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Landscapes To Mindscapes

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narrative art oil painting
Linda Post, “Soliloquy,” oil on panel, 16 x 16 x 1.5 in.
"Soliloquy" is the 5th in a series of 16" square paintings using the coastal Pacific province of Guanacaste as its setting. “Mounded isles covered in hairy, gnarly trees dot the coastline,” Post said. “The sky is loosely based on a photograph I took sailing into the sunset. I often reference birds in my work, and in this piece, I painted flying flamingos. The flamboyance of the flamingos is echoed in the costume of the figure in the foreground. The patterns and history of harlequin costumes suit my tattooed model and this exotic landscape to a ‘T’.”

The National Association of Women Artists (NAWA) Presents
“From Landscapes To Mindscapes”
May 1 – May 31, 2023
theNAWA.org

Plunging through the imagination whether with fact or fantasy this exhibition by Signature Members of NAWA invites you on a bold excursion. Whether in the private world of fact or fantasy, or whether the focus is on beauty or menace in the world around us, you will be transported into the minds of artists as they interpret the rich worlds they contemplate and envision.

landscape painting of a tree
Fang Sullivan, “Storm tree,” Pastel on paper, 11 x 11 in.
“I love capturing the essence of life with my art,” Sullivan said. “Using a distinctive coloring technique and an imaginative approach, I depict the subtle lights, reflections, and hidden hues on the subjects. The subjects are either close to my heart, telling a story, or from a memorable moment. ‘Storm Tree’ is based on my travels to the Irish countryside. I saw this tree wrapped by another. The tree branches are completely intertwined and formed this dreamlike shape, almost like they are moving in a storm.”

NAWA, The National Association of Women Artists was established in 1889 by five women artists in New York City. At the time of its founding, it was the first women’s art organization in this country. Its mission was and continues to be, to raise public awareness and interest in the visual fine art created by women in the United States.

NAWA provides exhibition opportunities throughout the year and throughout the country for its members and promotes culture through events, education, scholarships & awards. The NAWA Catalog is archived in over 10 high-profile institutions, including the Metropolitan Museum of Art, the Museum of Modern Art, The Library of Congress, and more. In addition, The Jane Voorhees Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey holds a permanent collection of NAWA art.

Nancy Jacey, “New Beginnings,” colored pencil on illustration board, 33 x 24 in.
Nancy Jacey, “New Beginnings,” colored pencil on illustration board, 33 x 24 in.
Jacey said she used photo references and imagination, along with actual live Luna moths that she and her son raised and studied. The piece took 600 hours of layering pencils with no solvents and is all hand drawn.

Levels of NAWA Membership include Signature Members, who are juried-in, Associate Members, Graduating Students and Friends of NAWA.

Virtual Gallery Walk for April 28th, 2023

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Siesta, Gerald Balciar, Colorado yule marble, 15 x 14.5 L x 9 in; ArtzLine.com
Fish Creek Falls Evening, Chula Beauregard, oil on linen panel, 12 x 9 in; PACE Faculty – learn more here.

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Summer in Paris, Kyle Buckland, oil, 16 x 20 in; Kyle Buckland – www.kylebuckland.com.

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Perfect Radial Symmetry, Elizabeth Bartlett Culp, oil on canvas, 8 x 10 in; Elizabeth Bartlett Culp

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Beachview, Laurel Daniel, oil, 40×30 in; Laurel Daniel

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Artist Spotlight: Larry Cannon

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artist standing for a picture with his painting
Larry Cannon and Monastery Beach, Watercolor, 16 x 20 in, 2018. Presentation at the California Art Club’s Gold Medal Exhibit at the Hilbert Museum of California Art

How do you find inspiration?
Larry Cannon: I became attuned to the natural environment when I moved to San Francisco in my 20s, but only came to painting in my mid-50s. I lived in apartments with fantastic views of the bay where I watched the spectacle of the late afternoon fog rolling through the Golden Gate and across the bay. And I raced sailboats on San Francisco Bay where the wind and tides could literally be felt through the tiller of the boat.
Those close contacts with Nature and the forces of Nature coalesced into a passion after viewing an exhibition of watercolors by the early 19th century artist Percy Gray in Carmel-by-the-Sea. From that point on I sought my inspiration from plein air painting events in beautiful National Parks, Rocky Mountain valleys, and along the wonderful California coastal environment around me.

I continue to find my inspiration in the California vineyards, western mountains and especially on the Pacific Coastline where the ever-changing clash between the surf and land makes me acutely aware of the forces and power of nature that I yearn to feel first and then seek to express through the rich flow of watercolors which I see as related to the flow of Nature.

