“Back to You”
20 x 30 in.

Private collection


“Art is Life and Mathematics is Beauty”

About the Artist:
“This painting captures the solitude and ephemeral quality of my experience in Acadia National Park in Maine. This piece was completed in my studio, from one of my photographs that I had taken on a trip there a number of years back and I didn’t have a chance to paint en plein air.”


Jennifer paints in various mediums – but is most at home outside with nature and oil paint. She is a fourth-generation Colorado native and has degrees in engineering and mathematics.  


Jennifer is a board member of Plein Air Artists of Colorado (PAAC) and member of the American Impressionist Society, Women Artists of the West,  and Oil Painters of America.  Jennifer has studied under Kevin Wechbach, Doug Dawson, and others.  She has won numerous awards in local and national exhibitions. She is currently exhibiting her work at the Framed Image in Denver.               


“I prefer painting from life – en plein air. Painting is exploring and discovering, healing and learning, admiring and preserving. As a painting takes on its own voice, it becomes a living experience with each brushstroke a breath toward its creation. I love to paint and I hope that my artwork communicates the experiences that I have and captures the very essence of the beautiful world through my eyes and interpretation.”  

Jennifer is currently showing at:

Framed Image, 5066 E. Hampden Ave, Denver, CO 80222


(303) 692-0727  

Hours:  Tues-Fri 10:00-5:30, Sat 10:00-5:00

See more of Jennifer’s work at www.artofsunshine.com.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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