Artists Showplace in Dallas, Texas, is overjoyed to currently be hosting an exhibition of large-scale watercolor works by an accomplished Chinese master. You won’t believe how beautiful they are.

Watercolor is a painting medium that seems perfectly designed for capturing fleeting moments or impressions. Whether an old man caught in a moment or the drifting reflections of light on water, Chinese master Stephen Zhang seems to capture it all during his latest solo exhibition in Dallas this month.

Stephen Zhang, “Stone Road,” watercolor on paper, 36 x 48 in. © Stephen Zhang 2017
Stephen Zhang, “Stone Road,” watercolor on paper, 36 x 48 in. © Stephen Zhang 2017
Stephen Zhang, “Bayou,” watercolor on paper, 66 x 30 in. © Stephen Zhang 2017
Stephen Zhang, “Bayou,” watercolor on paper, 66 x 30 in. © Stephen Zhang 2017

On view now through March 4, “Flow” presents a number of Zhang’s large-scale watercolors with a diverse range of subjects. Zhang grew up in China, and his style and creative process are very much influenced by traditional Eastern watercolor. Even so, the artist’s works are also informed by contemporary arts. Via the gallery, “In his large-scale watercolors, artist and creative director Stephen Zhang freezes fleeting moments: an old man caught in the moment or intriguing light deep in the forest. On the subtle level, Zhang hints at the grave concern that the current state of nature may change permanently, and he builds the portraits with layers of stories and emotions.”

To learn more, visit Artists Showplace.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.


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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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