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Loving Lipking

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Jeremy Lipking, “Silver Ripples,” oil on canvas, 12 x 6 in. © Image Courtesy Arcadia Contemporary

Originally published March, 2017

Any fine art event with the name Jeremy Lipking in it is one worth noting, especially when it’s a solo exhibition. This one features 20 stunning new paintings at Culver City, California’s Arcadia Contemporary gallery.

Jeremy Lipking, “Matilija Poppies,” oil on canvas, 18 x 36 in. © Image Courtesy Arcadia Contemporary
Jeremy Lipking, “Matilija Poppies,” oil on canvas, 18 x 36 in. © Image Courtesy Arcadia Contemporary

It opens this weekend, on March 11, and one can expect major crowds of fine art enthusiasts and collectors to converge on Arcadia Contemporary. Indeed, for years Lipking has amassed quite a following for his painterly works featuring figures in natural environments. “From twilight skies cloaking nude bodies to forests that embrace wandering figures, Lipking’s works contain a sense of mystery and majesty,” the gallery reports. “In just a few short years, the artist’s meteoric rise to the top of the representational art world has been accompanied by numerous awards and merits.

Jeremy Lipking, “Aspen Nocturne,” oil on panel, 8 x 6 in. © Image Courtesy Arcadia Contemporary
Jeremy Lipking, “Aspen Nocturne,” oil on panel, 8 x 6 in. © Image Courtesy Arcadia Contemporary

“A resident of Calabasas, CA, Lipking relies on locations in California, such as the Pacific Coast, Malibu Canyon, and the Eastern Sierra Mountains, for inspiration. To create his works, Lipking paints on location with a live model or, if conditions are prohibitive, takes photographs as reference. He prefers to work outdoors, laying out as many pieces as possible in one sitting. The ideal method, he says, is to make a quick painting from life, photograph his model, and take the material back to his studio for completion.

Jeremy Lipking, “Above Timberline,” oil on canvas, 36 x 18 in. © Image Courtesy Arcadia Contemporary
Jeremy Lipking, “Above Timberline,” oil on canvas, 36 x 18 in. © Image Courtesy Arcadia Contemporary

“Arcadia Contemporary is pleased to host the artist’s fifth exhibition with the gallery. Since relocating from NYC to Los Angeles in 2016, the gallery has made a strong impact on the Los Angeles art scene as one of the few galleries exclusively featuring skilled, representational painting.”

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

A Well-Deserved Honor

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Leah Lopez, “Two Golden Apples,” oil on panel, © Leah Lopez 2017

Each year on March 8 the world celebrates important women who have shaped history during International Women’s Day. In conjunction with the event, this great gallery has launched an Art Fair that includes creative talent you don’t want to miss. What’s the buzz?

Located in New York City, One Art Space is quickly rising in the gallery world as a go-to destination for premier artistic talent. That trend continues this month during the gallery’s “International Women’s Day Art Fair.” Although the gallery hosted a beautiful event last night, there remains ample opportunity to both view the art and mingle with the artists.

Leah Lopez, “Clay Vase and Lemons,” oil on panel, © Leah Lopez 2017
Leah Lopez, “Clay Vase and Lemons,” oil on panel, © Leah Lopez 2017

One Art Space will also host a closing event on March 16, which coincides with Tribeca Art Night (TAN). Artists included in the exhibition are Leah Lopez, Sarah Sager, Caroline Absher, Shenna Vaughn, Maria Owen, Nancy Pantirer, Peach Jin Tao, Annelise Capossela, Rosangela Bombieri, Allison Kroll, Lulu Dong, Ceceilia Ruiz, Silvia Aviles, Ayako Bando, Nina Kovalenko, Keli Lucas, CJ Collins, and Nana An. The exhibition was curated by Frank Giella.

