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The Character Watercolor Creates

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Watercolor painting by Dan Mondloch
Above: Watercolor painting by Dan Mondloch

Fine Art Today had an exciting opportunity to sit down with Minnesota watercolorist Dan Mondloch, who allowed us insight into himself as a father, husband, and artist. This is a beautiful story!

Whether it’s our hometown or a beautiful space visited while travelling, all of us have experienced a powerful connection with certain locations. For Saint Cloud, Minnesota, native Dan Mondloch, personal connections with all things Midwestern and family tradition have allowed him to blossom into an accomplished watercolorist — with his best seemingly yet to come.

Mondloch is a third generation painter, will his son Jack be the fourth? (Photo: 2016)

Mondloch’s father, Jim, is also a talented watercolorist, and his mother holds a degree in art education. Both have always supported Dan’s pursuit of an artistic career. “I love retelling the story of how my interest in art began,” he says. “I can remember mentioning to my dad in the 9th grade that I might be interested in trying this painting thing. The next morning, I woke up to the kitchen table filled with everything I needed to get started — plus some. So it began.”

Dan Mondloch, "Off Street Parking," 2016, watercolor, 12 x 16 in.
Dan Mondloch, “Off Street Parking,” 2016, watercolor, 12 x 16 in.

Mondloch never looked back and has been hot on the trail of artistic success ever since. He is quickly gaining regional and national attention for his skillful ability to capture the character and identity of locations en plein air. For Mondloch, painting is a method for capturing his personal experiences with particular spaces.

“It’s hard to pinpoint exactly what it is that draws me to a scene,” he says. “I’m sure it’s a number of both technical and intangible things, such as composition, large value shapes, light, and often that unexplainable spirit you feel from a space. I paint to re-create these connections, and, of course, if my viewers are able to see and feel that as well, it’s a great moment.”

Dan Mondloch, "Ice Fishing - Red Light," 2015, watercolor, 11 x 15 in.
Dan Mondloch, “Ice Fishing – Red Light,” 2015, watercolor, 11 x 15 in.
Dan Mondloch, "St. Cloud Hydro-Electric Dam," 2016, acrylic, 12 x 28 1/2 in.
Dan Mondloch, “St. Cloud Hydro-Electric Dam,” 2016, acrylic, 12 x 28 1/2 in.
Dan Mondloch, "Ice Fishing, Evening Shadows," 2015, acrylic, 12 x 28 1/2 in.
Dan Mondloch, “Ice Fishing, Evening Shadows,” 2015, acrylic, 12 x 28 1/2 in.

There can be little doubt that Mondloch’s choice of medium is perfectly suited to his artistic goals. “The fluidity, translucency, and vitality of watercolor is ideal for capturing a fleeting plein air moment,” Mondloch suggests. “I love the light, character, and texture I can get with watercolor; it’s simply the best for me. It’s amazing how the tone and character of a place can change within an hour — or even a few minutes! Watercolor is a perfect medium to capture these moments.”

Although Mondloch has isolated watercolor as his preferred medium, the artist also has a studio practice that allows him to on occasion work in acrylic. For now, he keeps his plein air and studio processes separate, but he admits there’s an interest in pursuing new and challenging working methods.  Recently, the artist has ventured into the three-dimensional, using watercolor paper to construct both abstract and representational forms.  Once completed, Mondloch then embellishes the paper sculpture with a watercolor painting – the resulting works are incredibly dynamic and original.

Dan Mondloch, “Lake Cabin,” 2014, paper sculpture with watercolor, 24 x 24 in.
Dan Mondloch, “Lake Cabin,” 2014, paper sculpture with watercolor, 24 x 24 in.

The sky seems to be the limit for Mondloch as his burgeoning career continues to ascend.

To learn more, visit Dan Mondloch.

This article was originally featured in 2017 in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Interpretations of the American West

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Above: A scene from the 2019 Live Auction

“Our artists have once again amazed us with fabulous works of art that reflect the locations, history, and the grandeur and greatness that embodies the spirit of the American West,” say the organizers of Rendezvous Royale, a week-long celebration of fine western art in Cody, Wyoming.

A scene from the 2019 Live Auction

“This is the year to celebrate the arts and keep our cultural humanities in tack,” they added. “Our rich western history of the American West is the inspiration for many of the works you will see at the Buffalo Bill Art Show & Sale. The joy of having original art from the places that remind us of the beauty and history of our country is a wonderful thing.”

