Grant Wood, “American Gothic,” 1930, oil on composition board, 30 3⁄4 x 25 3⁄4 in., Art Institute of Chicago; Friends of American Art Collection 1930.934. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Photograph courtesy Art Institute of Chicago/Art Resource, NY

Grant Wood: American Gothic and Other Fables
Through June 10, 2018

From the museum:
The upcoming Grant Wood retrospective at the Whitney Museum of American Art will reassess the career of an artist whose most famous work, “American Gothic” — one of the most indelible emblems of Americana and perhaps the best-known work of twentieth-century American art — will be making a rare voyage from the Art Institute of Chicago for the occasion.

Grant Wood, “Daughters of Revolution,” 1932, oil on composition board, 20 × 40 in., Cincinnati Art Museum; The Edwin and Virginia Irwin Memorial 1959.46

“Grant Wood: American Gothic and Other Fables” brings together the full range of Wood’s art, from his early Arts and Crafts decorative objects and Impressionist oils through his mature paintings, murals, works on paper, and book illustrations. The exhibition reveals a complex, sophisticated artist whose image as a farmer-painter was as mythical as the fables he depicted in his art.

Grant Wood, “Spring in Town,” 1941, oil on wood, 26 × 24 1⁄2 in., Swope Art Museum, Terre Haute, Indiana 1941.30. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Grant Wood (1891–1942) achieved instant celebrity following the debut of “American Gothic” at the Art Institute of Chicago in 1930. Until then, he had been a relatively unknown painter of French-inspired Impressionist landscapes in Cedar Rapids, Iowa. His relatively short mature career, from 1930 to 1942, spanned a tormented period for the country, as the United States grappled with the aftermath of an economic meltdown and engaged in bitter debates over its core national identity.

Grant Wood, “Parson Weems’ Fable,” 1939, oil on canvas, 38 3⁄8 x 50 1⁄8 in., Amon Carter Museum of American Art, Fort Worth, Texas 1970.43. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

What emerged as a powerful strain in popular culture during the period was a pronounced reverence for the values of community, hard work, and self-reliance that were seen as fundamental to the national character, embodied most fully in America’s small towns and on its farms. Wood’s romanticized depictions of a seemingly more innocent and uncomplicated time elevated him into a popular, almost mythic figure, celebrated for his art and promotion of Regionalism, the representational style associated with the Midwest that dominated American art during the Depression.

Grant Wood, “The Midnight Ride of Paul Revere,” 1931, oil on composition board, 30 × 40 in., The Metropolitan Museum of Art, New York; Arthur Hoppock Hearn Fund, 1950. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Image © The Metropolitan Museum of Art, New York; courtesy Art Resource, NY

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