Discussing the event and its inspiration, the gallery writes, “International Women’s Day first began in New York City in 1911 and has historically been utilized to call attention to the many hardships and oppressions faced by women throughout the world. The Suffragettes founded International Women’s Day to unite and empower women in their fight for equality and to this day, it continues to inspire individuals to persevere in the face of adversity, celebrate powerful women, and organize direct action to further our progress as a society towards the abolishment of gender inequality.

Allison Kroll, “Intertwined,” 2016, oil on canvas, 40 x 30 in. © Allison Kroll 2017
Allison Kroll, “Intertwined,” 2016, oil on canvas, 40 x 30 in. © Allison Kroll 2017

“We support the modern-day Suffragettes of the International Women’s Day Campaign in promoting this holiday and their ten core values of justice, dignity, hope, equality, collaboration, tenacity, appreciation, respect, empathy, and forgiveness.

“This year, we celebrate by presenting an exhibition in honor of the monumental achievements of women throughout history. The International Women’s Day Art Fair features a diverse, international collection of talented, female-identifying artists of varying ages.”

To learn more, visit One Art Space.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Fine Art Opportunity Coming to Facebook Live

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Image courtesy Studio Incamminati 2017

Studio Incamminati — a premier school for contemporary realist art — is coming to Facebook Live later this month for a can’t-miss opportunity. What is it and when?

Located in Philadelphia, Pennsylvania, Studio Incamminati is one of the most respected schools for contemporary realist art in the country. Using Facebook Live, the school is now becoming more accessible!

On Saturday, March 25, from 12:30-4:30 p.m. ET, Studio Incamminati will broadcast a LIVE demo featuring three incredible artists. Titled “The Dream Stream: Three Artists, Three Perspectives,” the demo will feature Lea Colie Wight, Darren Kingsley, and Kerry Dunn as they perform a live-model painting demo.

As part of the event, moderators Dan Thompson and Natalie Italiano (also instructors at the school) will be on hand to answer questions from Facebook viewers. The demonstration has also engaged an experienced tech crew for a multi-camera operation, giving viewers every angle of the action!

Mark your calendars and turn your home into Studio Incamminati for an afternoon!

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

The Phoenix Has Risen!

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Fine Art Connoisseur is overjoyed to report the grand opening of RJD Gallery’s new exhibition space in Bridgehampton, New York. Although a devastating fire in December 2016 took them out for a few months, the gallery has risen like the legendary phoenix! Check out its stunning new space here!

Many of our readers already know about the terrible fire on December 16, 2016 in Sag Harbor, New York, that destroyed RJD Gallery — one of the premier contemporary art galleries in the country.

D_GJM5502 D_GJM5511March 2017 marks a major point of celebration as the gallery has just opened a gorgeous new exhibition space in Bridgehampton, New York, at 2385 Montauk Highway between Bobby Vans and the Candy Kitchen. The new gallery boasts nearly twice the space and is already populated with new works by RJD’s accomplished roster of artists.

D_GJM5515 D_GJM5521 D_GJM5537As Fine Art Today suggested just a few weeks ago, “In Greek mythology, a phoenix is a long-lived bird that is regenerated or reborn. Associated with the sun, the phoenix rises and obtains new life from the ashes of its predecessor. In historical records, the phoenix symbolizes renewal and resurrection, emerging from its death stronger than before.

D_GJM5559 D_GJM5563 D_GJM5569“The flaming bird of Greek mythology is a perfect metaphor for RJD Gallery: It is sometimes through the most challenging of times that one can emerge stronger and more determined than ever.”

D_GJM5573 D_GJM5577 D_GJM5582 D004Please join us in celebration and a round of applause for RJD Gallery!

The new space is currently open and will host its first reception on March 25. To learn more, visit RJD Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Portrait of the Week: How Does He Do It?

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David Jon Kassan, “Sam Goldofsky, Survivor of Auschwitz,” 2015, oil on panel, 45 x 35 in. © David Jon Kassan 2017

In this ongoing series, Fine Art Today delves into the world of portraiture, highlighting historical and contemporary examples of superb quality and skill. This week we consider the work of a contemporary master with mesmerizing talent and insight.

