A beautiful array of fresh landscape paintings by this female master are currently hanging through February 28 in an esteemed Southwest gallery. They are “instantly recognizable for their clarity and depth,” the gallery writes. Will you be a lucky viewer?

Trailside Galleries in Scottsdale, Arizona, is pleased to be currently showcasing a number of outstanding new landscapes by Dinah Worman. Titled “Perspectives,” the solo show is a continuation of Worman’s “exploration into stacked landscape compositions as well as works that give the viewer an up-close perspective of what lies within the landscape,” the gallery reports. “Light filters through the trees and streams and between the clouds. [Worman] is able to retain this vitality because she is continually renewing her vision.”

Dinah Worman, “Cows in Show,” 2016, oil on canvas, 40 x 40 in. © Trailside Galleries 2017
Dinah Worman, “Cows in Show,” 2016, oil on canvas, 40 x 40 in. © Trailside Galleries 2017

Discussing her work, Worman notes, “I work to press beyond method and into a flow of creative instinct; using pastel, oil, acrylic, or printmaking to express myself with unusual compositions and expanding vision.”

Dinah Worman, “Arrangement of Barns VI,” 2016, oil on canvas, 30 x 24 in. © Trailside Galleries 2017
Dinah Worman, “Arrangement of Barns VI,” 2016, oil on canvas, 30 x 24 in. © Trailside Galleries 2017

“Dinah Worman: Perspectives” opened on February 1 and will continue through February 28. To learn more, visit Trailside Galleries.

This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster
Andrew Webster is the Editor of Fine Art Today and works as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.

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