The Collectors for Connoisseurship National Symposium is just around the corner. An amazing lineup of tours and other presentations await.
Friday, November 13, is a date to remember as the organization Windows to the Divine hosts its inaugural Collectors for Connoisseurship National Symposium, centering on the theme of the “Renaissance of Realism.” The organization, which seeks to promote connoisseurship, collecting, and artists, is overjoyed to be presenting a number of outstanding speakers, including Fine Art Connoisseur editor-in-chief Peter Trippi, artists Daniel Sprick and Robert Jackson, and art patrons Tim Newton of the Salmagundi Club and Shannon Robinson of Windows to the Divine.
The event will take place at the Denver Art Museum, and attendees will be offered special tours of the museum’s current exhibition “Wyeth: Andrew and Jamie in the Studio” between 10 a.m. and 12 p.m., before presentations and a “Meet the Artists” gathering.
Under the same title as the symposium, Denver’s own Gallery 1261 will host an exhibition of amazing works by a star-studded cast of artists. Featured artists include Scott Fraser, David Gray, Quang Ho, Robert Jackson, David Leffel, Lucong, Sherrie McGraw, Jill Soukup, Daniel Sprick, and Nancy Switzer, as well as Mia Bergeron, Greg Block, David Cheifetz, Zoey Frank, Greg Gandy, and Daniel Keys.
Registration for the events can be found here. To learn more, visit Windows to the Divine. Former Fine Art Today editor Jeffrey Carlson also detailed the organization and the associated events here in April 2015.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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