Opening this week is an important group exhibition featuring many of the world’s most accomplished marine painters. Get the list of participating artists and a preview here.

On view now through March 20 at Quidley & Company in Naples, Florida, is a fantastic group exhibition of “Marine Masters.” A popular subject among historical and contemporary artists, there seems no end to the sea’s majesty, serene beauty, and terrific chaos.

Sergio Roffo, “A Foggy Calmness,” 2017, oil on canvas, 18 x 30 in. © Quidley & Company 2017
Sergio Roffo, “A Foggy Calmness,” 2017, oil on canvas, 18 x 30 in. © Quidley & Company 2017
William R. Davis, “Cruising off Boston Lightship,” 2014, oil on canvas, 24 x 36 in. © Quidley & Company 2017
William R. Davis, “Cruising off Boston Lightship,” 2014, oil on canvas, 24 x 36 in. © Quidley & Company 2017
Michael Keane, “On the Prowl,” 2014, oil on canvas, 20 x 36 in. © Quidley & Company 2017
Michael Keane, “On the Prowl,” 2014, oil on canvas, 20 x 36 in. © Quidley & Company 2017
Tim Thompson, “Atlanta and Constitution at Sandy Hook,” 2016, oil on canvas, 34 x 48 in. © Quidley and Company 2017
Tim Thompson, “Atlanta and Constitution at Sandy Hook,” 2016, oil on canvas, 34 x 48 in. © Quidley and Company 2017

Among others, participating artists include Montague Dawson, John Stobart, Tim Thompson, Michael Keane, Shane Michael Couch, Terry Bailey, William Davis, and James Buttersworth.

To learn more, visit Quidley & Company.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster
Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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