LaQuincey Reed during the 2019 Quick Draw

This year, with 8 new artists and 97 seasoned artists, visitors will see a total of 105 ways to interpret the American West. The events begin Monday, September 14, 2020 with Painting on the Porch led by BBAS Artist David Mensing and continue throughout the week with Colorful Canvases led by BBAS Artist Michele Usibelli, and a Friday Night Art Walk in downtown Cody, with talented artists at work throughout.

Whitney Hall, “Sirocco,” oil, 48 x 60 in.

The events will come to a close on Saturday, September 19 with a remastered Quick Draw and 39th Annual Buffalo Bill Art Show & Sale featuring artists and artisans from the Buffalo Bill Art Show & Sale and By Western Hands. Black & Associates will return to lead the Live Auction event, which will be available in an in-person and virtual format.

Mark Edward Eberhard, “Snowy Owls,” oil, 40 x 40 in.

This year, patrons can enjoy the festivities in downtown Cody at a new Truckin’ Along Watch Party event hosted at By Western Hands on 12th Street.

Michael Blessing, “The Keeper,” oil and neon mixed, 66 x 46 in.

For those participating from home, live streaming of the Live Auction event and absentee and online bidding will be available at www.rendezvousroyale.org. “Our newly designed website will give patrons the opportunity to view high quality images of our artist’s stunning works, purchase available Scout’s Miniature and Buy It Now! works online, navigate interactive videos and blogs, and much more,” say the organizers.

Mark Edward Adams, “Top of the Mountain,” bronze, 15 x 14 x 4 in.
Ty Barhaug, “Caught by an Unexpected Snow,” oil, 38 x 60 in.
Michele Usibelli, “Catch & Release,” oil, 20 x 24 in.

Learn more at www.rendezvousroyale.org. Organizers include Kathy Thompson, Buffalo Bill Art Show & Sale Director and Laurel Thompson, Marketing & Membership Coordinator.

National Sculpture Society Top Honor Goes To…

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"Midwest Mermaid" by Brittany Ryan

On Friday, August 28, a Jury of Awards met at Brookgreen Gardens to decide the 15 prize recipients of National Sculpture Society’s 87th Annual Awards Exhibition. The Jury of Awards is composed of at least two sculptors and a curator and this year included James Arendt, Director, Rebecca Randall Bryan Art Gallery/Associate Professor, Coastal Carolina University; Paul Rhymer, Sculptor and Fellow of National Sculpture Society; and Logan Woodle, Sculptor and Assistant Professor of Sculpture, Coastal Carolina University.

The top honor, the Gold Medal & Charlotte Geffken Prize, went to Laguna Beach, California artist, Brittany Ryan.

Ryan is a faculty and department coordinator for Laguna College of Art and Design’s sculpture department. Among her many honors includes the Elizabeth Greenshields Foundation Grant (2015), 2nd Place at National Sculpture Society’s Richard McDermott Miller Competition (2019), and the Silver Medal/Maurice B. Hexter Prize at NSS’ 86th Annual Awards Exhibition (2019).

“’Midwest Mermaid’, along with the other sculptures in this body of work, investigates the beauty of people in transition from childhood to adulthood, as one becomes socially aware of the judgement of others and finding a place in a social group,” says Ryan. “These figures are contemporary and specific, not idealized, not without identity. These works examine the idea story and character – giving them a specificity of portrait, clothing, and shape which imbues them with a force of will; putting them beyond the judgment placed upon common representations of sexuality and beauty.”

In May, the Jury of Selection chose 28 works from the 460 entries received from around the world. This year the Jury of Selection included John Coleman, Sculptor and NSS Fellow; Bruce Gagnier, Sculptor and New York Studio School Instructor; and Peter Trippi, Editor in Chief, Fine Art Connoisseur. The Jury of Awards and the Jury of Selection play an invaluable part in the Annual and we are grateful for those who participate in it.

National Sculpture Society 87th Annual Awards

NSS Gold Medal and Charlotte Geffken Prize of $4,000
“Midwest Mermaid” by Brittany Ryan (shown at top)

NSS Silver Medal and Maurice B. Hexter Prize of $3,000
“Easter Parade” by Roger Martin, FNSS

NSS Bronze Medal and John Cavanaugh Memorial Prize of $2,000
“The Chosen” by Gegham Abrahamyan

The Anna Hyatt Huntington Award of $1,000 and a Brookgreen Medal
“Cormorant and Moon Jellyfish” by Jeremiah D. Welsh, NSS

Fred and Cheryl Newby Patrons Award of $1,000
“Adam” by Ezra Bookstein

Marcel Jovine President’s Prize of $1,000
“Flightless Tondo” by Sandy Scott, FNSS

Marilyn Newmark Memorial Award of $1,000
“Hevel” by Joshua Koffman, FNSS

The Susan and Robert Polack Prize of $1,000
“Nine Muses” by Dave LaMure, Jr.

