Leonard Mizerek, “Cap d’Antibes,” oil on linen, 26 x 40 inches

The remarkable works by artist Leonard Mizerek feature during a solo exhibition this winter in Vero Beach, Florida. However, there’s a twist.

JM Stringer Gallery in Vero Beach, Florida, is the upcoming venue for a brilliant solo exhibition of recent paintings by Leonard Mizerek, FASMA. On view through February 10, the show is an exciting opportunity for Floridians to view works by one of the most accomplished painters in America. The show is titled “Classic Beauty: In All Its Forms.”

Leonard Mizerek, “Classic Beauty,” oil on linen, 12 x 9 inches

“Among his many notable affiliations, Mizerek is one of only 27 Fellows of the American Society of Marine Artists and one of the 70 elected members of the prestigious Guild of Boston Artists,” the gallery says. “And having been featured in more than 30 shows at galleries, societies, and museums worldwide, he is internationally known for his luminous seascapes — truly a master of the marine.

Leonard Mizerek, “Rooftop View (Salcombe, Devon, England),” oil on linen, 36 x 48 inches
Leonard Mizerek, “Sideward Glance,” oil on linen, 20 x 16 inches

“However, the collection JM Stringer Gallery has curated for this exhibition is particularly exciting, as it features not only Mizerek’s sought-after land and seascapes, but also his new venture into figurative work. The exceptional, expressive brushwork throughout demonstrates his classically beautiful handling of light as every object it touches mirrors, shapes, and intensifies it.”

Leonard Mizerek, “Southern Sunrise,” oil on linen, 36 x 48 inches

To learn more, visit JM Stringer Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster
Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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