As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.
Late Summer Morning, Jean Schwartz, oil on linen, 24 x 30 in; NOAPS Best of America exhibition; Principle Gallery, Alexandria, VA, 8.11-9.10, 2023
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A Goodnight Story, C.M. Cooper, oil on canvas panel, 9.5 x 15 in; C.M. Cooper
Arroyo Grove, c. 1940s, Sam Hyde Harris, Oil on masonite panel, 16 x 20 in; American Legacy Fine Arts
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Pressure #1, 2016, Jan Anders Nelson, oil on canvas, 40 × 60 in; 33 Contemporary
Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.
Jill Stefani Wagner working on an oil painting in her “RiverStone” Series in her studio
How did you develop your style? Jill Stefani Wagner: When I started painting again after 25 years of running my advertising agency, I was fixated on having my own “style,” but had no idea how to accomplish it. My mentor told me not to worry about that saying, “your style will come to you as you continue to paint.” She suggested that I paint one subject that I really loved 25 times.
I chose to paint river stones and learned to capture that subject well. I also discovered that I didn’t have to put “everything” in one painting, because I could explore other ideas in the next piece. Her advice started me on a life-long path of creating works in a series which I still do to this very day.
What is the best part of being an artist? Jill Stefani Wagner: I love the pure joy of creating in pastel and oil. Yes, there’s lots of marketing, and traveling, and dealing with galleries and exhibitions and festivals and workshops and…. But I wake up every morning in total gratitude thinking “I get to paint today!”
Jill Stefani Wagner, “Taking the High Road,” oil on linen, 12 x 16 in., 2021. Available at Castle Gallery, Fort Wayne, INJill Stefani Wagner, “Still Waters,” pastel on board, 24 x 20 in., 2021. Available at J. Petter Galleries, Douglas, MI
Timothy Horn (Fairfax, California), “French Curve,” oil, 36 x 48 in.
We’d like to congratulate Timothy Horn of Fairfax, California, for winning Overall First Place in the June 2023 PleinAir Salon, judged by artist Peggy Immel.
“’French Curve’ is a stunning example of a painting that tells, in the most compelling fashion, the story of someone admiring a classic car,” juror Peggy Immel explained. “I love the slight halation and subtle greys of the person’s shadow against the buttery yellow of the car’s fender. The luscious curves of the car’s chrome hubcaps and front bumper inspire the painting’s title and complete the story by reflecting a tiny image of the car’s admirer. It’s a great painting.”
About Timothy Horn:
Timothy Horn was born and raised in the small town of Yellow Springs, Ohio, and graduated from the Cooper Union School of Art in New York City, with a focus in graphic design. After finishing school, he worked at several design firms in New York before moving to San Francisco, where he continued to work as a designer. Timothy took his first painting class on a whim, followed by another, and within a year he knew he had found his calling. He began painting more and more, and doing less and less graphic design until the fall of 2006 when he closed his design business entirely.
He now paints full-time and lives in the small town of Fairfax, California, where he is drawn to the everyday scenes of the rural areas in the Bay Area — the old buildings that have evaded development, the workings of ranch life, the old cars and trucks that continue on, or sometimes simply the play of light and shadow. Timothy wants to create paintings that tell his story, that express his observations, from his point of view.
His work has won numerous awards, has been featured in several magazines, and was on the cover of Southwest Art in 2012. He participates in several annual group shows, and is currently represented by five galleries. Every year, Timothy teaches 4 – 5 painting workshops around the country and abroad. He is an Artist Member of the California Art Club, and a Signature Member of the Oil Painters of America.
“When judging a show, the first thing I look for are paintings that stand out in some way visually from the other paintings,” Peggy added. “An artist’s responsiveness to the subject and a strong emotional component or a unique point of view are qualities that winning paintings always have. And of course, excellent technique and strong composition as well as an honest use of the artist’s chosen medium are crucial elements.”
About the PleinAir Salon:
In the spirit of the French Salon created by the Academie des Beaux-Arts in Paris, this annual online art competition, with 11 monthly cycles, leading to the annual Salon Grand Prize winners, is designed to stimulate artistic growth through competition. The competition rewards artists with $50,000 in cash prizes and exposure of their work, with the winning painting featured on the cover of PleinAir Magazine.
Winners in each monthly competition may receive recognition and exposure through PleinAir Magazine’s print magazine, e-newsletters, websites, and social media. Winners of each competition will also be entered into the annual competition. The Annual Awards will be presented live at the next Plein Air Convention & Expo.
The next round of the PleinAir Salon has begun so hurry, as this competition ends on the last day of the month. Enter your best art in the PleinAir Salon here.