Marion and Gilbert Roller Memorial Prize of $1,000
“Reclining Nude” by Mick Doellinger, NSS

Pietro and Alfrieda Montana Memorial Prize of $750
“Sacred Messenger” by Martin Gates, NSS

Agop Agopoff Memorial Prize of $500
“Harriet Tubman – The Journey to Freedom” by Wesley Wofford, FNSS

Jane B. Armstrong Memorial Award of $400
“Butterfly” by LeaAnn Cogswell, FNSS

Margaret Hexter Prize of $300
“The Sandman” by Steven Alden Carpenter, NSS

Edith H. and Richman Proskauer Prize of $300
“The Listener” by Janice Mauro, FNSS

Beverly Hoyt Robertson Memorial Award of $200 and Gloria Medal
“Dreamer” by Kevin Chambers, NSS

“Easter Parade” by Roger Martin, FNSS
“Reclining Nude” by Mick Doellinger, NSS
“Sacred Messenger” by Martin Gates, NSS
“Flightless Tondo” by Sandy Scott, FNSS
“Cormorant and Moon Jellyfish” by Jeremiah D. Welsh, NSS
“Harriet Tubman – The Journey to Freedom” by Wesley Wofford, FNSS
“The Chosen” by Gegham Abrahamyan

The show runs through October 27, 2020 at Brookgreen Gardens. The exhibition attracts more than 25,000 visitors over the course of its 3-month installation. A closing reception, including an award presentation for NSS prize winners and Brookgreen Garden’s “People’s Choice Award” recipient, is planned for Saturday, October 26.

The 15 award winning works will then travel to NYC and be part of the “Prize Winners Exhibition” at the National Sculpture Society. The show will run from November 30, 2020 through February 5, 2021. This will be the 2nd year NSS has hosted the prize winners show in its New York City gallery.

Learn more about the National Sculpture Society at nationalsculpture.org.


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Poignant Paintings of What Was Normal

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Joe Fig, "Hilma af Klint: The Ten Largest, Adulthood # 6, 7 & 8 / Guggenheim," 18 ¼” x 22”, Oil on Linen, 2019

Joe Fig is known for work that explores the creative process and the spaces where art is made. His work is exhibited nationally and internationally with over 30 solo and 50 group exhibitions.

Joe Fig’s work is currently on view in an exhibition titled “Contemplation” at Cristin Tierney Gallery (New York, NY) through October 17, 2020.

Contemporary art exhibitions
Joe Fig, “Monroe and Bob y Madrazo / The Clark,” 12 ¼” x 14 ¾”, Oil on Linen, 2020

The paintings in “Contemplation” present different versions of the same scene: people looking at art. Begun in 2016, the series illustrates numerous exhibitions from the past few years, and chronicles Fig’s travels across the country.

Preview the exhibition online here >

Contemporary art exhibitions.

These paintings are all the more poignant in the era of COVID-19. A visit to an exhibition was an experience that once provided a moment of escape and reflection. Now that same experience is restricted or altogether denied to us. This series of works began as an exploration of an ongoing, routine activity for members of the art-loving public. It has taken on a sense of melancholy and nostalgia, pitted against the backdrop of a pandemic. Images that once communicated open-ended moments of rumination are now charged with a sense of loss.

Joe Fig, “Vija Celmins / Met Breuer (Arrangement in Grey and Black),” 13” x 10”, Oil on Linen, 2019
Joe Fig, “Marsden Hartley: Shell / Ringling Museum,” 12 ½” x 10”, Oil on Linen, 2020
Joe Fig, “Kerry James Marshall: The Studio / Met Breuer,” 15 ¾” x 16 ¼”, Oil on Linen, 2020

Fig is the author of Inside the Painter’s Studio and Inside the Artist’s Studio (Princeton Architectural Press), which shares an intimate view inside the studios of today’s leading artists. His work can be found in numerous museums and leading private collections including the Parrish Art Museum, Norton Museum of Art, New Museum and the Toledo Museum of Art. His work has been featured in The New York Times, Artforum, Art in America, ArtNews and Modern Painters as well as several international magazines. Joe is the Department Chair of both the Fine Arts and Visual Studies programs at Ringling College of Art and Design. Website: joefig.com


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Friday Virtual Gallery Walk for September 11, 2020

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this new “Virtual Gallery Walk.” Browse the paintings below and click the image itself to learn more about it, including how to contact the gallery.