To see more of Larry’s work, visit:
Website

watercolor painting of closeup of tide coming into shore with cranes in the water
Larry Cannon, “Malibu Lagoon,” Watercolor, 16 x 20 in, 2017. Snowy egrets hunting in the lagoon. This painting was exhibited in eight Museums of Art across the U.S
watercolor painting of close up of mountain range with trees in the foreground and distance; natural colors of the stone
Larry Cannon, “Yosemite High Sierra Sky,” Watercolor, 9 x 12 in, 2021. Hard rock meets soft sky in the High Sierra Mountain range

Small Works, Big Results: AIS 2023 Showcase

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Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

The American Impressionist Society’s 7th Annual Impressions Small Works Showcase opened with the Awards Reception on April 14, 2023 at The District Gallery in Knoxville, Tennessee. Awards Judge AIS Master Anne Blair Brown selected 14 award winners.

Best of Show $5,000 Cash Award
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10
Erin Spencer, Sky over the Sakonnett, Oil, 10 x 10

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Second Place American Art Collector Full page Ad
Brian Astle, Spectre, Oil on linen, 13.75 x 13.75

Brian Astle, Spectre, Oil on linen, 13.75 x 13.75
Brian Astle, Spectre, Oil on linen, 13.75 x 13.75

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Third Place Southwest Art Full Page Ad
Joseph Gyurcsak AIS, Five O’Clock Shadows, Acrylic, 6 x 12

Joseph Gyurcsak AIS, Five O'Clock Shadows, Acrylic, 6 x 12
Joseph Gyurcsak AIS, Five O’Clock Shadows, Acrylic, 6 x 12

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Fourth Place Art of the West Half Page Ad
Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12

Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12
Stuart Roper AIS, Sunset Grazing, Oil on panel, 12 x 12

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Master Award of Excellence Fine Art Collector Half Page Ad and $600 Cash
Howard Friedland AISM, Sunset Clouds, Oil on linen panel, 10 x 12

Award of Excellence Artwork Archive Lifetime Subscription
Fengshi Jin, Portrait Series-8, Oil, 12 x 12

Fengshi Jin, Portrait Series-8, Oil, 12 x 12
Fengshi Jin, Portrait Series-8, Oil, 12 x 12

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Award of Excellence Gamblin $500 Gift Certificate and $250 Cash
Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16

Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16
Kathie Odom AIS, Air It Out, Oil on linen, 12 x 16

Honorable Mentions $100 for each:
Jacob Aguair, Nonesuch River Freeze, Pastel, 6 x 6
Jason Bailey, Loading Dock, Oil on linen panel, 12 x 12
James Coe AIS, Waning Light Snowy Thicket, Oil on canvas panel, 9 x 14
Debra Huse AIS, Spring Evening, Oil on linen, 8 x 10
Anton Nowels AIS, Brinton Stable, Oil on linen, 10 x 14
Brenda Pinnick, Island Dunes, Oil on linen panel, 12 x 16
Jerry Smith AIS, Sand Beach Road, Oil on panel, 8 x 10

All award-winning images can be found at https://online.flippingbook.com/view/457735922/.

The exhibition features 150 works of art selected through a five-member jury. The featured works were chosen out of 1,615 artworks submitted. Painting mediums include oil, watercolor, pastel, gouache, and acrylic.

An additional 20 paintings from AIS Masters, Board, Officers, and Founder are on display. All work is available for purchase and can be viewed on the AIS website. The exhibition will close on May 20, 2023.

Auction: Women Artists in the World of Old Masters

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art auctions - Artemisia Gentileschi (1593-after 1654) and Onofrio Palumbo (1606 - circa 1656), "Abraham and the Three Angels," oil on canvas, 144.5 x 200.8 cm. estimate €150,000–200,000
Artemisia Gentileschi (1593-after 1654) and Onofrio Palumbo (1606 - circa 1656), "Abraham and the Three Angels," oil on canvas, 144.5 x 200.8 cm. estimate €150,000–200,000

Fine Art Auctions > Fede Galizia, Artemisia Gentileschi, Orsola Maddalena Caccia: Works by important 17th-century female painters for sale at Dorotheum’s Old Master Paintings auction.

Venue: Palais Dorotheum (www.dorotheum.com/en/)
Public Viewing: April 22 – May 3, 2023
Auction: May 3

From the organizers:

Only recently, have the female artists of the 17th century begun to receive the recognition and acclaim they deserve. Women painters of this period, who lived and worked alongside the ‘old master painters’ of art history, are themselves increasingly becoming the focus of art historical research and the subject of exhibitions. Paintings by several of these increasingly sought-after female artists will be offered at Dorotheum’s Old Master Paintings sale on 3 May 2023, including important works by Fede Galizia, Artemisia Gentileschi, and Orsola Maddalena Caccia.

