Alexis Rockman: The Great Lakes Cycle
Through April 29, 2018
Grand Rapids, Michigan

Alexis Rockman, who is known for his critically acclaimed ecology-based works of art, has a multi-faceted solo exhibition of new works that bring attention to the ecology of the Great Lakes region. Hosted by the Grand Rapids Art Museum, the collection celebrates the majesty and global importance of the lakes while identifying factors — visible and invisible — that threaten the system.

“The Great Lakes — Erie, Huron, Ontario, Michigan, and Superior — hold 20 percent of the world’s fresh water and form an interconnected system that is among the most beautiful, economically significant, and ecologically complex regions on the planet,” states the press release. “The Lakes are one of the most precious resources for the future of all life on earth. In this timely exhibition, Rockman examines the history of the Great Lakes, the current challenges in the region, and the opportunities to positively shape its future.

“Long before Alexis Rockman picks up a paint brush, he formulates each painting through rigorous research. The paintings in Alexis Rockman’s ‘Great Lakes Cycle’ are incredibly dense, with ecological and historical references spanning tens of thousands of years. In a special presentation, on March 22, underwater explorer and author Valerie van Heest uncovers the story behind just one of Rockman’s many references — the disappearance of Northwest Airlines Flight 2501.

“The sunk wreckage of Flight 2501, a DC-4 aircraft with 58 people on board, fills the lower half of Rockman’s painting ‘Spheres of Influence’ (2016). Lost on June 23, 1950, at the time it was the country’s worst commercial aviation disaster. The wreck was never located and the cause of the accident was never determined. Over half a century later, explorers Clive Cussler and Valerie van Heest have teamed up to attempt to find the submerged wreck and solve the mystery of the plane’s disappearance. Van Heest will share how an unexpected meeting with a victim’s son prompted a search of a different kind, one that would be more illuminating than submerged sections of twisted aluminum, and will reveal that the answers are sometimes found in unexpected places.

“The exhibition features a suite of five mural-sized oil and alkyd paintings (72 x 144 in.), each exploring a theme that emerged during the artist’s research, travel in the region, and engagement with Great Lakes specialists. The works, inspired by historic panoramic paintings and 19th-century landscapes, are accompanied by keys illustrating and notating the species, artifacts, and historical references within each. Additionally, six large-scale (72 x 52 in.) watercolors and a selection of 28 monochrome field drawings created exclusively with organic materials collected at various Great Lakes sites enhance the exhibition.”

There will be several informative programs and talks presented in conjunction with the exhibition. For more information, please visit artmuseumgr.org.

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Veronese in Murano: Two Venetian Renaissance Masterpieces Restored
Through March 11
New York, New York

Following conservation of two paintings by the Venetian master Paolo Veronese (1528–1588), the Frick Collection is presenting a focus exhibition that highlights the paintings’ creation and their creator’s career. “St. Jerome in the Wilderness” and “St. Agatha Visited in Prison by St. Peter” have rarely left their church on Murano, an island in the lagoon of Venice. In fact, “St. Agatha” has not been moved since its installation there in the early 19th century, while “St. Jerome” was last exhibited in 1939.

According to the the Frick, the paintings were commissioned by a Venetian priest in 1566 with the intention of decorating a small chapel in Murano. The priest placed “St. Jerome” over the altar and “St. Peter” was hung over the main door of the chapel. To protect the canvases from humidity and possible theft, however, the nuns of the Santa Maria degli Angeli convent moved them inside the main church about 100 years later.

For more information, please visit frick.org. Please note that children under 10 are not permitted to visit the collection.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. Click here to start receiving Fine Art Today for free.

The Holy Name, Art of the Gesù: Bernini and his Age
Through May 19, 2018
Fairfield, Connecticut

In an exhibition titled “The Holy Name, Art of the Gesù: Bernini and his Age,” the Fairfield University Art Museum (FUAM) will soon showcase masterpieces from Rome’s Church of the Gesù — the splendidly decorated headquarters of the Jesuit order (Society of Jesus) and a key monument of the late Renaissance. This is the first time that many of these artworks will visit America, including Bernini’s marble bust of Cardinal Bellarmino, the patron saint of Fairfield University.

“Together these masterpieces tell the fascinating and intertwined stories of the church’s early history and splendid interior embellishment,” says FUAM, “and the foundational chapters of the Society of Jesus.”

On view will be more than 40 paintings, sculptures, objects, drawings, prints, illustrated books, and historical documents by Bernini, Domenichino, Gaulli, Ciro Ferri, Carlo Maratti, and Andrea Pozzo, among other Italian Baroque masters, including Gaulli’s monumental model of the church’s apse.

“The Holy Name, Art of the Gesù: Bernini and his Age” is organized in celebration of Fairfield University’s 75th anniversary and is complemented by an array of programs, lectures, and special events, all free and open to the public (unless otherwise noted).

For more information, please visit fairfield.edu/museum.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. Click here to start receiving Fine Art Today for free.