Constancy by Jeanne Rosier Smith, Pastel, 12 x 24 in.; Anderson Fine Art

 

Camden, Maine by Charles Movalli, Acrylic on Canvas, 30 x 30 in.; Rieser Fine Art

 

Warm Glow by Chris Cox, Oil on Canvas, 36 x 36 in.; Bluestone Fine Art Gallery

 

Dr. Mario (2 of 24) by 8-BIT ZERO, Wood, spray paint, vinyl film, resin, 20 x 12 1/2 in., Signed; Rehs Contemporary

 

Porte St. Denis by Eugène Galien-Laloue (1854-1941), Gouache on board, 10 x 17 1/2 in., Signed; Rehs Galleries, Inc.

 

All That Glitters by Jill Basham,, Oil, 40 x 30 in.; Principle Gallery

 

Choke Cherries and Veggies by Julie Y Baker, Oil on panel, 11 x 14 in., 19 x 22 in. framed; Vermont Artisan Designs

 

Summer Flowers by Maria Marino, Pastel with Watercolor underpainting, 20 x 16 in.; The Artful Deposit

 

At the Blue Mountain by Hans Schiebold, Mixed Media, 40 x 47 in.; Bronze Coast Gallery

 

Decision Drift 2.1 by Bryan Boone, Acrylic on panel, 12 x 12 in.; Objets Trouvé

 

Les Barges du Baracois by Bernard Proulx, Acrylic on Canvas, 20 x 24 in.; Pasasha Art

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today – don’t delay, as spaces are first-come first-serve and availability is limited.

Barbara Rudolph presented by the Celebration of Fine Art

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Poetry in Motion by Barbara Rudolph
24 x 40 in.
Oil
$4,800

Barbara’s realistic oil paintings tell a story. They are unique, thought provoking and often have a sense of humor. Paying special attention to detail, her subjects include a birds, sports, music and wildlife. “I desire to create something of beauty to uplift the human spirit. My oil paintings capture a moment in time or a fond memory that will surely bring a smile to your face. The process begins by photographing birds or other animals, but often placing them in unexpected places as opposed to their natural habitat. Once the ideas begin to flow, I carefully craft each scene. The story slowly reveals itself and comes to life on the canvas. When people look at my paintings, they are often drawn to the extreme detail and beauty of my wildlife subjects. They feel a sense of attachment to the piece because of the emotion it evokes within them.” Barbara resides in Phoenix, Arizona.

You can find Barbara and her work, along with 100 other artists, at the Celebration of Fine Art in Scottsdale, Arizona, January 16 – March 28, 2021. Contact 480-443-7695 or [email protected].

View more of Barbara’s work at: https://celebrateart.com/meet-the-artists/barbara-rudolph/

William Blake: Visionary

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Art books - William Blake: Visionary

The J. Paul Getty Museum (Los Angeles) was set to present a major exhibition about the British artist William Blake (1757–1827), but that has been postponed. Fortunately, its catalogue, William Blake: Visionary, is available from Getty Publications, prepared by the Getty’s own Edina Adam and Julian Brooks and the Yale Center for British Art’s Matthew Hargraves.

From the Getty:

Celebrated for his boundless imagination and unique vision, Blake created some of the most striking and distinctive imagery in art, often combining his poetry and visual images on the page through innovative graphic techniques. He has proven an enduring inspiration to artists, musicians, poets, and performers worldwide and a fascinating enigma to generations of admirers.

Featuring over 130 color images, this catalogue brings together many of Blake’s most iconic works. Organized by theme, it explores Blake’s work as a professional printmaker, his roles as both painter-illustrator and poet-painter, his relationship to the medieval, Renaissance, and Baroque artists that preceded him, and his legacy in the United States. It also examines his visionary prophetic books, including all eighteen plates of America: A Prophecy.


