Cavalier Galleries has assembled a fine exhibition of Maritime and Nautical themed art that will interest both art appreciators and Maritime history buffs.  

Press Release: “A wonderful selection of fine art paintings, photographs, and sculpture have been brought together to create a compelling online exhibition that celebrates the beauty and nostalgia of Maritime history, classic ships and other things nautical.  The exhibition is on view for the months of July and August and all works are for sale.

“Cavalier Gallery is well known for its fine and extensive collection of contemporary Maritime art and this exhibition does not disappoint.  The show features over 50 works of art by some of the world’s best known Maritime modern masters, as well as some historic works.  Featured painters include Nicholas Berger, Anthony Blake, Donald Demers, Maarten Platje, Robert Stark, William Storck, John Terelak, Stephen Scott Young, Louis Guarnaccia, William Storck, Don Stone, and Li Xiao. 

“Additional work by sculptor Kent Ullberg, and photographer Michael Kahn compliment the show beautifully – and historical works by artists Elisha Taylor Baker (1827-1890), John Eastman (1824-1906), William John Huggins (1781-1845),  Hayley Lever (1876-1958), and Frederick Waugh (1861-1940) truly transport you to another time.  

““Maritime Masters” can be viewed online at between July 4th and August 31st.    Many of the works included in this online exhibition are also currently on view in our galleries. Please contact your preferred location for additional details or to schedule an appointment to view the work.”

To learn more, visit Cavalier Galleries.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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