Robert E. Wells, “Carousel,” oil on board, 50 x 50 cm. (Presented by Signet Contemporary Art, UK)

The 21st Annual Boston International Fine Art Show is just around the corner, featuring an exciting roster of 40 galleries from France, the United Kingdom, Canada, and the United States. Is your diamond-in-the-rough here?

More than 3,000 original and highly vetted works of fine art ranging from Old Master drawings, sculpture, painting, and much more are slated for the 21st edition of the Boston International Fine Art Show this October. Taking place October 19-22, the event each year draws thousands of attendees — among them collectors, gallery owners, artists, and fine art enthusiasts. “As the only show and sale of its kind in New England,” the press release reads, “the Boston International Fine Art Show features everything from Old Master drawings to contemporary art by emerging and established artists. Works on offer range from fine original prints priced at a few hundred dollars to museum quality masterpieces, priced in the millions.”

Debbie Kinson, “Blossoming Perspective,” oil on clayboard, 24 x 18 inches (Presented by Bowersock Gallery)
William Lamb Picknell, “Wash Day, Annisquam,” oil on canvas, 22 x 30 inches (Presented by Avery Galleries)

Opening with a Gala Preview on the 19th, the events kick off with a presentation from two Gold Sponsors: Yvel and Cutting Edge Homes. The show will open to the public on Saturday, October 20 after a Designer Luncheon.

To find a complete listing of events, galleries, and sponsors, visit the Boston International Fine Arts Show.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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