The Frist Art Museum presents “Beatrix Potter: Drawn to Nature,” the first exhibition to tell the broader life story of the beloved English author and illustrator. Organized by London’s Victoria and Albert Museum—home to the world’s largest collection of Potter’s artworks—the exhibition will be on view through September 17, 2023.
In the classic children’s storybook The Tale of Peter Rabbit, published by Frederick Warne & Co., along with a further 22 children’s books that comprise the Complete Collection, Potter imagined an enchanting world of animals and gardens. She became one of the most successful author-illustrators of the 20th century and also defied expectations for women of her time by engaging in scientific studies, farming, and land conservation.
Presented in a playful and colorful family-friendly installation, “Drawn to Nature” features rarely seen objects, including personal letters, photographs, books, diaries, decorative arts, sketches, and watercolors that explore the inspirations behind Potter’s stories and characters. The engaging in-gallery interpretation text includes special labels designed for children. Two cozy carpeted areas in the galleries—one with oversized flowerpots and another with giant spools of thread for seats—invite guests to read Potter’s stories surrounded by her drawings and watercolors.
The presentation at the Frist is complemented by experiential learning activities in the Martin ArtQuest® Gallery, including writing illustrated letters, drawing objects found in gardens, playing in a puppet theater, and creating animations with flora and fauna.
Based on scholarship about Potter’s life and work, the exhibition reveals that her books emerged from her passion for nature and were just one of her major legacies. “From storyteller to natural scientist and conservationist, Beatrix Potter lived a truly remarkable and multifaceted life,” says Frist Art Museum senior curator Trinita Kennedy. “Through interactive features, video, and engaging prompts in every gallery, this exhibition invites guests of all ages to explore the full breadth of Potter’s work and life.”
Born in 1866, Helen Beatrix Potter lived in the same London townhouse until she was 47 years old. She and her younger brother kept dozens of pets, including rabbits named Benjamin and Peter, bats, birds, lizards, mice, snakes, a dog named Spot, and a hedgehog named Mrs. Tiggy, which would inspire Potter’s art and storytelling. “Potter was educated at home by governesses and was encouraged to draw, paint, and study natural history through books, museum visits, and direct observation,” writes Kennedy. “She collected fossils, insects, plants, and rocks, and used a microscope to make hundreds of detailed drawings of her specimens. Around the age of twenty, Potter developed a special interest in mycology, the study of fungi. She might have pursued a career as a professional scientist, had more pathways been open to women in the 19th century.”
Before her literary career began, Potter created and sold greeting cards, the first of which featured her own pet rabbit, Benjamin. She was also in the practice of writing entertaining letters to children that were embellished with drawings, and in her mid-thirties, she turned some of her letters into books. By the time she found a suitable publisher for her stories, Frederick Warne & Co. (today an imprint of Penguin Random House), in 1902, Potter had enough ideas that she released approximately two books a year until 1913. “She took great interest in all aspects of the design of her books, including the cover art, typefaces, end pages, and format,” writes Kennedy. “She was even particular about their size. Always attuned to her audience, she wanted small books for little hands.”
The Tale of Peter Rabbit has never been out of print since it was first published by Frederick Warne & Co. in 1902 and has sold more than 46 million copies globally. Today, more than two million of her “little books” are sold every year, while Peter Rabbit has appeared on books and merchandise in more than 110 countries.
Using royalties from her first books, she purchased the thirty-four-acre Hill Top Farm in the Lake District of northern England in 1905. The property includes a 17th-century house, an orchard, and a garden Potter nurtured. The Lake District serves as the setting for The Tale of Squirrel Nutkin, The Tale of Tom Kitten, and The Tale of Mrs. Tiggy Winkle. Peter Rabbit is a recurring character in some of her animal fables.
As part of her efforts to preserve the natural beauty and agricultural way of life in the Lake District, Potter acquired more property there. Between 1913 and 1930, she published only four books and turned her attention to rural pursuits. When she died at age 77 in 1943, she left Britain’s National Trust over four thousand acres and fourteen working farms—the largest bequest the charity had ever received. Today, her farms remain in operation, and Herdwick sheep, an ancient breed she helped to thrive, still graze in the hills and valleys of the Lake District.
“We hope this exhibition will inspire natural scientists, conservationists, and farmers as well as artists and storytellers,” says Annemarie Bilclough, Frederick Warne Curator of Illustration at the V&A. “Potter’s story shows that through talent, passion, and perseverance, life can take unexpected twists and turns and great things can grow from inconsequential beginnings.”
Lynn Weiler Liverton (b. 1964), "Imiloa," 2021, cast bronze on walnut base, 13 x 10 x 15 in.