It’s hard to find the right words to describe the arresting portraits of contemporary master David Jon Kassan, which says a lot, given the fact that I write about art for a living. This week’s feature portrait — a three-quarter view of Auschwitz survivor Sam Goldofsky — gives realism new meaning and commands viewers’ attention even at first glance.

Set against a cool-toned background, Sam Goldofsky stands with disheveled gray hair and a pensive, perhaps distressed, expression on his face as he glances out of the frame. With arms crossed, Goldofsky wears a white undershirt, gray pants, and a black belt. The portrait radiates seriousness and a nearly tangible intensity. With his left arm crossed over his right, Goldofsky prominently displays a tattoo on his forearm, in a cold — perhaps protective — gesture. During the Holocaust, concentration camp prisoners received tattooed serial numbers at only one location: Auschwitz. The tattoo’s direct and clear display explains the subject’s demeanor, as he seems to be recalling horrific memories of his time at the camp.

Kassan has masterfully captured every detail of Goldofsky’s visage. His face, arms, hands, and skin bear the signs of a man who has witnessed and experienced the worst of human behavior. Although his pursed lips and heavy eyes tell a terrible tale, there is something magnificently beautiful about the portrait as well, something only art can do: turn the repellent past into something gorgeous, without diminishing our need to remember the transgressions of history.

“Sam Goldofsky” is part of a much larger idea called The Edut Project, an initiative that creatively showcases the life journeys of Holocaust survivors in order to protect, promote, and defend human rights today. Goldofsky’s portrait is one of several portraits by Kassan in the project, each as moving and beautiful as the last. Via the project’s webpage, “The combination of life-sized, realistic portrait paintings with filmed Survivors’ testimony, gives the viewer a live emersive experience putting a unique and personal face to the Shoah. These stories are about more than the atrocities, they are about a lifetime of strength and perseverance.”

To learn more, visit David Jon Kassan.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Lot: Daniel Ridgway Knight, “The Sewing Circle”

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Daniel Ridgway Knight, “The Sewing Circle,” oil on canvas, 36 x 47 in. (c) A.B. Levy’s 2017

In this ongoing series for Fine Art Today, we take a longer look at the history and features of a soon-to-be-available artwork of note. This week: Daniel Ridgway Knight, “The Sewing Circle.”

The paintings of Daniel Ridgway Knight (1839-1924) often represent the best elements — and subjects — of 19th-century painting, including history, genre, landscape, portrait, and floral themes. Born into a strict Quaker home in Philadelphia, Knight rejected his family’s grooved path toward working in a local hardware store. Rather, Knight forged his own path into the arts, studying at the Pennsylvania Academy of Fine Arts before traveling to Paris to enroll at the Atelier Gleyre.

Among Knight’s fellow students were Mary Cassatt, Thomas Eakins, William Sartain, and Everett Shinn. By the mid-1870s, Knight had established himself as a preeminent painter of peasant life. His preferred subjects included women in fields gathering flowers. Knight’s style was immediately revered by his contemporaries and collectors for its extreme tightness, detail, and clarity.

Heading to auction on March 16 via Palm Beach, Florida’s A.B. Levy’s is a gorgeous original by Knight, complete with his canonical subject and recognizable style. In the work titled “The Sewing Circle,” the viewer has stumbled upon a group of women casually sitting and conversing as they sew. Just to the group’s left is an overgrown water well, with houses beyond. The women occupy a beautiful field, with ribbons of wildflowers adding flashes of color in the sea of green. Auction estimates are between $200,000 and $300,000.

To learn more, visit Live Auctioneers.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Featured Artwork: Patricia Hynes

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"Happiness Is. . ." by Patricia Hynes

“Happiness Is…”

oil on canvas

24 x 36 in.