Dorotheum specialist Mark MacDonnell describes a highlight of the sale, Judith with the Head of Holofernes by the Italian female painter Fede Galizia, as being of museum quality. “It is a previously unknown masterpiece, an important rediscovery of a signed work by this significant female artist” (estimate €200,000–300,000).

Fede Galizia (1578-1630), "Judith with the head of Holofernes," oil on canvas, 127 x 95.5 cm, estimate €200,000–300,000
Fede Galizia (1578-1630), “Judith with the head of Holofernes,” oil on canvas, 127 x 95.5 cm, estimate €200,000–300,000

Fede Galizia (1578–1630) was the daughter of the Milanese miniature painter Nunzio Galizia. She was taught by her father and had already made an international name for herself as a painter at the age of about 20. She developed her own formal pictorial language and is noted as a pioneer in the treatment of still-life painting. She is increasingly also being recognized for her religious paintings. In the course of her career, Galizia repeatedly returned to the biblical subject of Judith and Holofernes which embodies the female struggle for power and recognition: in Fede Galizia’s case, very concretely in the world of art production. Galizia’s Judith is presented as the determined, strong, and proud heroine of the tale while, in contrast, many of her male colleagues chose to show Judith as a cruel murderess, placing the horror of Holofernes’ death in center stage – a very different interpretation of the narrative of the tragic story.

Artemisia Gentileschi (1593–1654), one of the most celebrated female painters of her time, is the author of another highlight of the sale – a canvas depicting Abraham and the Three Angels which was created in collaboration with Onofrio Palumbo. Artemisia also received her training from her father Orazio Gentileschi, one of Caravaggio’s earliest followers, but went on to have a hugely successful independent career of her own (estimate €150,000–200,000).

Orsola Maddalena Caccia (1596-1676), "Saint Catherine of Alexandria," oil on canvas, 100 x 72 cm, estimate €20,000–30,000
Orsola Maddalena Caccia (1596-1676), “Saint Catherine of Alexandria,” oil on canvas, 100 x 72 cm, estimate €20,000–30,000

Another female artist whose work is increasingly gaining attention, Orsola Maddalena Caccia (1596–1676), is represented in the auction by her painting Saint Catherine of Alexandria. She was the daughter of Mannerist painter Guglielmo Caccia and was trained by him. At a young age, she followed four of her sisters into Holy Orders and became a nun. After joining the Ursuline order, she continued her work as a painter and maintained a flourishing workshop within the convent walls. Although she was influenced by her father’s technique, Caccia developed a personal style that is attentive to detail, as well as to developments in contemporary Lombard and Flemish painting (estimate €20,000–30,000).

View more fine art auctions and sales here at FineArtConnoisseur.com.

Shades of Gray II, 2nd Biennial Exhibition

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Michael Albrechtsen, "Renewal," oil on canvas, 18 x 24 in.
Michael Albrechtsen, "Renewal," oil on canvas, 18 x 24 in.

The biennial show of the American Tonalist Society opens in New York on April 28, 2023, featuring 67 paintings of 30 top North American artists working in the Tonalist style.

The opening weekend will also feature demos by Ken Salaz and Dennis Sheehan as well as a presentation by Adrienne Bell, the foremost authority on the work of George Inness. For more information about the show and events, visit the ATS website: americantonalistsociety.com.

Charlie Hunter*, "The Lord Is In This Place, How Dreadful Is This Place (Federal Hill Firetower)," oil on canvas, 20 x 20 in.
Charlie Hunter*, “The Lord Is In This Place, How Dreadful Is This Place (Federal Hill Firetower),” oil on canvas, 20 x 20 in.

From the American Tonalist Society:

In the tradition of Tonalist masters, Harrison, Inness, Kahn, and Whistler, this year’s exceptional collection of tonalist paintings explores a variety of subjects and emotions to present a modern-day interpretation of our world.

The artists, using skillful paint application, color, tone, and technical excellence, evoke mood and mystery in both styles of Aesthetic Tonalism and Expressive Tonalism. Our curators have chosen over 60 artworks to represent the best of American Tonalism today. We hope you enjoy this years’ biennial show Shades of Gray II.

