The Guild of Boston Artists recently announced its upcoming exhibition and event schedule through December, including a tantalizing exhibition of new landscapes by acclaimed painter Dennis Sheehan.
Drawing largely from the 19th-century Barbizon School, painter Dennis Sheehan is known for creating poetic landscapes that are widely in demand. His paintings can be found all across the United States and abroad in both public and private collections, including in the White House.

Dennis Sheehan, “Blue Nocturne,” oil, 16 x 23 in. (c) Susan Powell Fine Art 2015

Opening on November 7 at the Guild of Boston Artists is a solo exhibition of the most recent landscapes by Sheehan, an event in which attendees can meet the artist himself and, for the right price, add an original to their own collection. Moreover, the “engaging speaker” — as the guild asserts — will offer a demonstration and discussion on November 21.

Dennis Sheehan, “Distant Meadows,” oil, 30 x 40 in. (c) Susan Powell Fine Art 2015

Sheehan’s landscapes often display a bygone and rural America untouched by development and industry. Pastoral in their subject matter, his paintings also display an expressiveness of touch that engages the surface and actively pulls audiences in.

Dennis Sheehan, “October Gold,” oil, 20 x 32 in. (c) Susan Powell Fine Art 2015

“Dennis Sheehan” opens on November 7 and will be on view through November 28.
To learn more, visit The Guild of Boston Artists.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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