Many view making art as a meditative practice that calms the nerves, provides clarity, and is fulfilling. For painter Sergio Roffo, that feeling of serene sanity is often achieved with brush in hand and beauty in mind.

1991 proved to be an important year for artist Sergio Roffo, who uprooted himself from the heart of Boston, Massachusetts, and moved to a nautical village about 22 miles south.  Taken by the marshes, brackish rivers, and coastal views, Roffo “went from painting cityscapes to coastal landscapes literally overnight,” he says. Flash forward 25 years, and today we find Roffo established as one of the nation’s top painters of coastal views and represented by several major galleries across the Eastern Seaboard.

Sergio Roffo, "Carmel Coastline," oil, 18 x 30 in. (c) Sergio Roffo 2017
Sergio Roffo, “Carmel Coastline,” oil, 18 x 30 in. (c) Sergio Roffo 2017

For Roffo, a painting’s subject often “depends on which gallery I’m painting for at a particular time,” he says. “A gallery in Charleston, South Carolina, may be interested in a painting with shrimp boats as its subject, or perhaps a gallery on Nantucket Island may seek a sunset dune scene.” Focusing on each painting individually, Roffo also paints scenes that capture his attention during moments when nature reveals her profound beauty. Recalling the painting of “Towards Big Sur Carmel, CA,” Roffo writes, “I was driving on US1 towards Big Sur and I saw this scene looking towards my right. I had to stop and paint this sublime beauty of a view. The contrast of light and shadow on the rocky cliffs and atmospheric perspective posed a great challenge for me. I immediately set up my easel and finished a small study that I later enlarged in my studio. I tried to incorporate as much detail as possible on location.”

Sergio Roffo, “Anchored in Calmness,” oil on linen, 30 x 40 in. (c) Sergio Roffo 2017
Sergio Roffo, “Anchored in Calmness,” oil on linen, 30 x 40 in. (c) Sergio Roffo 2017

Among Roffo’s chief artistic goals is to “convey to the viewer the illusion of reality from my use of light and color.” He suggests, “A good example of this is within the painting ‘Afternoon Light on the Marsh.’ I was able to capture that great sense of golden light streaking across the marsh.” In addition, painting affords Roffo an opportunity to achieve a sense of sanity in his life. “I have no idea what I would do if I couldn’t paint,” the artist says. “We artists aren’t happy when we aren’t painting. Ultimately, I hope to communicate to my audiences a feeling of calmness and serenity when they view my work. I hope they can relate to a sense of time and place in their lives. My message is trying to convey to the viewer the spirituality and sacredness of my work and to indicate the harmony of nature through color and light.”

Sergio Roffo, "Carmel Coastline, Point Lobos," oil, 18 x 30 in. (c) Sergio Roffo 2017
Sergio Roffo, “Carmel Coastline, Point Lobos,” oil, 18 x 30 in. (c) Sergio Roffo 2017
Sergio Roffo, “Volvo 65 Cup Race,” oil on panel, 12 x 20 in. (c) Sergio Roffo 2017
Sergio Roffo, “Volvo 65 Cup Race,” oil on panel, 12 x 20 in. (c) Sergio Roffo 2017

Viewing works such as Roffo’s magnetic “Through the Channel,” the inner light and masterful use of color warm the soul in ways that recall early American painters from the Hudson River School. Among Roffo’s major influences are Albert Bierstadt, Frederic Church, and Fitz Henry Lane. Recalling his artistic journey, Roffo says that it’s been “very fulfilling and self-satisfying.” He writes, “It takes an extreme amount of discipline and hard work to become a successful artist. Making pictures is a wonderful thing but the business of art is, of course, entirely different. Did I mention trying to balance your domestic life and spending quality time with your family? It’s very challenging indeed, but once you achieve that balance, there’s nothing in the world you’d rather be doing. I intend to be doing more of the same in five years: painting with passion and maintaining that life balance. Stay healthy, eat well, drink well, and be happy.”

Sergio Roffo, “Through the Channel,” oil on mounted linen, 12 x 24 in. (c) Sergio Roffo 2017
Sergio Roffo, “Through the Channel,” oil on mounted linen, 12 x 24 in. (c) Sergio Roffo 2017
Sergio Roffo, “Light on the Dunes,” oil on mounted linen, 10 x 20 in. (c) Sergio Roffo 2017
Sergio Roffo, “Light on the Dunes,” oil on mounted linen, 10 x 20 in. (c) Sergio Roffo 2017
Sergio Roffo, “Path to Shore,” oil on linen, 18 x 30 in. (c) Sergio Roffo 2017
Sergio Roffo, “Path to Shore,” oil on linen, 18 x 30 in. (c) Sergio Roffo 2017

To learn more, visit Sergio Roffo or http://www.facebook.com/SergioRoffoArtist

Roffo is also an elected Associate Living Master (ARCALM) by the Art Renewal Center.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

SHARE
Previous articleReader’s Choice: The Making of an Icon
Next articleFeatured Lot: It’ll Be Gone Soon!
Andrew Webster
Andrew Webster is the Editor of Fine Art Today and works as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

3 COMMENTS

LEAVE A REPLY

Please enter your comment!
Please enter your name here