 

ART IS A REFLECTION OF HUMAN EXISTENCE

In my early twenties for some unknown reason and with no significant financial resources, I purchased a canvas board, student brushes, and a few tubes of oil paint. The instant I started to copy a magazine image onto the canvas, I knew my calling was to be a painter with all of its challenges and demands. After I earned undergraduate and Master of Fine Arts degrees in studio art, life with its responsibilities took hold. Yet, I always found time to paint, though not with the focus that was required to develop my craft as I wished. I then structured my life so that eventually I would be able to paint full time time.

As a student of people I was able to interact with many individuals during a long non- painting career in museums and educational institutions working in teaching and administration. These experiences helped me develop a deeper understanding of human nature. This understanding, as well as my overall life experiences, have become profound influences in determining my mature painter’s voice.

I have come to understand that my work has always been directed by the paths I chose. The paintings I create are about how people choose to, or not to, live their lives. My intent is not to replicate past historical visual images, but rather to study the reaction of people in various life situations and then create contemporary visual stories depicting significant moments that reveal an inner presence. They study the fleeting instant when emotional reactions and the pathos of a situation is often unconsciously revealed. Through my paintings viewers are prompted to think and reflect upon the relation of these enigmatic references to their own lives.

I strive for accurate visual representation, however, I consciously do not paint for photographic accuracy. My work is about the fusion of concept and pigment to produce a painting. Yet, photography has always been a mainstay of my visual approach. In structuring a composition, I select images from a number of my photographs. These images are used to draw what I call a road map on the canvas. Then my focus shifts to pigment for its expressive application onto the canvas. I paint so the pigment can speak as an indication of a passage’s significance, as well as express the intrinsic concept of the scene. My paintings are large, yet they are painted in great detail with small brushes. The brushwork I employ emphasizes passages of the canvas, creating a visual tempo about the story that that is being told. Thus, the finished painting is a fusion of concept and the process of painting.

The direction I have been advancing towards is to paint backgrounds that are increasingly more indicative of the painting’s narrative rather than the placement of people into a traditional environment. This is to promote greater interest and reflection on the part of the viewer, for further grounding people within an evocative narrative creates a scene apart from the commonplace of daily existence. While questions are raised in viewing these scenes, there is no “right” interpretation of them. I leave all interpretations to the viewers who dialogue with my paintings.

I am a member of the Salmagundi Club, New York; Oil Painters of America; American Impressionist Society; and American Women Artists. I received a Master of Fine Arts degree from Rutgers University and a Bachelor of Arts degree from Douglas College. After a period of teaching Studio Art and Art History I pursued a career in nonprofit institutions holding positions in development and institutional advancement. Positions held include Deputy Director, Cincinnati Art Museum; Vice President, Pratt Institute; Vice President, American Craft Museum, now the Museum of Arts and Design; as well as Director of Alumni Relations, Associate Director University Development, and Director of Development, Tisch School of the Arts, all for New York University University; and development posts at the Whitney Museum and the Brooklyn Museum.

View more of Patricia’s work at www.patriciahynespainter.com.

Contact Patricia at [email protected] or 973.763.2384.

Featured Artwork: Dee Beard Dean

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"The Old Homestead" by Dee Beard Dean

“The Old Homestead”

Oil on linen

20 x 24 in.

$3680, available at Hagan Fine Art Gallery, Charleston, South Carolina

Dee Beard Dean is a nationally-recognized artist who has been painting since childhood. She was raised in the countryside of northern Indiana and began her formal studies at Grand Rapids College, Kendall College of Art and Design, and the New York Academy of Art.

In her early years, Dee was a well-known fashion designer manufacturing her own clothing line with a national label which sold to over 450 stores throughout the US. Dee later escaped the hectic lifestyle of the fashion world and went back to her first love, painting.
She is a passionate and prolific artist who has studied with many renowned artists and is recognized for her painterly landscapes and portraits. Her greatest inspirations have come from painting en plein air where her eye for color and composition, and her elevated senses, guide her in creating paintings filled with evocative light and dramatic shadows. Her highly collectible work hangs in corporate and private collections throughout the United States.

