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Artist to Watch: Polina Barskaya

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Ukrainian artist Polina Barskaya, "Morning in Florence," 2023, acrylic on panel, 24 x 30 in., Monya Rowe Gallery (New York City)
Polina Barskaya, "Morning in Florence," 2023, acrylic on panel, 24 x 30 in., Monya Rowe Gallery (New York City)

There is a lot of superb contemporary realism being made these days; this article by Brandon Rosas shines light on a Ukrainian artist.

In a world obsessed with the next big thing, Ukrainian artist Polina Barskaya (b. 1984) dares to reclaim the dignity of the ordinary. Her intimate, diaristic explorations of family life examine and elevate the small moments that make up our everyday lives, challenging the Instagram-centric notions of presentability that prevail in modern society.

Born in Cherkassy, Ukraine, Barskaya has spent most of her life in Brooklyn’s Brighton Beach neighborhood. From an early age, visiting museums was a regular part of Barskaya’s life, as was calling herself an artist. She made her calling official as an adult by earning a B.A. in art from Hunter College and then an M.F.A. from Pratt Institute’s School of Design.

Barskaya based her early paintings on photographs taken by family members but soon began taking her own photos for greater control of the creative process. “I have always felt most honest when working on something that I know well,” says Barskaya of her autobiographical subject matter. “I like being able to work on something so intimate and personal, but at the same time, these are images that people can really recognize and see themselves in.”

Indeed, it is Barskaya’s unvarnished honesty that makes her paintings so relatable. In “Morning in Florence,” Barskaya’s husband gazes up from the end of a messy hotel bed, his chin resting on a hand that holds what appears to be a television remote. He wears patterned socks and an inquisitive expression, suggesting that he is waiting for the day’s plans to either commence or be canceled for the warmth of the covers. Who has not been in a similar situation of waiting for a family member — uncomfortably, unceremoniously, yet not impatiently?

Works such as this follow in the lineage of Pierre Bonnard and Edouard Vuillard, leaders of the early 20th-century Intimist movement that lent its name to Barskaya’s most recent solo show. Like these masters, Barskaya brings unassuming scenes to life with elaborate detail and carefully selected colors, but she also layers in a psychological tension that feels very much of our time.

Polina Barskaya, "Caffe Polizano, Winter," 2023, acrylic on panel, 24 x 30 in.
Polina Barskaya, “Caffe Polizano, Winter,” 2023, acrylic on panel, 24 x 30 in.

Barskaya’s works do not overwhelm with drama or spectacle but instead invite us to slow down and spend time with them, as one might with a cherished family member.

Follow Polina Barskaya’s works on Instagram here.


Attention Art Collectors!
May 20-22, 2025: Visit the Plein Air Convention & Expo’s robust pop-up art gallery at the Nugget Casino Resort in Reno, Nevada, where hundreds of artists, including our master faculty, will have studio and plein air works on display and ready to purchase. Register for the full event at PleinAirConvention.com now.

Perfect Pairing: Aristides and Putnam

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Paintings for Sale - Lori Putnam (b. 1962), "Weekend at the Cape," 2025, oil on linen on panel, 20 x 24 in.
Lori Putnam (b. 1962), "Weekend at the Cape," 2025, oil on linen on panel, 20 x 24 in.

Fine Art Paintings for Sale > LeQuire Gallery is set to host an exhibition of recent works by two of America’s leading artists, teachers, and authors — Juliette Aristides of Seattle and Lori Putnam of Charlotte, Tennessee. Their paintings of landscapes, built environments, and interiors reflect distinct approaches — Putnam inclines toward impressionism and Aristides toward realism — though each has a unique artistic voice that eludes classification.

At a Glance:
INSIDE/OUT: NEW WORK FROM JULIETTE ARISTIDES & LORI PUTNAM
LeQuire Gallery
Nashville, Tennessee
lequiregallery.com
March 25–May 31, 2025

Juliette Aristides (b. 1971), "Studio Corner," 2024, oil on panel, 28 x 22 1/2 in.
Juliette Aristides (b. 1971), “Studio Corner,” 2024, oil on panel, 28 x 22 1/2 in.

“Typically,” explains LeQuire Gallery director Elizabeth Cave, “I wouldn’t pair different genres within the same exhibition, but the subject matter, in particular Aristides’s interiors and Putnam’s exteriors, represents what I consider to be signature themes for each artist. Combining them was an intriguing thought.” (Aristides is also exhibiting a series of 9 x 12 inch drawings inspired by the great Victorian draftsman and critic John Ruskin.)