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Birds in the Spotlight

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Timothy David Mayhew (b. 1952), ”On Ice,” 2019, oil on linen, 16 x 20 in., collection of Christopher G. Lea

The Leigh Yawkey Woodson Art Museum will soon open its 45th annual Birds in Art exhibition. A total of 510 artists from around the world submitted 830 works for the three-person jury’s consideration. In the end, only 114 artists will participate.

Timothy David Mayhew, who has been named the 2020 Master Artist and will be the focus of a solo retrospective within the larger exhibition; 22 others who have been honored as Master Artists during previous exhibitions; and 91 additional artists selected for their paintings, sculptures, and graphics created within the last three years.

All will be illustrated in the 134-page catalogue that accompanies the show.

Mayhew was first selected to exhibit in Birds in Art in 2010 and has been juried in nine times since. He is well known internationally for researching and reviving various Old Master techniques, including the natural, quarried chalks that many Renaissance artists used to draw. Every year Mayhew embarks upon intensive study of a new bird or mammal species, a passion he refined while studying with the master animal painter Bob Kuhn (1920–2007). His sensitive treatment of landscape captured in plein air stems in part from subsequent studies with Clyde Aspevig and Matt Smith. Today Mayhew runs the Atelier Cedar Ridge in Farmington, New Mexico.

Walter T. Matia (b. 1953), ”No Country for Old Frogs,” 2018, bronze (edition of 10), 41 x 18 x 14 in., collection of the artist; photo: QuickSilver, Takoma Park, Maryland

Event Details: “Birds in Art”
Leigh Yawkey Woodson Art Museum
Wausau, Wisconsin
lywam.org
On view through November 29, 2020


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September 12: The Russell Exhibition and Sale

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Charles M Russell (1864-1926), "Following the Buffalo Run," c. 1894, oil, 23 1/8 x 35 in.

The Russell Sale will proceed on September 12, 2020 using online auction platforms with telephone and absentee bidding options available as well. The First Strike Auction will begin at 10 a.m. MDT, followed by the Russell Sale at 1 p.m. MDT. Crowd favorite Art in Action will be a silent auction online with video spotlights of each artist available for patron viewing.

Eanger Irving Couse (1866-1936), “Indian by Firelight,” oil on canvas, 24 x 29 in.

“This certainly isn’t the way any of us envisioned The Russell for this year but we look forward to offering all the incredible art included in the catalogue for sale in September and giving buyers a variety of ways to bid remotely, including multiple online platforms, absentee, and phone bidding,” said Christina Horton, a representative of the museum. “We are working with our auctioneer, Troy Black, to make this year’s auction just as exciting as ever so you can enjoy it from the comfort of your own home.”

Joseph Henry Sharp (1859-1953), “Call of the War Chief,” oil on canvas, 30 x 36 in.

To view the auction catalogue and register to bid, please visit cmrussell.org/the-russell.

Charles M Russell, “Woman Petting an Unsaddled Horse,” pen and ink, 8 x 9 in.
Charles M Russell, “Indian on Horseback,” 1898, oil, 13 3/4 x 10 1/2 in.
Joseph Henry Sharp, “The Bonnet Maker,” c. 1920s, oil on canvas, 15 x 18 in.
Thomas Moran (1837-1926), “Green River in Wyoming,” 1899, oil on canvas, 10 3/8 x 14 in.

About the Russell Museum:
The mission of the C.M. Russell Museum is to collect, preserve, research, interpret, and educate on the art and life of Charles M. Russell; the art and lives of his contemporaries; and the art of preceding and ensuing generations that depicts and focuses on the culture, life, and country of Russell’s West.​


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Same Quest, New Format

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Heide Presse, “Tall Tales,” 2020, Oil on linen panel, 40 x 30 inches
Heide Presse, “Tall Tales,” 2020, Oil on linen panel, 40 x 30 inches; [Artwork images are courtesy of the artists and of the Eiteljorg Museum.]

The Eiteljorg Museum of American Indians and Western Art will feature an all-new virtual format during its 15th annual Quest for the West® Art Show and Sale, September 11-12, 2020.

The Quest for the West® Art Show and Sale will feature nearly 200 new artworks by 50 of today’s top artists specializing in Western-inspired paintings, landscapes, and sculptures. Instead of the traditional on-site, in-person sale, the Eiteljorg this year will host the new online sale format, where collectors will view the available artworks online, enjoy personalized concierge service and then place their bids during the fixed-price, luck-of-the-draw virtual sale.

