at Dorotheum’s Old Master Paintings auction.

Venue: Palais Dorotheum (www.dorotheum.com/en/)
Public Viewing: April 22 – May 3, 2023
Auction: May 3

From the organizers:

Only recently, have the female artists of the 17th century begun to receive the recognition and acclaim they deserve. Women painters of this period, who lived and worked alongside the ‘old master painters’ of art history, are themselves increasingly becoming the focus of art historical research and the subject of exhibitions. Paintings by several of these increasingly sought-after female artists will be offered at Dorotheum’s Old Master Paintings sale on 3 May 2023, including important works by Fede Galizia, Artemisia Gentileschi, and Orsola Maddalena Caccia.

Dorotheum specialist Mark MacDonnell describes a highlight of the sale, Judith with the Head of Holofernes by the Italian female painter Fede Galizia, as being of museum quality. “It is a previously unknown masterpiece, an important rediscovery of a signed work by this significant female artist” (estimate €200,000–300,000).

Fede Galizia (1578-1630), "Judith with the head of Holofernes," oil on canvas, 127 x 95.5 cm, estimate €200,000–300,000
Fede Galizia (1578-1630), “Judith with the head of Holofernes,” oil on canvas, 127 x 95.5 cm, estimate €200,000–300,000

Fede Galizia (1578–1630) was the daughter of the Milanese miniature painter Nunzio Galizia. She was taught by her father and had already made an international name for herself as a painter at the age of about 20. She developed her own formal pictorial language and is noted as a pioneer in the treatment of still-life painting. She is increasingly also being recognized for her religious paintings. In the course of her career, Galizia repeatedly returned to the biblical subject of Judith and Holofernes which embodies the female struggle for power and recognition: in Fede Galizia’s case, very concretely in the world of art production. Galizia’s Judith is presented as the determined, strong, and proud heroine of the tale while, in contrast, many of her male colleagues chose to show Judith as a cruel murderess, placing the horror of Holofernes’ death in center stage – a very different interpretation of the narrative of the tragic story.

Artemisia Gentileschi (1593–1654), one of the most celebrated female painters of her time, is the author of another highlight of the sale – a canvas depicting Abraham and the Three Angels which was created in collaboration with Onofrio Palumbo. Artemisia also received her training from her father Orazio Gentileschi, one of Caravaggio’s earliest followers, but went on to have a hugely successful independent career of her own (estimate €150,000–200,000).

Orsola Maddalena Caccia (1596-1676), "Saint Catherine of Alexandria," oil on canvas, 100 x 72 cm, estimate €20,000–30,000
Orsola Maddalena Caccia (1596-1676), “Saint Catherine of Alexandria,” oil on canvas, 100 x 72 cm, estimate €20,000–30,000

Another female artist whose work is increasingly gaining attention, Orsola Maddalena Caccia (1596–1676), is represented in the auction by her painting Saint Catherine of Alexandria. She was the daughter of Mannerist painter Guglielmo Caccia and was trained by him. At a young age, she followed four of her sisters into Holy Orders and became a nun. After joining the Ursuline order, she continued her work as a painter and maintained a flourishing workshop within the convent walls. Although she was influenced by her father’s technique, Caccia developed a personal style that is attentive to detail, as well as to developments in contemporary Lombard and Flemish painting (estimate €20,000–30,000).

View more fine art auctions and sales here at FineArtConnoisseur.com.

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