The hypnotic paintings of June Stratton will grace the walls of Robert Lange Studios during the month of April.
Featuring over 20 works from the accomplished painter June Stratton, “Interplay: Beauty Observed” is a captivating solo exhibition at the delightful Robert Lange Studios in Charleston, South Carolina.

June Stratton, “Flutter,” oil and silver on linen, 18 x 14 in. (c) Robert Lange Studios 2016

Opening April 1, the show will display a new collection of paintings from Stratton that explore subjects and imagery that have fascinated the artist throughout her career. Stratton stated, “What I like about this new collection of paintings is that I’m able to integrate many subjects I have a fondness for painting and have been drawn to throughout my career. Landscapes, flora and fauna have long been favorite subjects since I was a small child. I am using a bit of surrealism to incorporate the natural world that surrounds me with the figurative work I’ve been painting for many years.”

June Stratton, “Palm,” oil and silver leaf, 30 x 40 in. (c) Robert Lange Studios 2016

Stratton’s work is absolutely enchanting. Using oil paints and silver leaf, Stratton creates a multilayered surface that invigorates one’s perceptions and experience of the pictures. Gallery owner and director Robert Lange says, “There is a romantic, almost cinematic quality to June’s work. She has a way of easily orchestrating a complex painting. Even though many of the works are figurative, each painting has a unique narrative seamlessly interwoven into the composition.”
“Interplay: Beauty Observed” opens on April 1 and will be on view through the end of the month. To learn more, visit Robert Lange Studios.
This article was featured in Fine Art Today, a weekly e-newsletter from Fine Art Connoisseur magazine. To start receiving Fine Art Today for free, click here.

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Andrew Webster is the former Editor of Fine Art Today and worked as an editorial and creative marketing assistant for Streamline Publishing. Andrew graduated from The University of North Carolina at Asheville with a B.A. in Art History and Ceramics. He then moved on to the University of Oregon, where he completed an M.A. in Art History. Studying under scholar Kathleen Nicholson, he completed a thesis project that investigated the peculiar practice of embedded self-portraiture within Christian imagery during the 15th and early 16th centuries in Italy.


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