Daniel M. Cassity, “And So the Panic Begins,” oil, 16 x 20 inches

Anderson Fine Art Gallery in Saint Simons Island, Georgia, is proud to soon be hosting the Eastern Regional Exhibition for the Oil Painters of America. When do festivities kick off and who’s represented? Find out here.

On November 17, Anderson Fine Art Gallery will officially host the Eastern Regional Exhibition for the Oil Painters of America (OPA). On view through December 16, artworks are being judged by Howard Friedland. There will also be a number of painting demonstrations by esteemed artists, including John Michael Carter, Marc Hanson, Katie Cundiff, and Howard Friedland. Oil Painters of America Master artists will be submitting paintings as well, among them Daniel Greene, Daud Akriev, Charles Cox, and Albert Handell, to name a few. The focus in the jurying process was to select paintings that show the highest quality in draftsmanship, color, and composition, emplacing diversity in representational style and subject matter.

Meredith J. Cope, “Last Chance,” oil, 16 x 12 inches
Elizabeth Floyd, “Morning Ramble,” oil, 20 x 16 inches
J.E. Daly, “The Reenactors,” oil, 24 x 18 inches

A reception will be hosted at the gallery from 6-9 p.m. Represented artists include — among many others — Christopher Zhang, Warren Chang, Anne Blair Brown, Lon Brauer, Susan Budash, Diana T. Cutrone, Sue Foell, Daniel E. Greene, Marjorie A. Grinnell, and Charles Cox.

To learn more, visit Anderson Fine Art Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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