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Nature’s Layers Through Abstraction

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Michael Kessler, “Aftermath(16),” acrylic on panel, 20 x 20 in. © Ann Korologos Gallery 2017

He’s been researching this topic using paint, brush, and canvas for many years, and his latest results are sure to intrigue at this fantastic Colorado gallery.

On view now through March 15 at Ann Korologos Gallery in Basalt, Colorado, “Michael Kessler: Nature in Layers” is a tantalizing exploration of spatial perception in nature through the use of abstraction.

Kessler says, “I began by painting landscapes, but through prolonged and careful observation, it was the inner dynamics of the natural world that grasped my attention … I began to sensitize myself to the processes that were responsible for the appearance of the natural world like sedimentation and erosion. Gradually, my painting took on these characteristics.”

Michael Kessler, “Whitegrove(1),” acrylic on panel, 60 x 60 in. © Ann Korologos Gallery 2017
Michael Kessler, “Whitegrove(1),” acrylic on panel, 60 x 60 in. © Ann Korologos Gallery 2017

The gallery adds,Kessler is known for creating large-scale panels that reference forest and stream, bringing the outdoors inside in a fresh way. His abstractions complement modern architecture especially well and can be found in many contemporary homes across the U.S. He will discuss his work, influences, and process at the opening reception in a brief artist talk with Q&A.”

To learn more, visit Ann Korologos Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Impressive Knife-work

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Lynn Boggess, “17 February 2017,” oil on canvas, 40 x 34 in. © EVOKE Contemporary 2017

Viewers will be left in awe during a solo exhibition of large-scale works by a painter who uses only a series of palette knifes. Once you step into his creative world, it’s hard to get out!

EVOKE Contemporary gallery in Santa Fe, New Mexico, is proud to host a major solo exhibition of new works by renowned painter Lynn Boggess. Apart from conveying an incredible eye for color and shadow, the works of Boggess have a stunning degree of texture — created through the use of his primary tool: the palette knife.

Via the gallery: “Lynn Boggess’ subjects reflect the diverse nature of West Virginia and its flora. Boggess draws the viewer into the deeply receding spaces of his images. The pictures, devoid of human or animal habitation, focus on Nature, free of the influence of human activity. Boggess compels the viewer to contemplate each scene in turn, and finally the cycle of scenes: the lapse of hours; the alternating character of the rocks, of the trees and of the land; the turn of season. The paintings themselves become the spaces they portray.

“In many large and small ways, Boggess’ paintings reflect the entire tradition of landscape painting. When asked what major influences or past movements might have left their imprint, Boggess says that whatever images he might be studying at the time provide the nexus for his own work. Indeed, the viewers will find suggestions of the Romantics, the Luminists, the Impressionists, and the Expressionists. Yet, the artist does not set out to make his works conform to a preconceived style; rather, he melds the tradition and his own experience into a way of seeing and a style in landscape painting which is uniquely his own.

“Stylistically reflective of European and American landscape painting, Boggess’ work transcends the pitfall of betraying his predecessors and forges, in its place, an art of resolution and contemplation. Nature has been acknowledged in his work and accepted for what it has to offer in the way of healing and beauty. That last concept — beauty — is a loaded word in an age of art which often gives us truth with all its flaws and warts, or with the sophistication of irony, which is all-too-often uncomfortable with the idea that beauty is definable, desirable, or even necessary.

“Boggess’ work cuts through such specious queries to a plainer truth: that beauty simply is — an unavoidable irrefutable fact of the natural world. In their unhedging presentation of this fact, Boggess’ paintings offer solace and respite, even to the most casual of viewers, just as do the original locations in Nature which were his impetus.”

Works by Lynn Boggess will be on view at EVOKE through March 25. To learn more, visit EVOKE Contemporary.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Collect an Ocean of Talent

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Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017

Through this spring in San Diego, lovers of fine realism will discover a number of great artworks during a huge group exhibition at this well-known gallery.

Featuring the works of nearly 40 accomplished artists, “Edge of the Ocean” is a large group exhibition at San Diego’s Sparks Gallery that’s a must-see. Along with some photography, the show largely features realist paintings of maritime subjects and seascapes. More specifically, show curators asked artists to create works inspired by the San Diego coastline.

Bruce Swart, “Blacks Beach at High Tide,” watercolor, 28 1/2 x 34 1/2 in. © Sparks Gallery 2017
Bruce Swart, “Blacks Beach at High Tide,” watercolor, 28 1/2 x 34 1/2 in. © Sparks Gallery 2017

Via the gallery, “The works on view include oil and acrylic paintings, watercolor, sculpture, photography, and more. On opening night, refreshments and appetizers will be served and the wine sale proceeds will benefit Sports for Exceptional Athletes.

Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017
Stefanie Bales, “Sirens,” acrylic and ink, 40 x 30 in. © Sparks Gallery 2017

“Artists on view include Li Huai, an educator at UCSD (whose work deals with issues related to East-West cultural interaction), Stefanie Bales, who teaches Art and Design classes at Platt College (whose mixed-media paintings celebrate feminine serenity in seascapes and landscapes), and Sherry Krulle-Beaton, who holds an Environmental Design degree along with her art studies (whose work is representative of expressionist and abstracted elements of nature). Iconic San Diego scenes (photographs on metal) by Jon Barnes, and Roy Kerckhoffs’ selectively hand-colored ocean scenes will also be on view.”