Gladys Roldan-de-Moras
Compañeros, 2020
Oil on linen
36 x 24 inches

In previous years, Quest for the West® included a gallery exhibition, two evenings of socializing between artists and collectors, a catered banquet that often drew nearly 300 guests each year and an awards ceremony.

“Since its inception in 2006, Quest for the West has built support for the genre of Western art; and collectors and artists look forward to it at the Eiteljorg each year,” Eiteljorg President and CEO John Vanausdall said. “The museum follows all state and local public health guidelines during the pandemic, and since it was impossible to know exactly what the circumstances will be in September, we concluded we would marshal our efforts to creating this exciting virtual version of Quest.”

George Hallmark
Bebiendo Amigos (Drinking Buddies), 2020
Oil on linen
24 x 30 inches

Quest for the West always has received bids from absentee bidders even when it was an on-site sale; and this year, all registrants get to bid absentee. With the new format, the registration fee to enter the online sale and place bids is $25, an affordable price for first-time bidders who are starting their art collecting journey, or seasoned collectors seeking the right piece. All registrants will have access to an Eiteljorg concierge service that can assist them with bids and other questions.

The Quest Miniature Art Sale on September 11 is also a fixed-price, luck-of-the-draw virtual sale, featuring smaller paintings and sculptures by the same Quest artists.

A popular feature of Quest for the West is returning in virtual form: the Quest Miniature Art Sale, held Friday, September 11. For this sale, the artists create smaller, more affordable versions of their paintings and sculptures, which are prized both by new collectors and by experienced collectors who have no more room for large pieces and want something smaller.

David Grossmann
Pasture under Glowing Sky, 2020
Oil on linen panel
30 x 40 inches

The Eiteljorg is planning various digital extras that Quest registrants can enjoy leading up to and during sale weekend, including interviews with artists, virtual cocktail chats, and other online events.

“We at the Eiteljorg take pride in bringing together top artists and enthusiastic collectors of Western art, and are committed to making this year’s Quest very engaging and successful,” Vanausdall added.

Rox Corbett
After the Dance, 2020
Charcoal on archival paper
30 x 24 inches

Shifting the format means two parts of Quest for the West will be postponed to next year’s event. The guest speaker, Academy Award-winning actor Wes Studi (Cherokee), who has appeared in the films Dances with Wolves and The Last of the Mohicans, instead will be the special guest at the 2021 Quest. Also, a special on-site exhibit of Quest artworks that were past winners of the annual Harrison Eiteljorg Purchase Award is postponed to 2021. The Eiteljorg Museum plans to resume its regular format for Quest for the West next year, if the social distancing restrictions allow.

Mian Situ
Lantern Festival, 2020
Oil on canvas
26 x 20 inches

2020 Quest for the West Participating Artists
(*Asterisk: sculptors)

Gerald Balciar*
John Buxton
G. Russell Case
Bruce Cheever
Tim Cherry*
Rox Corbett
Brent Cotton
Glenn Dean
Steve Devenyns
Mikel Donahue
Michael Dudash
Barry Eisenach*
Josh Elliott
John Fawcett
Deborah Copenhaver Fellows*
Robert Griffing
David Grossmann
George Hallmark
Karin Hollebeke
Donna Howell-Sickles
Doug Hyde* (Nez Perce/Assiniboine/Chippewa)
Greg Kelsey*
Mark Kelso
Bruce Lawes
Curt Mattson*
Joseph McGurl
Krystii Melaine
Dean Mitchell
Denis Milhomme
Jay Moore
Paul Moore
John Moyers
Terri Kelly Moyers
Brenda Murphy
Rock Newcomb
P.A. Nisbet
Robert Peters
Howard Post
Heide Presse
Scott Rogers*
Gladys Roldan-de-Moras
Roseta Santiago
Dave Santillanes
Sandy Scott*
Mian Situ
Adam Smith
Daniel Smith
Nathan Solano
Michael Untiedt
David Wright

Mark Kelso
Tearin’ It Up, 2020
Oil on panel
36 x 48 inches
Winner of the 2020 Harrison Eiteljorg Purchase Award
Krystii Melaine
Tsemehot-o – The One I Love, Cheyenne, 2020
Oil on linen panel
44 x 22 inches
Joseph McGurl
Procession, 2020
Oil on linen panel
12 x 24 inches
Gerald Balciar
Prickly Pear, 2020
Bronze
20 x 14 x 6 inches
Dean Mitchell
For Freedom, 2020
Watercolor
30 x 22 inches

Learn more details at eiteljorg.org.


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