“Plowed”
Watercolor
14 x 21 in.
$2,350

www.susanlynnwatercolors.com
 
A nationally recognized artist, Susan Lynn’s watercolor paintings are frequently described as luminous and serene.  Drawn to the natural landscape, Lynn believes it is a subject that speaks to the viewer in a visceral way, tapping into universal memories and emotions, and the human connection to the world around us.  A Kansas City native, Lynn received a BFA degree from Kansas State University, and worked for 15 years as an architectural illustrator before transitioning to fine art.
 
Widely collected, her paintings are a part of the corporate art collections of Hallmark Cards, Sprint, and John Deere.  In addition to numerous gallery and juried exhibitions, Lynn’s paintings have been featured in solo exhibitions at the Birger Sandzen Memorial Gallery and the National Agricultural Hall of Fame, and was the subject of a feature article in the June/July 2013 issue of Plein Air Magazine.  Recent awards include the award for Best Use of Light at the 2015 Mountain Maryland Plein Air, Award of Recognition 2-D at the 2014 American Women Artist’s National Juried Exhibition, an Award of Merit at the 2014 Plein Air Southwest Salon, the Best Plains Landscape Award and the Western Art & Architecture Magazine Publisher’s Award of Excellence at the American Plains Artists 2014 Juried Exhibition.  Lynn is a signature member of American Women Artists, the Kansas Watercolor Society and the Missouri Watercolor Society, and a charter member of the Missouri Valley Impressionist Society.
 
Contact info:
www.susanlynnwatercolors.com
816-803-9244
[email protected]
 
 
 


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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