To view the full list of participating artists, visit Sparks Gallery.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Monet Before Impressionism

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Claude Monet, “Still Life with Flowers and Fruit,” 1869, oil on canvas, 39 1/2 x 32 in. © J. Paul Getty Museum 2017

San Francisco’s Legion of Honor will be the first U.S. institution to host a comprehensive exhibition delving into the formative years of Impressionist Claude Monet (1840-1926). Details here!

An exhibition slated to open on Saturday, February 25 in San Francisco is truly a once-in-a-lifetime opportunity. Known for his major contribution to the rise of plein air painting and Impressionism in the late 19th century, Claude Monet also produced a robust body of work that formed the initial phase of his career.

Claude Monet, “The Porte d’Amont, Étretat,” circa 1868-1869, oil on canvas, 31 1/8 x 38 3/4 in. © Harvard Art Museums 2017 PLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.
Claude Monet, “The Porte d’Amont, Étretat,” circa 1868-1869, oil on canvas, 31 1/8 x 38 3/4 in. © Harvard Art Museums 2017

“Monet: The Early Years” features some 60 paintings produced during a radical period of experimentation for Monet between 1858 and 1872. “In this period,” the museum reports, “the young painter developed his unique visual language and technique, creating striking works that manifested his interest in painting textures and the interplay of light upon surfaces.”

Particularly interesting about these selected works is the tightness with which they were painted — an intriguing contrast to Monet’s more recognizable and canonical Impressionistic works. Further, these works show Monet’s willingness to explore genres that are less common in his later works, including still life, portrait, and genre scenes.

Claude Monet, “The Pointe de La Hevé at Low Tide,” 1865, oil on canvas, 35 1/2 x 59 1/4 in. © Kimbell Art Museum 2017
Claude Monet, “The Pointe de La Hevé at Low Tide,” 1865, oil on canvas, 35 1/2 x 59 1/4 in. © Kimbell Art Museum 2017

“Monet: The Early Years” will be on view through May 29. To learn more, visit the Legion of Honor.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Are We in the .ART Age?

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.Art logo © .Art 2017

The 1990s were considered the (dot)COM age, but are we about to move into the (dot)ART age? Recent tech news emerging this week suggests we might be on the brink of a new artistic age in the domain world.

On February 14, 2017, the .art web domain announced its first successful attempts to make the domain available across the art world. “Firstly, .art is about identity” Ulvi Kasimov, chairman and founder of .Art, suggested. “A .art address says, ‘I firmly belong in the art world.’ Our ambition is for .art to be a signifier of community, of belonging to, and identifying with, the art universe.”

Things haven’t run smoothly at the outset — not because of technical issues, but rather due to an overwhelming volume of name requests. The overload temporarily shutdown the domain to increase its capacity. To say .Art has hit the ground running would be an understatement, as they have already sold hundreds of .art addresses in well over 38 countries worldwide. Among the newest additions are several museums, brands, artists, and galleries. “One major category is organizations that have the word ‘art’ in a current domain name with another major zone (e.g.: .com, .org, .fr) and they shorten their domain from galleryart.com to gallery.art as an example,” the company states.

Among the notable institutions moving to the .art domain include the Louvre Museum with Louvre.art, ArtMarket.art, the National Museum of Women in the Arts with NMWA.art, and Sotheby’s with Sothebys.art. Many more are on the way!

If you’re interested in exploring acquisition of an .art domain, visit art.art.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

How to Trick Your Senses

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Sarah Lamb, “Pomegranates & Earthenware,” oil on linen, 17 x 26 in. © Sarah Lamb 2017

Cakes, fruits, flowers, cheeses, and more. Can you taste it? What about the aroma? Your mind just might play tricks with you during a breathtaking showcase of still life talent at Meredith Long & Company.

Using her keen eye for detail, color, and texture, painter Sarah Lamb is stimulating all of the body’s senses during her latest solo exhibition in Houston, Texas. On view at Meredith Long & Company this February are about eight beautiful works by Lamb.

Composed and set in a traditional way, Lamb’s paintings present treats for the eyes, nose, and mouth using pigment, brush, and support. Among her tantalizing subjects are juicy pomegranates, a lush bouquet of multi-colored flowers, Ladurée Macarons with a glass of milk, and a mouth-watering slice of raspberry cake.

You’ll barely be able to contain yourself! To learn more, visit Meredith Long & Company.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Paine Lands Masterworks Through May

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Craig Blietz, “Pedium,” 2016, oil and acrylic on linen, 35 x 62 in. © Paine Art Center and Gardens 2017

Located in Oshkosh, Wisconsin, the Paine Art Center and Gardens are in celebration after recently opening a stunning exhibition of paintings by an accomplished painter who’s no stranger to Fine Art Connoisseur magazine. Will you recognize this Midwestern talent?