John MacDonald*, "Berkshire Dusk," oil on panel, 12 x 16 in.
John MacDonald*, “Berkshire Dusk,” oil on panel, 12 x 16 in.
Jennifer Moses, "Moonrise Celebration," oil on linen, 24 x 26 in.
Jennifer Moses, “Moonrise Celebration,” oil on linen, 24 x 26 in.

The American Tonalist Society is an organization that promotes the art Movement called Tonalism and tonalist artworks by our member artists. Our mission is to recognize, promote and showcase the current tonalist movement, and to continue the tradition of the American Tonalists of the 1800s through workshops, exhibitions and catalogues.

The tonalist movement illustrates the departure from emphasis on color, strong contrasts, bravura brushwork, high chroma, and detail. Instead, it focuses on emotion, spirituality, feeling and mood, encompassing luscious, luminous, and evanescent atmospheric effects featuring foggy mornings, evocative moonlit nights with a minimal palette of neutral hues. Like visual poetry, tonalist paintings have a quiet statement of contemplation, mystery, and intrigue.

*This artist is part of the PaintTube.tv series of art video workshops on how to paint. Includes many more artists featured in the Shades of Gray II exhibition, such as Ken Salaz, Eric Koeppel, Mary Garrish, and Thomas Kegler.

Virtual Gallery Walk for April 21st, 2023

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Kneeling Butterfly, Kim Obrzut, bronze, 17 x 14 x 11.5in; ArtzLine.com
Strawberry Supermoon, Randall Sexton, oil, 30 x 40 in; Randall Sexton
Teal Fiesta, Sarah Sedwick, oil on canvas, 11 x 14 in; Sarah Sedwick
Modesto Canyon Morning, Elizabeth Bartlett Culp, oil on canvas, 16 x 20 in; Elizabeth Bartlett Culp
Seaside, Laurel Daniel, oil, 30×40 in; Laurel Daniel

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Artist Spotlight: George Van Hook

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George actively painting en plein air
Following college, George travelled through France, Italy and Holland making numerous paintings “en plein air”. This is still his practice today.

How did you get started and then develop your career?
George Van Hook: I began painting at a very early age, my sister (one year older than me) is also a professional artist, so we spent a great deal of time painting together as kids. That just naturally flowed into my becoming an artist, and I have never done anything else. I was fortunate enough to be surrounded by many others who had similar ambitions, and over time the professional aspect of my career developed.

How do you find inspiration?
George Van Hook: I have never sought out “inspiration”. I think that if you’re committed to being an artist, you find it everywhere. The real joy of following this path is having your inner feelings mirrored by the external world, and being able to marry them into a work of art.

To see more of George’s work, visit:
www.georgevanhookfineartist.com

oil painting of overlooking rugged terrain of mountians and hills, with trees flowing through; houses in the middle
George Van Hook, “Elysium,” 30 x 40in., oil on linen
oil painting of woman reading inside, surrounded by light coming through the windows
George Van Hook, “At the Window,” 30 x 24in., oil on linen

Art Museum Grand Opening: Have You Reserved Your Ticket?

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Arkansas Museum Fine Arts Courtyard entrance; image credit Tim Hursley
Courtyard entrance; image credit Tim Hursley

Art Museum Grand Opening > The Arkansas Museum of Fine Arts (AMFA) has revealed the exhibitions and site-specific commissions slated for its grand reopening on April 22, 2023. The oldest and largest cultural institution of its kind in Arkansas, AMFA has reimagined its building and 11-acre campus in downtown Little Rock. Former President Bill Clinton joined AMFA’s leadership team and Little Rock Mayor Frank Scott Jr. for the New York announcement at The Pool at the Seagram Building in Manhattan.

“My predecessor as governor, Winthrop Rockefeller, was right to call the Arkansas Museum of Fine Arts ‘more than a museum,'” said President Clinton. “I’m thrilled that with this transformation, visitors from around the corner and around the globe will enjoy a world-class facility in the heart of Little Rock. This project is such a great model of public/private cooperation – for small cities and big cities alike – and I’m grateful to everyone who came together to make it possible.”

AMFA’s new 133,000-square-foot building will house its permanent and international collection of 14,000 works of art dating to the 14th century.

Art Museum - Degas pastel painting of ballerinas
From the collection: Edgar Hilaire Germain Degas (Paris, France, 1834 – 1917, Paris, France), “Danseuse bleue (Avant la classe, trois danseuses) [Blue Dancer (Before Class, Three Dancers)],” 1886 – 1890, pastel on paper, 21 1/4 x 19 3/4 in., On loan from the Jackson T. Stephens Charitable Trust for Art.
The opening permanent collection installation at the art museum will showcase some of it’s most significant works – including drawings by Signac, Marin, and O’Keeffe and rare paintings by Rivera and Elaine de Kooning – and the “Drawn to Paper” art museum exhibition will illustrate the depth of AMFA’s holdings of 20th century American and European works on paper.

