The ‘Show of Force’ (and Beauty)

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Allan Houser (1914-1994), “Force,” circa 1978-1990, marble, 26 1/2 x 26 x 27 in. © Crocker Art Museum 2017

Sometimes Native American art doesn’t quite get the attention it deserves, which is why our readers should take note of this blockbuster exhibition of sculptural works by this renowned artist. Who and where?

Although it opened in October 2016, there’s still time for you to view a magnificent display of figurative and modernist sculptures by renowned Native American artist Allan Houser (born Allan Capron Haozous, 1914-1994). “A Show of Force” runs through February 26 at the Crocker Art Museum in Sacramento, California, and features 15 works in bronze and stone, several of which were recent gifts to the Crocker from Loren G. Lipson.

Allan Houser (1914-1994), “Holder of Knowledge,” 1977, bronze, 21 1/4 x 13 1/4 x 8 in. © Crocker Art Museum 2017
Allan Houser (1914-1994), “Holder of Knowledge,” 1977, bronze, 21 1/4 x 13 1/4 x 8 in. © Crocker Art Museum 2017

According to Interim Associate Curator Kristina P. Gilmore, “Allan Houser is arguably the most influential Native American artist in modern art history. His three decades as an art teacher and the example he set through his work still inspire artists to express their own personal heritage and experience in innovative ways. I like to think of him as one of the founders of contemporary Native American art.”

Allan Houser (1914-1994), “Force,” circa 1978-1990, marble, 26 1/2 x 26 x 27 in. © Crocker Art Museum 2017
Allan Houser (1914-1994), “Force,” circa 1978-1990, marble, 26 1/2 x 26 x 27 in. © Crocker Art Museum 2017
Allan Houser (1914-1994), “Taos Man,” 1978, bronze, 13 1/2 x 11 1/2 x 11 in. © Crocker Art Museum 2017
Allan Houser (1914-1994), “Taos Man,” 1978, bronze, 13 1/2 x 11 1/2 x 11 in. © Crocker Art Museum 2017

To learn more, visit the Crocker Art Museum.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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