Putnam notes, “Since I was a little girl, I have pondered the lives of the families and individuals who live in the houses I pass by, imagining their stories, what games they played, their conversations, and their struggles, if any. Each window holds a glimpse of a life I’ll never know. Their existence feeds my curiosity about human experiences and how their day-to-day life is the center of their universe, as mine is to me. There is something beautifully mysterious about the idea that so many lives are unfolding in those walls, all of which remain a world apart from me.” Putnam has published “So Far,” a book of her paintings with stories and sketches, including contributions from the distinguished artists Scott L. Christensen, Quang Ho, Kevin Macpherson, and Dawn Whitelaw, as well as the scholar Jean Stern.

In her 2016 book, “Lessons in Classical Painting,” Aristides observed, “We have all experienced moments of eye-catching beauty, when even the least artistic among us are flooded with a sense of visual wonder. Yet, such moments are rare. The necessity of day-to-day living means that our sight is mainly used for negotiating life, rather than meditating on its beauty.” Aristides explores beauty further in her brand-new book, “The Inner Life of the Artist: Conversations from the Atelier.” In it, she argues that by engaging the senses and diving into direct experiences, artistic practice nurtures our humanity, offering a counterbalance to the flattening effects of digital technology.

Both artists’ publications will be available for purchase during the exhibition’s run at LeQuire. Check the gallery’s website for updates on book signings and panel discussions.


Attention Art Collectors!
May 20-22, 2025: Visit the Plein Air Convention & Expo’s robust pop-up art gallery at the Nugget Casino Resort in Reno, Nevada, where hundreds of artists, including our master faculty, will have studio and plein air works on display and ready to purchase. Register for the full event at PleinAirConvention.com now.

View more fine art gallery exhibitions here at FineArtConnoisseur.com.

Virtual Gallery Walk for March 21st, 2025

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

Break of Day- Channel Islands, Marian Fortunati, oil on linen panel, 20 x 24 in; Marian Fortunati

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Miles Cleveland Goodwin: “Beautiful Dying Man”

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There is a lot of superb contemporary realism and figurative art being made these days; this article by Allison Malafronte shines light on a gifted individual.

figurative art - Miles Cleveland Goodwin (b. 1980), "Beautiful Dying Man," 2023, oil on linen, 24 x 18 in., Valley House Gallery (Dallas)
Miles Cleveland Goodwin, “Beautiful Dying Man,” 2023, oil on linen, 24 x 18 in., Valley House Gallery (Dallas)

Few artists have the gumption to explore such weighty topics as death, destitution, and decay, but these are concepts about which Georgia-based painter Miles Cleveland Goodwin (b. 1980) has much to say. With a B.F.A. in painting and printmaking from Portland’s Pacific Northwest College of Art, and many years of additional self-education and practice, Goodwin paints in a contemporary realist manner sometimes compared to Southern Gothic, the literary genre focused on the shadowy, scarred side of Southern culture and history. He brings a heightened level of awareness and philosophical pondering to subjects some artists are afraid to touch.

Born and raised in the South, Goodwin can also put pen to paper to create another kind of artistry; we can detect a preoccupation with darkness and death even in his poetic descriptions of his upbringing. “My painting was born in the cypress swamps of Mississippi, where I was conceived, under a white heron’s wing and a drunken parade,” his artist’s statement declares.

“The stories of slaves and farming, the seasons burning with colors and feelings, that resignation to the idea we were different. I found it later on the bottom of the Chattahoochee River, floating by a bible and a dream. Those brown waters against the warmth of fall leaves would ignite my love for expressionism and poetry.”

He continues, “The American South is hauntingly beautiful; it could supply a person novels, paintings, and songs for eternity. In winter the mountains were on fire with white. White against dark wiry cedars, against the black of my paint. And in the summer endless patches of Queen Anne’s lace, chimney swifts flying just below the old train bridges, the shimmer of brown trout at the surface of the cold river waters. In fall the maples melted between the old brick and wood of abandoned churches. I could start to hear mice in the walls, horses in their stalls fattening up, a whisper of death.”

One of Goodwin’s paintings is the eerily compelling “Beautiful Dying Man” (shown above). Many of his works explore old age and isolation, and here an elderly man figures prominently, this time — we gather from the title — on the brink of death. In Goodwin’s depictions, passing on is a struggle and strain, one that strips us of dignity and humanity.

The man here is naked, and his posture suggests resignation and dejection. To his left is a dog, likely a longtime companion, who seems to be sleeping or dead, and there is a shadowy man lurking in the mirror; one would assume the spirit of death. Why then does Goodwin call him a beautiful dying man if no indication of hope is entertained? As in many of his creations, there is thought-provoking irony in the dichotomy and parallels he sets up and asks us to consider.