National Sculpture Society @ Brookgreen Gardens
Pawleys Island, South Carolina nationalsculpture.org and brookgreen.org
Through October 22, 2023
The National Sculpture Society (NSS) is set to host its annual exhibition of recent work by its talented members. This show will again grace Brookgreen Gardens, which became America’s first public sculpture park in 1931, when it was founded by the sculptor Anna Hyatt Huntington and her philanthropist husband, Archer Huntington.
On view will be works in diverse styles created by the Society’s Fellows, Elected Members, and Associates. The jury of selection chose just 41 works out of the 352 submitted; that hard-working panel included Fellows Michael Aaron Hall and Louise Peterson, as well as Jeremiah William McCarthy, chief curator at Pennsylvania’s Westmoreland Museum of American Art.
All of the exhibiting artists are eligible for more than $18,000 in cash awards, which will be announced on October 21 when the People’s Choice Award is revealed. Sixteen prize-winning works will then move to NSS’s Manhattan gallery, where they will be on view November 20 through January 26, 2024.
The NSS promotes excellence in sculpture that is inspired by the natural world. In 1893, such founding members as Daniel Chester French, Augustus Saint-Gaudens, and Stanford White established the society to “spread the knowledge of good sculpture.” For 130 years, its members have created, exhibited, collected, and supported the evolving tradition in American sculpture. Today, its offerings include not only the annual exhibition, but also Sculpture Review magazine, the SculptureNews e-bulletin, an annual Sculpture Celebration conference, scholarships, grants, and competitions.
Farley Lewis (b. 1961), "Spring Reverie," 2022, acrylic on panel, 16 x 20 in., exhibited in the 2022 edition of Best of America
National Oil & Acrylic Painters’ Society (NOAPS) Best of America National Juried Exhibition
Principle Gallery in Alexandria, Virginia noaps.org and principlegallery.com
August 11–September 10, 2023
This summer, NOAPS will present its 33rd Best of America National Juried Exhibition at Principle Gallery. On view will be 135 works created by artist members living around the world.
The opening week will kick off with a demonstration by NOAPS member Tony D’Amico. Other activities will include a plein air competition and “wet paint sale,” followed on August 10 by a gallery review led by NOAPS president Pat Tribastone and master artist Hebe Brooks.
As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.
Chamisa & Red Hills, Lee McVey, pastel, 9 x 12 in; Lee McVey
Morning Has Broken; Rocky Point, Carmel, California, Michael Godfrey, Oil on canvas, 24 x 36 in; American Legacy Fine Art
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Mudra, First leaping weightless ballet dancer of 800 lbs, Elizabeth MacQueen, Bronze, Stainless Steel, Wrapped Sheet Bronze, Marble, 9 x 9 x 4 in; Elizabeth MacQueen
Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.
How do you describe success? Aida Garrity: For me success has come in different ways. I feel that I have been successful on working hard to improve my art over the years. This has been validated by the acceptance of my art into national shows and by my collectors’ acquisition of my paintings for them to enjoy in their homes with family and friends. It gives me a great joy to see their faces of joy and admiration when they receive the paintings.
What is the best thing about being an artist? Aida Garrity: The best thing about being an artist is to be able to see in detail the beauty of the world around us. We are very fortunate to be able to elevate our souls to that level of sensitivity that is so difficult to explain in simple words. There is a beautiful quote from Whistler’s preach and it reads as follows: “…as music is the poetry of sound, so is painting the poetry of sight.”
Peter swift, “Nine Cubic Inches of Maryland Dirt”, acrylic on canvas, 48 by 48 in., available through the artist
Peter Swift: I am trying to convey the fragility of nature. A small clump of grass, dirt, roots and flowers floats alone in an endless black void.
A circle of dead leaves floats in a black void. Many of my paintings feature circles, because I believe that the human brain has a deep psychological connection to circles.
Peter swift, “Five Cubic Inches of Maryland Dirt”, acrylic on canvas, 20 by 20 in., available through the artistPeter swift, “Tulip-Poplar Leaves”, acrylic on canvas, 48 by 48 in., available through the artist
As part of our effort to continue to help artists and art galleries thrive, we’re proud to bring you this week’s “Virtual Gallery Walk.” Browse the artwork below and click the image itself to learn more about it, including how to contact the gallery.
Awaken, Maria Marino, Conte crayon on Somerset paper,15 x 22 in; Maria Marino
Want to see your gallery featured in an upcoming Virtual Gallery Walk? Contact us at [email protected] to advertise today. Don’t delay, as spaces are first come, first served, and availability is limited.
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