An Available Icon

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Commissioned in 1849 as part of a series of three panels to hang in the Refreshment Room in the House of Lords, London, Sir Edwin Henry Landseer’s “The Monarch of the Glen” is as beautiful and majestic as paintings come — and it’s currently on view at Christie’s, New York.

Keeping Up with Kunkle

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It’s been one of the most highly anticipated solo exhibitions of 2016, featuring the recent works by contemporary star Brad Kunkle, who explores narratives of being visible and invisible in oil, linen, gold, and silver. We’re just about at a loss for words for how beautiful it is.

Textures in Appalachia You’ve Got to See

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Anglin Smith Fine Art in Charleston, South Carolina, seems to be the perfect venue for painter Bill Jameson’s latest solo exhibition. In what is described as a gallery for contemporary realism and color, Jameson’s stunning landscapes are right at home.

How Do You See It?

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The New Britain Museum of American Art in Connecticut is currently showcasing over 80 paintings by more than 30 American artists whose works and careers were championed by Boston-based collectors Ernst and Gail van Metzsch.

Bucolic Bounty in VA

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Featuring masterworks by Monet, Van Gogh, Winslow Homer, and many more, Norfolk, Virginia’s Chrysler Museum of Art recently opened a major exhibition dedicated to some of the biggest champions of plein air and agrarian idealism.

The Work of Adam Straus

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Coinciding with his new monograph, works by experienced artist Adam Straus head to the walls of two prestigious New York City Galleries later this month. Details here!

Featured Lot: Jasper Francis Cropsey, “Greenwood Lake, New Jersey”

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In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week: Jasper Francis Cropsey, “Greenwood Lake, New Jersey.”

Portrait of the Week: Erin Anderson, “Felix Looking Backward, Looking Forward”

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In this occasional series, Fine Art Today delves into the world of portraiture, highlighting historical and contemporary examples of superb quality and skill. This week: Erin Anderson, “Felix Looking Backward, Looking Forward.”

Featured Lot: George Inness, “Evening Glow”

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In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week: George Inness, “Evening Glow.”

Modernism Without Apologies

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Texas-born icon Everett Gee Jackson is the subject of a wonderful exhibition at Hirschl & Adler Galleries in New York City. Jackson was the first major conduit for the introduction of Mexican Modernism into the United States, so this show has both collecting and historical value.

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