On view now through May 28 at the Paine Art Center and Gardens is a brilliant showcase of recent paintings by Craig Blietz. A Door County native, Blietz has established national renown for his lovely paintings of farm animals and rural landscapes, “which celebrate the dignity and quiet beauty of agrarian life,” the Paine says. “This exhibition features a selection of new works by Blietz, reflecting the inspiration he gleans from the serene landscapes and noble depictions of animals created by nineteenth-century French Barbizon School artists, many of whom are represented in the Paine’s permanent collection.”

To learn more, visit the Paine Art Center and Gardens.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

50 Shades of Flowers

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Lewis Bryden, “Sunflower,” 2016, oil on canvas, 15 1/2 x 13 1/2 in. © R. Michelson Galleries 2017

A colorful array of floral paintings will bring warmth and a hint of spring to your winter this month at R. Michelson Galleries. Who’s the well-known painter? Much more is just one click away!

Do you miss the ribbons of color that characterize the sudden burst of life at the beginning of the spring season? If so, we’ve got an exhibition worth your time. On view through February 28 at R. Michelson Galleries in Northampton, Massachusetts, “Flowers in February” is a great showcase of recent plein air works by painter Lewis Bryden.

While the prototypical plein air painting features vast landscapes and a deeper sense of space, Bryden focuses his artistic lens close to his subjects. Featuring some 16 colorful works, “Flowers in February” will bring a hint of spring to your winter months!

Lewis Bryden, “Crocosmia,” 2016, oil on canvas, 16 x 14 in. © R. Michelson Galleries 2017
Lewis Bryden, “Crocosmia,” 2016, oil on canvas, 16 x 14 in. © R. Michelson Galleries 2017

Speaking about his recent artistic journeys, Bryden says, “I began thinking in a new way about painting outdoors: Why not have a very close focus of interest in a plein air painting? Also, what could be better than being outdoors and getting the colors of flowers in their always changing natural light?

“So, about three years ago I started this series of plein air flower paintings. There are some precedents, such as Monet’s ‘Poppy Field’ and some Impressionists’ garden studies. However, most flower painting I’ve seen is of cut flowers, in a vase in an artists’ studio, under north light. This struck me as a chance to try a new approach.

“Of course, I can’t paint flowers outside during the winter months — but that’s when we miss them the most. Hence, ‘Flowers in February.’”

To learn more, visit R. Michelson Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

Go To The Circus And Play With Yourself

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Georges Seurat (1859-1891), “Circus Sideshow,” 1887-1888, oil on canvas, © MET 2017

New York City is poised to open a fun exhibition this weekend featuring works by Georges Seurat (1859-1891). Details here!

Visitors to New York’s Metropolitan Museum of Art this spring will be treated to a colorful and fun circus-themed exhibition featuring more than 100 paintings, drawings, prints, period posters, instruments, and illustrated journals. “Seurat’s Circus Sideshow” opens on February 17 and continues through May 29 and — as its title suggests — centers around a stunning pointillist masterwork by Georges Seurat (1859-1891) called “Circus Sideshow (Parade de cirque).”

Via the museum, “‘Circus Sideshow’ is one of only a half-dozen major figure compositions that date to Seurat’s short career. More compact in scale and more evocative in expression than his other scenes of modern life — which he regarded as ‘toiles de lutte’ (canvases of combat) — the painting effectively announced the Neo-Impressionist’s next line of attack on old guard turf, signaling a shift in focus away from the sunlit banks of the Seine to the heart of urban Paris. ‘Circus Sideshow’ initiated a final trio of works devoted to popular entertainment and led the fray as the first to tackle a nighttime setting with the benefit of his innovative technique, alternatively called pointillism or divisionism (the former term emphasizing the dotted brushwork, the latter, the theory behind separating, or dividing, color into discrete touches that would retain their integrity and brilliance). It was his singular experiment in painting outdoor, artificial illumination. The result is disarming. In relying on his finely tuned approach to evoke the effects of ethereal, penumbral light in this evening fairground scene of the Corvi Circus troupe and their public at the Gingerbread Fair in Paris, Seurat produced his most mysterious painting. From the time it debuted at the Salon des Indépendants in Paris in 1888, it has unfailingly intrigued, perplexed, and mesmerized its viewers. Seurat’s closest associates, seemingly dumbstruck, largely confined their spare remarks to its novelty as a ‘nocturnal effect.’ The laconic artist never mentioned the picture.”

Also included in the show are works by Pablo Picasso, Fernand Pelez, and the great caricaturist Honoré Daumier. To learn more, visit the MET.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

It’s Not Too Late, Or Is It?

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Steve Devenyns, “In the Yellowstone,” oil, 8 x 16 in. © Settlers West 2017

Although the official auction has passed, there’s still time to see a magnetic show of American miniatures in Tucson, Arizona — and dozens of brilliant paintings to be had.

Well over 200 artists participated in this year’s American Miniatures exhibition and sale at Tucson’s Settlers West Galleries. Although the official auction was held on February 11, many of the works are still available at tantalizing prices.

To view a full list of available works and find out how to acquire them, visit Settlers West Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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