Dee is a member and founder of Plein Air Painters of the Southeast (PAP-SE), a Signature Member of the American Impressionist Society, an Honorary Signature Member of International Plein Air Painters (IPAP), and members of Oil Painters of America, American Women Artists, and Eastern League of Professional Artists. Dee finds it both a joy and a privilege to share her knowledge and talent with students through plein air and studio workshops across the United States and abroad.

She has received many awards at juried art competitions, and has been published in many regional and national journals. Dee and her husband, Dr. Nicolai Chalfa, live in Charleston, SC and annually host an Art Trip to a different country.  Her life and her work are recorded in her book “Painter By Providence”  written by Michelle Morton.

View more of Dee’s work at www.DeeBeardDean.com.

Featured Artwork: Chantel Barber

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"Ready To Dance" by Chantel Barber

“Ready To Dance”

acrylic on panel

6 x 6 in.

Available through TwoTen Fine Art

http://twotenfineart.com/current-artwork/artwork-by-artist/barber-chantel/

Chantel’s passion for art began flourishing at age 12 when she was mentored under local San Diego artists. She continued to study art, largely self-taught, while living in Newport, Rhode Island and Keflavik, Iceland. While enrolled in a college art course, a fellow student introduced her to acrylic paints, and she soon found it to be a medium dominated by abstract art. But her first love was portraiture for which she found little advice. As she dreamed of perfecting her skills as an acrylic portrait artist, Chantel continued to learn from professional oil painters and translated their teachings into acrylic techniques. All the while, she remained active in local art communities.

In 2006, Chantel opened her own art business called Chantel’s Originals near Memphis, Tennessee. Chantel soon benefited from workshops and demonstrations with outstanding artists including Dawn Whitelaw and Michael Shane Neil. Chantel is currently the National Coordinator of the State Ambassador program for the Portrait Society of America, and is also a member of The Chestnut Group and the National Oil & Acrylic Painters’ Society. She is past President of Artists’ Link in Memphis, Tennessee.

Chantel has been featured in solo art shows and has participated in numerous group shows at premiere Memphis venues including the Dixon Gallery and Gardens. Her award winning paintings are in private and public collections throughout the United States and overseas. Her work is published in Acrylic Artists magazine, American Art Collector, and Fine Art Connoisseur. Chantel resides in Bartlett, Tennessee, where she teaches online and in workshops throughout the United States.

Featured Artwork: Heather Arenas

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"Life Behind the Bar" by Heather Arenas

“Life Behind the Bar”

oil on birch

14 x 18 in.

Available at Mary Williams Fine Art Gallery.

This piece was painted from a wonderful little pub that I stumbled onto for lunch while in New York City. The hand-carved bar and the staff of characters made for a very attractive scene. And lunch was good, too!

Heather Arenas’ grandmothers were both artists and her parents provided her with various art supplies growing up, teaching her to appreciate many forms of art. Today, Heather works in oils and prefers figurative work but she enjoys painting many different subjects. Her education includes a rigorous course of independent study reading many books on drawing and painting and taking workshops from respected artists such as Vadim Zanginian, Kim English and Clayton Beck III. While earning a degree in biology with emphasis on anatomy in the early 1990’s, she also studied art history and ceramics.

Heather is a Master Signature artist with Women Artists of the West, a Signature member of the Plein Air Artists of Colorado and Associate of Distinction with American Women Artists as well an associate with several other art organizations. She has received numerous awards for her work which helps others see the beauty in everyday objects, places and people.

 

Heather’s work can be found at the following galleries:

Reinert Fine Art, Charleston, SC and Blowing Rock, NC, http://www.reinertfineart.com/

Reflection Gallery, Santa Fe, NM, http://reflectiongallery.com/

Mary Williams Fine Art Gallery, Boulder, CO http://marywilliamsfinearts.com/

RS Hanna Gallery, Fredericksburg, TX, from March 1st through June 3rd, http://www.rshannagallery.com

Stoneheart Gallery, Evergreen, CO, http://www.stoneheartgallery.com

See Heather’s website for workshop and further information, www.heatherarenas.com

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