“Les Femmes De Limoges” by Leah Lopez

“Les Femmes De Limoges”
Oil on linen
28 in. x 22 in.

Leah Lopez, a woman of talents and a heart of passion, has turned many corners in her 38 years. In every instance the artist within comes charging through. In 2007, she moved to New York City to see what lay in store for a young abstract realist, developing a body of still life in the chiaroscuro manner.  It’s nine years later, and her passion for chiaroscuro still life is stronger than ever. What’s more is it’s been spilling over into works figurative art that carry the same drama, mystique and narrative.

Among other interests is Leah’s dedication to a growing number of individuals wanting to learn how to incorporate beautiful artwork and creativity into their own lifestyle. Leah feels strongly about community and shows this by supporting art organizations that offer valuable opportunities for artists today and work diligently to keep the torch lit for generations to come. These are organizations such as, the Salmagundi Club of New York and American Women Artists, where she was recently recognized with the title, Master Signature Artist, an honor reserved for an elite class of professional artists.

Next month, from May 12–June 24, all will have a chance to see the Featured Artwork, “Les Femmes De Limoges”, in person when it is on display at the Oil Painters of America 26th National Juried Exhibition. This year, the show is being held in Cincinnati, Ohio, at the Eisele Gallery of Fine Art. The show’s reception is on May 12th from 6:00-9:00 PM.

Keep an eye on what’s in store for Artist, Leah Lopez, in year ten!

Leah Lopez Fine Art

New York, New York

[email protected]



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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.



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