Connect with the artist and see more of his figurative art at www.milesclevelandgoodwin.com.


Attention Art Collectors: View more artist and collector profiles and figurative art here at FineArtConnoisseur.com.

Happening Now: The Inaugural Acrylic Live

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Happening Now: Acrylic Live Online Art Conference

For artists, art lovers, and collectors: Watch and interact with world-renowned artists as they demonstrate their skills at the inaugural Acrylic Live online art conference, March 26-28, 2025, with an Essential Techniques Day on March 25.

Learn how to paint with acrylics

Acrylic Live 2025

Watch and interact with acrylic teachers such as Anne Blair Brown, Aimee Erickson, Jed Dorsey, Kevin Macpherson, and many more, hosted by Publisher Eric Rhoads, PleinAir Magazine Editor-in-Chief Kelly Kane, and Charlie Easton!

Acrylic Live faculty

This is an experience this amazing event from the place where you are at your most comfortable and creative such as your own home or studio — no need to spend on travel, hotels. Each ticket tier includes several replay options so you can watch the demos again and again!

Artists, you’ll be able to ask questions, paint along, and quickly learn methods and techniques that took these painters decades to master — all thanks to their exceptional teaching skills.

PAINT ALONG & COCKTAIL HOURS!
Join Eric Rhoads, Charlie Easton, Faculty Members, & the other attendees each night for an intimate virtual paint along & cocktail hour… right over Zoom!

Learn more about Acrylic Live here and register today.

View fine art auctions and sales here at FineArtConnoisseur.com.

Virtual Gallery Walk for February 7th, 2025

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Friday Virtual Gallery Walk

As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.

In The Shadows, Melissa Hefferlin, oil, 62.75 x 51.25 in; Melissa Hefferlin & Daud Akhriev Exhibition

Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.

Browse by the Month: Art Exhibitions, Auctions, and More

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Fine Art Today

Fine Art Today brings you high-level content while providing you with timely developments, late-breaking stories, and recently announced events from the art-collecting world. Use the following links to find currently featured art exhibitions at galleries and museums.

Art Events, Auctions, Exhibitions, and More:

Click the month below to find out what’s happening this year. We’re always adding new events, so bookmark this page and visit regularly.

Be sure to sign up for the Fine Art Today newsletter here so you don’t miss our weekly updates.

Enchanted Colors 2025: Pastel Paintings from PSNM

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pastel paintings for sale - Lin Boucher, "Rio Rancho Roper," pastel, 16 x 20 in.
Lin Boucher, "Rio Rancho Roper," pastel, 16 x 20 in.

The Pastel Society of New Mexico’s 2025 “Enchanted Colors Exhibition” will be held at the Millicent Rogers Museum in Taos, New Mexico. There will be a display of 66 pastel paintings exhibited by fine artists from across the USA, with the majority of them being from New Mexico and immediately surrounding States.

Paul Murray, "Consequences," pastel, 18 x 20 in.
Paul Murray, “Consequences,” pastel, 18 x 20 in.

More from the organizers:

Taos, a wonderful art community, has been host to our exhibition for now, going on its fifth year and we enjoy our relationship with the organizers and administrators of this great museum. The show will display works in two spacious gallery rooms.

pastel paintings for sale - Sarah Blumenschein, "If a Still Life Had a Party," pastel, 18 x 24 in.
Sarah Blumenschein, “If a Still Life Had a Party,” pastel, 18 x 24 in.

The jurors of acceptance are Bruce A. Gomez, William Schneider, and Marie Tippets. The jurors “sculpt” the exhibition while the judge grants awards to several of the finest works. The Judge of Awards will be Lisa Gleim. Numerous Cash and Sponsor Awards are expected to total more than $10,000 in value.

pastel paintings - Marilyn Drake, "Best Man," pastel, 14 x 11 in.
Marilyn Drake, “Best Man,” pastel, 14 x 11 in.

The exhibition will run from March 22 – June 1, 2025 with the Gala Opening Celebration and Awards Ceremony held on Saturday, March 22. Additionally, there will be a Virtual Interactive Online Exhibition with 56 additional painting images by the artists who requested to have their works displayed “Digitally Only” showing all of the paintings in their relative sizes.

Learn more about “Enchanted Colors” here.