The reopened AMFA will also feature site-specific commissions by contemporary artists Anne Lindberg and Natasha Bowdoin; a special exhibition of the work of Chakaia Booker; and the Museum’s New Media Gallery featuring the animated video Tears of Chiwen by Beijing-based artist Sun Xun. Comprised of new acquisitions and loans by artists such as Elias Sime, Ryan RedCorn, LaToya Hobbs, and Oliver Lee Jackson, the banner inaugural exhibition at the art museum, “Together,” is a celebration of art that explores our connectedness to each other and the natural world.

Nigerian art
On view: Toyin Ojih Odutola (Ilé-Ifẹ̀, Nigeria, 1985 – ), “Picnic on the Grounds,” 2017 – 2018, pastel, charcoal, and graphite on paper, 69 1/2 x 50 1/4 in., Arkansas Museum of Fine Arts Foundation Collection: Given in honor of the Grand Opening of the Reimagined Arkansas Museum of Fine Arts, April 22, 2023, Harriet and Warren Stephens. 2023.001. © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York.

For more details, please visit arkmfa.org.

View more art museum announcements here at FineArtConnoisseur.com.

Landscapes by Kathleen Hudson at Cole Gallery

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landscapes - "Aspens," 36x36, oil, by Kathleen Hudson
"Aspens," 36x36, oil, by Kathleen Hudson

Colorado treasure Kathleen Hudson applies an inspired visual intelligence to landscapes, seascapes, and waterfalls, almost mystically capturing their centuries-old history and beaming it into our present moment.

"Sunbreak," 24x30, oil, by Kathleen Hudson
“Sunbreak,” 24×30, oil, by Kathleen Hudson

Hudson’s landscapes are on view at Cole Gallery (Edmonds, Washington) through May 2, 2023.

"Morning Light," 20x24, oil, by Kathleen Hudson
“Morning Light,” 20×24, oil, by Kathleen Hudson

More from the gallery:

Newly welcomed to Cole Gallery from her seat in Colorado Springs, Kathleen gathers the majestic natural forces around her and scatters them over and through her paintings.

"Mountain Sunset," 18x24, oil, by Kathleen Hudson
“Mountain Sunset,” 18×24, oil, by Kathleen Hudson

Artist’s Statement

The landscape has always been my chief source of artistic inspiration. I love to capture sweeping views of rugged terrain, shimmering waves, and dramatic atmospherics. According to my family, I began painting as soon as I was old enough to hold a brush. Oils became my favored medium during middle school when I painstakingly copied several of John Singer Sargent’s works. I enjoyed an unconventional upbringing and traveled broadly, exploring new terrain and—notably—dozens of art museums. Viewing awe-inspiring places like Yosemite, the Wye Valley in Wales, and Niagara Falls left me with a desire to recreate some of these scenes on canvas.

To this day I try to evoke that same childhood sense of wonder in my landscapes. My paintings represent specific places and moments in time: the brief point during a sunrise when the sun fills the air with an ethereal golden glow; a break in a storm where light pierces through heavy clouds; or the sight of glacial runoff sending waterfalls down the side of a mountain wreathed in fog.

Scenes like this are real, but because my paintings highlight rare moments of particular beauty, they tread a fine line between the “real” and the otherworldly.

What makes a landscape otherworldly or sublime?

The short answer: light and atmospheric movement.

A mountain may become more than just a mountain when you stand beneath it and watch the sunlight dance across its slopes’ jagged contours. You listen to the wind whistle overhead as it enters rock crevices and rushes downward; moments later, you feel its breath across your face. The same atmospheric forces that make the mountain arrestingly beautiful—moving light, air, clouds—envelop you, too. You become part of the landscape. It is then that the mountain becomes part of a visual drama that can awaken something within you, filling you with wonder and even longing.

When I envision a new painting, I focus on points of shifting light and atmosphere in the scene. To me, these are the source of a landscape’s beauty: the things that make us stop and look before continuing on our way. ~Kathleen Hudson (kathleenbhudson.com)

"Dusk Over the Sea," 24x36, oil, by Kathleen Hudson
“Dusk Over the Sea,” 24×36, oil, by Kathleen Hudson

Let Kathleen Hudson teach you how to paint beautiful landscapes:

View more artist and collector profiles here at FineArtConnoisseur.com.

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