Attention Art Collectors!
May 20-22, 2025: Visit the Plein Air Convention & Expo’s robust pop-up art gallery at the Nugget Casino Resort in Reno, Nevada, where hundreds of artists, including our master faculty, will have studio and plein air works on display and ready to purchase. Register for the full event at PleinAirConvention.com now.

Browse more western art here at FineArtConnoisseur.com.

March 26 Art Auction: A Reception in the Harem

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Art Auction - John Frederick Lewis (1804–1876), "A Reception in the Harem," 1873, watercolor and bodycolor on paper, 29 x 41 in., estimate £650,000–£850,000
John Frederick Lewis (1804–1876), "A Reception in the Harem," 1873, watercolor and bodycolor on paper, 29 x 41 in.

Upcoming Art Auction > Only rarely does an extraordinary Orientalist watercolor appear on the market, and now that time has come. Painted in 1873 by the Englishman John Frederick Lewis, “A Reception in the Harem” has been in a private U.S. collection since 1961, when the current owner bought it from a London dealer. It has never been seen publicly since, and can now be visited by appointment at Bonhams London, which will offer it at auction on March 26, 2025.

JOHN FREDERICK LEWIS’S “A RECEPTION IN THE HAREM”
Bonhams, London
bonhams.com

In her catalogue essay, scholar Emily Weeks says this is a larger version of Lewis’s oil painting now at the Yale Center for British Art in New Haven, Connecticut. Lewis was a master in both oil and watercolor, renowned then and now for jewel-like color and intricate detail. Weeks adds that Lewis “perfected an idiosyncratic approach to watercolor that could rival oil painting in the intensity of its hues (achieved through mixing watercolor pigments with Chinese white)” and in its precise brushstrokes, making it appear as “finished” and laboriously executed as an oil. Blessed with such talents, Lewis “systematically produced two nearly identical versions” of every major scene, one in each medium.

Britons’ fascination with the daily lives of fashionable women in Middle Eastern harems grew from the 18th century onward. The reclining figure on the blue divan at the scene’s center is Lewis’s wife, Marian, and her ornate surroundings were inspired by the reception room of their Cairo home. The Lewises lived in the Egyptian capital for 10 years, and in 1846, no less a tourist than the novelist William Makepeace Thackeray envied Lewis’s “dreamy, hazy, lazy, tobaccofied life” there.

Before it came to America in 1961, this watercolor was owned by a series of well-known connoisseurs and ogled at well-attended exhibitions in 1878, 1887, 1891, and 1898. Because it may go right back into a private collection on March 26, art lovers visiting London this winter are strongly encouraged to go see it at Bonhams.


Attention Art Collectors!
May 20-22, 2025: Visit the Plein Air Convention & Expo’s robust pop-up art gallery at the Nugget Casino Resort in Reno, Nevada, where hundreds of artists, including our master faculty, will have studio and plein air works on display and ready to purchase. Register for the full event at PleinAirConvention.com now.

View artist and collector profiles here at FineArtConnoisseur.com.

The Influence of Artist Richard Schmid

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RICHARD SCHMID (1934–2021), Nancy, 1991, oil on linen, 20 x 16 in.
RICHARD SCHMID (1934–2021), "Nancy," 1991, oil on linen, 20 x 16 in.

Hendricks Live!, a new performing and fine arts center in Plainfield, is hosting the exhibition “The Influence of Artist Richard Schmid.” Original works by Schmid loaned by private collectors are on view with paintings created by the Indiana artist Libby Whipple, who counts Schmid as her greatest mentor. During his six-decade-long career, Schmid inspired thousands of artists and won acclaim for the more than 3,000 landscapes, still lifes, and figurative works he painted.

In 2000, Richard Ormond, grand-nephew of John Singer Sargent and the premier authority on his ancestor’s art, presented Schmid with the American Society of Portrait Artists’ John Singer Sargent Medal. Ormond has written, “The principles of painting from life have been well mastered by Richard. He can translate what he sees into pictorial form with great panache. His fluent and incisive brushwork brings to life his chosen subjects with veracity and immediacy. You feel you are there in the picture, so convincingly alive is the space, so tactile the surfaces. Wizardry with the brush can sometimes rebound on the head of the painter. Success is attributed to technical facility, not to deeper artistic impulses…. Richard knows better than anyone that mastery of the medium is not the end of the story, though without it an artist is lost. Perception, feeling, imagination, these are the things that stamp a work of art and open the mind and soul of the spectator.”

Details at a Glance:
“The Influence of Artist Richard Schmid”
Plainfield, Indiana
hendrickslive.org
through April 9, 2025

View more fine art gallery exhibitions here at FineArtConnoisseur.com.

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